Original Album Classics

~ Release by Fiona Apple (see all versions of this release, 2 available)

Tracklist

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1▼Digital Media: Tidal
#	Title	Length
1	Sleep to Dream recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Dan Rothchild chamberlin [chamberlain]: Patrick Warren drums (drum set) and percussion: Matt Chamberlain guitar [guitars] and vibraphone and tack piano: Jon Brion piano: Fiona Apple and Patrick Warren vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Sleep to Dream lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	4:09
2	Sullen Girl recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Greg Richling chamberlin [chamberlain]: Patrick Warren drums (drum set) [drums]: Matt Chamberlain dulcitone, guitar [guitars], marimba and vibraphone: Jon Brion electronic organ [optigan] and piano: Fiona Apple pedal steel guitar: Greg Leisz vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Sullen Girl lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	3:55
3	Shadowboxer recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Greg Richling chamberlin [chamberlain]: Patrick Warren drums (drum set): Danny Frankel piano: Fiona Apple tack piano and vibraphone: Jon Brion vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States music videos: Shadowboxer by Fiona Apple part of: Anti-Hit List: September 3, 1996 (number: 2) recording of: Shadowboxer lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:24
4	Criminal recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Dan Rothchild chamberlin [chamberlain]: Jon Brion drums (drum set): Matt Chamberlain guitar: Rob Laufer piano: Patrick Warren vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States part of: Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 2) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 423) recording of: Criminal lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:42
5	Slow Like Honey recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Greg Richling chamberlin [chamberlain]: Patrick Warren drums (drum set): Danny Frankel piano: Fiona Apple vibraphone: Jon Brion vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Slow Like Honey lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:56
6	The First Taste recording engineer and mixer: Mark Endert drum machine [drum] programming: George Black producer: Andrew Slater assistant mixer: Tom Banghart bass: Sara Lee chamberlin [chamberlain]: Patrick Warren drums (drum set): Matt Chamberlain guitar [guitars], marimba, tack piano and vibraphone: Jon Brion percussion: Matt Chamberlain and Danny Frankel piano: Fiona Apple vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: The First Taste lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	4:47
7	Never Is a Promise recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart cello: Larry Corbett piano: Fiona Apple viola: Evan Wilson violin [1st violin]: Ralph Morrisson violin [2nd violin]: Claudia Parducci vocals: Fiona Apple strings [string] arranger: Van Dyke Parks phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Never Is a Promise lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:55
8	The Child Is Gone recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Dan Rothchild chamberlin [chamberlain]: Patrick Warren drums (drum set): Matt Chamberlain electronic organ [optigan] and harp: Jon Brion pedal steel guitar: Greg Leisz piano: Fiona Apple vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: The Child Is Gone lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	4:15
9	Pale September recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Sara Lee chamberlin [chamberlain]: Patrick Warren drums (drum set): Matt Chamberlain piano: Fiona Apple tack piano and vibraphone: Jon Brion background vocals [harmony]: Amber Maggart vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Pale September lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:51
10	Carrion recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Dan Rothchild chamberlin [chamberlain]: Jon Brion and Patrick Warren drums (drum set) and percussion: Matt Chamberlain guitar, harp and vibraphone: Jon Brion vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Carrion lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:44

