Jazz & the City

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

similar to https://www.discogs.com/release/5217711

3 x Matrix

CD1 IFPI 9R2R 2100001211035
CD2 IFPI 9R21 2100001211042
CD3 IFPI 9R2R 2100001211059

Tracklist

| |
1CD
#TitleArtistLength
1Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster
writer:
George David Weiss
composer:
George Shearing
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部
Sarah Vaughan4:03
2Time After Time
producer:
Richard Bock
celesta and piano:
Russ Freeman (on 1954-02-15)
double bass:
Jimmy Bond (on 1954-02-15) and Carson Smith (on 1954-02-15)
drums (drum set):
Peter Littman (on 1954-02-15), Lawrence Marable (on 1954-02-15) and Bob Neel (on 1954-02-15)
trumpet:
Chet Baker (on 1954-02-15)
vocals:
Chet Baker (on 1954-02-15)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-02-15)
recording of:
Time After Time (on 1954-02-15)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
Chet Baker2:47
3I Only Have Eyes for YouBillie Holiday2:56
4In the Wee Small Hours of the MorningFrank Sinatra3:02
5I’ve Got You Under My Skin
double bass:
Max Wayne (on 1953-04-30)
drums (drum set):
Ed Shaughnessy (on 1953-04-30)
piano:
Jimmy Rowles (on 1953-04-30)
trumpet:
Pete Candoli (on 1953-04-30)
vocals:
Peggy Lee (on 1953-04-30)
recording of:
I’ve Got You Under My Skin (on 1953-04-30)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Peggy Lee2:32
6Unforgettable
celesta and piano:
Buddy Cole (on 1951-08-17)
cello:
Cy Bernard (on 1951-08-17) and Eleanor Slatkin (on 1951-08-17)
congas:
Joe Costanzo (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
drums (drum set):
Nick Fatool (on 1951-08-17)
guitar:
Bob Bain (on 1951-08-17)
harp:
Ann Mason Stockton (on 1951-08-17)
viola:
Paul Robyn (on 1951-08-17) and Dave Sterkin (on 1951-08-17)
violin:
Alex Beller (on 1951-08-17), Harry Bluestone (on 1951-08-17), Walter Edelstein (on 1951-08-17), Henry Hill (on 1951-08-17), Dan Lube (on 1951-08-17), Erno Neufeld (on 1951-08-17), Mischa Russell (on 1951-08-17) and Marshall Sosson (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (on 1951-08-17)
conductor:
Nelson Riddle (on 1951-08-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon
publisher:
Bourne Co. and Bourne Music Ltd.
Nat King Cole3:14
7New York, Chicago and Los Angeles
recording of:
New York, Chicago and Los Angeles (Dinah Washington song composed by "Mitchell")
writer:
Mitchell
Dinah Washington1:59
8Penthouse Serenade
bass:
Johnny Miller (on 1945-05-26)
guitar:
Oscar Moore (on 1945-05-26)
piano:
Nat King Cole (on 1945-05-26)
vocals:
Anita O’Day (on 1945-05-26)
performer:
The Nat King Cole Trio
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1945-05-26)
cover recording of:
Penthouse Serenade (on 1945-05-26)
writer:
Val Burton and Will Jason
publisher:
Famous Music Corporation, Jerry Leiber Music, Range Road Music Inc. and Silver Seahorse Music LLC
Anita O’Day3:09
9A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Louis Armstrong3:04
10It Might as Well Be Spring
recorded in:
New York, New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc.
recording of:
C’est le printemps (from 1956-09-11 until 1956-09-12)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
translator:
Jean Geiringer and Jean Sablon
Blossom Dearie3:13
11Sugar in My Bowl
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co.
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:43
12I Could Write a Book
recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers
publisher:
Chappell & Co., Inc.
part of:
Pal Joey
Betty Carter2:41
13Gimme a Pigfoot (and a Bottle of Beer)Bobby Short2:14
14’S Wonderful
cover recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Helen Merrill3:16
15TenderlyBilly Eckstine3:45
16Chicago
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Ralph Sharon and Count Basie (in 1959-01)
tenor saxophone:
Frank Foster (in 1959-01) and Billy Mitchell (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (in 1959-01), Joe Newman (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (in 1959-01)
performer:
Tony Bennett
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
Tony Bennett2:09
17Send In the ClownsCarmen McRae4:40
18Sophisticated Lady
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Al Jarreau4:19
19I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (in 1953)
publisher:
Chappell, Chappell & Co., Inc. and Warner/Chappell North America Limited
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Ella Fitzgerald5:01
20Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
