Sing & Swing - DAS Liederbuch (Originale)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistLength
1Lieder, die wie Brücken sind
[unknown]3:38
2Schau den Menschen nur in ihre Augen
[unknown]2:01
3Wahre Freundschaft soll nicht wanken
live recording of:
Kinder
lyricist and composer:
Bettina Wegner
[unknown]2:10
4A World of Peace and Harmony
[unknown]1:47
5Hand in Hand with a Friend
[unknown]2:00
6Make Love Not War
[unknown]2:14
7Guantanamera
[unknown]3:24
8Blowin' in the Wind
recorded in:
New York, New York, United States (on 1962-07-09)
producer:
John Hammond
acoustic guitar, harmonica and lead vocals:
Bob Dylan (on 1962-07-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 14) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 100)
recording of:
Blowin’ in the Wind (on 1962-07-09)
lyricist and composer:
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music, Warner Bros., Inc., Warner/Chappell (from 1962 until 1990) and Special Rider Music (from 1990 to present)
[unknown]2:47
9Ermutigung
phonographic copyright (℗) by:
Clouds Hill (in 2024)
[unknown]2:45
10Down by the River
recording of:
Down by the River
lyricist and composer:
Albert Hammond and Mike Hazlewood
[unknown]3:13
11Mein Freund, der Baum
[unknown]1:53
12Mother Earth Round (Kanon/Klangstück)
[unknown]3:29
13Kaiserquartett, 2. Satz (Thema)
[unknown]1:27
14Come on, Let's Sing a Song
[unknown]1:24
15Das Rap-Huhn
[unknown]2:35
16My Boogie-Woogie Farm
[unknown]1:08
17Keep Your Body Fit
[unknown]2:28
18Love May Be
[unknown]0:45
19Vitamine Cha-cha-cha
[unknown]1:11
20Funny Little Song (Action Song)
[unknown]1:37
21The Wild Rover
[unknown]1:18
22Portsmouth
[unknown]0:59
23Lavender's Blue
[unknown]1:33
24Vem kan segla förutan vind?
[unknown]1:17
25Çayelinden öteye
[unknown]1:53
26Posakala mila mama
[unknown]0:35
27Hava nagila
[unknown]2:45
28Hambani kahle / For Peace and Happiness
[unknown]3:16
29Nginesi ponono
[unknown]1:15
30Sakura
[unknown]2:00
31Samba lélé, kleiner Chico
[unknown]1:55
32Jamaica Farewell
vocals:
Harry Belafonte
recording of:
Jamaica Farewell (in 1956)
lyricist and composer:
Irving Burgie
publisher:
Cherry Lane Music Ltd.
[unknown]2:48
33Banana Boat Song
producer:
Herman Diaz, Jr.
congas:
Alexander Cambrelen (on 1955-10-20) and Mario Castillo (on 1955-10-20)
double bass:
Milt Hinton (on 1955-10-20)
drums (drum set):
Osie Johnson (on 1955-10-20)
flute:
Herbert Levy (on 1955-10-20)
guitar:
Millard Thomas (on 1955-10-20)
choir vocals:
Charles Colman (on 1955-10-20), J. Hamilton Grandison (on 1955-10-20), Herbert L. Stubbs (on 1955-10-20), Joseph Lewis (on 1955-10-20), Lord Burgess (on 1955-10-20), Brock Peters (on 1955-10-20), Sherman Sneed (on 1955-10-20), John White (on 1955-10-20) and Gloria Wynder (on 1955-10-20)
lead vocals:
Harry Belafonte (on 1955-10-20)
vocals:
Harry Belafonte
orchestra:
Tony Scott's Orchestra & Chorus (on 1955-10-20)
conductor:
Tony Scott (on 1955-10-20)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1955-10-20)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte) (on 1955-10-20)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional]
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp and Reservoir Media Music
version of:
Day‐O (The Banana Boat Song) (original folk song)
[unknown]3:03
34La Mariposa
[unknown]2:13
35Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar:
Danny Cedrone (on 1954-04-12)
guitar:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
vocals:
Bill Haley (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
[unknown]2:17
36Yesterday
additional engineer:
Phil McDonald
engineer:
Norman Smith
producer:
George Martin
acoustic guitar:
Paul McCartney (on 1965-06-14)
cello:
Francisco Gabarro (on 1965-06-17)
viola:
Kenneth Essex (on 1965-06-17)
violin:
Tony Gilbert (on 1965-06-17) and Sidney Sax (on 1965-06-17)
lead vocals:
Paul McCartney (on 1965-06-14, on 1965-06-17)
string quartet arranger:
George Martin
phonographic copyright (℗) by:
EMI Records Ltd. (in 1965, in 1987)
additionally recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom (on 1965-06-17)
recorded at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom (on 1965-06-14, on 1965-06-17)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom (on 1965-06-18)
part of:
SWR1 Hitparade 2003 (number: 2), SWR1 Hitparade 2004 der Frauen (number: 7), SWR1 Hitparade 2007 (number: 8), SWR1 Hitparade 2005 der Badener (number: 10), SWR1 Hitparade 2005 der Württemberger (number: 10), Rolling Stone: 500 Greatest Songs of All Time (number: 13), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 72), Helsingin Sanomat: 100 maailman parasta laulua (number: 86), Billboard: The 500 Best Pop Songs (number: 95) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Yesterday (original by The Beatles) (from 1965-06-14 until 1965-06-17)
writer:
John Lennon and Paul McCartney
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC, Sony/ATV Tunes LLC and Maclen Music Ltd. (from 1965 to present)
[unknown]2:05
37Hey Jude
[unknown]3:38
2CD
#TitleArtistLength
1Twist and Shout[unknown]2:47
2Let It Be
engineer:
Glyn Johns
producer:
George Martin
bass guitar [1961 Fender Bass VI]:
John Lennon (on 1970-01-04)
drums (drum set) [1968 Ludwig Hollywood Maple]:
Ringo Starr (on 1969-01-31)
electric guitar:
George Harrison (on 1969-04-30)
electric piano [Hohner Pianet N] and lead vocals:
Paul McCartney (on 1969-01-31)
maracas and piano [Bluthner Model One Concert Grand]:
Paul McCartney (on 1970-01-04)
organ [Lowrey DSO Heritage]:
Billy Preston (on 1969-01-31)
background vocals:
John Lennon (on 1969-01-31), George Harrison (on 1970-01-04), Linda McCartney (on 1970-01-04) and Paul McCartney (on 1970-01-04)
phonographic copyright (℗) by:
EMI Records Ltd. (in 1970, in 1988) and The Gramophone Co., Ltd. (in 1970)
recorded at:
Apple Studios in London, England, United Kingdom (on 1969-01-31) and Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London, England, United Kingdom (on 1969-04-30, on 1970-01-04)
recording of:
Let It Be (from 1969-01-31 until 1970-01-04)
writer:
John Lennon and Paul McCartney
publisher:
EMI Music Publishing, Maclen Music Ltd., Music Corporation of America, Inc., Northern Songs, Sony/ATV Music Publishing (Germany) GmbH, Sony/ATV Music Publishing LLC and Sony/ATV Tunes LLC
[unknown]3:53
3Another Brick in the Wall[unknown]3:52
4Mensch[unknown]4:28
5Wonderful World[unknown]2:08
6I Have a Dream
engineer:
Michael B. Tretow
producer:
Benny Andersson and Björn Ulvaeus
bass guitar:
Rutger Gunnarsson (on 1979-03-15)
cello:
Hans‐Göran Eketorp (on 1979-03-27) and Olle Gustafsson (on 1979-03-27)
double bass:
Bertil Andersson (on 1979-03-27) and Bo Hellman (on 1979-03-27)
drums (drum set):
Ola Brunkert (on 1979-03-15)
guitar:
Janne Schaffer (on 1979-03-15) and Björn Ulvaeus (on 1979-03-15)
synthesizer:
Benny Andersson (on 1979-03-15)
viola:
Lars Arvinder (on 1979-03-27), Nils Heie (on 1979-03-27) and Håkan Roos (on 1979-03-27)
violin:
Anders Dahl (on 1979-03-27), Lennart Fredriksson (on 1979-03-27), Lars Stegenberg (on 1979-03-27), Inge Lindstedt (on 1979-03-27), Gunnar Michols (on 1979-03-27), Claes Nilsson (on 1979-03-27), Bo Söderström (on 1979-03-27), Sixten Strömvall (on 1979-03-27), Harry Teike (on 1979-03-27) and Krzysztof Zdrzalka (on 1979-03-27)