2▼Digital Media: When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He’ll Win the Whole Thing ’Fore He Enters the Ring There’s No Body to Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right
#	Title	Length
1	On the Bound recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo drums (drum set): Matt Chamberlain horn: Jean Martinelli, Wendell Kelly, Paul Loredo and John Noreyko piano: Fiona Apple woodwind: Mike Breaux vocals: Fiona Apple orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) recording of: On the Bound lyricist and composer: Fiona Apple	5:22
2	To Your Love recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo chamberlin: Patrick Warren drums (drum set): Butch and Matt Chamberlain horn: Jean Martinelli, Wendell Kelly, Paul Loredo and John Noreyko percussion: Butch piano: Fiona Apple vocals: Fiona Apple orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) recording of: To Your Love lyricist and composer: Fiona Apple	3:40
3	Limp recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo chamberlin and Wurlitzer electric piano: Patrick Warren drums (drum set): Butch and Matt Chamberlain horn: Jean Martinelli, Wendell Kelly, Paul Loredo and John Noreyko percussion: Butch piano: Fiona Apple woodwind: Mike Breaux vocals: Fiona Apple orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) recording of: Limp lyricist and composer: Fiona Apple	3:30
4	Love Ridden recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo cello: Larry Corbett, Paula Hochhalter, Suzie Katayama and Daniel Smith drums (drum set): Matt Chamberlain horn: Jean Martinelli, Wendell Kelly, Paul Loredo and John Noreyko piano: Fiona Apple viola: Robert Becker, Denyse Buffum, Scott Haupert and Maria Newman violin: Charlie Bisharat, Eve Butler, Susan Chatman, Armen Garabedian, Berj Garabedian, Gerardo Hillera, Peter Kent, Brian Leonard, Bob Peterson, Michele Richards, Edmund Stein and John Wittenberg vocals: Fiona Apple horn arranger: John Bainbridge strings arranger: Randall Brion orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) recording of: Love Ridden lyricist and composer: Fiona Apple	3:22
5	Paper Bag recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo drums (drum set): Matt Chamberlain horn: Jean Martinelli, Wendell Kelly, Paul Loredo, John Noreyko and Don Sweeney piano: Fiona Apple vocals: Fiona Apple orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) part of: Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 382) recording of: Paper Bag lyricist and composer: Fiona Apple	3:39
6	A Mistake recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo horn: Jean Martinelli, Wendell Kelly, Paul Loredo and John Noreyko piano: Fiona Apple vocals: Fiona Apple orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) recording of: A Mistake lyricist and composer: Fiona Apple	4:56
7	Fast as You Can recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo chamberlin and Wurlitzer electric piano: Patrick Warren drums (drum set): Matt Chamberlain horn: Jean Martinelli, Wendell Kelly, Paul Loredo and John Noreyko piano: Fiona Apple woodwind: Mike Breaux vocals: Fiona Apple orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) music videos: Fast as You Can by Fiona Apple recording of: Fast as You Can lyricist and composer: Fiona Apple	4:38
8	The Way Things Are recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo drums (drum set): Matt Chamberlain guitar and synthesizer: Tom Biller horn: Jean Martinelli, Wendell Kelly, Paul Loredo and John Noreyko piano: Fiona Apple vocals: Fiona Apple orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) recording of: The Way Things Are lyricist and composer: Fiona Apple	4:16
9	Get Gone recording engineer: Rich Costey assistant engineer: Tom Banghart, Rob Brill, Greg Collins, Steve Mixdorf and John Tyree producer: Jon Brion mixer: Jon Brion and Rich Costey bass guitar: Mike Elizondo cello: Larry Corbett, Paula Hochhalter, Suzie Katayama and Daniel Smith chamberlin: Patrick Warren drums (drum set): Matt Chamberlain horn: Jean Martinelli, Wendell Kelly, Paul Loredo and John Noreyko piano: Fiona Apple viola: Robert Becker, Denyse Buffum, Scott Haupert and Maria Newman violin: Charlie Bisharat, Eve Butler, Susan Chatman, Armen Garabedian, Berj Garabedian, Gerardo Hillera, Peter Kent, Brian Leonard, Bob Peterson, Michele Richards, Edmund Stein and John Wittenberg vocals: Fiona Apple strings arranger: Randall Brion orchestrator: John Bainbridge phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) recording of: Get Gone lyricist and composer: Fiona Apple	4:08
10	I Know recording of: I Know lyricist and composer: Fiona Apple	4:55

