Jazz & the City

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

similar to https://www.discogs.com/release/5217711

3 x Matrix

CD1 IFPI 9R2R 2100001211035
CD2 IFPI 9R21 2100001211042
CD3 IFPI 9R2R 2100001211059

Tracklist

1▼CD
#TitleArtistLength
1Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster
writer:
George David Weiss
composer:
George Shearing
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部
Sarah Vaughan4:03
2Time After Time
producer:
Richard Bock
celesta and piano:
Russ Freeman (on 1954-02-15)
double bass:
Jimmy Bond (on 1954-02-15) and Carson Smith (on 1954-02-15)
drums (drum set):
Peter Littman (on 1954-02-15), Lawrence Marable (on 1954-02-15) and Bob Neel (on 1954-02-15)
trumpet:
Chet Baker (on 1954-02-15)
vocals:
Chet Baker (on 1954-02-15)
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1954-02-15)
recording of:
Time After Time (on 1954-02-15)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック
Chet Baker2:47
3I Only Have Eyes for You
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren
publisher:
B. Feldman & Co., B. Feldman & Co. Ltd., B. Feldman Ltd., EMI Music Publishing, Remick Music Corp., Warner Bros. Inc., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Billie Holiday2:56
4In the Wee Small Hours of the Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher and Eleanor Slatkin
double bass:
Morty Corb and Meyer "Mike" Rubin
drums (drum set):
Louis Singer
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller
viola:
Alvin Dinkin, Stanley Harris, Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill, Erno Neufeld, Nathan Ross, Mischa Russell, Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann
publisher:
Better Half Music Company, Bourne Co., Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc.
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM) and 日音 Synch事業部
part of:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra3:02
5I’ve Got You Under My Skin
double bass:
Max Wayne (on 1953-04-30)
drums (drum set):
Ed Shaughnessy (on 1953-04-30)
piano:
Jimmy Rowles (on 1953-04-30)
trumpet:
Pete Candoli (on 1953-04-30)
vocals:
Peggy Lee (on 1953-04-30)
recording of:
I’ve Got You Under My Skin (on 1953-04-30)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
Peggy Lee2:32
6Unforgettable
celesta and piano:
Buddy Cole (on 1951-08-17)
cello:
Cy Bernard (on 1951-08-17) and Eleanor Slatkin (on 1951-08-17)
congas:
Joe Costanzo (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
drums (drum set):
Nick Fatool (on 1951-08-17)
guitar:
Bob Bain (on 1951-08-17)
harp:
Ann Mason Stockton (on 1951-08-17)
viola:
Paul Robyn (on 1951-08-17) and Dave Sterkin (on 1951-08-17)
violin:
Alex Beller (on 1951-08-17), Harry Bluestone (on 1951-08-17), Walter Edelstein (on 1951-08-17), Henry Hill (on 1951-08-17), Dan Lube (on 1951-08-17), Erno Neufeld (on 1951-08-17), Mischa Russell (on 1951-08-17) and Marshall Sosson (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra:
Nelson Riddle and His Orchestra (on 1951-08-17)
conductor:
Nelson Riddle (on 1951-08-17)
arranger:
Nelson Riddle
recorded at:
Capitol Studios in Hollywood, Los Angeles, California, United States (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon
publisher:
Bourne Co. and Bourne Music Ltd.
Nat King Cole3:14
7New York, Chicago and Los Angeles
recording of:
New York, Chicago and Los Angeles (Dinah Washington song composed by "Mitchell")
writer:
Mitchell
Dinah Washington1:59
8Penthouse Serenade
bass:
Johnny Miller (on 1945-05-26)
guitar:
Oscar Moore (on 1945-05-26)
piano:
Nat King Cole (on 1945-05-26)
vocals:
Anita O’Day (on 1945-05-26)
performer:
The Nat King Cole Trio
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1945-05-26)
cover recording of:
Penthouse Serenade (on 1945-05-26)
writer:
Val Burton and Will Jason
