Classic Gold (multipack)

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Copyright: © 2010 Universal Music Italia Srl
℗ 2010 Universal Music Italia Srl

Tracklist

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1Digital Media
#TitleArtistLength
1Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
producer:
Hans Hirsch
choir vocals:
Chor der Deutschen Oper Berlin (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (in 1967-10)
chorus master:
Walter Hagen-Groll (in 1967-10)
balance engineer:
Klaus Scheibe
phonographic copyright (℗) by:
Polydor International GmbH (in 1968)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:37
2Carmen Suite (excerpts from suites nos. 1 & 2): Les toréadorsGeorges Bizet2:07
3Serenade in G, K.525 "Eine kleine Nachtmusik": 1. Allegro
producer:
Werner Mayer
orchestra:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (in 1974-10)
balance engineer:
Günter Hermanns (in 1974-10)
phonographic copyright (℗) by:
Polydor International GmbH (in 1976)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (in 1974-10)
composer:
Wolfgang Amadeus Mozart (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:10
4Concerto for Violin and Strings in E, op. 8 no. 1, RV 269 "La Primavera": 1. Allegro
executive producer:
Dr. Steven Paul
producer:
Hans Weber
violin:
Shlomo Mintz (in 1982-12), Itzhak Perlman (in 1982-12), Isaac Stern (in 1982-12) and Pinchas Zukerman (in 1982-12)
orchestra:
Israel Philharmonic Orchestra (in 1982-12)
conductor:
Zubin Mehta (in 1982-12)
balance engineer:
Klaus Scheibe (in 1982-12)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv, Israel (in 1982-12)
live recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (in 1982-12)
composer:
Antonio Vivaldi (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:24
5Adagio dalla sonata, op. 27 no. 2 "Al chiaro di luna"Ludwig van Beethoven5:49
6Orchestral Suite no. 3 in D major, BWV 1068: 2. Air
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
orchestra:
Münchener Bach‐Orchester (in 1960-06)
conductor:
Karl Richter (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (in 1961)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
composer:
Johann Sebastian Bach (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:44
7Hungarian Dances nos. 1 - 21, WoO 1: No. 5 in G minorJohannes Brahms2:27
8Cavalleria rusticana: Intermezzo sinfonico
producer:
Hans Weber
organ:
Wolfgang Meyer (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:29
9Liebestraum no. 3
piano:
Roberto Prosseda
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
composer:
Franz Liszt (in 1850)
piano arranger:
Franz Liszt
arrangement of:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
part of:
Liebesträume, S. 541
Franz Liszt4:05
10Má Vlast, JB1:112: 2. Vltava (excerpt)
orchestra:
Boston Symphony Orchestra
conductor:
Rafael Kubelík
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana3:48
11String Quintet, op. 11 (13), no. 5 in E major G. 275: 2. MenuettoLuigi Boccherini3:21
12Nutcracker Suite, op. 71a: 3. Valse des fleurs (Tempo di Valse)
producer:
Hans Weber
orchestra:
Berliner Philharmoniker (from 1966-10-13 until 1966-12-26)
conductor:
Herbert von Karajan (from 1966-10-13 until 1966-12-26)
balance engineer:
Günter Hermanns (from 1966-10-13 until 1966-12-26)
phonographic copyright (℗) by:
Polydor International GmbH (in 1967)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1966-10-13 until 1966-12-26)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (from 1966-10-13 until 1966-12-26)
composer:
Пётр Ильич Чайковский
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky7:03
13Goldberg Variations, BWV 988: Aria
harpsichord:
Ottavio Dantone (from 2003-06-01 until 2003-06-03)
recorded at:
Salone d'Onore di Casa Romei in Ferrara, Ferrara, Emilia-Romagna, Italy (from 2003-06-01 until 2003-06-03)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (from 2003-06-01 until 2003-06-03)
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:29
14Polovtsian Dances, from Prince Igor: AllegroAlexander Borodin2:23
15Violin Concerto no. 2 in B minor, op. 7, MS. 48: 3. Rondo à la clochette "La campanella" (excerpt)
solo violin:
Salvatore Accardo (in 1975-01)
orchestra:
London Philharmonic Orchestra (in 1975-01)
conductor:
Charles Dutoit (in 1975-01)
recorded at:
Barking Town Hall in London, England, United Kingdom (in 1975-01)
partial recording of:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella” (in 1975-01)
composer:
Niccolò Paganini (in 1826)
part of:
Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)
Niccolò Paganini1:33
16Bagatelle no. 25 in A minor "Für Elise", WoO 59
piano:
Roberto Prosseda
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
composer:
