Messiah

~ Release by Handel; Trinity Choir, Trinity Church Orchestra, Owen Burdick (see all versions of this release, 1 available)

Tracklist

| |

1▼CD
#	Title	Artist	Length
1	Messiah: No. 1. Overture assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 1. Symphony (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	3:39
2	Messiah: Part One: Scene One: No. 2. Arioso for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	3:08
3	Messiah: Part One: Scene One: No. 3. Air for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	3:41
4	Messiah: Part One: Scene One: No. 4. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	2:36
5	Messiah: Part One: Scene Two: No. 5. Recitative for Bass assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian bass vocals: James Martin (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	1:22
6	Messiah: Part One: Scene Two: No. 6. Air for Bass assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian bass vocals: James Martin (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	4:19
7	Messiah: Part One: Scene Two: No. 7. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 7. Chorus “And he shall purify” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	2:22
8	Messiah: Part One: Scene Three: No. 8. Recitative for Alto assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian alto vocals: Andrea Saposnik (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	0:27
9	Messiah: Part One: Scene Three: No. 9. Air for Alto and Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian alto vocals: Andrea Saposnik (from 1996-05-05 until 1996-05-12) choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 9. Air “O Thou that tellest good tidings to Zion” (Alto, Chorus) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	5:33
10	Messiah: Part One: Scene Four: No. 10. Arioso for Bass assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian bass vocals: Robert McLoud (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	1:54
11	Messiah: Part One: Scene Four: No. 11. Air for Bass assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian bass vocals: Robert McLoud (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	George Frideric Handel	3:47
12	Messiah: Part One: Scene Four: No. 12. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	4:06
13	Messiah: Part One: Scene Four: No. 13. Pifa (Pastoral Symphony) assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	3:07
14	Messiah: Part One: Scene Five: No. 14a. Recitative and No. 14b. Arioso for Soprano assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian soprano vocals: Bethany Hodges (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	0:36
15	Messiah: Part One: Scene Five: No. 15. Recitative for Soprano assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian soprano vocals: Bethany Hodges (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	George Frideric Handel	0:37
16	Messiah: Part One: Scene Five: No. 16. Arioso for Soprano assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian soprano vocals: Bethany Hodges (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	George Frideric Handel	0:16
17	Messiah: Part One: Scene Five: No. 17. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	1:57
18	Messiah: Part One: Scene Six: No. 18. Air for Soprano assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian soprano vocals: Bethany Hodges (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 18: Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	4:12
19	Messiah: Part One: Scene Six: No. 19. Recitative for Alto assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian alto vocals: Sarah Bleasdale (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 19. Recitativo “Then shall the eyes of the blind” (Contralto) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	0:29
20	Messiah: Part One: Scene Six: No. 20. Air for Alto and Soprano assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian alto vocals: Sarah Bleasdale (from 1996-05-05 until 1996-05-12) soprano vocals: Janine Ullyette (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel part of: Messiah, HWV 56: Part I	George Frideric Handel	5:25
21	Messiah: Part One: Scene Six: No. 21. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part I	George Frideric Handel	2:11
22	Messiah: Part Two: Scene One: No. 22. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	3:11
23	Messiah: Part Two: Scene One: No. 23. Air for Alto assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian alto vocals: Sarah Bleasdale (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	9:09
24	Messiah: Part Two: Scene One: No. 24. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 24. Chorus “Surely he hath borne our griefs” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:49
25	Messiah: Part Two: Scene One: No. 25. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 25. Chorus “And with his stripes” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	2:11
26	Messiah: Part Two: Scene One: No. 26. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	4:24

