Selection of Shirley Bassey

~ Release by Shirley Bassey (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleLength
1Goldfinger
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
Goldfinger (from 1984-07 until 1984-08)
lyricist:
Leslie Bricusse and Anthony Newley
composer:
John Barry
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
2:51
2Just One of Those Things
recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell and Warner Bros., Inc. (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:02
3I've Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc., Chappell Music, Victoria Music Ltd. and Warner Chappell Music Ltd.
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
3:34
4I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (in 1934)
publisher:
Chappell Music, Chappell Music Ltd., Harms, Inc., Warner Bros., Inc., Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
2:48
5Somewhere
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc., G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd.
part of:
West Side Story: Ballet Sequence
2:49
6The Party's Over
producer:
Norman Newell
vocals:
Shirley Bassey
conductor:
Geoff Love
phonographic copyright (℗) by:
EMI Records Ltd. (in 1959)
cover recording of:
The Party’s Over (Bells Are Ringing)
lyricist:
Betty Comden and Adolph Green
composer:
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation and Warner Chappell Music Ltd.
part of:
Bells Are Ringing (stage musical)
3:33
7In Other Words (Fly Me to the Moon)
cover recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部
3:33
8Climb Every Mountain
producer:
Norman Newell (task: recording supervised by)
background vocals:
The Williams Singers
vocals:
Shirley Bassey
orchestra:
Geoff Love & His Orchestra
conductor:
Geoff Love
phonographic copyright (℗) by:
EMI Records Ltd. (in 1961)
recording of:
Climb Ev’ry Mountain (The Sound of Music)
lyricist:
Oscar Hammerstein II
composer:
Richard Rodgers
publisher:
EMI Music Publishing, EMI United Partnership Ltd., The Rodgers & Hammerstein Organization and Williamson Music Company
part of:
MJ: The Musical
part of:
The Sound of Music (Rodgers & Hammerstein musical)
3:11
9On a Wonderful Day Like Today
2:44
10The Lady Is a Tramp
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. and Warner Chappell Music Ltd.
part of:
Babes in Arms (full musical)
part of:
Pal Joey
2:59
11Easy to Love
recording of:
Easy to Love (in 1959)
lyricist and composer:
Cole Porter (in 1936)
publisher:
Chappell, Chappell & Co., Inc., Chappell Music Ltd. and Warner Chappell Music Ltd.
part of:
Anything Goes
part of:
Born to Dance
3:05
12Every Time We Say Goodbye
producer:
Norman Newell
orchestra:
Geoff Love and His Orchestra
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
lyricist and composer:
Cole Porter (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc., Chappell Music Co. Inc. and Warner Chappell Music Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
5:15
13Once a Lifetime
producer:
Norman Newell
vocals:
Shirley Bassey
conductor:
Johnnie Spence
phonographic copyright (℗) by:
EMI Records Ltd. (in 1965)
cover recording of:
Once in a Lifetime (Stop the World—I Want to Get Off)
lyricist and composer:
Leslie Bricusse and Anthony Newley
publisher:
Ludlow Music, Inc. and TRO Essex Music Ltd.
part of:
Stop the World – I Want to Get Off
recording of:
Once in a Lifetime (Stop the World—I Want to Get Off)
lyricist and composer:
Leslie Bricusse and Anthony Newley
publisher:
Ludlow Music, Inc. and TRO Essex Music Ltd.
part of:
Stop the World – I Want to Get Off
2:24
14Let There Be Love
recording of:
Let There Be Love
lyricist:
Ian Grant
composer:
Lionel Rand
publisher:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. and Warner Chappell Music Publishing
3:13
15All by Myself
cover recording of:
All by Myself
lyricist:
Eric Carmen
composer:
Eric Carmen and Sergei Rachmaninov
publisher:
Sony Music Publishing (Japan), Inc., A Division (ended), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control, Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd., Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. and ワーナー・チャペル音楽出版 Synch事業部
is based on:
Let’s Pretend
is based on:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
4:01
2▼CD
#TitleLength
1I (Who Have Nothing)
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
I (Who Have Nothing) (from 1984-07 until 1984-08)
lyricist:
Jerry Leiber and Mike Stoller
writer:
Mogol
composer:
Carlo Donida
publisher:
Copyright Control, Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (in 1961, in 1963), Milky Way Publishing Co., Inc. (in 1961, in 1963), Trio Music Co., Inc. (in 1961, in 1963), Walden Music (in 1979) and Yellow Dog Music (in 1979)
