Complete Studio Recordings: The Master Takes

~ Release by Miles Davis Quintet (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleLength
1Two Bass Hit
double bass:
Paul Chambers (on 1955-10-26)
drums (drum set):
Philly Joe Jones (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
recording of:
Two Bass Hit (on 1955-10-26)
composer:
Dizzy Gillespie and John Lewis
3:42
2Ah-leu-cha
engineer:
Ray Moore (on 1955-10-26)
producer:
George Avakian
double bass:
Paul Chambers (on 1955-10-26)
drums (drum set):
Philly Joe Jones (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
recording of:
Ah-Leu-Cha (on 1955-10-26)
composer:
Charlie Parker
5:50
3Little Melonae
recorded in:
New York, New York, United States (on 1955-10-27)
producer:
George Avakian
bass:
Paul Chambers (on 1955-10-27)
drums (drum set):
Philly Joe Jones (on 1955-10-27)
piano:
Red Garland (on 1955-10-27)
tenor saxophone:
John Coltrane (on 1955-10-27)
trumpet:
Miles Davis (on 1955-10-27)
remaster of:
Little Melonae by Miles Davis
recording of:
Little Melonae (on 1955-10-27)
composer:
Jackie McLean
7:19
4Budo
producer:
George Avakian
double bass:
Paul Chambers (on 1955-10-26)
drums (drum set):
Philly Joe Jones (on 1955-10-26)
piano:
Red Garland (on 1955-10-26)
tenor saxophone:
John Coltrane (on 1955-10-26)
trumpet:
Miles Davis (on 1955-10-26)
recorded at:
Columbia Studios in New York, New York, United States (on 1955-10-26)
remaster of:
Budo by Miles Davis
recording of:
Budo (on 1955-10-26)
composer:
Miles Davis and Bud Powell
is based on:
Hallucinations
4:17
5Stablemates
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
cover recording of:
Stablemates (on 1955-11-16)
composer:
Benny Golson
5:25
6How Am I to Know?
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
instrumental cover recording of:
How Am I to Know? (on 1955-11-16)
lyricist:
Dorothy Parker
composer:
Jackie King
publisher:
Robbins Music
4:41
7Just Squeeze Me
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
instrumental cover recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1955-11-16)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (in 1941)
7:29
8There Is No Greater Love
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
instrumental cover recording of:
There Is No Greater Love (on 1955-11-16)
lyricist:
Marty Symes
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation and World Music, Inc.
recording of:
There Is No Greater Love
lyricist:
Marty Symes
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation and World Music, Inc.
5:22
9The Theme
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
recording of:
The Theme (on 1955-11-16)
composer:
Miles Davis
5:53
10S’Posin’
recording engineer:
Rudy van Gelder (on 1955-11-16)
double bass:
Paul Chambers (on 1955-11-16)
drums (drum set):
Philly Joe Jones (on 1955-11-16)
piano:
Red Garland (on 1955-11-16)
tenor saxophone:
John Coltrane (on 1955-11-16)
trumpet:
Miles Davis (on 1955-11-16)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1955-11-16)
instrumental cover recording of:
S’posin’ (on 1955-11-16)
lyricist:
Andy Razaf
composer:
Paul Denniker
publisher:
Mayfair Music Corp.
5:17
11In Your Own Sweet Way
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
In Your Own Sweet Way (original instrumental composition) (on 1956-05-11)
composer:
Dave Brubeck (in 1952)
publisher:
Derry Music
5:47
12Diane
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
Diane (from 1927 film “Seventh Heaven”) (on 1956-05-11)
lyricist:
Lew Pollack
composer:
Ernö Rapée
part of:
The Girl’s Suite
7:55
2CD
#TitleLength
1Trane’s Blues
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Trane's Blues (on 1956-05-11)
composer:
John Coltrane (in 1956)
is based on:
Vierd Blues
8:38
2Something I Dreamed Last Night
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
Something I Dreamed Last Night (on 1956-05-11)
lyricist:
Herb Magidson and Jack Yellen
composer:
Sammy Fain
6:18
3It Could Happen to You6:41
4Woody’n You
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Woody ’n’ You (on 1956-05-11)
composer:
Dizzy Gillespie
recording of:
Woody ’n’ You
composer:
Dizzy Gillespie
5:04
5Ahmad’s Blues
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Ahmad’s Blues (on 1956-05-11)
composer:
Ahmad Jamal
7:29
6Surrey With the Fringe on Top
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
instrumental cover recording of:
The Surrey With the Fringe on Top (on 1956-05-11)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing, EMI Music Publishing Ltd. and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
9:07
7It Never Entered My Mind5:27
8When I Fall in Love4:28
9Salt Peanuts
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
cover recording of:
Salt Peanuts (on 1956-05-11)
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp.
recording of:
Salt Peanuts
composer:
Kenny Clarke and Dizzy Gillespie
publisher:
Universal Music Corp.