Ludwig van Beethoven (from 1808 until 1810)
part of:
Classic 100: Piano (number: 15), Classic 100: Piano (number: 17) and Kinsky catalogue (number: WoO 59)
Ludwig van Beethoven3:20
17Suite española, op. 47: Asturias (Leyenda) (excerpt)
guitar:
Narciso Yepes
partial recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
composer:
Isaac Albéniz
arrangement of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz2:28
18Die Walküre, WWV 86B (concert version): Dritter Aufzug: The Ride of the Valkyres
engineer:
James Lock
producer:
Christopher Raeburn
orchestra:
Wiener Philharmoniker (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
conductor:
Sir Georg Solti (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1982-10-11 until 1982-10-12, from 1982-10-14 until 1982-10-15)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-11 until 1982-10-12)
composer:
Richard Wagner (from 1854 until 1856)
publisher:
Schott Music International
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1982-10-14 until 1982-10-15)
composer:
Richard Wagner (from 1854 until 1856)
publisher:
Schott Music International
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner3:03
19Gymnopédie n° 1
piano:
Roberto Prosseda
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (number: 4)
part of:
Gymnopédies
Erik Satie2:54
20Nabucco: Act 3: Coro: Introduzione "Va pensiero, sull'ali dorate"
producer:
Hans Hirsch and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (in 1982-05)
conductor:
Giuseppe Sinopoli (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:54
2Digital Media
#TitleArtistLength
1Also sprach Zarathustra, op. 30, TrV 176: Einleitung
orchestra:
Wiener Philharmoniker
conductor:
Lorin Maazel
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
composer:
Richard Strauss (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:56
2Adagio for Strings and Organ in G minor (excerpt)Tomaso Albinoni4:14
3Symphony no. 40 in G minor, K. 550: 1. Molto allegro
engineer:
Günter Hermanns
executive producer:
Werner Mayer
producer:
Werner Mayer
orchestra:
Wiener Philharmoniker (in 1976-04)
conductor:
Karl Böhm (in 1976-04)
balance engineer:
Günter Hermanns (in 1976-04)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1976-04)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1976-04)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:52
4Swan Lake (Suite), op. 20a, TH 219: 1. Scene - Swan Theme
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (from 1965-03-15 until 1965-03-19)
conductor:
Herbert von Karajan (from 1965-03-15 until 1965-03-19)
balance engineer:
James Brown (from 1965-03-15 until 1965-03-19) and Gordon Parry (from 1965-03-15 until 1965-03-19)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (from 1965-03-15 until 1965-03-19)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (from 1965-03-15 until 1965-03-19)
composer:
Пётр Ильич Чайковский (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky2:35
5Canon and Gigue in D major, P. 37Johann Pachelbel5:48
6Concierto de Aranjuez for Guitar and Orchestra: 2. AdagioJoaquín Rodrigo5:43
7Nocturne, op. 9 no. 2 in E-flat major
piano:
Pietro De Maria
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (from 1830 until 1832)
part of:
Classic 100: Piano (number: 3) and Classic 100: Piano (number: 18)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:10
8Orchestral Suite no. 2 in B minor, BWV 1067: 7. Badinerie
recording engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (in 1960-06)
orchestra:
Munich Bach Orchestra (in 1960-06)
conductor:
Karl Richter (in 1960-06)
phonographic copyright (℗) by:
Polydor International GmbH (in 1961)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1960-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1960-06)
composer:
Johann Sebastian Bach
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (in 1960-06)
orchestrator:
Gustav Mahler
composer:
Johann Sebastian Bach
orchestration of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
part of:
Suite from Orchestral Works of Bach (orch. Mahler)
Johann Sebastian Bach1:27
9Te Deum for Soloists, Chorus and Orchestra, H 146 (revised by Walter Kolneder): Prélude. RondeauMarc-Antoine Charpentier1:21
10Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
producer:
Otto Gerdes and Otto Ernst Wohlert
orchestra:
Berliner Philharmoniker (from 1962-03-09 until 1962-03-12)
conductor:
Herbert von Karajan (from 1962-03-09 until 1962-03-12)
balance engineer:
Günter Hermanns (from 1962-03-09 until 1962-03-12)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1962-03-09 until 1962-03-12)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1962-03-09 until 1962-03-12)
composer:
Ludwig van Beethoven (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:10
