Stan Getz Vol.2: Seven Classic Albums

~ Release by Stan Getz (see all versions of this release, 1 available)

Annotation

'Digitally remastered and enhanced for superior quality'

Tracklist

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1▼CD
#TitleArtistLength
1Diz & Getz: It Don’t Mean a Thing (If It Ain’t Got That Swing)
double bass:
Ray Brown (on 1953-12-09)
drums (drum set):
Max Roach (on 1953-12-09)
guitar:
Herb Ellis (on 1953-12-09)
piano:
Oscar Peterson (on 1953-12-09)
tenor saxophone:
Stan Getz (on 1953-12-09)
trumpet:
Dizzy Gillespie (on 1953-12-09)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-09)
instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1953-12-09)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & Dizzy Gillespie6:39
2Diz & Getz: I Let a Song Go Out of My Heart
double bass:
Ray Brown (on 1953-12-09)
drums (drum set):
Max Roach (on 1953-12-09)
guitar:
Herb Ellis (on 1953-12-09)
piano:
Oscar Peterson (on 1953-12-09)
tenor saxophone:
Stan Getz (on 1953-12-09)
trumpet:
Dizzy Gillespie (on 1953-12-09)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-09)
recording of:
I Let a Song Go Out of My Heart (on 1953-12-09)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (in 1938)
composer:
Duke Ellington (in 1938)
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & Dizzy Gillespie6:18
3Diz & Getz: Exactly Like You
double bass:
Ray Brown (on 1953-12-09)
drums (drum set):
Max Roach (on 1953-12-09)
guitar:
Herb Ellis (on 1953-12-09)
piano:
Oscar Peterson (on 1953-12-09)
tenor saxophone:
Stan Getz (on 1953-12-09)
trumpet:
Dizzy Gillespie (on 1953-12-09)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-09)
recording of:
Exactly Like You (on 1953-12-09)
lyricist:
Dorothy Fields (in 1930)
writer:
Fritz Löhner-Beda
composer:
Jimmy McHugh (in 1930)
Stan Getz & Dizzy Gillespie4:59
4Diz & Getz: It’s the Talk of the Town
double bass:
Ray Brown (on 1953-12-09)
drums (drum set):
Max Roach (on 1953-12-09)
guitar:
Herb Ellis (on 1953-12-09)
piano:
Oscar Peterson (on 1953-12-09)
tenor saxophone:
Stan Getz (on 1953-12-09)
trumpet:
Dizzy Gillespie (on 1953-12-09)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-09)
recording of:
It’s the Talk of the Town (on 1953-12-09)
lyricist:
Al J. Neiburg and Marty Symes
composer:
Jerry Livingston
arranger:
Ib Glindemann
instrumental recording of:
It’s the Talk of the Town (on 1953-12-09)
lyricist:
Al J. Neiburg and Marty Symes
composer:
Jerry Livingston
arranger:
Ib Glindemann
Stan Getz & Dizzy Gillespie6:47
5Diz & Getz: Impromptu
double bass:
Ray Brown (on 1953-12-09)
drums (drum set):
Max Roach (on 1953-12-09)
guitar:
Herb Ellis (on 1953-12-09)
piano:
Oscar Peterson (on 1953-12-09)
tenor saxophone:
Stan Getz (on 1953-12-09)
trumpet:
Dizzy Gillespie (on 1953-12-09)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-09)
recording of:
Impromptu (on 1953-12-09)
composer:
Dizzy Gillespie
Stan Getz & Dizzy Gillespie7:49
6Diz & Getz: One Alone
double bass:
Lou Hackney
drums (drum set):
Charlie Persip
guitar:
Herb Ellis
piano:
Wade Legge
tenor saxophone:
Hank Mobley
trumpet:
Dizzy Gillespie
recording of:
One Alone (on 1954-05-25)
composer:
Dizzy Gillespie
Stan Getz & Dizzy Gillespie3:02
7Diz & Getz: Girl of My Dreams
double bass:
Ray Brown (on 1953-12-09)
drums (drum set):
Max Roach (on 1953-12-09)
guitar:
Herb Ellis (on 1953-12-09)
piano:
Oscar Peterson (on 1953-12-09)
tenor saxophone:
Stan Getz (on 1953-12-09)
trumpet:
Dizzy Gillespie (on 1953-12-09)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-09)
recording of:
Girl of My Dreams (on 1953-12-09)
lyricist and composer:
Charles Clapp (in 1927)
Stan Getz & Dizzy Gillespie3:18
8Diz & Getz: Siboney, Part 1
double bass:
Ray Brown (on 1953-12-09)
drums (drum set):
Max Roach (on 1953-12-09)
guitar:
Herb Ellis (on 1953-12-09)
piano:
Oscar Peterson (on 1953-12-09)
tenor saxophone:
Stan Getz (on 1953-12-09)
trumpet:
Dizzy Gillespie (on 1953-12-09)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-09)
recording of:
Siboney, Part I
writer:
Dolly Morse and Ernesto Lecuona
Stan Getz & Dizzy Gillespie4:24
9Diz & Getz: Siboney, Part 2
double bass:
Ray Brown (on 1953-12-09)
drums (drum set):
Max Roach (on 1953-12-09)
guitar:
Herb Ellis (on 1953-12-09)
piano:
Oscar Peterson (on 1953-12-09)
tenor saxophone:
Stan Getz (on 1953-12-09)
trumpet:
Dizzy Gillespie (on 1953-12-09)
recorded at:
Radio Recorders Studios in West Hollywood, California, United States (on 1953-12-09)
Stan Getz & Dizzy Gillespie4:10
10Stan Getz - In Stockholm: Indiana
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
live instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1955-12-16)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd.
