Complete Decca Recordings

~ Release by Beverly Kenney (see all versions of this release, 1 available)

Tracklist

1▶CD: Decca Recordings / Sings for Playboys / …born to Be Blue…
2▼CD: …born to Be Blue… / Like Yesterday / The Sesac Sessions / Playboy’s Penthouse TV Show
#TitleLength
1For All We Know
3:12
2It Only Happens When I Dance With You
2:45
3Vanity
3:01
4Go Away, My Love!
2:35
5Undecided
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Undecided (in 1959-07)
lyricist:
Sid Robin (in 1938)
composer:
Charlie Shavers (in 1938)
2:14
6A Sunday Kind of Love
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
A Sunday Kind of Love (in 1959-07)
writer:
Barbara Belle, Anita Leonard, Louis Prima and Stan Rhodes
publisher:
Leeds Music Inc.
2:34
7Somebody Else Is Taking My Place
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Somebody Else Is Taking My Place (in 1959-07)
writer:
Bob Ellsworth, Richard Howard and Russ Morgan
2:04
8I Had the Craziest Dream
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
I Had the Craziest Dream (in 1959-07)
lyricist:
Mack Gordon
composer:
Harry Warren
publisher:
Bregman, Vocco & Conn, Inc., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Springtime in the Rockies (1942)
2:24
9What a Difference a Day Made
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
What a Diff’rence a Day Made (in 1959-07)
lyricist:
Stanley Adams
composer:
María Grever
publisher:
EMI Music Publishing, Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
2:20
10Happiness Is a Thing Called Joe
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Happiness Is a Thing Called Joe (in 1959-07)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
2:22
11Tampico
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Tampico (in 1959-07)
writer:
Allan Roberts and Doris Fisher
2:03
12Sentimental Journey
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Sentimental Journey (in 1959-07)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
2:09
13Any Old Time
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Any Old Time (Jazz Song - "any old time you want me...") (in 1959-07)
composer:
Artie Shaw
publisher:
Lincoln Music Corp
1:37
14And the Angels Sing
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
And the Angels Sing (in 1959-07)
lyricist:
Johnny Mercer
composer:
Ziggy Elman
publisher:
Francis, Day & Hunter Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
1:46
15More Than You Know
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
More Than You Know (in 1959-07)
lyricist:
Edward Eliscu and Billy Rose
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
2:40
16The Dipsy Doodle
recorded in:
New York, New York, United States (in 1959-07)
baritone saxophone and soprano saxophone:
Jerome Richardson (in 1959-07)
bass:
William 'Bill' Pemberton (in 1959-07)
drums (drum set):
Johnny Rae (in 1959-07) and Ed Shaughnessy (in 1959-07)
guitar:
Chuck Wayne (in 1959-07)
piano:
Stan Free (in 1959-07)
tenor saxophone:
Al Klink (in 1959-07)
trombone:
Eddie Bert (in 1959-07)
vocals:
Beverly Kenney (in 1959-07)
conductor:
Stan Freeman (in 1959-07)
arranger:
Stan Freeman
recording of:
Dipsy Doodle (in 1959-07)
lyricist and composer:
Larry Clinton (in 1937)
1:48
17Lonely and Blue
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:39
18Yours Sincerely
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:38
19Long, Lean and Lanky
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:57
20Too Bad
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:48
21Too Late To Be Sorry
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:05
22It’s a Mean Old World
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:13
23Tall, Dark and Handsome
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:17
24Let’s Try Again
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:01
25The Stars, the Night, the Moon
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:34
26That Pyramid Jazz
recorded in:
Rockaway Township, New Jersey, United States (in 1958)
alto saxophone:
Hymie Shertzer (in 1958)
baritone saxophone:
Dany Bank (in 1958)
bass:
Eddie Safranski (in 1958)
clarinet:
Artie Baker (in 1958)
drums (drum set):
Don Lamond (in 1958)
guitar:
Mundell Lowe (in 1958)
piano:
Dick Hyman (in 1958)
tenor saxophone:
Al Klink (in 1958)
trombone:
Bob Alexander (in 1958), Will Bradley (in 1958) and Lou McGarity (in 1958)
trumpet:
Bernie Glow (in 1958), Dale McMickle (in 1958) and Jimmy Nottingham (in 1958)
vocals:
Beverly Kenney (in 1958)
orchestra:
Eddie Safranski and His Orchestra (in 1958)
arranger:
Eddie Safranski
2:18
27I Hate Rock and Roll
1:54
28What Is There to Say
recording of:
What Is There to Say?
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
2:46
29[Interview]
0:41
30Everything Happens to Me
2:36
31[Interview continues]
1:06
32Mountain Greenery
1:59
33Makin’ Whoopee
1:59
34In the Wee Small Hours of the Morning
2:03