Je n'aime pas le jazz mais ça j'aime bien

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistLength
1Take the A train
alto saxophone:
Johnny Hodges (on 1961-07-06), Russell Procope (on 1961-07-06) and Marshall Royal (on 1961-07-06)
baritone saxophone:
Harry Carney (on 1961-07-06) and Charlie Fowlkes (on 1961-07-06)
double bass:
Eddie Jones (from 1961-07-06 until 1961-07-07)
drums (drum set):
Sam Woodyard (on 1961-07-06)
flute:
Frank Wess (on 1961-07-06)
guitar:
Freddie Green (on 1961-07-06)
piano:
Duke Ellington (on 1961-07-06)
reeds:
Russell Procope (on 1961-07-06) and Frank Wess (on 1961-07-06)
solo clarinet:
Jimmy Hamilton (on 1961-07-06)
solo piano:
Billy Strayhorn (on 1961-07-06)
solo tenor saxophone:
Paul Gonsalves (on 1961-07-06) and Budd Johnson (on 1961-07-06)
solo trumpet:
Sonny Cohn (on 1961-07-06) and Ray Nance (on 1961-07-06)
tenor saxophone:
Frank Foster (on 1961-07-06) and Frank Wess (on 1961-07-06)
trombone:
Lou Blackburn (on 1961-07-06), Lawrence Brown (on 1961-07-06), Henry Coker (on 1961-07-06), Quentin Jackson (on 1961-07-06) and Benny Powell (on 1961-07-06)
trumpet:
William “Cat” Anderson (on 1961-07-06), Willie Cook (on 1961-07-06), Andrew “Fats” Ford (on 1961-07-06), Lennie Johnson (on 1961-07-06), Thad Jones (on 1961-07-06), Ed Mullens (on 1961-07-06) and Snooky Young (on 1961-07-06)
valve trombone:
Juan Tizol (on 1961-07-06)
violin:
Ray Nance (on 1961-07-06)
orchestra:
The Count Basie Orchestra (on 1961-07-06) and The Duke Ellington Orchestra (on 1961-07-06)
recording of:
Take the “A” Train (original instrumental version) (on 1961-07-06)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, Volume I)
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation
version of:
Take the “A” Train (original instrumental version)
Duke Ellington & Count Basie3:50
2Take Five
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company, Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ
part of:
The Real Book (compilation of jazz standards, Volume I)
Dave Brubeck2:58
3In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
The Glenn Miller Orchestra3:30
4Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (on 1958-08-18)
bass clarinet:
Danny Bank (on 1958-08-18)
bass trombone:
Dick Hixson (on 1958-08-18)
drums (drum set):
Philly Joe Jones (on 1958-08-18)
flugelhorn:
Miles Davis (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (on 1958-08-18), Jimmy Cleveland (on 1958-08-18) and Frank Rehak (on 1958-08-18)
trumpet:
Johnny Coles (on 1958-08-18), Miles Davis (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (on 1958-08-18)
conductor:
Gil Evans (on 1958-08-18)
arranger:
Gil Evans
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd., Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited, Ira Gershwin Music (in 1935), WB Music Corp. (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis & Gil Evans3:20
5The Night Has a Thousand Eyes
instrumental recording of:
The Night Has a Thousand Eyes
lyricist:
Buddy Bernier
composer:
Buddy Bernier and Jerry Brainin
part of:
The Real Book (compilation of jazz standards, Volume I)
Sonny Rollins3:31
6Blues March for Europe No.1
recording of:
Blues March
composer:
Benny Golson
Art Blakey & The Jazz Messengers4:54
7Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:21
8Nuages
double bass:
Pierre Michelot (in 1953-03)
drums (drum set):
Jean‐Louis Viale (in 1953-03)
guitar:
Django Reinhardt (in 1953-03)
piano:
Maurice Vander (in 1953-03)
recording of:
Nuages (instrumental) (in 1953-03)
composer:
Django Reinhardt
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc.