2▼CD
#	Title	Artist	Length
1	Messiah: Part Two: Scene Two: No. 27. Arioso for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	0:37
2	Messiah: Part Two: Scene Two: No. 28. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	2:31
3	Messiah: Part Two: Scene Two: No. 29. Recitative for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:30
4	Messiah: Part Two: Scene Two: No. 30. Air for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	George Frideric Handel	1:15
5	Messiah: Part Two: Scene Two: No. 31. Recitative for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (soprano) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	0:24
6	Messiah: Part Two: Scene Three: No. 32. Air for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 32. “But thou didst not leave His soul in hell…” (soprano) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	George Frideric Handel	2:19
7	Messiah: Part Two: Scene Three: No. 33. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	3:14
8	Messiah: Part Two: Scene Three: No. 34. Recitative for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	0:19
9	Messiah: Part Two: Scene Three: No. 35. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:32
10	Messiah: Part Two: Scene Three: No. 36. Air for Alto assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian alto vocals: Andrea Saposnik (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	3:10
11	Messiah: Part Two: Scene Four: No. 37. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:09
12	Messiah: Part Two: Scene Four: No. 38. Aria for Soprano assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian soprano vocals: Bethany Hodges (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) is based on: Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) part of: Messiah, HWV 56: Part II	George Frideric Handel	2:29
13	Messiah: Part Two: Scene Four: No. 39. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:17
14	Messiah: Part Two: Scene Five: No. 40. Air for Bass assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian bass vocals: James Martin (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	2:38
15	Messiah: Part Two: Scene Five: No. 41. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 41. Chorus “Let us Break Their Bonds Asunder” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	1:52
16	Messiah: Part Two: Scene Five: No. 42. Recitative for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part II	George Frideric Handel	0:15
17	Messiah: Part Two: Scene Five: No. 43. Air for Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel part of: Messiah, HWV 56: Part II	George Frideric Handel	1:56
18	Messiah: Part Two: Scene Five: No. 44. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	George Frideric Handel	4:04
19	Messiah: Part Three: Scene One: No. 45. Air for Soprano assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian soprano vocals: Bethany Hodges (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	5:14
20	Messiah: Part Three: Scene Two: No. 46. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	2:01
21	Messiah: Part Three: Scene Two: No. 47. Recitative for Bass assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian bass vocals: James Martin (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part III, no. 47. Recitativo “Behold, I tell you a mystery” (Bass) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	0:36
22	Messiah: Part Three: Scene Two: No. 48. Air for Bass assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian bass vocals: James Martin (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	8:26
23	Messiah: Part Three: Scene Three: No. 49. Recitative for Alto assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian alto vocals: Robert Crowe (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel part of: Messiah, HWV 56: Part III	George Frideric Handel	0:17
24	Messiah: Part Three: Scene Three: No. 50. Duet for Alto and Tenor assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian alto vocals: Robert Crowe (from 1996-05-05 until 1996-05-12) tenor vocals: Benjamin Brecher (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	1:01
25	Messiah: Part Three: Scene Three: No. 51. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	2:14
26	Messiah: Part Three: Scene Four: No. 52. Air for Soprano assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian soprano vocals: Rebekah Wilshire (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States recording of: Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	4:39
27	Messiah: Part Three: Scene Four: No. 53. Chorus assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States partial recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	3:28
28	Messiah: Part Three: Scene Four: Amen assistant recording engineer: Rich Lamb recording engineer and mixer: Leonardo Bella producer: Leonardo Bella and Owen Burdick assistant mixer: Tom Schick additional editor: Alan Tucker editor: Fred Kevorkian choir vocals: Choir of Trinity Wall Street (from 1996-05-05 until 1996-05-12) orchestra: Trinity Church Orchestra (from 1996-05-05 until 1996-05-12) conductor: Owen Burdick (from 1996-05-05 until 1996-05-12) recorded at: Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12) mixed at: Sear Sound in New York, New York, United States partial recording of: Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 1996-05-05 until 1996-05-12) composer: George Frideric Handel (in 1741) part of: Messiah, HWV 56: Part III	George Frideric Handel	5:15

Credits

Release

mastering:	Alan Tucker

mastered at:	Foothill Digital in New York, New York, United States

ASIN:	DE: B00002R16A [info]
discography entry:	https://www.naxos.com/catalogue/item.asp?item_code=8.554511-12 [info]

Messiah

Release events

Labels

Release information

Genres: (none)

Other tags: (none)

Tracklist

Credits

Release