Complete Decca Recordings

~ Release by Beverly Kenney (see all versions of this release, 1 available)

Tracklist

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1CD: Decca Recordings / Sings for Playboys / …born to Be Blue…
#TitleLength
1Your Love Is My Love
recorded in:
New York, New York, United States (on 1958-02-19)
vocals:
Beverly Kenney (on 1958-02-19)
orchestra:
Ralph Burns and His Orchestra (on 1958-02-19)
recording of:
Your Love Is My Love (on 1958-02-19)
writer:
Norman Mapp
3:08
2The Magic Touch
recorded in:
New York, New York, United States (on 1958-02-19)
vocals:
Beverly Kenney (on 1958-02-19)
orchestra:
Ralph Burns and His Orchestra (on 1958-02-19)
recording of:
The Magic Touch (on 1958-02-19)
lyricist:
Ray Evans
composer:
Jay Livingston
2:26
3It’s Magic
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
It’s Magic (on 1957-12-02)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Warner Chappell Music Ltd.
part of:
The 21st Academy Award for Best Original Song (number: 2)
part of:
Romance on the High Seas
2:29
4A-You’re Adorable (The Alphabet Song)
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
‘A’ – You’re Adorable (on 1957-12-02)
lyricist:
Buddy Kaye (in 1948) and Fred Wise (in 1948)
composer:
Sidney Lippman (in 1948)
publisher:
Aria Music Co. and Sony/ATV Tunes
2:32
5Time Was / It’s So Peaceful
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
medley including a cover recording of:
It’s So Peaceful in the Country (on 1957-12-02)
lyricist and composer:
Alec Wilder
medley including a cover recording of:
Time Was (on 1957-12-02)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell
publisher:
Peer International
3:08
6A Summer Romance
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
A Summer Romance (on 1957-12-02)
writer:
Lester Judson and Raymond Taylor
3:08
7Try a Little Tenderness
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
Try a Little Tenderness (on 1957-12-02)
lyricist:
James Campbell and Reginald Connelly
composer:
Harry M. Woods
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc., Robbins Music Corp., Warner Chappell and Campbell Connelly & Co. Ltd. (on 1932-11-04)
3:14
8What Is There to Say
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
What Is There to Say? (on 1957-12-02)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:56
9A Lover Like You
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
A Lover Like You (on 1957-12-02)
writer:
Otis G. Clements and Lester Judson
3:29
10It’s a Most Unusual Day
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
It’s a Most Unusual Day
lyricist:
Harold Adamson
composer:
Jimmy McHugh
medley of:
En högst förunderlig dag
1:49
11You’re My Boy
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
You’re My Boy (on 1957-12-02)
lyricist:
Sammy Cahn
composer:
Jule Styne
3:00
12What’s It Like in Paris
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
What’s It Like in Paris (on 1957-12-02)
writer:
Otis G. Clements and Lester Judson
3:20
13Sing a Rainbow
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
cover recording of:
Sing a Rainbow (on 1957-12-02)
lyricist and composer:
Arthur Hamilton
publisher:
Mark VII Ltd., Warner Chappell, Warner Chappell North America and Warner/Chappell Music Australia Pty. Ltd.
3:04
14Brooklyn Love Song
recorded in:
New York, New York, United States (on 1957-12-02)
bass:
Joe Benjamin (on 1957-12-02)
celesta and piano:
Ellis Larkins (on 1957-12-02)
vocals:
Beverly Kenney (on 1957-12-02)
recording of:
My Brooklyn Love Song (on 1957-12-02)
writer:
Ramey Idriss and George Tibbles
2:59
15Do It Again2:37
16A Woman’s Intuition3:33
17Life Can Be Beautiful2:59
18Mama, Do I Gotta?2:06
19Again
2:19
20Isn’t It a Pity
2:35
21Where Can I Go Without You
2:28
22Beyond the Next Hill
2:55
23You Couldn’t Be Cuter
2:24
24Born to Be Blue
3:34
25I Walk a Little Faster
2:53
26It’s a Blue World
2:22
27Somewhere Along the Way
3:06
2CD: …born to Be Blue… / Like Yesterday / The Sesac Sessions / Playboy’s Penthouse TV Show
#TitleLength
1For All We Know
3:12
2It Only Happens When I Dance With You
2:45
3Vanity
3:01
4Go Away, My Love!
2:35
5Undecided
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Undecided (in 1959-07)
lyricist:
Sid Robin (in 1938)
composer:
Charlie Shavers (in 1938)
2:14
6A Sunday Kind of Love
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
A Sunday Kind of Love (in 1959-07)
writer:
Barbara Belle, Anita Leonard, Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
2:34
7Somebody Else Is Taking My Place
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Somebody Else Is Taking My Place (in 1959-07)
writer:
Bob Ellsworth, Richard Howard and Russ Morgan
2:04
8I Had the Craziest Dream2:24
9What a Difference a Day Made2:20
10Happiness Is a Thing Called Joe
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Happiness Is a Thing Called Joe (in 1959-07)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:22
11Tampico
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Tampico (in 1959-07)
writer:
Allan Roberts and Doris Fisher
2:03
12Sentimental Journey
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Sentimental Journey (in 1959-07)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
2:09
13Any Old Time
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Any Old Time (Jazz Song - "any old time you want me...") (in 1959-07)
composer:
Artie Shaw
publisher:
Lincoln Music Corp
1:37
14And the Angels Sing1:46
15More Than You Know
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
More Than You Know (in 1959-07)
lyricist:
Edward Eliscu and Billy Rose
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
2:40
16The Dipsy Doodle
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Dipsy Doodle (in 1959-07)
lyricist and composer:
Larry Clinton (in 1937)
1:48
17Lonely and Blue
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:39
18Yours Sincerely
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:38
19Long, Lean and Lanky
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:57
20Too Bad
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:48
21Too Late To Be Sorry
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:05
22It’s a Mean Old World
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:13
23Tall, Dark and Handsome
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:17
24Let’s Try Again
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:01
25The Stars, the Night, the Moon
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:34
26That Pyramid Jazz
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:18
27I Hate Rock and Roll
1:54
28What Is There to Say2:46
29[Interview]
0:41
30Everything Happens to Me
2:36
31[Interview continues]
1:06
32Mountain Greenery
1:59
33Makin’ Whoopee
1:59
34In the Wee Small Hours of the Morning
2:03