Absolute Opera 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#	Title	Artist	Length
1	Ruslan & Ludmila: Uvertyr producer: Wilhelm Meister (in 1987-11) and Kiyoshi Satomi (in 1987-11) orchestra: Bavarian State Orchestra (in 1987-11) conductor: Wolfgang Sawallisch (in 1987-11) balance engineer: Hans Schmidt (in 1987-11) recorded at: Herkulessaal in München, Bayern, Germany (in 1987-11) recording of: Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture) (in 1987-11) composer: Mikhail Glinka (from 1837 until 1842) part of: Руслан и Людмила (Ruslan and Lyudmila)	Glinka	5:23
2	Martha: M'appari tutt' amor engineer: Simon Rhodes producer: David Groves editor: Bob Whitney tenor vocals: Roberto Alagna (from 1995-01 until 1995-04) orchestra: London Philharmonic Orchestra (from 1995-01 until 1995-04) conductor: Richard Armstrong (from 1995-01 until 1995-04) recorded at: Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London, England, United Kingdom (from 1995-01 until 1995-04) recording of: Martha: Atto III. “M’apparì tutt’amor” (Lionel) (from 1995-01 until 1995-04) composer: Friedrich von Flotow (in 1849) librettist: Friedrich Wilhelm Riese translated version of: Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)	Friedrich von Flotow	2:54
3	Barberaren i Sevilla: Una voce poca fa mezzo-soprano vocals: Jennifer Larmore orchestra: Orchestre de Chambre de Lausanne conductor: Jesús López Cobos recording of: Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) composer: Gioachino Rossini librettist: Cesare Sterbini part of: Il barbiere di Siviglia: Atto I	Gioachino Rossini	5:38
4	La traviata: Preludio orchestra: Philharmonia Orchestra (from 1980-07-05 until 1980-07-15) conductor: Riccardo Muti (from 1980-07-05 until 1980-07-15) recorded at: Kingsway Hall in London, England, United Kingdom (from 1980-07-05 until 1980-07-15) recording of: La traviata: Preludio (from 1980-07-05 until 1980-07-15) composer: Giuseppe Verdi librettist: Antonio Ghislanzoni part of: La traviata part of: La traviata (english lyrics) part of: La traviata (french lyrics) part of: La Traviata (aka Violetta, german lyrics) part of: Violetta (La traviata) (german lyrics)	Giuseppe Verdi	3:56
5	La traviata: Un di felice eterea soprano vocals [Violetta]: Montserrat Caballé (in 1967) tenor vocals [Alfredo]: Carlo Bergonzi (in 1967) orchestra: RCA Italiana Opera Orchestra (in 1967) conductor: Georges Prêtre (in 1967) performer: RCA Italiana Opera Orchestra recording of: La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (in 1967) composer: Giuseppe Verdi librettist: Francesco Maria Piave part of: La traviata: Atto I (La traviata: Act I)	Giuseppe Verdi	3:23
6	Carmen: Votre toast, je peux vous le rendre (Toreadorarian) baritone vocals [Escamillo]: Robert Merrill (in 1963) baritone vocals [Moralès]: Bernard Demigny bass vocals [Zuniga]: Frank Schooten choir vocals: Chor der Wiener Staatsoper (in 1963) mezzo-soprano vocals [Mercédès]: Geneviève Macaux soprano vocals [Carmen]: Leontyne Price soprano vocals [Frasquita]: Monique Linval orchestra: Vienna Philharmonic Orchestra (in 1963) conductor: Herbert von Karajan (in 1963) chorus master: Wilhelm Pitz (in 1963) phonographic copyright (℗) by: Sony Music Entertainment (from 1964 to present) recorded at: Sofiensaal in Landstraße, Wien, Austria (in 1963) recording of: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (in 1963) composer: Georges Bizet librettist: Ludovic Halévy and Henri Meilhac part of: Carmen : Acte II	Georges Bizet	5:39
7	Manon Lescaut: Donna non vidi mai engineer: Christopher Parker producer: Ronald Kinloch Anderson tenor vocals: Plácido Domingo (in 1972) orchestra: New Philharmonia Orchestra (in 1972) conductor: Bruno Bartoletti (in 1972) phonographic copyright (℗) by: EMI Records Ltd. (in 1972) recording of: Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1972) composer: Giacomo Puccini (in 1893) librettist: Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi part of: Manon Lescaut: Atto I	Giacomo Puccini	2:30