Stan Getz4:53
11Stan Getz - In Stockholm: Without a Song
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
live instrumental recording of:
Without a Song (on 1955-12-16)
lyricist:
Edward Eliscu and Billy Rose
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild and WB Music Corp.
part of:
Great Day!
Stan Getz4:41
12Stan Getz - In Stockholm: I Don’t Stand a Ghost of a Chance With You
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
live instrumental recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
Stan Getz5:52
13Stan Getz - In Stockholm: I Can’t Believe That You’re in Love With Me
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
live instrumental recording of:
I Can’t Believe That You’re in Love With Me (on 1955-12-16)
lyricist:
Clarence Gaskill
composer:
Jimmy McHugh
publisher:
Mills Music, Inc.
Stan Getz5:21
14Stan Getz - In Stockholm: Everything Happens to Me
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
live instrumental recording of:
Everything Happens to Me (on 1955-12-16)
lyricist:
Tom Adair
composer:
Matt Dennis
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation
sub-publisher:
ミュージック・セールス
Stan Getz7:10
2▼CD
#TitleArtistLength
1Stan Getz - In Stockholm: Over the Rainbow
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
instrumental recording of:
Over the Rainbow (The Wizard of Oz) (on 1955-12-16)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music, EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
香港商百代音樂股份有限公司台灣分公司, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Stan Getz5:25
2Stan Getz - In Stockholm: Get Happy
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
instrumental recording of:
Get Happy (on 1955-12-16)
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc., Francis, Day & Hunter Ltd., Redwood Music Ltd., Remick Music Corp., S.A. Music Co. and Warner Bros. Music
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Stan Getz5:14
3Stan Getz - In Stockholm: Jeepers Creepers
bass:
Gunnar Johnson (on 1955-12-16)
drums (drum set):
Anders Burman (on 1955-12-16)
piano:
Bengt Hallberg (on 1955-12-16)
tenor saxophone:
Stan Getz (on 1955-12-16)
instrumental recording of:
Jeepers Creepers (on 1955-12-16)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (in 1938)
publisher:
B. Feldman & Co. Ltd. and Copyright Control
part of:
The 11th Academy Award for Best Original Song (number: 2)
Stan Getz5:03
4At the Opera House: Billie’s Bounce
producer:
Norman Granz
double bass:
Ray Brown (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (on 1957-10-25)
piano:
Oscar Peterson (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
Stan Getz and J.J. Johnson7:57
5At the Opera House: My Funny Valentine
producer:
Norman Granz
double bass:
Ray Brown (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (on 1957-10-25)
piano:
Oscar Peterson (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
My Funny Valentine (from “Babes in Arms”) (on 1957-10-25)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Inc., Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd., Warner/Chappell and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Stan Getz and J.J. Johnson8:25
6At the Opera House: Crazy Rhythm
producer:
Norman Granz
double bass:
Ray Brown (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (on 1957-10-25)
piano:
Oscar Peterson (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
Stan Getz and J.J. Johnson7:47
7At the Opera House: Yesterdays
producer:
Norman Granz
double bass:
Ray Brown (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (on 1957-10-25)
piano:
Oscar Peterson (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
Yesterdays (on 1957-10-25)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
part of:
Roberta
Stan Getz and J.J. Johnson3:42
8At the Opera House: It Never Entered My Mind
producer:
Norman Granz
double bass:
Ray Brown (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (on 1957-10-25)
piano:
Oscar Peterson (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
It Never Entered My Mind (on 1957-10-25)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (in 1940)
publisher:
Chappell & Co., Inc. and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
Stan Getz and J.J. Johnson3:52
9At the Opera House: Blues in the Closet
producer:
Norman Granz
double bass:
Ray Brown (on 1957-10-25)
drums (drum set):
Connie Kay (on 1957-10-25)
guitar:
Herb Ellis (on 1957-10-25)
piano:
Oscar Peterson (on 1957-10-25)
tenor saxophone:
Stan Getz (on 1957-10-25)
trombone:
J.J. Johnson (on 1957-10-25)
phonographic copyright (℗) by:
Verve Records, Inc.