choir vocals:
International School of Stockholm Choir (in 1979)
lead vocals:
Frida (in 1979)
chorus master:
Kernstin Feist (in 1979)
cello arranger, double bass arranger, viola arranger and violin arranger:
Rutger Gunnarsson
phonographic copyright (℗) by:
Polar Music International AB (in 1979)
recorded at:
Polar Studios in Stockholm, Stockholms län, Sweden (on 1979-03-15)
mixed at:
Polar Studios in Stockholm, Stockholms län, Sweden
part of:
The Downloader’s Music Source Book (number: 51)
recording of:
I Have a Dream (in 1979)
writer:
Benny Andersson and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing, Union Songs AB, Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (from 1979 to ????), EMI Waterford Music (from 1979 to present), Universal PolyGram International Publishing, Inc. (from 1979 to present) and Universal/Union Songs Musikförlag AB (from 1979 to present)
part of:
Mamma Mia! (1999 musical)
[unknown]4:43
7Wind of Change[unknown]5:13
8Alles nur geklaut
producer:
Annette Humpe
recording of:
Alles nur geklaut (in 1993)
lyricist and composer:
Tobias Künzel
[unknown]2:32
9Bruttosozialprodukt
engineer:
Matthias Härtl (in 1982)
producer:
Peter Kent (in 1982)
mixer:
Hannes Stappert (in 1982)
drums (drum set):
Uwe Kellerhoff (in 1982)
electric bass guitar:
Werner Borowski (in 1982)
electric guitar:
Michael Volkmann (in 1982)
keyboard:
Deff Ballin (in 1982)
saxophone:
Klaus Fiehe (in 1982)
lead vocals:
Friedel Geratsch (in 1982)
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1983)
recorded at:
Recordland in Berlin, Germany (in 1982)
recording of:
Bruttosozialprodukt (in 1982)
lyricist and composer:
Reinhard Baierle (in 1977) and Friedel Geratsch (in 1977)
publisher:
Siegel and SMPG Publishing (Germany) GmbH
[unknown]3:05
10Über sieben Brücken
recording of:
Über sieben Brücken mußt du gehn (in 1979)
lyricist:
Helmut Richter
composer and arranger:
Ulrich Swillms
publisher:
Nordton Verlag
[unknown]3:52
11Über den Wolken
producer:
Walther Richter
arranger:
Wilfried Grünberg
recording of:
Über den Wolken
lyricist and composer:
Reinhard Mey
publisher:
Chanson-Edition Reinhard Mey
[unknown]3:52
12Aux Champs-Elysées
recording of:
Les Champs‐Élysées (in 1969)
lyricist:
Pierre Delanoë
composer:
Mike Deighan and Mike Wilsh
translated version of:
Waterloo Road
[unknown]2:41
13Heute hier, morgen dort
recording of:
Heute hier, morgen dort
lyricist:
Hannes Wader
composer:
Gary Bolstad
[unknown]3:00
14Morning Has Broken
producer:
Paul Samwell-Smith
bass and congas:
Larry Steele (in 1971-03)
bouzouki:
Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (in 1971-03)
drums (drum set):
Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
guitar:
Alun Davies (in 1971-03) and Cat Stevens (in 1971-03)
keyboard and lead vocals:
Cat Stevens (in 1971-03)
piano:
Rick Wakeman (in 1971-03)
strings:
Del Newman (in 1971-03)
phonographic copyright (℗) by:
Universal Island Records Ltd. (in 1970) and Island Records Ltd. (in 1971)
recorded at:
Morgan Studios in Willesden, Brent, London, England, United Kingdom (in 1971-03)
recording of:
Morning Has Broken (in 1971-03)
lyricist:
Eleanor Farjeon
composer:
[traditional]
publisher:
Cat Music Ltd., EMI Music, Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc.
is based on:
Bunessan (Scottish hymn tune)
[unknown]3:20
15Dona, Dona
guitar:
Joan Baez and Fred Hellerman
vocals:
Joan Baez
cover recording of:
דאָס קעלב (Donna Donna, Dos kelbl)
lyricist:
Aaron Zeitlin
composer:
Sholom Secunda
translator:
Arthur S. Kevess and Teddi Schwartz
publisher:
Copyright Control and EMI Harmonies Ltd.
