| # | Title | Artist | Length |
|---|
| 1 | Cheap Wine | Cold Chisel | 3:25 |
| 2 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music, Chrysalis Music Ltd., Copyright Control, EMI Music Publishing Ltd., Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 3:32 |
| 3 | White Wedding, Pt. 1- assistant engineer:
- Steve Bates
- engineer:
- Brian Reeves
- producer:
- Keith Forsey
- bass guitar:
- Phil Feit
- drums (drum set):
- Steve Missal
- guitar:
- Billy Idol and Steve Stevens
- lead vocals:
- Billy Idol
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records (in 1982), Capitol Records, Inc. (in 1982), Capitol Records, LLC (in 1982) and Chrysalis Records, Inc. (in 1982, in 2002)
- recorded at and mixed at:
- Westlake Audio in Los Angeles, California, United States
- music videos:
- White Wedding, Pt. 1 by Billy Idol
- recording of:
- White Wedding
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music, Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH, Chrysalis Music Ltd., Chrysalis Music Publishing Ltd., Copyright Control and Rare Blue Music Inc
| Billy Idol | 4:14 |
| 4 | Me Myself I | Joan Armatrading | 3:18 |
| 5 | Boys Light Up | Australian Crawl | 4:41 |
| 6 | Our Lips Are Sealed- additional assistant recording engineer:
- James Ball, Eric Kortee and Darroll Gustamachio
- assistant recording engineer:
- Ted Blechta and John Terelle
- recording engineer and mixer:
- Rob Freeman
- producer:
- Rob Freeman and Richard Gottehrer
- assistant mixer:
- Gray Russell
- bass guitar and guitar:
- Kathy Valentine
- drums (drum set) and percussion:
- Gina Schock
- guitar [lead guitar] and keyboard:
- Charlotte Caffey
- guitar [rhythm guitar]:
- Jane Wiedlin
- lead vocals:
- Belinda Carlisle
- vocals:
- Charlotte Caffey and Jane Wiedlin
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1981) and I.R.S., Inc. (in 1981)
- additionally recorded at:
- Sound Mixers Studio in New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recorded at:
- Pennylane Studios in New York, New York, United States
- mixed at:
- Sound Mixers Studio in New York, New York, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 25), Billboard: The 500 Best Pop Songs (number: 317) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 477)
- recording of:
- Our Lips Are Sealed
- writer:
- Go‐Go’s, Terence Edward Hall and Jane Wiedlin
- publisher:
- Copyright Control, Gotown Music and Plangent Visions Music
| The Go-Go's | 2:47 |
| 7 | Better Be Home Soon | Crowded House | 3:09 |
| 8 | Up Where We Belong | Joe Cocker feat. Jennifer Warnes | 3:54 |
| 9 | Flashdance… What a Feeling- producer:
- Giorgio Moroder
- vocals:
- Irene Cara
- phonographic copyright (℗) by:
- Polygram Records, Inc. (New York) (in 1983), Unidisc Music Inc. (in 1983) and Universal Music TV (in 1995)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (number: 492)
- recording of:
- Flashdance… What a Feeling
- lyricist:
- Irene Cara and Keith Forsey
- composer:
- Giorgio Moroder
- publisher:
- Alcor Music, Carasmatic Music, Carub Music, Chappell Music Ltd., Famous Music Corporation, GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A., Sony/ATV Harmony and WB Music Corp.
- part of:
- The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
| Irene Cara | 3:53 |
| 10 | Human | The Human League | 3:48 |
| 11 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- producer:
- Val Garay
- electric guitar:
- Waddy Wachtel (in 1981-01)
- lead vocals:
- Kim Carnes (in 1981-01)
- phonographic copyright (℗) by:
- Capitol Records, LLC, Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981) and EMI–Manhattan Records (in 1981)
- recorded at:
- Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (number: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- writer:
- Jackie DeShannon and Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd.
| Kim Carnes | 3:45 |
| 12 | Shout to the Top! | The Style Council | 4:15 |
| 13 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper, Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London, England, United Kingdom and Greenhouse Studio in London, England, United Kingdom
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 91) and Billboard: The 500 Best Pop Songs (number: 378)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- EMI Music Publishing, Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc.
| Katrina and the Waves | 3:55 |
| 14 | Opposites Attract | Paula Abdul | 4:25 |
| 15 | Love Is a Battlefield | Pat Benatar | 5:15 |
| 16 | I Think We’re Alone Now | Tiffany | 3:47 |
| 17 | Bring Me Some Water | Melissa Etheridge | 3:54 |
| 18 | The Stroke | Billy Squier | 3:38 |
| 19 | Tempted | Squeeze | 3:58 |
| 20 | Solid | Ashford & Simpson | 3:47 |