lyricist and composer:
Cole Porter (in 1936)
Morgana King3:09
21Lulu’s Back in Town
recording of:
Lulu’s Back in Town
lyricist:
Al Dubin
composer:
Harry Warren
Mel Tormé3:05
2CD
#TitleArtistLength
1I Left My Heart in San FranciscoTony Bennett2:41
2Autumn in Rome
recording of:
Autumn in Rome (from film "Indiscretion of an American Wife")
additional writer:
Sammy Cahn
additional composer:
Paul Weston
composer:
Alessandro Cicognini
Johnny Mathis3:58
3Our Love Is Here to StayDinah Washington3:45
4They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc., Chappell Music, Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, WB Music Corp. (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Frank Sinatra2:00
5Moonlight in VermontBetty Carter3:28
6It Don’t Mean a Thing (if It Ain’t Got That Swing)
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1956-01-27)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Rosemary Clooney2:52
7April in Paris
double bass:
Ray Brown (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (on 1956-08-16)
piano:
Oscar Peterson (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Ella Fitzgerald (on 1956-08-16) and Louis Armstrong (from 1956-08-16 until 1967-08-16)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
April in Paris (on 1956-08-16)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Ella Fitzgerald & Louis Armstrong6:36
8Whatever Lola Wants
vocals:
Sarah Vaughan (on 1955-03-17)
conductor:
Hugo Peretti (on 1955-03-17)
arranger:
Hugo Peretti
cover recording of:
Whatever Lola Wants (Damn Yankees) (on 1955-03-17)
lyricist and composer:
Richard Adler and Jerry Ross
part of:
Damn Yankees (1955 musical)
Sarah Vaughan2:40
9A Foggy DayMel Tormé2:57
10But Not for Me
recording of:
But Not for Me
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (in 1930)
publisher:
WB Music Corp. (until 2019-05-28), New World Music Co. (in 1930) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Chet Baker3:05
11You’re the Top
recording of:
You’re the Top
lyricist and composer:
Cole Porter (in 1934)
part of:
Anything Goes
Anita O’Day2:29
12Lush Life
bongos and congas:
Jack Costanzo (on 1949-03-29)
double bass:
Joe Comfort (on 1949-03-29)
guitar:
Irving Ashby (on 1949-03-29)
piano:
Nat King Cole (on 1949-03-29)
vocals:
Nat King Cole (on 1949-03-29)
orchestra:
Pete Rugolo and His Orchestra (on 1949-03-29)
conductor:
Pete Rugolo (on 1949-03-29)
recorded at:
WMGM Studios in New York, New York, United States (on 1949-03-29)
recording of:
Lush Life (on 1949-03-29)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス and Tempo Music, Inc. (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
Nat King Cole3:19
13How High the MoonElla Fitzgerald3:18
14Alright, Okay, You WinJoe Williams3:06
15I Cover the WaterfrontBillie Holiday3:26
16West End Blues
clarinet:
Edmond Hall (on 1955-12-20)
double bass and double bass [bass]:
Arvell Shaw (on 1955-12-20)
drums (drum set):
Barrett Deems (on 1955-12-20)
piano:
Billy Kyle (on 1955-12-20)
trombone:
Trummy Young (on 1955-12-20)
trumpet:
Louis Armstrong (on 1955-12-20)
live recording of:
West End Blues (Armstrong recording) (on 1955-12-20)
composer:
King Oliver (in 1928)
arranger:
Louis Armstrong (in 1928)
arrangement of:
West End Blues (original instrumental)
Louis Armstrong4:21
17CloudburstLambert, Hendricks & Ross2:42
18Something Cool
recording of:
Something Cool
lyricist and composer:
Billy Barnes
June Christy4:21
19I Hear Music
recording of:
I Hear Music (Dancing on a Dime)
lyricist:
Frank Loesser
composer:
Burton Lane
Oscar Peterson2:31
20Lullaby of Birdland
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster
writer:
George David Weiss
composer:
George Shearing
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部
Blue Stars2:51
21New York State of MindCarmen McRae5:04
3CD
#TitleArtistLength
1ManhattanLee Wiley3:27
2Sand in My Shoes
recording of:
Sand in My Shoes
lyricist:
Frank Loesser
composer:
Victor Schertzinger
Bobby Short3:24
3Cabaret
cover recording of:
Cabaret (title song from the Kander & Ebb musical)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Louis Armstrong4:03
4In Other Words (Fly Me to the Moon)Johnny Mathis3:57
5Mad About the Boy
bass:
Keter Betts (on 1952-03-24)
drums (drum set):
Jimmy Cobb (on 1952-03-24)
piano:
Wynton Kelly (on 1952-03-24)
vocals:
Dinah Washington (on 1952-03-24)
orchestra:
Walter Rodell and His Orchestra (on 1952-03-24)
cover recording of:
Mad About the Boy (on 1952-03-24)
lyricist and composer:
Noël Coward
publisher:
Chappell & Co. and Chappell Music Ltd.
part of:
Words and Music
Dinah Washington3:02
6Lullaby of BroadwayTony Bennett2:56
7Autumn in New York
recording of:
Autumn in New York (1934)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc.
Oscar Peterson4:01
8The Way You Look TonightMel Tormé2:26
9God Bless the ChildBillie Holiday3:12
10I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Chris Connor1:54
11My Funny ValentineChet Baker2:20
12Lover, Come Back to Me
alto saxophone:
Willie Smith (on 1953-01-14)
bass:
Jack Agee (on 1953-01-14) and Ralph Peña (on 1953-01-14)
bongos and congas:
Jack Costanzo (on 1953-01-14)
clarinet and saxophone:
Bob Dawes (on 1953-01-14) and Charles Deremo (on 1953-01-14)
drums (drum set):
John Markham (on 1953-01-14)
guitar:
John Collins (on 1953-01-14)
piano:
Cliff Fishback (on 1953-01-14)
tenor saxophone:
Richard Clay (on 1953-01-14) and Ted Nash (on 1953-01-14)
trombone:
Karl DeKarske (on 1953-01-14), Dick Nash (on 1953-01-14), Robert Reisiger (on 1953-01-14) and Si Zentner (on 1953-01-14)
trumpet:
Tony Facciuto (on 1953-01-14), Conrad Gozzo (on 1953-01-14), Jack H. Laubach (on 1953-01-14), Robert McKinzie (on 1953-01-14) and Andy Peele (on 1953-01-14)
choir vocals:
[unknown] (on 1953-01-14)
vocals:
Nat King Cole (on 1953-01-14)
orchestra:
Billy May & His Orchestra (on 1953-01-14)
conductor:
Billy May (on 1953-01-14)
arranger:
Billy May
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1953-01-14)
cover recording of:
Lover, Come Back to Me (from "The New Moon") (on 1953-01-14)
lyricist:
Oscar Hammerstein II (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell and Warner Bros., Inc. (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The New Moon: Act II
Nat King Cole2:33
13Cry Me a RiverJulie London2:51
14You’d Be So Nice to Come Home To
producer:
Quincy Jones
baritone saxophone and bass clarinet:
Danny Bank (on 1954-12-22)
bass:
Milt Hinton (on 1954-12-22)
guitar:
Barry Galbraith (on 1954-12-22)
instruments:
Osie Johnson (on 1954-12-22)
piano:
Jimmy Jones (on 1954-12-22)
trumpet:
Clifford Brown (on 1954-12-22)
lead vocals:
Helen Merrill (on 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
recorded at:
Fine Recording Studios in Manhattan, New York, New York, United States (on 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (on 1954-12-22)
lyricist and composer:
Cole Porter (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc., Warner Chappell Music Ltd. and Warner/Chappell North America Limited
part of:
The 16th Academy Award for Best Original Song (number: 2)
Helen Merrill4:22
15Caravan
cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (in 1937) and Juan Tizol (in 1937)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc., Famous Music Corporation, Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Billy Eckstine2:53
16I Won’t Dance
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh and Dorothy Fields (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd., Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd.
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Blossom Dearie2:48
17Black Coffee
double bass:
Max Wayne (on 1953-05-04)
drums (drum set):
Ed Shaughnessy (on 1953-05-04)
piano:
Jimmy Rowles (on 1953-05-04)
trumpet:
Pete Candoli (on 1953-05-04)
vocals:
Peggy Lee (on 1953-05-04)
cover recording of:
Black Coffee (1948 song) (on 1953-05-04)
lyricist:
Paul Francis Webster (in 1948)
composer:
Sonny Burke (in 1948)
publisher:
BMG Music Publishing, Chelsea Music Publishing Co., Ltd., Sondot Music Corp. and Webster Music Co.
Peggy Lee3:08
18One Note Samba
recording of:
One Note Samba
lyricist:
Jon Hendricks and Newton Mendonça
composer:
Antônio Carlos Jobim and Newton Mendonça
translator:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation
translated version of:
Samba de uma nota só
part of:
The Real Book (compilation of jazz standards, Volume I)
Al Jarreau4:32
19Lover Man
cover recording of:
Lover Man
lyricist:
Jimmy Davis (in 1942), Roger “Ram” Ramirez (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez, Jimmy Davis (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (ended), MCA Music Publishing (ended) and Universal Music Corp.
Sarah Vaughan3:19
20Secret LoveCarmen McRae4:14
21One for My Baby (and One More for the Road)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
Frank Sinatra3:03

Credits

Release

distributed by:Universal Music Polska
copyrighted (©) by and phonographic copyright (℗) by:My Music Sp.z o.o. Nagrania Muzyczne (in 2008)
ASIN:DE: B008Y8Z22G [info]