8	La Bohème: Si. Mi chiamano Mimi soprano vocals [Mimì]: Barbara Hendricks orchestra: Orchestre national de France conductor: James Conlon recording of: La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	4:57
9	Eugene Onegin: Vals producer: Martin Fouqué orchestra: New York Philharmonic conductor: Kurt Masur balance engineer: Eberhard Sengpiel recording of: Excerpt from Eugene Onegin, op. 24: Act II Scene I: Waltz (Excerpt) composer: Пётр Ильич Чайковский part of: Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz")	Tjajkovskij	6:18
10	Lucia di Lammermoor: Chi mi frena in tal momento baritone vocals [Enrico]: Alexandru Agache bass vocals [Raimondo]: Alastair Miles mezzo-soprano vocals [Alisa]: Diana Montague soprano vocals [Lucia]: Edita Gruberová tenor vocals [Arturo]: Bernard Lombardo tenor vocals [Edgardo]: Neil Shicoff orchestra: London Symphony Orchestra conductor: Richard Bonynge recording of: Lucia di Lammermoor: Atto II, Scena 2. (no. 9c) Sestetto con coro “Chi mi frena in tal momento?” (Edgardo, Enrico, Lucia, Raimondo, Alisa, Coro, Arturo) composer: Gaetano Donizetti part of: Lucia di Lammermoor: Atto II	Gaetano Donizetti	3:58
11	Rigoletto: Questa o quella tenor vocals [Duca]: Alfredo Kraus orchestra: Orchestra della RCA Italiana conductor: Sir Georg Solti recording of: Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) composer: Giuseppe Verdi (from 1850 until 1851-03-11) librettist: Francesco Maria Piave (from 1850 until 1851-03-11) part of: Rigoletto: Atto I	Giuseppe Verdi	2:09
12	Turandot: Signore, ascolta! soprano vocals [Liù]: Montserrat Caballé orchestra: London Symphony Orchestra conductor: Charles Mackerras recording of: Turandot: Atto I. “Signore, ascolta!” (Liù) composer: Giacomo Puccini librettist: Giuseppe Adami and Renato Simoni part of: Turandot: Atto I (Turandot: Act I)	Giacomo Puccini	2:34
13	Faust: Chœur des soldats engineer: Robert Gooch (from 1978-06-19 until 1978-06-29) producer: Christopher Bishop (from 1978-06-19 until 1978-06-29) and Gréco Casadesus (from 1978-06-19 until 1978-06-29) choir vocals: Chœur de l’Opéra de Paris (from 1978-06-19 until 1978-06-24) and Chœurs de l’Opéra national de Paris (from 1978-06-19 until 1978-06-29) orchestra: Orchestre de l’Opéra national de Paris (from 1978-06-19 until 1978-06-24, from 1978-06-19 until 1978-06-29) conductor: Georges Prêtre (from 1978-06-19 until 1978-06-24, from 1978-06-19 until 1978-06-29) chorus master: Jean Laforge (from 1978-06-19 until 1978-06-24, from 1978-06-19 until 1978-06-29) phonographic copyright (℗) by: EMI Records Ltd. (in 1979, in 1986) recorded at: Salle Wagram in Paris, Île-de-France, France (from 1978-06-19 until 1978-06-24, from 1978-06-19 until 1978-06-29) recording of: Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) (from 1978-06-19 until 1978-06-24) composer: Charles Gounod part of: Faust : Acte IV recording of: Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) (from 1978-06-19 until 1978-06-29) composer: Charles Gounod part of: Faust : Acte IV	Charles‐François Gounod	3:21
14	Don Giovanni: La ci darem la mano baritone vocals [Don Giovanni]: Thomas Hampson (in 1988-10) soprano vocals [Zerlina]: Barbara Bonney (in 1988-10) orchestra: Koninklijk Concertgebouworkest (in 1988-10) conductor: Nikolaus Harnoncourt (in 1988-10) phonographic copyright (℗) by: TELDEC Classics International GmbH (in 1989) recorded at: Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1988-10) recording of: Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1988-10) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart	3:48