6:10
10Four
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Four (original instrumental version) (on 1956-05-11)
composer:
Miles Davis
7:18
11The Theme (long)
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
The Theme (on 1956-05-11)
composer:
Miles Davis
2:02
12The Theme (short)
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
The Theme (on 1956-05-11)
composer:
Miles Davis
1:10
3CD
#TitleLength
1Dear Old Stockholm
recording engineer:
Ray Moore (on 1956-06-05)
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
cover recording of:
Dear Old Stockholm (on 1956-06-05)
writer:
[traditional]
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
7:49
2Bye Bye, Blackbird
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
instrumental cover recording of:
Bye Bye Blackbird (on 1956-06-05)
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. and Warner Bros., Inc.
7:54
3Tadd’s Delight
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-06-05)
drums (drum set):
Philly Joe Jones (on 1956-06-05)
piano:
Red Garland (on 1956-06-05)
tenor saxophone:
John Coltrane (on 1956-06-05)
trumpet:
Miles Davis (on 1956-06-05)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-06-05) and Columbia 799 Seventh Avenue Studio in Manhattan, New York, New York, United States (on 1956-06-05)
recording of:
Tadd's Delight (on 1956-06-05)
composer:
Tadd Dameron
4:30
4All of You
engineer:
Ray Moore
producer:
George Avakian
double bass:
Paul Chambers (on 1956-09-10)
drums (drum set):
Philly Joe Jones (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (on 1956-09-10)
arranger:
Gil Evans and Teo Macero
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
instrumental cover recording of:
All of You (Silk Stockings musical) (on 1956-09-10)
lyricist and composer:
Cole Porter (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. and Chappell Music
part of:
Silk Stockings (1957 musical film)
7:01
5Sweet Sue, Just You
double bass:
Paul Chambers (on 1956-09-10)
drums (drum set):
Philly Joe Jones (on 1956-09-10)
piano:
Red Garland (on 1956-09-10)
tenor saxophone:
John Coltrane (on 1956-09-10)
trumpet:
Miles Davis (on 1956-09-10)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1956-09-10)
recording of:
Sweet Sue, Just You (on 1956-09-10)
lyricist:
Will J. Harris
composer:
Will J. Harris and Victor Young
publisher:
Shapiro Bernstein & Co. Ltd.
instrumental cover recording of:
Sweet Sue, Just You (in 1956)
lyricist:
Will J. Harris
composer:
Will J. Harris and Victor Young
publisher:
Shapiro Bernstein & Co. Ltd.
3:39
6’round Midnight5:58
7If I Were a Bell
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
If I Were a Bell (Guys and Dolls) (on 1956-10-26)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
8:21
8Well You Needn’t
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
cover recording of:
Well, You Needn’t (on 1956-10-26)
composer:
Thelonious Monk
publisher:
Regent Music
part of:
The Real Book (compilation of jazz standards, Volume I)
6:23
9’round Midnight5:26
10Half Nelson
double bass:
Paul Chambers (on 1956-05-11)
drums (drum set):
Philly Joe Jones (on 1956-05-11)
piano:
Red Garland (on 1956-05-11)
tenor saxophone:
John Coltrane (on 1956-05-11)
trumpet:
Miles Davis (on 1956-05-11)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-05-11)
recording of:
Half Nelson (on 1956-05-11)
composer:
Miles Davis
4:50
11You’re My Everything
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental recording of:
You’re My Everything (on 1956-10-26)
lyricist:
Mort Dixon and Joe Young
composer:
Harry Warren
5:25
4CD
#TitleLength
1I Could Write a Book
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
I Could Write a Book (on 1956-10-26)
lyricist:
Lorenz Hart
composer:
Richard Rodgers
publisher:
Chappell & Co., Inc.
