5 Original Albums

~ Release by Dexter Gordon (see all versions of this release, 1 available)

Annotation

Handlich, schick und prall gefüllt mit den besten Jazzaufnahmen: Die preisgünstigen Boxen der Reihe 5 Original Alben haben sich längst einen festen Platz in den Sammlungen der Fans erobert.

Mit neuen Boxen legen die Top-Labels Blue Note, Decca und Impulse! jetzt nach. Wie immer wurden die Aufnahmen digital remastert und im Stil der Originalalben auf vinylartigen CDs reproduziert. Enthalten sind jeweils fünf bekannte Alben der Künstlerinnen und Künstler.

Diesmal sind es die Bestseller-Alben von Dexter Gordon aus den 60er Jahren.

Hier präsentieren sich die frühen Aufnahmen von Dexter Gordon für Blue Note aus den Jahren 1961 bis 1965, die allesamt Kultstatus erlangt haben.

Tracklist

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1▼CD: Doin' Allright
#TitleLength
1I Was Doing Allright
recording engineer:
Rudy van Gelder (on 1961-05-06)
bass and double bass:
George Tucker (on 1961-05-06)
drums (drum set):
Al Harewood (on 1961-05-06)
piano:
Horace Parlan (on 1961-05-06)
tenor saxophone:
Dexter Gordon (on 1961-05-06)
trumpet:
Freddie Hubbard (on 1961-05-06)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-05-06)
instrumental recording of:
I Was Doing All Right (on 1961-05-06)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
9:26
2You’ve Changed
recording engineer:
Rudy van Gelder (on 1961-05-06)
bass and double bass:
George Tucker (on 1961-05-06)
drums (drum set):
Al Harewood (on 1961-05-06)
piano:
Horace Parlan (on 1961-05-06)
tenor saxophone:
Dexter Gordon (on 1961-05-06)
trumpet:
Freddie Hubbard (on 1961-05-06)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-05-06)
instrumental recording of:
You’ve Changed (on 1961-05-06)
lyricist:
Bill Carey
composer:
Carl T. Fischer
publisher:
Peer International and Southern Music Publishing Company
7:33
3For Regulars Only
recording engineer:
Rudy van Gelder (on 1961-05-06)
bass and double bass:
George Tucker (on 1961-05-06)
drums (drum set):
Al Harewood (on 1961-05-06)
piano:
Horace Parlan (on 1961-05-06)
tenor saxophone:
Dexter Gordon (on 1961-05-06)
trumpet:
Freddie Hubbard (on 1961-05-06)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-05-06)
recording of:
For Regulars Only (on 1961-05-06)
5:51
4Society Red
recording engineer:
Rudy van Gelder (on 1961-05-06)
producer:
Alfred Lion (in 1961)
bass and double bass:
George Tucker (on 1961-05-06)
drums (drum set):
Al Harewood (on 1961-05-06)
piano:
Horace Parlan (on 1961-05-06)
tenor saxophone:
Dexter Gordon (on 1961-05-06)
trumpet:
Freddie Hubbard (on 1961-05-06)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-05-06)
recording of:
Society Red (on 1961-05-06)
composer:
Freddie Hubbard
12:29
5It’s You or No One
recording engineer:
Rudy van Gelder (on 1961-05-06)
producer:
Alfred Lion (in 1961)
bass and double bass:
George Tucker (on 1961-05-06)
drums (drum set):
Al Harewood (on 1961-05-06)
piano:
Horace Parlan (on 1961-05-06)
tenor saxophone:
Dexter Gordon (on 1961-05-06)
trumpet:
Freddie Hubbard (on 1961-05-06)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1961-05-06)
instrumental cover recording of:
It’s You or No One (on 1961-05-06)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
instrumental recording of:
It’s You or No One (on 1961-05-06)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
6:18
2▼CD: Dexter Calling...
#TitleLength