recorded at:
Shrine Auditorium in Los Angeles, California, United States (on 1957-10-25)
live recording of:
Blues in the Closet (on 1957-10-25)
composer:
Oscar Pettiford
Stan Getz and J.J. Johnson6:18
10Focus: I’m Late, I’m Late
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1997)
recording of:
I’m Late, I’m Late
composer:
Eddie Sauter
publisher:
Cressada Music Inc.
part of:
Focus
Stan Getz8:09
11Focus: Her
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1997)
recording of:
Her (on 1961-07-14)
composer:
Eddie Sauter
publisher:
Cressada Music Inc.
part of:
Focus
Stan Getz6:11
12Focus: Pan
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1997)
recording of:
Pan
composer:
Eddie Sauter
publisher:
Cressada Music Inc.
part of:
Focus
Stan Getz3:56
13Focus: I Remember When
recorded in:
New York, New York, United States (on 1961-07-14)
cello:
Bruce Rogers (on 1961-07-14)
double bass [bass]:
John Neves (on 1961-07-14)
drums (drum set):
Roy Haynes (on 1961-07-14)
tenor saxophone:
Stan Getz (on 1961-07-14)
viola:
Jacob Glick (on 1961-07-14)
violin:
Norman Carr (on 1961-07-14), Alan Martin (on 1961-07-14) and Gerald Tarack (on 1961-07-14)
conductor:
Hershy Kay (on 1961-07-14)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1997)
recording of:
I Remember When
composer:
Eddie Sauter
publisher:
Cressada Music Inc.
part of:
Focus
Stan Getz5:01
3▼CD
#TitleArtistLength
1Focus: Night Rider
recorded in:
New York, New York, United States (on 1961-07-28)
producer:
Creed Taylor
cello:
Bruce Rogers (on 1961-07-28)
double bass [bass]:
John Neves (on 1961-07-28)
drums (drum set):
Roy Haynes (on 1961-07-28)
tenor saxophone:
Stan Getz (on 1961-07-28)
viola:
Jacob Glick (on 1961-07-28)
violin:
Norman Carr (on 1961-07-28), Alan Martin (on 1961-07-28) and Gerald Tarack (on 1961-07-28)
conductor:
Hershy Kay (on 1961-07-28)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1997)
recording of:
Night Rider
composer:
Eddie Sauter
publisher:
Cressada Music Inc.
part of:
Focus
Stan Getz3:57
2Focus: Once Upon a Time
recorded in:
New York, New York, United States (on 1961-07-28)
producer:
Norman Granz and Creed Taylor
cello:
Bruce Rogers (on 1961-07-28)
double bass [bass]:
John Neves (on 1961-07-28)
drums (drum set):
Roy Haynes (on 1961-07-28)
tenor saxophone:
Stan Getz (on 1961-07-28)
viola:
Jacob Glick (on 1961-07-28)
violin:
Norman Carr (on 1961-07-28), Alan Martin (on 1961-07-28) and Gerald Tarack (on 1961-07-28)
conductor:
Hershy Kay (on 1961-07-28)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1997)
recording of:
Once Upon a Time
composer:
Eddie Sauter
publisher:
Cressada Music Inc.