translated version of:
Uno dei tanti
2:53
2Natalie
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
Natalie (from 1984-07 until 1984-08)
lyricist:
Norman Newell
composer:
Umberto Balsamo
4:14
3And I Love You So
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
And I Love You So (from 1984-07 until 1984-08)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., MCA Music, Songs of Universal, Inc., The Welk Music Group, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
4:33
4Never Never Never
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
Never, Never, Never (Grande, Grande, Grande) (from 1984-07 until 1984-08)
lyricist:
Alberto Testa
composer:
Tony Renis
translator:
Norman Newell
publisher:
Southern Music (in 1973)
translated version of:
Grande, grande, grande
4:28
5For All We Know
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970) (from 1984-07 until 1984-08)
lyricist:
Arthur James and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. and Universal Music Corp.
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1970 winner)
2:34
6This Is My Life
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
This Is My Life (La vita) (all English version, with lyrics by Norman Newell) (from 1984-07 until 1984-08)
lyricist:
Antonio Amurri
composer:
Bruno Canfora
translator:
Norman Newell
translated version of:
La vita (all Italian lyric version)
3:53
7If You Don't Understand
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
If You Don't Understand (from 1984-07 until 1984-08)
lyricist:
Norman Newell
composer:
Toto Cutugno
4:09
8What Now My Love
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
What Now My Love (from 1984-07 until 1984-08)
lyricist:
Pierre Delanoë
composer:
Gilbert Bécaud
translator:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation, Remick Music Corp. and Warner Chappell Music, Inc.
translated version of:
Et maintenant
2:59
9Something
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Tony Colton, Johnny Harris and Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Johnny Harris and Carl Davis (from 1984-07 until 1984-08)
arranger:
Johnny Harris
phonographic copyright (℗) by:
Capitol Records, LLC. (in 1970) and Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
Something (from 1984-07 until 1984-08)
lyricist and composer:
George Harrison
publisher:
EMI Music Publishing, Harrisongs Ltd. and Nichion Synch Division
3:31
10As Long as He Needs Me
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
As Long as He Needs Me (Oliver!) (from 1984-07 until 1984-08)
lyricist and composer:
Lionel Bart
publisher:
Lakeview Music Publishing Company Ltd. and TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
3:50
11Kiss Me Honey Honey
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (in 1984, from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (in 1984, from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
Kiss Me, Honey Honey, Kiss Me (from 1984-07 until 1984-08)
writer:
Michael Julien and Albon Timothy
3:39
12As I Love You
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
As I Love You (1958 song from the film "The Big Beat") (from 1984-07 until 1984-08)
writer:
Ray Evans and Jay Livingston
publisher:
Larry Shayne Enterprises and Warner Chappell Music, Inc.
3:03
13Big Spender
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
Big Spender (from 1984-07 until 1984-08)
lyricist:
Dorothy Fields
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp.
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
2:02
14Send in the Clowns
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
recording of:
Send In the Clowns (A Little Night Music) (from 1984-07 until 1984-08)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd., Warner/Chappell and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
part of:
A Little Night Music (musical)
3:55
15I Am What I Am
recording engineer:
John Kurlander (from 1984-07 until 1984-08)
assistant engineer:
Toby Alington (in 1984)
producer:
Norman Newell (in 1984)
vocals:
Shirley Bassey (from 1984-07 until 1984-08)
orchestra:
London Symphony Orchestra (from 1984-07 until 1984-08)
conductor:
Carl Davis (from 1984-07 until 1984-08)
phonographic copyright (℗) by:
Towerbell Records (in 1984)
recorded at:
Olympic Studios in Barnes, Richmond upon Thames, London, England, United Kingdom (from 1984-07 until 1984-08)
cover recording of:
I Am What I Am (from “La Cage aux folles”) (from 1984-07 until 1984-08)
lyricist and composer:
Jerry Herman
publisher:
Chappell Morris Music and Chappell-Morris Ltd.
part of:
La Cage aux folles (complete musical)
3:08

Credits

Release group

includes:I Am What I Am by Shirley Bassey with the London Symphony Orchestra conducted by Carl Davis