1Soul Sister
recording of:
Soul Sister
composer:
Dexter Gordon
7:44
2Modal Mood
recording of:
Modal Mood
composer:
Kenny Drew
5:24
3I Want More
5:20
4End of a Love Affair
recording of:
The End of a Love Affair
lyricist and composer:
Edward Redding
publisher:
MCA Music Publishing
6:54
5Clear the Dex
4:55
6Ernie’s Tune
recording of:
Ernie's Tune
composer:
Dexter Gordon
4:18
7Smile
recording of:
Smile (song version w/ lyrics)
lyricist:
Geoffrey Parsons and John Turner
composer:
Charlie Chaplin
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. and Bourne Co. (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
3:23
3▼CD: A Swingin' Affair
#TitleLength
1Soy Califa
recording engineer:
Rudy van Gelder (on 1962-08-29)
producer:
Alfred Lion (in 1962)
bass:
Butch Warren (on 1962-08-29)
drums (drum set):
Billy Higgins (on 1962-08-29)
piano:
Sonny Clark (on 1962-08-29)
tenor saxophone:
Dexter Gordon (on 1962-08-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-08-29)
recording of:
Soy Califa
composer:
Dexter Gordon
6:29
2Don't Explain
recording engineer:
Rudy van Gelder (on 1962-08-29)
producer:
Alfred Lion (in 1962)
bass:
Butch Warren (on 1962-08-29)
drums (drum set):
Billy Higgins (on 1962-08-29)
piano:
Sonny Clark (on 1962-08-29)
tenor saxophone:
Dexter Gordon (on 1962-08-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-08-29)
instrumental cover recording of:
Don’t Explain (on 1962-08-29)
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation and Universal Music Publishing
6:07
3You Stepped Out of a Dream
bass:
Butch Warren (on 1962-08-29)
drums (drum set):
Billy Higgins (on 1962-08-29)
piano:
Sonny Clark (on 1962-08-29)
tenor saxophone:
Dexter Gordon (on 1962-08-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-08-29)
instrumental recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1962-08-29)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
6:35
4The Backbone
bass:
Butch Warren (on 1962-08-29)
drums (drum set):
Billy Higgins (on 1962-08-29)
piano:
Sonny Clark (on 1962-08-29)
tenor saxophone:
Dexter Gordon (on 1962-08-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-08-29)
6:50
5(It Will Have to Do) Until the Real Thing Comes Along
bass:
Butch Warren (on 1962-08-29)
drums (drum set):
Billy Higgins (on 1962-08-29)
piano:
Sonny Clark (on 1962-08-29)
tenor saxophone:
Dexter Gordon (on 1962-08-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-08-29)
instrumental recording of:
Until the Real Thing Comes Along (on 1962-08-29)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. and WB Music Corp.
recording of:
Until the Real Thing Comes Along
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. and WB Music Corp.
6:50
6McSplivens
bass:
Butch Warren (on 1962-08-29)
drums (drum set):
Billy Higgins (on 1962-08-29)
piano:
Sonny Clark (on 1962-08-29)
tenor saxophone:
Dexter Gordon (on 1962-08-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1962-08-29)
recording of:
McSplivens
5:43
4▼CD: One Flight Up
#TitleLength
1Tanya
recording engineer:
Jacques Lubin (on 1964-06-02)
producer:
Francis Wolff (in 1964)
double bass:
Niels‐Henning Ørsted Pedersen (on 1964-06-02)
drums (drum set):
Art Taylor (on 1964-06-02)
piano:
Kenny Drew (on 1964-06-02)
tenor saxophone:
Dexter Gordon (on 1964-06-02)
trumpet:
Donald Byrd (on 1964-06-02)
recorded at:
Studio Hoche in Paris, Île-de-France, France (on 1964-06-02)
cover recording of:
Tanya (on 1964-06-02)