part of:
Pal Joey
5:12
2Oleo
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
recording of:
Oleo (on 1956-10-26)
composer:
Sonny Rollins
publisher:
Jazz Horn Music Corporation, Prestige Music and Sony/ATV Songs
6:32
3Airegin
recording engineer:
Rudy van Gelder (on 1956-10-26)
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
cover recording of:
Airegin (instrumental) (on 1956-10-26)
composer:
Sonny Rollins (in 1954)
publisher:
Prestige and Prestige Music
4:28
4Tune Up
recording engineer:
Rudy van Gelder (on 1956-10-26)
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
recording of:
Tune Up (on 1956-10-26)
composer:
Miles Davis
5:41
5When Lights Are Low
recording engineer:
Rudy van Gelder (on 1956-10-26)
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
When Lights Are Low (on 1956-10-26)
lyricist:
Spencer Williams
composer:
Benny Carter
publisher:
Bee Cee Music Co. and Mills Music
7:36
6Blues by Five
recording engineer:
Rudy van Gelder (on 1956-10-26)
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
tenor saxophone:
John Coltrane (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
recording of:
Blues by Five (on 1956-10-26)
composer:
Miles Davis
10:26
7My Funny Valentine
recording engineer:
Rudy van Gelder (on 1956-10-26)
producer:
Bob Weinstock
double bass:
Paul Chambers (on 1956-10-26)
drums (drum set):
Philly Joe Jones (on 1956-10-26)
piano:
Red Garland (on 1956-10-26)
trumpet:
Miles Davis (on 1956-10-26)
recorded at:
Van Gelder Studio in Hackensack, New Jersey, United States (on 1956-10-26)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1956-10-26)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
6:04
8Three Little Feelings
baritone horn:
Ronald Ricketts (from 1956-05 until 1956-10)
bass:
Milt Hinton (from 1956-05 until 1956-10)
drums (drum set):
Osie Johnson (from 1956-05 until 1956-10)
flugelhorn:
Miles Davis (from 1956-05 until 1956-10)
French horn:
Ray Alonge (from 1956-05 until 1956-10), Jim Buffington (from 1956-05 until 1956-10) and Arthur Sussman (from 1956-05 until 1956-10)
instruments:
Brass Ensemble of the Jazz and Classical Music Society (from 1956-05 until 1956-10)
solo baritone horn:
John Swallow (from 1956-05 until 1956-10)
solo French horn:
Joseph Singer (from 1956-05 until 1956-10)
solo trombone:
J.J. Johnson (from 1956-05 until 1956-10)
solo trumpet:
Joe Wilder (from 1956-05 until 1956-10)
trombone:
Urbie Green (from 1956-05 until 1956-10) and John Clark (from 1956-05 until 1956-10)
trumpet:
Miles Davis (from 1956-05 until 1956-10), Carmine Fornarotto (from 1956-05 until 1956-10), Bernie Glow (from 1956-05 until 1956-10), Mel Broiles (from 1956-05 until 1956-10), Arthur Statter (from 1956-05 until 1956-10) and John Ware (from 1956-05 until 1956-10)
conductor:
Gunther Schuller (from 1956-05 until 1956-10)
recording of:
Three Little Feelings (from 1956-05 until 1956-10)
composer:
John Lewis
10:40
9Poem for Brass
baritone horn:
Ronald Ricketts (from 1956-05 until 1956-10)
bass:
Milt Hinton (from 1956-05 until 1956-10)
drums (drum set):
Osie Johnson (from 1956-05 until 1956-10)
flugelhorn:
Miles Davis (from 1956-05 until 1956-10)
French horn:
Ray Alonge (from 1956-05 until 1956-10), Jim Buffington (from 1956-05 until 1956-10) and Arthur Sussman (from 1956-05 until 1956-10)
instruments:
Brass Ensemble of the Jazz and Classical Music Society (from 1956-05 until 1956-10)
solo baritone horn:
John Swallow (from 1956-05 until 1956-10)
solo French horn:
Joseph Singer (from 1956-05 until 1956-10)
solo trombone:
J.J. Johnson (from 1956-05 until 1956-10)
solo trumpet:
Joe Wilder (from 1956-05 until 1956-10)
trombone:
Urbie Green (from 1956-05 until 1956-10) and John Clark (from 1956-05 until 1956-10)
trumpet:
Carmine Fornarotto (from 1956-05 until 1956-10), Bernie Glow (from 1956-05 until 1956-10), Mel Broiles (from 1956-05 until 1956-10), Arthur Statter (from 1956-05 until 1956-10), John Ware (from 1956-05 until 1956-10) and Joe Wilder (from 1956-05 until 1956-10)
conductor:
Gunther Schuller (from 1956-05 until 1956-10)
recording of:
Poem for Brass (from 1956-05 until 1956-10)
composer:
J.J. Johnson
9:57