Cantatas BWV 140 y 147 / La Pasión según San Mateo

~ Release by Bach; The English Baroque Soloists, The Monteverdi Choir, John Eliot Gardiner (see all versions of this release, 2 available)

Annotation

Libro-disco de la colección "Gran selección Deutsche Grammophon"

Tracklist

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1▼CD
#	Title	Artist	Length
1	Wachet auf, ruft uns die Stimme BWV 140: Chorale "Wachet auf, ruft uns die Stimme" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler oboe: Richard Earle (in 1990-03) and Anthony Robson (in 1990-03) choir vocals: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	6:17
2	Wachet auf, ruft uns die Stimme BWV 140: Recitative (tenor) "Er kommt, er kommt, der Bräut'gam kommt" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler tenor vocals: Anthony Rolfe Johnson (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Anthony Rolfe Johnson (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	0:51
3	Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Wann kömmst du, mein Heil?" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler bass vocals: Stephen Varcoe (in 1990-03) soprano vocals: Ruth Holton (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Alison Bury (in 1990-03), Ruth Holton (in 1990-03) and Stephen Varcoe (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	5:32
4	Wachet auf, ruft uns die Stimme BWV 140: Chorale (tenors) "Zion hört die Wächter singen" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler violin: Shlomo Mintz (in 1990-03) choir vocals [tenors]: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	3:49
5	Wachet auf, ruft uns die Stimme BWV 140: Recitative (bass) "So geh herein zu mir" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler bass vocals: Stephen Varcoe (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Stephen Varcoe (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Bass) "So geh herein zu mir" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	1:25
6	Wachet auf, ruft uns die Stimme BWV 140: Aria / Duet (soprano, bass) "Mein Freund ist mein! Und ich bin dein!" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler bass vocals: Stephen Varcoe (in 1990-03) soprano vocals: Ruth Holton (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Ruth Holton (in 1990-03), Anthony Robson (in 1990-03) and Stephen Varcoe (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Sop, Bass) "Mein Freund ist mein" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) composer: Johann Sebastian Bach (in 1731) part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	5:05
7	Wachet auf, ruft uns die Stimme BWV 140: Chorale "Gloria sei dirgesungen" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen" (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1731-11-25) lyricist: Philipp Nicolai composer: Johann Sebastian Bach (in 1731) part of: Breitkopf 389 Choralgesänge (number: 329) is based on: Wachet auf, ruft uns die Stimme part of: Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"	Johann Sebastian Bach	1:45
8	Herz und Mund und Tat und Leben BWV 147: Chorus "Herz und Mund und Tat und Leben" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Crispian Steele‐Perkins (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	4:00
9	Herz und Mund und Tat und Leben BWV 147: Recitative (tenor) "Gebenedeiter Mund!" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler tenor vocals: Anthony Rolfe Johnson (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Anthony Rolfe Johnson (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	1:44
10	Herz und Mund und Tat und Leben BWV 147: Aria (countertenor) "Schäme dich, o Seele, nicht" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler countertenor vocals [alto]: Michael Chance (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Michael Chance (in 1990-03) and Anthony Robson (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	3:14
11	Herz und Mund und Tat und Leben BWV 147: Recitative (bass) "Verstockung kann Gewaltige verblenden" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler bass vocals: Stephen Varcoe (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Stephen Varcoe (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	1:34
12	Herz und Mund und Tat und Leben BWV 147: Aria (soprano) "Bereite dir, Jesu, noch itzo die Bahn" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler soprano vocals: Ruth Holton (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Alison Bury (in 1990-03) and Ruth Holton (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	4:29
13	Herz und Mund und Tat und Leben BWV 147: Chorale "Wohl mir, dass ich Jesum habe" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: Monteverdi Choir (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Crispian Steele‐Perkins (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:29
14	Herz und Mund und Tat und Leben BWV 147: Aria (tenor) "Hilf, Jesu, hilf, dass ich auch dich bekenne" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler tenor vocals: Anthony Rolfe Johnson (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Anthony Rolfe Johnson (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	3:16
15	Herz und Mund und Tat und Leben BWV 147: Recitative (countertenor) "Der höchsten Allmacht Wunderhand" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler countertenor vocals [alto]: Michael Chance (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Michael Chance (in 1990-03), Richard Earle (in 1990-03) and Anthony Robson (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:16
16	Herz und Mund und Tat und Leben BWV 147: Aria (bass) "Ich will von Jesu Wundern singen" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler bass vocals: Stephen Varcoe (in 1990-03) orchestra: English Baroque Soloists (in 1990-03) conductor: Sir John Eliot Gardiner (in 1990-03) performer: Crispian Steele‐Perkins (in 1990-03) and Stephen Varcoe (in 1990-03) balance engineer: Ulrich Vette recorded at: St. Andrews Church in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) composer: Johann Sebastian Bach (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:33
17	Herz und Mund und Tat und Leben BWV 147: Chorale "Jesus bleibet meine Freude" executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: The Monteverdi Choir (in 1990-03) orchestra: The English Baroque Soloists (in 1990-03) conductor: John Eliot Gardiner (in 1990-03) performer: Crispian Steele‐Perkins (in 1990-03) balance engineer: Ulrich Vette phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1992) recorded at: St. Andrewʼs Church, Fontmell Magna in Dorset, England, United Kingdom (in 1990-03) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1990-03) premiered in: Leipzig, Sachsen, Germany (on 1723-07-02) lyricist: Martin Janus (in 1665) composer: Johann Sebastian Bach (in 1723) part of: Classic 100: Piano (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach	2:31