composer:
Donald Byrd
18:18
2Coppin' the Haven
producer:
Francis Wolff
double bass [bass]:
Niels‐Henning Ørsted Pedersen (on 1964-06-02)
drums (drum set):
Art Taylor (on 1964-06-02)
piano:
Kenny Drew (on 1964-06-02)
tenor saxophone:
Dexter Gordon (on 1964-06-02)
trumpet:
Donald Byrd (on 1964-06-02)
recorded at:
Studio Hoche in Paris, Île-de-France, France (on 1964-06-02)
11:20
3Darn That Dream
producer:
Francis Wolff
double bass:
Niels‐Henning Ørsted Pedersen (on 1964-06-02)
drums (drum set):
Art Taylor (on 1964-06-02)
piano:
Kenny Drew (on 1964-06-02)
tenor saxophone:
Dexter Gordon (on 1964-06-02)
recorded at:
Studio Hoche in Paris, Île-de-France, France (on 1964-06-02)
instrumental recording of:
Darn That Dream (on 1964-06-02)
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp.
part of:
Swingin’ the Dream
7:31
5▼CD: Gettin' Around
#TitleLength
1Manha de Carnaval
bass:
Bob Cranshaw (on 1965-05-28)
drums (drum set):
Billy Higgins (on 1965-05-28)
piano:
Barry Harris (on 1965-05-28)
tenor saxophone:
Dexter Gordon (on 1965-05-28)
vibraphone:
Bobby Hutcherson (on 1965-05-28)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-05-28)
cover recording of:
Manhã de Carnaval (on 1965-05-28)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
8:26
2Who Can I Turn To (When Nobody Needs Me)
bass:
Bob Cranshaw (on 1965-05-29)
drums (drum set):
Billy Higgins (on 1965-05-29)
piano:
Barry Harris (on 1965-05-29)
tenor saxophone:
Dexter Gordon (on 1965-05-29)
vibraphone:
Bobby Hutcherson (on 1965-05-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-05-29)
instrumental recording of:
Who Can I Turn To (When Nobody Needs Me) (on 1965-05-29)
writer:
Leslie Bricusse and Anthony Newley
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
5:16
3Heartaches
bass:
Bob Cranshaw (on 1965-05-29)
drums (drum set):
Billy Higgins (on 1965-05-29)
piano:
Barry Harris (on 1965-05-29)
tenor saxophone:
Dexter Gordon (on 1965-05-29)
vibraphone:
Bobby Hutcherson (on 1965-05-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-05-29)
instrumental recording of:
Heartaches (on 1965-05-29)
lyricist:
Al Hoffman
composer:
John Klenner
publisher:
Campbell Connelly & Co. Ltd., Redwood Music Ltd. and Universal-On Backstreet Music, Inc.
7:46
4Shiny Stockings
bass:
Bob Cranshaw (on 1965-05-29)
drums (drum set):
Billy Higgins (on 1965-05-29)
piano:
Barry Harris (on 1965-05-29)
tenor saxophone:
Dexter Gordon (on 1965-05-29)
vibraphone:
Bobby Hutcherson (on 1965-05-29)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-05-29)
recording of:
Shiny Stockings (original 1955 instrumental composition) (on 1965-05-29)
composer:
Frank Foster (in 1955)
6:19
5Everybody's Somebody's Fool
bass:
Bob Cranshaw (on 1965-05-28)
drums (drum set):
Billy Higgins (on 1965-05-28)
piano:
Barry Harris (on 1965-05-28)
tenor saxophone:
Dexter Gordon (on 1965-05-28)
vibraphone:
Bobby Hutcherson (on 1965-05-28)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-05-28)
instrumental recording of:
Everybody’s Somebody’s Fool (on 1965-05-28)
lyricist:
Howard Greenfield
composer:
Jack Keller
6:45
6Le Coiffeur
bass:
Bob Cranshaw (on 1965-05-28)
drums (drum set):
Billy Higgins (on 1965-05-28)
piano:
Barry Harris (on 1965-05-28)
tenor saxophone:
Dexter Gordon (on 1965-05-28)
vibraphone:
Bobby Hutcherson (on 1965-05-28)
recorded at:
Van Gelder Studio in Englewood Cliffs, New Jersey, United States (on 1965-05-28)
recording of:
Le Coiffeur
7:01