[unknown]3:13
16We Have a Dream[unknown]4:02
17Que será, será
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music, St. Angelo Music, Universal Music Publishing Pty Ltd., Warner Bros. Music Ltd. and Warner Chappell Music
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
[unknown]2:05
18Can't Help Falling in Love
bass:
Bob Moore (on 1961-03-23)
celesta [celeste]:
Dudley Brooks (on 1961-03-23)
drums (drum set):
Hal Blaine (on 1961-03-23), D.J. Fontana (on 1961-03-23) and Bernie Mattinson (on 1961-03-23)
guitar:
Hank Garland (on 1961-03-23), Scotty Moore (on 1961-03-23) and Tiny Timbrell (on 1961-03-23)
harmonica:
George Fields (on 1961-03-23)
piano:
Dudley Brooks (on 1961-03-23) and Floyd Cramer (on 1961-03-23)
saxophone:
Boots Randolph (on 1961-03-23)
steel guitar:
Alvino Rey (on 1961-03-23)
ukulele:
Bernie Lewis (on 1961-03-23) and Fred Tavares (on 1961-03-23)
lead vocals:
Elvis Presley (on 1961-03-23)
vocals:
The Jordanaires (on 1961-03-23) and The Surfers (on 1961-03-23)
additional performer:
The Jordanaires (on 1961-03-23)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961), RCA Corporation (in 1961) and Sony BMG Music Entertainment (in 2002)
part of:
Billboard: The 500 Best Pop Songs (number: 137)
recording of:
Can’t Help Falling in Love (on 1961-03-23)
writer:
Luigi Creatore, Hugo Peretti and George David Weiss
publisher:
ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music, Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H., Luigi Creatore Music and The Manor Music Co. Ltd.
sub-publisher:
日音 (ended), フジパシフィックミュージック, ヤマハミュージックEH(CM) and 日音 Synch事業部
is based on:
Plaisir d’amour (Romance du chevrier)
[unknown]3:00
19Love Me Tender
accordion:
Carl Fortina (from 1956-08-24 until 1956-09-04) and Dominic Frontiere (from 1956-08-24 until 1956-09-04)
banjo:
Luther "Red" Roundtree (from 1956-08-24 until 1956-09-04)
bass:
Meyer "Mike" Rubin (from 1956-08-24 until 1956-09-04)
drums (drum set):
Richard Cornell (from 1956-08-24 until 1956-09-04)
guitar:
Vito Mumolo (from 1956-08-24 until 1956-09-04)
lead vocals:
Elvis Presley (on 1956-09-01)
vocals:
Jon Dodson (from 1956-08-24 until 1956-09-04, on 1956-09-01), Charles Prescott (from 1956-08-24 until 1956-09-04, on 1956-09-01) and Rad Robinson (from 1956-08-24 until 1956-09-04, on 1956-09-01)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (in 1956) and Sony BMG Music Entertainment (in 2002)
recorded at:
20th Century Fox Music Stage 1 in Los Angeles, California, United States (on 1956-08-24, on 1956-09-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 437)
recording of:
Love Me Tender (from 1956-08-24 until 1956-09-04)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック and 日音 Synch事業部
is based on:
Aura Lea
[unknown]2:43
20Barbar' Ann[unknown]2:05
21I Am Sailing
producer:
Tom Dowd
recording of:
Sailing
lyricist and composer:
Gavin Sutherland
publisher:
Island Music and Melodie der Welt J. Michel KG
cover recording of:
Sailing
lyricist and composer:
Gavin Sutherland
publisher:
Island Music and Melodie der Welt J. Michel KG
[unknown]4:24
22The Lion Sleeps Tonight
recording of:
The Lion Sleeps Tonight (in 1961)
lyricist:
George David Weiss (in 1961)
writer:
Luigi Creatore, Hugo Peretti and Albert Stanton
composer:
Solomon Linda
publisher:
Abilene Music Inc., Copyright Control, Luigi Creatore Music and Memory Lane Music Ltd.
is based on:
Mbube
is based on:
Wimoweh
version of:
Wimoweh
part of:
The Lion King (stage musical)
part of:
The Lion King (2019 film soundtrack)
[unknown]2:38
23Lady in Black
[unknown]3:38
3CD
#TitleArtistLength
1Bye, Bye, Love[unknown]2:51
2El condor pasa
recording engineer:
Ted Brosnan (on 1969-11-02)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon
bass guitar:
Joe Osborn (on 1969-11-02)
drums (drum set):
Hal Blaine (on 1969-11-02)
guitar:
Fred Carter, Jr. (on 1969-11-02) and Paul Simon (on 1969-11-02)
keyboard:
Larry Knechtel (on 1969-11-02)
strings:
Ernie Freeman (on 1969-11-02) and Jimmie Haskell (on 1969-11-02)
vocals:
Art Garfunkel and Paul Simon
performer:
Los Incas (on 1969-11-02)
arranger:
Paul Simon
phonographic copyright (℗) by:
Charing Cross Music, Inc. (in 1970)
recording of:
El cóndor pasa (If I Could) (Simon & Garfunkel version) (on 1969-11-02)
lyricist:
Paul Simon
composer:
Jorge Milchberg, Paul Simon and Daniel Alomía Robles (in 1913)
publisher:
Pattern Music Ltd and Paul Simon Music
version of:
El cóndor pasa (The Condor Passes)
[unknown]3:07
3Kriminal-Tango
phonographic copyright (℗) by:
Universal Music Domestic Division (in 1961)
recording of:
Kriminal-Tango (in 1959)
lyricist:
Aldo Locatelli
composer:
Piero Trombetta
translator:
Kurt Feltz
translated version of:
Kriminal Tango
[unknown]3:37
4Diana
vocals:
Paul Anka
conductor:
Don Costa
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 26)
recording of:
Diana (on 1957-05-20)
lyricist and composer:
Paul Anka
publisher:
Pamco Music Inc. (ended), Epa Publishing and Warner Chappell Music
[unknown]2:20
5Let's Twist Again[unknown]2:22
6Das alte Haus von Rocky Docky
recording of:
Das alte Haus von Rocky-Docky
lyricist and composer:
Stuart Hamblen
translator:
Kurt Feltz
translated version of:
This Ole House
[unknown]3:05
7Leaving on a Jet Plane[unknown]3:30
8Pata pata (1967)
producer:
Jerry Ragovoy
arranger:
Jerry Ragovoy
recording of:
Pata Pata (in 1967-05)
writer:
Myriam Makeba and Jerry Ragovoy
[unknown]3:04
9Lollipop
producer:
Archie Bleyer
phonographic copyright (℗) by:
Cadence (in 1958)
cover recording of:
Lollipop
writer:
Julius Dixson and Beverly Ross
publisher:
Anglo-Pic Music Co. Ltd. and Edward B. Marks Music Co.
[unknown]2:09
10Itsy Bitsy Teenie Weenie
vocals:
Silvio Francesco (in 1959) and Caterina Valente (in 1959)
recording of:
Itsy Bitsy Teenie Weenie Honolulu-Strand-Bikini (in 1959)
lyricist and composer:
Lee Pockriss and Paul Vance
translator:
Rudolf Günter Loose
translated version of:
Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini
[unknown]2:14
11Play a Simple Melody
recording of:
Play a Simple Melody
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music
[unknown]2:55
12Marmor, Stein und Eisen bricht[unknown]2:43
13Ich wollt, ich wär ein Huhn
recorded in:
Berlin, Germany (on 1936-08-28)
recording of:
Ich wollt', ich wär ein Huhn... (aus dem Film „Glückskinder“) (on 1936-08-28)
lyricist:
Hans Fritz Beckmann
composer:
Peter Kreuder
[unknown]2:42
14Heimweh
lead vocals:
Freddy Quinn (on 1956-02-22)
orchestra:
Horst Wende Tanzsolisten (on 1956-02-22)
recorded at:
Musikhalle, Großer Saal in Hamburg, Germany (on 1956-02-22)
recording of:
Heimweh (on 1956-02-22)
lyricist and composer:
Richard Dehr, Terry Gilkyson and Frank Miller
translator:
Ernst Bader and Dieter Rasch
translated version of:
Memories Are Made of This
[unknown]3:34
15I Like to Be in America
[unknown]2:42
16Summer Nights[unknown]3:37
17I Don't Know How to Love Him[unknown]3:59
18Memory[unknown]4:19
19Hello, Good Morning (Kanon)
[unknown]0:46
20Audite silete / Ja höret und schweiget
[unknown]1:16
21Fröhlich klingen unsere Lieder
[unknown]1:36
22Uns're kleine Nachtmusik
[unknown]1:52
23Das klinget so herrlich
[unknown]0:46
24Ich komme schon durch manches Land[unknown]0:51
25Am Brunnen vor dem Tore
[unknown]4:00
26Sah ein Knab' ein Röslein steh'n / Heidenröslein
[unknown]1:47
27Guten Abend, gut' Nacht
piano:
Geoffrey Parsons
baritone vocals:
Thomas Hampson
phonographic copyright (℗) by:
Warner Music UK
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
lyricist:
"Des Knaben Wunderhorn" and Georg Scherer
composer:
Johannes Brahms (in 1868)
dedicated to:
Bertha Faber
premiered at:
[concert]
publisher:
N. Simrock (in 1874)
version of:
Fünf Lieder für eine Stimme, op. 49: Nr. 4, Wiegenlied “Guten Abend, gut’ Nacht” (early one-verse version)
part of:
5 Lieder, op. 49
[unknown]1:03
28Bye, Bye, Bye / Schön war die Zeit
[unknown]1:32
29Nun ruhen alle Wälder
[unknown]3:08
30Neigen sich die Stunden / Now It's Time for Leaving
[unknown]1:56
31Now Is the Month of Maying
[unknown]0:45
32Hörst du den Vogelsang
[unknown]2:18
4CD