| # | Title | Artist | Length |
|---|
| 1 | Alt-Wiener Tansweisen: No. 3: Schön Rosmarin | Fritz Kreisler | 1:51 |
| 2 | Slavonic Dance in G minor, op. 46/2- producer:
- Howard Scott and David Oppenheim
- piano:
- Alexander Zakin (on 1952-03-07, on 1952-08-08, on 1952-08-12)
- violin:
- Isaac Stern (on 1952-03-07, on 1952-08-08, on 1952-08-12)
- recorded at:
- Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1952-03-07, on 1952-08-08, on 1952-08-12)
- recording of:
- Slavonic Dance no. 1 in G minor (on 1952-03-07)
- composer:
- Antonín Dvořák (in 1878)
- arranger:
- Fritz Kreisler
- arrangement of:
- Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
| Antonín Dvořák | 2:55 |
| 3 | Waldszenen, op. 82: VII. Vogel als Prophet | Robert Schumann | 3:12 |
| 4 | Valse sentimentale, op. 51/6 | Pyotr Ilyich Tchaikovsky | 2:46 |
| 5 | Bagatelles: L'Abeille, op. 13/9 | François Schubert | 1:08 |
| 6 | Orphée et Eurydice: Mélodie | Christoph Willibald Gluck | 3:34 |
| 7 | Serenade in D major “Haffner”, K. 250 (248b): IV. Rondeau. Allegro | Wolfgang Amadeus Mozart | 6:43 |
| 8 | Sonata for Violin and Basso continuo in D major, op. 9/3: Sarabande. Largo - Tambourin. Presto | Jean‐Marie Leclair | 4:32 |
| 9 | Król Roger, op. 46: Chant de Roxane | Karol Szymanowski | 5:46 |
| 10 | Mythes, op. 30: No. 1: La Fontaine d'Aréthuse | Karol Szymanowski | 5:16 |
| 11 | L'Oiseau de feu: Berceuse | Igor Stravinsky | 3:45 |
| 12 | Sorochintsy Fair: Hopak | Modest Mussorgsky | 1:59 |
| 13 | Suite populaire espagnole: I. El paño moruno | Manuel de Falla | 2:07 |
| 14 | Suite populaire espagnole: II. Nana (Berceuse) | Manuel de Falla | 1:50 |
| 15 | Suite populaire espagnole: III. Canción | Manuel de Falla | 1:23 |
| 16 | Suite populaire espagnole: IV. Polo | Manuel de Falla | 1:12 |
| 17 | Suite populaire espagnole: V. Asturiana | Manuel de Falla | 2:36 |
| 18 | Suite populaire espagnole: VI. Jota | Manuel de Falla | 3:00 |
| 19 | Sonata for Violin and Piano: I. Lebhaft (𝅗𝅥 etwa 120) | Paul Hindemith | 2:21 |
| 20 | Sonata for Violin and Piano: II. Langsam (𝅘𝅥𝅮 etwa 80) - Lebhaft (𝅘𝅥𝅮 = 200 oder noch etwas lebhafter) - Im Zeitmaß - Langsam, wie zuerst | Paul Hindemith | 3:59 |
| 21 | Sonata for Violin and Piano: III. Fuge. Ruhig bewegt (𝅘𝅥 bis 88) | Paul Hindemith | 6:04 |