part of:
Focus
Stan Getz4:47
3Focus: A Summer Afternoon
recorded in:
New York, New York, United States (on 1961-07-28)
cello:
Bruce Rogers (on 1961-07-28)
double bass [bass]:
John Neves (on 1961-07-28)
drums (drum set):
Roy Haynes (on 1961-07-28)
tenor saxophone:
Stan Getz (on 1961-07-28)
viola:
Jacob Glick (on 1961-07-28)
violin:
Norman Carr (on 1961-07-28), Alan Martin (on 1961-07-28) and Gerald Tarack (on 1961-07-28)
conductor:
Hershy Kay (on 1961-07-28)
arranger:
Eddie Sauter
phonographic copyright (℗) by:
UMG Recordings, Inc. (in 1997)
recording of:
A Summer Afternoon (on 1961-07-28)
composer:
Eddie Sauter
publisher:
Cressada Music Inc.
part of:
Focus
Stan Getz5:59
4Recorded Fall 1961: Minuet Circa ’61
recorded in:
New York, New York, United States (from 1961-09-12 until 1961-09-13)
engineer:
Tommy Nola
producer:
Creed Taylor
double bass [bass]:
John Neves (from 1961-09-12 until 1961-09-13)
drums (drum set):
Roy Haynes (from 1961-09-12 until 1961-09-13)
piano:
Steve Kuhn (from 1961-09-12 until 1961-09-13)
tenor saxophone:
Stan Getz (from 1961-09-12 until 1961-09-13)
trombone:
Bob Brookmeyer (from 1961-09-12 until 1961-09-13)
Stan Getz & Bob Brookmeyer10:37
5Recorded Fall 1961: Who Could Care
recorded in:
New York, New York, United States (from 1961-09-12 until 1961-09-13)
engineer:
Tommy Nola
producer:
Creed Taylor
double bass [bass]:
John Neves (from 1961-09-12 until 1961-09-13)
drums (drum set):
Roy Haynes (from 1961-09-12 until 1961-09-13)
piano:
Steve Kuhn (from 1961-09-12 until 1961-09-13)
tenor saxophone:
Stan Getz (from 1961-09-12 until 1961-09-13)
trombone:
Bob Brookmeyer (from 1961-09-12 until 1961-09-13)
Stan Getz & Bob Brookmeyer4:45
6Recorded Fall 1961: Nice Work If You Can Get It
recorded in:
New York, New York, United States (from 1961-09-12 until 1961-09-13)
engineer:
Tommy Nola
producer:
Creed Taylor
double bass [bass]:
John Neves (from 1961-09-12 until 1961-09-13)
drums (drum set):
Roy Haynes (from 1961-09-12 until 1961-09-13)
piano:
Steve Kuhn (from 1961-09-12 until 1961-09-13)
tenor saxophone:
Stan Getz (from 1961-09-12 until 1961-09-13)
trombone:
Bob Brookmeyer (from 1961-09-12 until 1961-09-13)
instrumental recording of:
Nice Work If You Can Get It (in 1961-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (in 1937)
publisher:
Chappell & Co., Inc. and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Stan Getz & Bob Brookmeyer5:54
7Recorded Fall 1961: Thump, Thump, Thump
recorded in:
New York, New York, United States (from 1961-09-12 until 1961-09-13)
engineer:
Tommy Nola
producer:
Creed Taylor
double bass [bass]:
John Neves (from 1961-09-12 until 1961-09-13)
drums (drum set):
Roy Haynes (from 1961-09-12 until 1961-09-13)
piano:
Steve Kuhn (from 1961-09-12 until 1961-09-13)
tenor saxophone:
Stan Getz (from 1961-09-12 until 1961-09-13)
trombone:
Bob Brookmeyer (from 1961-09-12 until 1961-09-13)
Stan Getz & Bob Brookmeyer6:50
8Recorded Fall 1961: A Nightingale Sang in Berkeley Square
recorded in:
New York, New York, United States (from 1961-09-12 until 1961-09-13)
engineer:
Tommy Nola
producer:
Creed Taylor
double bass [bass]:
John Neves (from 1961-09-12 until 1961-09-13)
drums (drum set):
Roy Haynes (from 1961-09-12 until 1961-09-13)
piano:
Steve Kuhn (from 1961-09-12 until 1961-09-13)
tenor saxophone:
Stan Getz (from 1961-09-12 until 1961-09-13)
trombone:
Bob Brookmeyer (from 1961-09-12 until 1961-09-13)
instrumental recording of:
A Nightingale Sang in Berkeley Square (in 1961-09)