publisher:
Famous Music Corporation, Jerry Leiber Music, Range Road Music Inc. and Silver Seahorse Music LLC
Anita O’Day3:09
9A Kiss to Build a Dream On
recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
Louis Armstrong3:04
10It Might as Well Be Spring
recorded in:
New York, New York, United States (from 1956-09-11 until 1956-09-12)
producer:
Norman Granz
double bass [bass]:
Ray Brown (from 1956-09-11 until 1956-09-12)
drums (drum set):
Jo Jones (from 1956-09-11 until 1956-09-12)
guitar:
Herb Ellis (from 1956-09-11 until 1956-09-12)
piano:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
vocals:
Blossom Dearie (from 1956-09-11 until 1956-09-12)
phonographic copyright (℗) by:
Verve Records, Inc.
recording of:
C’est le printemps (from 1956-09-11 until 1956-09-12)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
translator:
Jean Geiringer and Jean Sablon
Blossom Dearie3:13
11Sugar in My Bowl
live cover recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version)
writer:
James “Tim” Brymn, Nina Simone, Dally Small and Clarence Williams
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co.
version of:
Need a Little Sugar in My Bowl (Bessie Smith's version)
Nina Simone3:43
12I Could Write a Book
recording of:
I Could Write a Book
lyricist:
Lorenz Hart
composer:
Richard Rodgers
publisher:
Chappell & Co., Inc.
part of:
Pal Joey
Betty Carter2:41
13Gimme a Pigfoot (and a Bottle of Beer)
recording of:
Gimme a Pigfoot (and a Bottle of Beer)
composer:
Wesley A. Wilson
publisher:
Northern Music
Bobby Short2:14
14’S Wonderful
cover recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited and WB Music Corp.
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Helen Merrill3:16
15Tenderly
cover recording of:
Tenderly
lyricist:
Jack Lawrence (in 1946)
composer:
Walter Gross (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Billy Eckstine3:45
16Chicago
producer:
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) and Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (in 1959-01)
double bass:
Eddie Jones (in 1959-01)
drums (drum set):
Sonny Payne (in 1959-01)
guitar:
Freddie Green (in 1959-01)
piano:
Ralph Sharon and Count Basie (in 1959-01)
tenor saxophone:
Frank Foster (in 1959-01) and Billy Mitchell (in 1959-01)
trombone:
Henry Coker (in 1959-01), Al Grey (in 1959-01) and Benny Powell (in 1959-01)
trumpet:
Wendell Culley (in 1959-01), Thad Jones (in 1959-01), Joe Newman (in 1959-01) and Snooky Young (in 1959-01)
vocals:
Tony Bennett (in 1959-01)
performer:
Tony Bennett
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
lyricist and composer:
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. and Salabert
Tony Bennett2:09
17Send In the Clowns
recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd., Warner/Chappell and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
A Little Night Music (musical)
Carmen McRae4:40
18Sophisticated Lady
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc., Famous Music Corporation (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Al Jarreau4:19
19I Love Paris
cover recording of:
I Love Paris (Can-Can [Pistache, Company])
lyricist and composer:
Cole Porter (in 1953)
publisher:
Chappell, Chappell & Co., Inc. and Warner/Chappell North America Limited
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Ella Fitzgerald5:01
20Down in the Depths
recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue")
lyricist and composer:
Cole Porter (in 1936)
Morgana King3:09
21Lulu’s Back in Town
recording of:
Lulu’s Back in Town
lyricist:
Al Dubin
composer:
Harry Warren
Mel Tormé3:05
2▶CD
3▶CD

Credits

Release

distributed by:Universal Music Polska
copyrighted (©) by and phonographic copyright (℗) by:My Music Sp.z o.o. Nagrania Muzyczne (in 2008)
ASIN:DE: B008Y8Z22G [info]