11Le carnaval des animaux, R. 125: 13. Le cygne
engineer:
Klaus Scheibe
producer:
Werner Mayer
cello:
Wolfgang Herzer (in 1974-10)
piano:
Alfons Kontarsky and Aloys Kontarsky
orchestra:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (in 1974-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (in 1974-10)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano) (in 1974-10)
composer:
Camille Saint‐Saëns (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint-Saëns2:48
126 Moments musicaux, op. 94, D.780: No.3 In F minor (Allegro moderato)Franz Schubert2:04
13Porgy and Bess: Act 1: SummertimeGeorge Gershwin2:49
14Preludio in Do Maggiore (Dal Clavicembalo Ben Temperato Libro I), BWV 846Johann Sebastian Bach1:46
15Gayaneh: Sabre DanceAram Khachaturian2:16
16Thaïs: Acte Deux: Meditation
solo violin:
Christer Thorvaldsson (from 1989-06 until 1989-09)
violin:
Christer Thorvaldsson (in 1990)
orchestra:
Gothenburg Symphony Orchestra (from 1989-06 until 1989-09)
conductor:
Neeme Järvi (from 1989-06 until 1989-09, in 1990)
phonographic copyright (℗) by:
Polydor International GmbH (in 1990)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1989-06 until 1989-09)
composer:
Jules Massenet (in 1894)
part of:
Classic 100: Music of France (number: 14)
part of:
Thaïs: Acte II
Jules Massenet4:49
17Suite bergamasque, L. 75: 3. Clair de lune
audio engineer:
Jobst Eberhardt
producer:
Karl Faust and Hans-Joachim Reiser
piano:
Tamás Vásáry (in 1969-04)
balance engineer:
Klaus Scheibe
phonographic copyright (℗) by:
Polydor International GmbH (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften in München, Bayern, Germany (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04)
composer:
Claude Debussy (from 1890 until 1905)
part of:
Classic 100: Piano (number: 3)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:14
18El amor brujo (ballet By G. Martinez Sierra): Danza ritual del fuego, para ahuyentar los malos espíritosManuel de Falla4:06
19Kinderszenen, op. 15: 7. Traumerei
piano:
Roberto Prosseda
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (in 1838)
part of:
Classic 100: Piano (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:32
20Messiah, HWV 56: Pt. 2: 42. Hallelujah
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (in 1972-11)
organ:
Edgar Krapp (in 1972-11)
solo trumpet:
Gordon Webb (in 1972-11)
choir vocals:
John Alldis Choir (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra and London Philharmonic Orchestra (in 1972-11)
conductor:
Karl Richter (in 1972-11)
chorus master:
John Alldis (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (in 1973)
recorded at:
Brent Town Hall in Brent, London, England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:00
3Digital Media
#TitleArtistLength
1Toccata and Fugue in D minor, BWV 565: 1.Toccata
miscellaneous support:
Erich Thienhaus (task: production and recording supervision)
producer:
Erich Thienhaus
organ:
Helmut Walcha (on 1956-09-17)
balance engineer:
Hansjoachim Reiser
phonographic copyright (℗) by:
Deutsche Grammophon (in 1959) and Polydor International GmbH (in 1963)
recorded at:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland, Netherlands, Kingdom of the Netherlands (on 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (on 1956-09-17)
composer:
Johann Sebastian Bach
part of:
Classic 100: Piano (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:35
2Piano Concerto no. 21 in C major, K. 467: 2. Andante
recording engineer and producer:
Hans Weber
executive producer:
Elsa Schiller
piano:
Géza Anda (in 1961-05)
orchestra:
Camerata Academica des Salzburger Mozarteums (in 1961-05)
conductor:
Géza Anda (in 1961-05)
balance engineer:
Günter Hermanns (in 1961-05)
phonographic copyright (℗) by:
Polydor International GmbH (in 1961)
recorded at:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Austria (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
composer:
Wolfgang Amadeus Mozart (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:11
3The Tale Of Tsar Saltan (arr. Grigory Feygin): The Flight Of The Bumble-Bee
piano:
Irina Saizewa
orchestra:
Violin Ensemble of the Bolshoi Theatre, Moscow
conductor:
Julij Rejentowitsch
arranger:
G. Feigin
phonographic copyright (℗) by:
Polydor International GmbH (in 1973)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
composer:
Николай Андреевич Римский‐Корсаков
publisher:
Domaine public
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
composer:
Николай Андреевич Римский‐Корсаков (from 1899 until 1900)
part of:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov1:10
4Les Contes d'Hoffmann: Act 3: Intermède-Entr'acte (Barcarolle)Jacques Offenbach3:58
5Pavane, op. 50 (excerpt)
producer:
Hanno Rinke
choir vocals:
Tanglewood Festival Chorus (in 1986-11)
orchestra:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (in 1986-11)
chorus master:
John Oliver
performer:
Tanglewood Festival Chorus
balance engineer:
Hans‐Peter Schweigmann (in 1986-11)
edit of:
Pavane, op. 50 by John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
partial recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré2:33
6Pictures at an Exhibition: Promenade I
producer:
Günther Breest
orchestra:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (in 1976-04)
balance engineer:
Klaus Scheibe
recorded at:
Medinah Temple in Chicago, Illinois, United States (in 1976-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1976-04)
orchestrator:
Maurice Ravel (in 1922)
composer:
Модест Петрович Мусоргский (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modest Mussorgsky1:49
7Messa da Requiem: 2. Dies iraeGiuseppe Verdi2:41
88 Slavonic Dances, op. 46, B. 83: No. 1 in C major (Presto)
producer:
Hans Weber and Rudolf Werner (in 1973-12)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1973-12)
conductor:
Rafael Kubelík (in 1973-12)
balance engineer:
Heinz Wildhagen (in 1973-12)
phonographic copyright (℗) by:
Polydor International GmbH (in 1975)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1973-12)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (in 1973-12)
composer:
Antonín Dvořák (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:38
9An der schönen blauen Donau, op. 314
orchestra:
Berliner Philharmoniker
conductor:
Herbert von Karajan
recording of:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314)
premiered in:
Wien, Austria (on 1867-02-15)
composer:
Johann Strauss (in 1866)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 314)
Johann Strauss II9:53
10Minuetto In Sol Maggiore (Dal Libro Di Anna Magdalena), BWV Anh. 114
instruments:
Roberto Prosseda
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach1:31
11Jeux interdits (Romance)
guitar:
Narciso Yepes
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
composer:
[anonymous] and [unknown]
previously attributed to:
Vicente Gómez, Fernando Sor and Narciso Yepes
arrangement of:
Romance de Amor
Narciso Yepes2:26
12Valse en ré bémol majeur, op. 64 n°1Frédéric Chopin1:55
13Serse, HWV 40: Act 1: "Ombra mai fu"
engineer and balance engineer:
Andreas Neubronner
executive producer:
Dr. Steven Paul
producer:
Wolf Erichson
harpsichord:
Edward Brewer (in 1989-04) and Edward Brewer (in 1990)
oboe:
Randall Wolfgang (in 1989-04, in 1990)
orchestra:
Orpheus Chamber Orchestra (from 1989-04 to present, in 1989-04)
recorded at:
Performing Arts Center: Recital Hall in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
composer:
George Frideric Handel
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous]
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:54
14Peer Gynt, op. 23 (incidental music): No. 13 Morning Mood
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (in 1987-06)
performer:
Göteborgs Symfoniker and Neeme Järvi
recorded at:
Göteborgs konserthus in Gothenburg, Västra Götaland, Sweden (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1987-06)
composer:
Edvard Grieg (in 1875)
revised by:
Edvard Grieg (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:11
15Piano Sonata no. 11 in A, K. 331 "Alla Turca": 3. Rondò Alla TurcaWolfgang Amadeus Mozart3:22
16Romeo and Juliet, op. 64: Act 1: 13. Dance Of The Knights
miscellaneous support:
Wolfgang Stengel (task: recording supervision)
producer:
Hanno Rinke
editor:
Helmut Burk
orchestra:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (in 1986-10)
balance engineer:
Hans‐Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (in 1987)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
composer:
Сергей Сергеевич Прокофьев
part of:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:20
17Violin Romance no. 2 in F major, op. 50
violin:
David Oistrakh
orchestra:
Royal Philharmonic Orchestra
conductor:
Eugene Goossens
partial recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romance for Violin and Orchestra no. 2 in F major, op. 50: Adagio cantabile)
composer:
Ludwig van Beethoven (in 1798)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 50)
Ludwig van Beethoven1:39
18Boléro, M. 81
producer:
Thomas Mowrey
orchestra:
Boston Symphony Orchestra (in 1974-04)
conductor:
Seiji Ozawa (in 1974-04)
balance engineer:
Joachim Niss and Gernot Westhäuser
phonographic copyright (℗) by:
Polydor International GmbH (in 1974)
recorded at:
Symphony Hall in Boston, Massachusetts, United States (in 1974-04)
recording of:
Boléro (in 1974-04)
composer:
Maurice Ravel (in 1928)
publisher:
Ed. Durand & Cie and Soc. Arima
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel14:59