lyricist:
Eric Maschwitz
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
Stan Getz & Bob Brookmeyer6:58
9Recorded Fall 1961: Love Jumped Out
recorded in:
New York, New York, United States (from 1961-09-12 until 1961-09-13)
engineer:
Tommy Nola
producer:
Creed Taylor
double bass [bass]:
John Neves (from 1961-09-12 until 1961-09-13)
drums (drum set):
Roy Haynes (from 1961-09-12 until 1961-09-13)
piano:
Steve Kuhn (from 1961-09-12 until 1961-09-13)
tenor saxophone:
Stan Getz (from 1961-09-12 until 1961-09-13)
trombone:
Bob Brookmeyer (from 1961-09-12 until 1961-09-13)
recording of:
Love Jumped Out (in 1961-09)
composer:
Buck Clayton
Stan Getz & Bob Brookmeyer7:46
10Jazz Samba: Desafinado
recording engineer:
Edward Green (on 1962-02-13)
producer:
Norman Granz and Creed Taylor
bass and guitar:
Gene Byrd (on 1962-02-13)
bass guitar:
Gene “Joe” Byrd
double bass:
Keter Betts (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
Stan Getz & Charlie Byrd5:51
11Jazz Samba: Samba Dees Days
recording engineer:
Edward Green (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian in Washington, D.C., United States (on 1962-02-13)
recording of:
Samba Dees Days (on 1962-02-13)
composer:
Charlie Byrd
Stan Getz & Charlie Byrd3:33
12Jazz Samba: O Pato
recording engineer:
Edward Green (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
O pato (The Duck) (on 1962-02-13)
lyricist, writer and composer:
Jayme Silva and Neuza Teixeira
Stan Getz & Charlie Byrd2:31
13Jazz Samba: Samba Triste
recording engineer:
Edward Green (on 1962-02-13)
producer:
Creed Taylor
bass and guitar and bass guitar:
Gene Byrd (on 1962-02-13)
double bass:
Keter Betts (on 1962-02-13)
drums (drum set) and percussion:
Buddy Deppenschmidt (on 1962-02-13) and Bill Reichenbach (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13) and Gene Byrd (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
arranger:
Billy Bianco and Baden Powell
recorded at:
All Souls Church, Unitarian in Washington, D.C., United States (on 1962-02-13)
cover recording of:
Samba triste (on 1962-02-13)
composer:
Billy Blanco and Baden Powell
Stan Getz & Charlie Byrd4:45
4▼CD
#TitleArtistLength
1Jazz Samba: Samba de Uma Nota So
recording engineer:
Edward Green (on 1962-02-13)
producer:
Creed Taylor
bass and double bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (on 1962-02-13) and Bill Reichenbach (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian in Washington, D.C., United States (on 1962-02-13)
instrumental recording of:
One Note Samba (on 1962-02-13)
lyricist:
Jon Hendricks and Newton Mendonça
composer:
Antônio Carlos Jobim and Newton Mendonça
translator:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation
translated version of:
Samba de uma nota só
part of:
The Real Book (compilation of jazz standards, Volume I)
Stan Getz & Charlie Byrd6:11
2Jazz Samba: E Luxo So
recording engineer:
Edward Green (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian in Washington, D.C., United States (on 1962-02-13)
cover recording of:
É luxo só (on 1962-02-13)
writer:
Ary Barroso and Luís Peixoto
Stan Getz & Charlie Byrd3:42
3Jazz Samba: Baia
recording engineer:
Edward Green (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian in Washington, D.C., United States (on 1962-02-13)
cover recording of:
Bahia (on 1962-02-13)
composer:
Ary Barroso
version of:
Na baixa do sapateiro
Stan Getz & Charlie Byrd6:42
4Jazz Samba: Desafinado (single version)