recording of:
Nuages (with lyrics)
lyricist:
Jacques Larue
composer:
Django Reinhardt
publisher:
Colgems-EMI Music Inc.
version of:
Nuages (instrumental)
Django Reinhardt3:16
9One O'Clock Jump
recording of:
One O’Clock Jump (on 1942-01-21)
composer:
Count Basie (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie2:54
10Robbin's nest
recorded in:
Hollywood, Los Angeles, California, United States (on 1951-07-02)
double bass:
John Simmons (on 1951-07-02)
drums (drum set):
Shadow Wilson (on 1951-07-02)
piano:
Erroll Garner (on 1951-07-02)
instrumental recording of:
Robbins’ Nest (on 1951-07-02)
composer:
Illinois Jacquet (in 1947) and Sir Charles Thompson (in 1947)
Erroll Garner3:20
11Satin Doll
instrumental recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
Duke Ellington2:41
12Autumn Leaves
double bass:
Israel Crosby (in 1955-10)
guitar:
Ray Crawford (in 1955-10)
piano:
Ahmad Jamal (in 1955-10)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (in 1955-10)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc.
translated version of:
Les Feuilles mortes (Autumn Leaves)
Ahmad Jamal2:42
13Perdido
cover recording of:
Perdido (with lyrics)
lyricist:
Ervin Drake (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris
publisher:
Tempo Music, Inc.
version of:
Perdido (original instrumental version)
Sarah Vaughan2:32
14Good Bait
recording of:
Good Bait
lyricist:
Tadd Dameron
composer:
Count Basie and Tadd Dameron
publisher:
Redwood Music Ltd. and Warner Chappell Music Ltd.
Dizzy Gillespie3:01
15Four Brothers
recording of:
Four Brothers
composer:
Jimmy Giuffre (in 1947)
Woody Herman3:17
16The Man I Love
cover recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
Sidney Bechet2:45
17Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc., EMI United Partnership Ltd. and Sony Music Entertainment Inc.
The Glenn Miller Orchestra3:41
18Blue Moon
recording of:
Blue Moon
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing, EMI Robbins Catalog Inc., EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 and ヤマハミュージックエンタテインメントホールディングス
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions
part of:
New York, New York (1977 musical film soundtrack)
Lionel Hampton3:11
19'round Midnight
piano:
Thelonious Monk (on 1968-11-19)
edit of:
’Round Midnight by Thelonious Monk
recording of:
’Round Midnight (on 1968-11-19)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation, Ultra Empire Music, Warner Bros. Music, Warner Bros., Inc., Warner Chappell Music Ltd., Warner/Chappell Music Ltd. and Warner/Chappell North America Limited
is based on:
I Need You So
Thelonious Monk3:51
20Misty
Stan Getz5:27
2▼CD
#TitleArtistLength
1St. Thomas
recording of:
St. Thomas
composer:
Sonny Rollins
publisher:
Prestige Music Co.
Sonny Rollins3:59
2Now's the Time
alto saxophone:
Charles McPherson and Charlie Parker
double bass:
Ron Carter
drums (drum set):
John Guerin
piano:
Walter Davis Jr.
trumpet:
Red Rodney
recording of:
Now’s the Time
composer:
Charlie Parker
publisher:
Atlantic Music Corp.