2▼CD
#	Title	Artist	Length
1	St. Matthew Passion: I. Chorus „Kommt, ihr Tochter, helft mir klagen“ recording engineer: Klaus Behrens executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler editor: Werner Roth and Ulrich Vette choir vocals: London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (in 1988-04) orchestra: The English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) chorus master: Patrick Russill (in 1988-04) balance engineer: Ulrich Vette phonographic copyright (℗) by: Deutsche Grammophon GmbH (in 1989) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	7:05
2	St. Matthew Passion: III. Chorale „Herzliebster Jesu, was has du verbrochen“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: Monteverdi Choir (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1988-04) lyricist: Johann Heermann composer: Johann Sebastian Bach librettist: Picander part of: Breitkopf 389 Choralgesänge (number: 166) part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	0:44
3	St. Matthew Passion: VI. Aria (alto) „Buss und Reu“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler mezzo-soprano vocals [alto]: Anne Sofie von Otter (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	4:16
4	St. Matthew Passion: VIII. Aria (soprano) „Blute nur, du liebes Herz“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler soprano vocals: Ann Monoyios (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	4:46
5	St. Matthew Passion: XXVII. Chorale „Ich will hier bei dir stehen“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: Monteverdi Choir (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: Sir John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	0:55
6	St. Matthew Passion: XX. Aria (tenor) „Ich will bei meinem Jesu wachen“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04) tenor vocals: Howard Crook (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) chorus master: Patrick Russill (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	4:57
7	St. Matthew Passion: XXII. Recitative (bass) „Der heiland fallt vor seinim Vater nieder“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler baritone vocals [bass]: Olaf Bär (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	0:54
8	St. Matthew Passion: XXIII. Aria (bass) „Gerne will ich mich bequemen“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler baritone vocals [bass]: Olaf Bär (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	4:03
9	St. Matthew Passion: XXV. Chorale „Was mein Gott will, das g’scheh allzeit“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: Monteverdi Choir (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Breitkopf 389 Choralgesänge (number: 342) part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	0:59
10	St. Matthew Passion: XXXIX. Aria (Alto): „Erbarme dich, mein Gott“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler countertenor vocals: Michael Chance (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1988-04) orchestrator: Ton Koopman composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach	6:43
11	St. Matthew Passion: XLII. Aria (bass) „Gebt mir meinen Jesum wieder“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler bass vocals: Cornelius Hauptmann (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach	2:55
12	St. Matthew Passion: XLVI. Chorale „Wie wunderbarlich ist doch diese Strafe“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: Monteverdi Choir (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1988-04) lyricist: Johann Heermann composer: Johann Sebastian Bach librettist: Picander part of: Breitkopf 389 Choralgesänge (number: 167) part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach	0:41
13	St. Matthew Passion: LII. Aria (alto) „Konnen Tranen meiner Wangen“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler mezzo-soprano vocals [alto]: Anne Sofie von Otter (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach	6:44
14	St. Matthew Passion: LXV. Aria (bass) „Mache dich, mein Herze, rein“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler bass vocals: Cornelius Hauptmann (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach	5:59
15	St. Matthew Passion: LXVII. Recitativo (soprano, alto, tenor, bass) „Nun ist der Herr zur Ruh gebracht“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler baritone vocals [bass]: Olaf Bär (in 1988-04) choir vocals: London Oratory Junior Choir (in 1988-04) and Monteverdi Choir (in 1988-04) mezzo-soprano vocals [alto]: Anne Sofie von Otter (in 1988-04) soprano vocals: Barbara Bonney (in 1988-04) tenor vocals: Howard Crook (in 1988-04) orchestra: English Baroque Soloists (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) chorus master: Patrick Russill (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach	1:37
16	St. Matthew Passion: LXVIII. Chorus „Wir setzen uns mit Tränen nieder“ recording engineer: Klaus Behrens sound engineer and balance engineer: Ulrich Vette executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler instruments and orchestra: English Baroque Soloists (in 1988-04) choir vocals: London Oratory Junior Choir (in 1988-04) and The Monteverdi Choir (in 1988-04) conductor: John Eliot Gardiner (in 1988-04) chorus master: Patrick Russill (in 1988-04) recorded at: Snape Maltings Concert Hall in Suffolk, England, United Kingdom (in 1988-04) recording of: Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1988-04) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach	5:05

Credits

Release

part of:	Gran Selección (number: 4) (order: 4)

Discogs:	https://www.discogs.com/release/2597698 [info]

Discogs