Messiah: Part Two: Scene Five: No. 40. Air for Bass

~ Recording by James Martin, Trinity Church Orchestra, Owen Burdick

Appears on releases

#TitleLengthTrack artistRelease titleCountry/Date
Official
2.14Messiah: Part Two: Scene Five: No. 40. Air for Bass2:38George Frideric HandelMessiah
  • 1999-12 -

Relationships

assistant recording engineer:Rich Lamb
recording engineer and mixer:Leonardo Bella
producer:Leonardo Bella
Owen Burdick
assistant mixer:Tom Schick
additional editor:Alan Tucker
editor:Fred Kevorkian
bass vocals:James Martin (from 1996-05-05 until 1996-05-12)
orchestra:Trinity Church Orchestra (from 1996-05-05 until 1996-05-12)
conductor:Owen Burdick (from 1996-05-05 until 1996-05-12)
recorded at:Trinity Church in New York, New York, United States (from 1996-05-05 until 1996-05-12)
mixed at:Sear Sound in New York, New York, United States
recording of:Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 1996-05-05 until 1996-05-12)

Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)

composer:George Frideric Handel (in 1741)
later versions:Der Messias, K. 572: Teil II, Nr. 29. Aria: “Warum entbrennen die Heiden”
part of:Messiah, HWV 56: Part II (order: 19)
arrangements:Messiah, HWV 56: Part II, no. 40. Why do the nations so furiously rage together?
Messiah, HWV 56: Part II. Aria: Why Do the Nations So Furiously Rage Together? (bass)