Charlie Parker3:21
3Smooth Sailing
bass guitar:
Arnold Fishkind (on 1951-06-26)
drums (drum set):
Johnny Blowers (on 1951-06-26)
guitar:
Everett Barksdale (on 1951-06-26)
background vocals:
The Ray Charles Singers (on 1951-06-26)
vocals:
Ella Fitzgerald (on 1951-06-26)
instrumental cover recording of:
Smooth Sailing (Instrumental) (on 1951-06-26)
composer:
Arnett Cobb
publisher:
Wayne Music
Ella Fitzgerald3:07
4Over the Rainbow
recorded in:
Roma, Roma, Lazio, Italy (on 1962-01-05)
engineer:
Jean‐Pierre Chalbos
producer:
Daniel Baumgarten
double bass:
Benoît Quersin (on 1962-01-05)
drums (drum set):
Daniel Humair (on 1962-01-05)
guitar:
René Thomas (on 1962-01-05)
piano:
Amedeo Tommasi (on 1962-01-05)
reeds:
Bobby Jaspar (on 1962-01-05)
trumpet:
Chet Baker (on 1962-01-05)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (on 1962-01-05)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Chet Baker3:30
5You've Changed
bass:
Milt Hinton (from 1958-02-19 until 1958-02-21)
bass trombone:
Tom Mitchell (from 1958-02-19 until 1958-02-21)
cello:
Maurice Brown (from 1958-02-19 until 1958-02-21) and David Soyer (from 1958-02-19 until 1958-02-21)
drums (drum set):
Osie Johnson (from 1958-02-19 until 1958-02-21)
flute:
Danny Bank (from 1958-02-19 until 1958-02-21), Phil Bodner (from 1958-02-19 until 1958-02-21), Thomas Parshley (from 1958-02-19 until 1958-02-21) and Romeo Penque (from 1958-02-19 until 1958-02-21)
guitar:
Barry Galbraith (from 1958-02-19 until 1958-02-21)
harp:
Janet Putnam (from 1958-02-19 until 1958-02-21)
piano:
Mal Waldron (from 1958-02-19 until 1958-02-21)
trombone:
Jack Green (from 1958-02-19 until 1958-02-21), Urbie Green (from 1958-02-19 until 1958-02-21) and J.J. Johnson (from 1958-02-19 until 1958-02-21)
trumpet:
Billy Butterfield (from 1958-02-19 until 1958-02-21), Mel Davis (from 1958-02-19 until 1958-02-21) and Bernie Glow (from 1958-02-19 until 1958-02-21)
viola:
Sidney Brecher (from 1958-02-19 until 1958-02-21) and Richard Dickler (from 1958-02-19 until 1958-02-21)
violin:
Emmanual Green (from 1958-02-19 until 1958-02-21), Harry Hoffman (from 1958-02-19 until 1958-02-21), Harry Katzman (from 1958-02-19 until 1958-02-21), Leo Kruczek (from 1958-02-19 until 1958-02-21), Milton Lomask (from 1958-02-19 until 1958-02-21), Harry Melnikoff (from 1958-02-19 until 1958-02-21), George Ockner (from 1958-02-19 until 1958-02-21) and Sam Rand (from 1958-02-19 until 1958-02-21)
background vocals:
Elise Bretton (from 1958-02-19 until 1958-02-21) and Miriam Workman (from 1958-02-19 until 1958-02-21)
lead vocals:
Billie Holiday (from 1958-02-19 until 1958-02-21)
orchestra:
Ray Ellis and His Orchestra (from 1958-02-19 until 1958-02-21)
conductor:
Ray Ellis (from 1958-02-19 until 1958-02-21)
cover recording of:
You’ve Changed (from 1958-02-19 until 1958-02-21)
lyricist:
Bill Carey
composer:
Carl T. Fischer
publisher:
Peer International and Southern Music Publishing Company
Billie Holiday3:21
6It Ain't Necessarily So
producer:
John Hammond
bass:
Bill Lee (on 1960-12-19)
drums (drum set):
Belton Evans (on 1960-12-19)
guitar:
Lord Westbrook (on 1960-12-19)
piano:
Ray Bryant (on 1960-12-19)
tenor saxophone:
Warren Luckey (on 1960-12-19)
vocals:
Aretha Franklin (on 1960-12-19)
arranger:
J. Leslie McFarland
phonographic copyright (℗) by:
CBS, Inc. (in 1961)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (on 1960-12-19)
lyricist:
Ira Gershwin, Dorothy Heyward and DuBose Heyward
composer:
George Gershwin
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music, Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell North America Limited
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Aretha Franklin2:55
7Waltz for Debby
recording of:
Waltz for Debby (instrumental)
composer:
Bill Evans
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Bill Evans5:16
8What a Wonderful World
recorded in:
New York, New York, United States (on 1970-05-26)
producer:
Bob Thiele
cello:
Charles McCracken (on 1970-05-26), Kermit Moore (on 1970-05-26) and George Ricci (on 1970-05-26)
double bass:
Richard Davis (on 1970-05-26) and George Duvivier (on 1970-05-26)
drums (drum set):