3▼Digital Media: Extraordinary Machine
#	Title	Length
1	Extraordinary Machine mixer: Dave Way guest marímbula: Jon Brion performer: Jon Brion orchestrator: Jon Brion mixed at: Waystation in Los Angeles, California, United States recording of: Extraordinary Machine lyricist and composer: Fiona Apple	3:44
2	Get Him Back recording engineer: Mike Elizondo and Adam Hawkins co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way drums (drum set): ?uestlove keyboard: Keefus Ciancia Moog: Mike Elizondo piano: Fiona Apple mixed at: Waystation in Los Angeles, California, United States recording of: Get Him Back lyricist and composer: Fiona Apple	5:25
3	O’ Sailor recording engineer: Mike Elizondo and Adam Hawkins co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way bass guitar: Mike Elizondo chamberlin, clavinet, farfisa, harmonium, strings, tack piano and vibraphone: Zac Rae flute: Glen Berger keyboard: Jebin Bruni mixed at: Waystation in Los Angeles, California, United States recording of: O’ Sailor lyricist and composer: Fiona Apple	5:36
4	Better Version of Me recording engineer: Mike Elizondo and Adam Hawkins co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way electric bass guitar: Mike Elizondo farfisa: Zac Rae guitar: Brian Kehew keyboard: Jebin Bruni and Zac Rae piano: Fiona Apple saxophone: Glenn Berger horn arranger: John Daversa mixed at: Waystation in Los Angeles, California, United States recording of: Better Version of Me lyricist and composer: Fiona Apple	3:00
5	Tymps (The Sick in the Head Song) recording engineer: Mike Elizondo and Adam Hawkins drum machine programming: Mike Elizondo co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way celesta, electronic organ, marimba, Marxophone and vibraphone: Zac Rae chamberlin: Jebin Bruni clavinet: Mike Elizondo and Zac Rae electric bass guitar and mellotron: Mike Elizondo piano: Fiona Apple and Zac Rae mixed at: Waystation in Los Angeles, California, United States recording of: Tymps (The Sick in the Head Song) lyricist and composer: Fiona Apple	4:04
6	Parting Gift recording engineer: Mike Elizondo and Adam Hawkins co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way piano: Fiona Apple mixed at: Waystation in Los Angeles, California, United States recording of: Parting Gift lyricist and composer: Fiona Apple	3:35
7	Window recording engineer: Mike Elizondo and Adam Hawkins drums (drum set) programming: Abe Laboriel Jr. programming and producer: Mike Elizondo co-producer: Brian Kehew mixer: Dave Way bass guitar and clavinet: Mike Elizondo keyboard: Roger Joseph Manning Jr. and Dave Palmer piano: Fiona Apple saxophone: Glenn Berger trombone: George B. Thatcher trumpet arranger: John Daversa mixed at: Waystation in Los Angeles, California, United States recording of: Window lyricist and composer: Fiona Apple	5:32
8	Oh Well recording engineer: Mike Elizondo and Adam Hawkins co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way drums (drum set): Abe Laboriel Jr. French horn: Brad Warnaar harmonium: Zac Rae keyboard: Roger Joseph Manning Jr. and Dave Palmer Moog: Mike Elizondo piano: Fiona Apple mixed at: Waystation in Los Angeles, California, United States recording of: Oh Well lyricist and composer: Fiona Apple	3:41
9	Please Please Please recording engineer: Mike Elizondo and Adam Hawkins co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way bass guitar: Mike Elizondo drums (drum set): Abe Laboriel Jr. electric guitar: Brian Kehew vibraphone and Wurlitzer electric piano: Zac Rae mixed at: Waystation in Los Angeles, California, United States recording of: Please Please Please lyricist and composer: Fiona Apple	3:34
10	Red Red Red recording engineer: Mike Elizondo and Adam Hawkins co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way double bass and Moog: Mike Elizondo drums (drum set): ?uestlove mixed at: Waystation in Los Angeles, California, United States recording of: Red Red Red lyricist and composer: Fiona Apple	4:08
11	Not About Love recording engineer: Mike Elizondo and Adam Hawkins co-producer: Brian Kehew producer: Mike Elizondo mixer: Dave Way drums (drum set): ?uestlove Moog: Mike Elizondo piano: Fiona Apple mixed at: Waystation in Los Angeles, California, United States music videos: Not About Love by Fiona Apple recording of: Not About Love lyricist and composer: Fiona Apple	4:19
12	Waltz (Better Than Fine) recording engineer: Tom Biller producer: Jon Brion mixer: Dave Way bass guitar: Jon Brion drums (drum set): Jim Keltner organ: Benmont Tench piano: Fiona Apple orchestrator: Patrick Warren mixed at: Waystation in Los Angeles, California, United States recording of: Waltz (Better Than Fine) lyricist and composer: Fiona Apple	3:46

Credits

Release

stream for free:	https://open.spotify.com/album/54ckiM7N5j6f134fqXbT4x [info] (ended)

Release group

includes:

Extraordinary Machine
Tidal
When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He’ll Win the Whole Thing ’Fore He Enters the Ring There’s No Body to Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right

part of:	Original Album Classics (order: 25)