Original Album Classics

~ Release by Fiona Apple (see all versions of this release, 2 available)

Tracklist

1▼Digital Media: Tidal
#	Title	Length
1	Sleep to Dream recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Dan Rothchild chamberlin [chamberlain]: Patrick Warren drums (drum set) and percussion: Matt Chamberlain guitar [guitars] and vibraphone and tack piano: Jon Brion piano: Fiona Apple and Patrick Warren vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Sleep to Dream lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	4:09
2	Sullen Girl recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Greg Richling chamberlin [chamberlain]: Patrick Warren drums (drum set) [drums]: Matt Chamberlain dulcitone, guitar [guitars], marimba and vibraphone: Jon Brion electronic organ [optigan] and piano: Fiona Apple pedal steel guitar: Greg Leisz vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Sullen Girl lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	3:55
3	Shadowboxer recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Greg Richling chamberlin [chamberlain]: Patrick Warren drums (drum set): Danny Frankel piano: Fiona Apple tack piano and vibraphone: Jon Brion vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States music videos: Shadowboxer by Fiona Apple part of: Anti-Hit List: September 3, 1996 (number: 2) recording of: Shadowboxer lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:24
4	Criminal recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Dan Rothchild chamberlin [chamberlain]: Jon Brion drums (drum set): Matt Chamberlain guitar: Rob Laufer piano: Patrick Warren vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States part of: Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 2) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 423) recording of: Criminal lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:42
5	Slow Like Honey recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Greg Richling chamberlin [chamberlain]: Patrick Warren drums (drum set): Danny Frankel piano: Fiona Apple vibraphone: Jon Brion vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Slow Like Honey lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:56
6	The First Taste recording engineer and mixer: Mark Endert drum machine [drum] programming: George Black producer: Andrew Slater assistant mixer: Tom Banghart bass: Sara Lee chamberlin [chamberlain]: Patrick Warren drums (drum set): Matt Chamberlain guitar [guitars], marimba, tack piano and vibraphone: Jon Brion percussion: Matt Chamberlain and Danny Frankel piano: Fiona Apple vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: The First Taste lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	4:47
7	Never Is a Promise recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart cello: Larry Corbett piano: Fiona Apple viola: Evan Wilson violin [1st violin]: Ralph Morrisson violin [2nd violin]: Claudia Parducci vocals: Fiona Apple strings [string] arranger: Van Dyke Parks phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Never Is a Promise lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:55
8	The Child Is Gone recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Dan Rothchild chamberlin [chamberlain]: Patrick Warren drums (drum set): Matt Chamberlain electronic organ [optigan] and harp: Jon Brion pedal steel guitar: Greg Leisz piano: Fiona Apple vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: The Child Is Gone lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	4:15
9	Pale September recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Sara Lee chamberlin [chamberlain]: Patrick Warren drums (drum set): Matt Chamberlain piano: Fiona Apple tack piano and vibraphone: Jon Brion background vocals [harmony]: Amber Maggart vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Pale September lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:51
10	Carrion recording engineer and mixer: Mark Endert producer: Andrew Slater assistant mixer: Tom Banghart bass: Dan Rothchild chamberlin [chamberlain]: Jon Brion and Patrick Warren drums (drum set) and percussion: Matt Chamberlain guitar, harp and vibraphone: Jon Brion vocals: Fiona Apple phonographic copyright (℗) by: Sony Music Entertainment (UK) Ltd. (in 2002) mixed at: Brooklyn Recording Studio in Los Angeles, California, United States recording of: Carrion lyricist and composer: Fiona Apple publisher: FHW Publishing (in 1996)	5:44

2▶Digital Media: When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He’ll Win the Whole Thing ’Fore He Enters the Ring There’s No Body to Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right

3▶Digital Media: Extraordinary Machine

Credits

Release

stream for free:	https://open.spotify.com/album/54ckiM7N5j6f134fqXbT4x [info] (ended)

Release group

includes:

Extraordinary Machine
Tidal
When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He’ll Win the Whole Thing ’Fore He Enters the Ring There’s No Body to Batter When Your Mind Is Your Might So When You Go Solo, You Hold Your Own Hand and Remember That Depth Is the Greatest of Heights and If You Know Where You Stand, Then You Know Where to Land and If You Fall It Won’t Matter, Cuz You’ll Know That You’re Right

part of:	Original Album Classics (order: 25)