Bernard “Pretty” Purdie (on 1970-05-26)
electric bass guitar:
John Williams Jr. (on 1970-05-26)
flute:
James Spaulding (on 1970-05-26)
guitar:
Sam Brown (on 1970-05-26) and Kenny Burrell (on 1970-05-26)
instruments:
Allan Schulman (on 1970-05-26)
piano:
Frank Owens (on 1970-05-26)
viola:
Julien Barber (on 1970-05-26), Alfred Brown (on 1970-05-26), David Schwartz (on 1970-05-26) and Emanuel Vardi (on 1970-05-26)
violin:
Arnold Black (on 1970-05-26), Winston Collymore (on 1970-05-26), Paul Gershman (on 1970-05-26), Harry Lookofsky (on 1970-05-26), Joe Malin (on 1970-05-26), Manny Green (on 1970-05-26), Gene Orloff (on 1970-05-26), Max Pollikoff (on 1970-05-26) and Selwart Richard Clarke (on 1970-05-26)
vocals:
Louis Armstrong (on 1970-05-26)
conductor:
Oliver Nelson (on 1970-05-26)
arranger:
Oliver Nelson
phonographic copyright (℗) by:
BMG Music (in 1970)
recording of:
What a Wonderful World (on 1970-05-26)
writer:
George Douglas and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control, Memory Lane Music, Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc., ヤマハミュージックエンタテインメントホールディングス, ワーナー・チャペル音楽出版 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3:21
9Milou
Stéphane Grappelli3:45
10It's Oh So Quiet
recording of:
It’s Oh So Quiet
lyricist:
Erich Meder
composer:
Hans Lang and Bert Reisfeld
translator:
Bert Reisfeld
publisher:
Famous Music Corporation, Peermusic (UK) Limited and Songs of PolyGram International, Inc.
translated version of:
Und jetzt ist es still
Lisa Ekdahl2:37
11Bluesette
recording of:
Bluesette (Original instrumental version)
composer:
Toots Thielemans
Toots Thielemans4:35
12Girl Talk
conductor:
Neal Hefti
recording of:
Girl Talk
lyricist:
Bobby Troup
composer:
Neal Hefti
part of:
East Coast Music Association Song of the Year Nominees (number: 1991 (Holly Cole))
Neal Hefti2:53
13Unsquare Dance
alto saxophone:
Paul Desmond (on 1961-06-08)
double bass [bass]:
Eugene Wright (on 1961-06-08)
drums (drum set):
Joe Morello (on 1961-06-08)
piano:
Dave Brubeck (on 1961-06-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1961)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1961-06-08)
recording of:
Unsquare Dance (on 1961-06-08)
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
Dave Brubeck2:02
14The Pink Panther Theme
recording engineer:
Jim Malloy
producer:
Joe Reisman
tenor saxophone:
Plas Johnson (in 1962)
orchestra:
The Henry Mancini Orchestra (in 1963)
conductor:
Henry Mancini (in 1963)
arranger:
Henry Mancini
recorded at:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, United States (in 1963)
recording of:
The Pink Panther Theme (in 1962)
orchestrator and composer:
Henry Mancini
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司
part of:
Classic 100: Piano (number: 61)
recording of:
The Pink Panther Theme (on 1963-09-16)
orchestrator and composer:
Henry Mancini
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司
part of:
Classic 100: Piano (number: 61)
instrumental recording of:
The Pink Panther Theme
orchestrator and composer:
Henry Mancini
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. and 香港商百代音樂股份有限公司台灣分公司
part of:
Classic 100: Piano (number: 61)
Henry Mancini2:39
15Now or Never
cover recording of:
Now or Never
writer:
Billie Holiday and Curtis Lewis
Lisa Ekdahl3:35
16Jean Pierre
live recording of:
Jean Pierre
composer:
Miles Davis
Miles Davis3:57
17Beauty and the Beast
assistant engineer:
Joe Tuzen
engineer:
Rob Fraboni
producer:
Jim Price
bass guitar:
Jay Graydon (on 1974-09-12)
drums (drum set):
Roberto Silva (on 1974-09-12)
electric piano:
Wagner Tiso (on 1974-09-12)
percussion:
Airto Moreira (on 1974-09-12)
piano:
Herbie Hancock (on 1974-09-12)
soprano saxophone:
Wayne Shorter (on 1974-09-12)
recorded at:
The Village in Los Angeles, California, United States (on 1974-09-12)
recording of:
Beauty and the Beast (on 1974-09-12)
composer:
Wayne Shorter
Wayne Shorter5:06
18Donna Lee
recorded in:
New York, New York, United States (in 1975-10)
producer:
Bobby Colomby
congas:
Don Alias (in 1975-10)
electric bass guitar:
Jaco Pastorius (in 1975-10)
phonographic copyright (℗) by:
CBS, Inc.