recording engineer:
Edward Green (on 1962-02-13)
producer:
Creed Taylor
bass:
Keter Betts (on 1962-02-13)
bass and guitar:
Gene Byrd (on 1962-02-13)
drums (drum set):
Buddy Deppenschmidt (on 1962-02-13)
guitar:
Charlie Byrd (on 1962-02-13)
percussion:
Bill Reichenbach (on 1962-02-13)
tenor saxophone:
Stan Getz (on 1962-02-13)
recorded at:
All Souls Church, Unitarian in Washington, D.C., United States (on 1962-02-13)
instrumental cover recording of:
Desafinado (on 1962-02-13)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部
Stan Getz & Charlie Byrd2:02
5Big Band Bossa Nova: Manha de Carnival
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (on 1962-08-28)
bass:
Tommy Williams (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (on 1962-08-28), Arthur Clarke (on 1962-08-28) and Walt Levinsky (on 1962-08-28)
drums (drum set):
Johnny Rae (on 1962-08-28)
flute:
Ray Beckenstein (on 1962-08-28)
French horn:
Ray Alonge (on 1962-08-28)
guitar:
Jim Hall (on 1962-08-28)
percussion and piano:
Hank Jones (on 1962-08-28)
tambourine:
José Paulo (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trombone:
Bob Brookmeyer (on 1962-08-28), Willie Dennis (on 1962-08-28), Joe Ferrante (on 1962-08-28), Tony Studd (on 1962-08-28) and Nick Travis (on 1962-08-28)
trumpet:
Joe Ferrante (on 1962-08-28), Doc Severinsen (on 1962-08-28), Clark Terry (on 1962-08-28) and Nick Travis (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Luiz Bonfá and Gary McFarland
instrumental recording of:
Manhã de Carnaval (on 1962-08-28)
lyricist:
Antônio Maria
composer:
Luiz Bonfá
publisher:
Belinda (Jhb.) (Pty.) Ltd
Stan Getz5:48
6Big Band Bossa Nova: Balanço No Samba
conductor:
Gary McFarland
arranger:
Gary McFarland
Stan Getz2:58
7Big Band Bossa Nova: Melancolico
conductor:
Gary McFarland
arranger:
Gary McFarland
Stan Getz4:42
8Big Band Bossa Nova: Entre Amigos
conductor:
Gary McFarland
arranger:
Gary McFarland
Stan Getz2:58
9Big Band Bossa Nova: Chega de Saudade
recorded in:
New York, New York, United States (on 1962-08-28)
alto flute:
Eddie Caine (on 1962-08-28)
bass clarinet:
Romeo Penque (on 1962-08-28)
bass trombone:
Arthur Clarke (on 1962-08-28) and Tony Studd (on 1962-08-28)
cabasa:
Carmen Costa (on 1962-08-28)
clarinet:
Ray Beckenstein (on 1962-08-28) and Arthur Clarke (on 1962-08-28)
double bass [bass]:
Tommy Williams (on 1962-08-28)
drums (drum set):
Johnny Rae (on 1962-08-28)
flugelhorn:
Clark Terry (on 1962-08-28)
flute:
Jerry Sanfino (on 1962-08-28)
French horn:
Ray Alonge (on 1962-08-28)
guitar:
Jim Hall (on 1962-08-28)
percussion and piano:
Hank Jones (on 1962-08-28)
tambourine:
José Paulo (on 1962-08-28)
tenor saxophone:
Stan Getz (on 1962-08-28)
trumpet:
Bernie Glow (on 1962-08-28) and Doc Severinsen (on 1962-08-28)
valve trombone:
Bob Brookmeyer (on 1962-08-28)
orchestra:
Gary McFarland and His Orchestra (on 1962-08-28)
conductor:
Gary McFarland (on 1962-08-28)
arranger:
Antônio Carlos Jobim, Gary McFarland and Vinicius de Moraes
instrumental recording of:
Chega de saudade (on 1962-08-28)
lyricist:
Vinicius de Moraes
composer:
Antônio Carlos Jobim
publisher:
Bendig Music and Hollis Music, Inc.
Stan Getz4:10
10Big Band Bossa Nova: Noite Triste
conductor:
Gary McFarland
arranger:
Gary McFarland
Stan Getz4:57
11Big Band Bossa Nova: Samba de Uma Nota So
conductor:
Gary McFarland
arranger:
Gary McFarland
Stan Getz3:27
12Big Band Bossa Nova: Bim Bom
conductor:
Gary McFarland
arranger:
Gary McFarland
Stan Getz4:31