mixed at:
Camp Colomby Studio in New York, New York, United States
recording of:
Donna Lee (in 1975-10)
composer:
Charles Christopher Parker, Jr and Miles Davis
publisher:
Atlantic Music Corp.
recording of:
Donna Lee (until 1975-10)
composer:
Charles Christopher Parker, Jr and Miles Davis
publisher:
Atlantic Music Corp.
Jaco Pastorius2:29
19Birdland
assistant engineer:
Jerry Hudgins and Brian Risner
engineer:
Ron Malo
assistant producer:
Wayne Shorter
co-producer:
Jaco Pastorius
producer:
Jaco Pastorius, Wayne Shorter and Joe Zawinul
analog synthesizer [Arp 2600]:
Joe Zawinul
analog synthesizer [Oberheim Polyphonic], grand piano [acoustic piano] and melodica:
Joe Zawinul (from 1976 until 1977)
drums (drum set):
Alex Acuña (from 1976 until 1977)
electric bass guitar [bass] and mandocello:
Jaco Pastorius (from 1976 until 1977)
soprano saxophone and tenor saxophone:
Wayne Shorter (from 1976 until 1977)
tambourine:
Manolo Badrena (from 1976 until 1977)
vocals:
Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (from 1976 until 1977)
orchestrator:
Joe Zawinul
recorded at:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (from 1976 until 1977)
recording of:
Birdland (instrumental) (from 1976 until 1977)
composer:
Joe Zawinul
publisher:
Mulatto Music, Songs of Universal, Inc., シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Weather Report5:59
20Time After Time
engineer and mixer:
Ron Lorman and Tom Swift
co-producer:
Vince Wilburn, Jr.
producer:
Miles Davis and Robert Irving III
bass:
Darryl Jones (on 1984-01-26)
drums (drum set):
Al Foster (on 1984-01-26)
guitar:
John Scofield (on 1984-01-26)
percussion:
Steve Thornton (on 1984-01-26)
synthesizer:
Robert Irving III (on 1984-01-26)
trumpet:
Miles Davis (on 1984-01-26)
arranger:
Miles Davis and Robert Irving III
phonographic copyright (℗) by:
CBS, Inc.
recorded at:
The Record Plant in Midtown Manhattan, New York, New York, United States (on 1984-01-26)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States
instrumental cover recording of:
Time After Time (on 1984-01-26)
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control, Dub Notes Music (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (, in 1984), Rellla Music Corp., Sony Music Publishing, Sony/ATV Music Publishing Ltd., Warner Chappell Music, Warner Chappell Music Ltd., Warner/Chappell North America, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division, Warner Brothers Music Ltd., Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
Miles Davis3:39

Credits

Release

ASIN:FR: B0019F8HZU [info]

Release group

part of:Je n’aime pas… (order: 3)