15	Carmen: La fleur que tu m'avais jetée tenor vocals [Don José]: Plácido Domingo orchestra: Orchestre national de France conductor: Lorin Maazel recording of: Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) composer: Georges Bizet (in 1875) librettist: Ludovic Halévy (in 1875) and Henri Meilhac (in 1875) part of: Carmen : Acte II	Georges Bizet	4:04
16	Hoffmanns Äventyr: Belle nuit, ô nuit d'amour soprano vocals [Giulietta]: Montserrat Caballé soprano vocals [Nicklausse]: Montserrat Martí orchestra: Orquestra Simfònica del Gran Teatre del Liceu conductor: David Giménez Carreras recording of: Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta) composer: Jacques Offenbach librettist: Jules Barbier part of: Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)	Jacques Offenbach	4:00
17	Un ballo in maschera: Di' tu se fedele tenor vocals [Riccardo]: Nicolai Gedda orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Giuseppe Patanè recording of: Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro) composer: Giuseppe Verdi (in 1859) librettist: Antonio Somma part of: Un ballo in maschera: Atto I	Giuseppe Verdi	3:14
18	Thaïs : Méditation producer: Michel Glotz violin: Anne‐Sophie Mutter (from 1980-11-16 until 1980-11-17) orchestra: Berliner Philharmoniker (from 1980-11-16 until 1980-11-17) conductor: Herbert von Karajan (from 1980-11-16 until 1980-11-17) balance engineer: Wolfgang Gülich recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-11-16 until 1980-11-17) recording of: Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (from 1980-11-16 until 1980-11-17) composer: Jules Massenet (in 1894) part of: Classic 100: Music of France (number: 14) part of: Thaïs: Acte II	Jules Massenet	6:44

2▼CD
#	Title	Artist	Length
1	Die Fledermaus: Uvertyr orchestra: London Philharmonic Orchestra conductor: Franz Welser‐Möst recording of: Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) composer: Johann Strauss part of: Die Fledermaus part of: Die Fledermaus (English version, lyrics by Mandel/Sachs) part of: Die Fledermaus (English version, lyrics by Dietz) part of: Die Fledermaus (english; unknown version)	Johann Strauss II	7:53
2	Die Zauberflöte: Dies Bildnis ist bezaubernd schön tenor vocals [Tamino]: Gösta Winbergh orchestra: Ensemble orchestral de Paris conductor: Armin Jordan recording of: Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) composer: Wolfgang Amadeus Mozart (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt I	Wolfgang Amadeus Mozart	4:26
3	Rusalka: Sången till månen soprano vocals: Lesley Garrett and Lucia Popp soprano vocals [Rusalka]: Lucia Popp orchestra: Munich Radio Symphony Orchestra and Philharmonia Orchestra conductor: Andrew Greenwood and Stefan Soltész recording of: Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) composer: Antonín Dvořák (from 1900-04-21 until 1900-11-27) part of: Rusalka, op. 114, B. 203: 1. jednání	Antonín Dvořák	5:57
4	Lohengrin: Treulich geführt choir vocals: Chorus of the Royal Opera House, Covent Garden orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Bernard Haitink phonographic copyright (℗) by: EMI Records Ltd. (in 1989) recording of: Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir)) composer: Richard Wagner (from 1846 until 1848) librettist: Richard Wagner part of: Lohengrin, WWV 75: Akt III	Richard Wagner	5:20
5	Don Giovanni: Finch' an dal vino baritone vocals [Don Giovanni]: Thomas Allen orchestra: London Philharmonic Orchestra conductor: Bernard Haitink recording of: Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) composer: Wolfgang Amadeus Mozart librettist: Lorenzo Da Ponte (in 1787) part of: Don Giovanni: Atto I	Wolfgang Amadeus Mozart	1:26
6	Orphée et Eurydice: J'ai perdu mon Euridice producer: Alain Duchemin mezzo-soprano vocals [Orphée]: Anne Sofie von Otter (from 1989-01-29 until 1989-02-02) orchestra: Orchestre de l’Opéra de Lyon (from 1989-01-29 until 1989-02-02) conductor: John Eliot Gardiner (from 1989-01-29 until 1989-02-02) balance engineer: Michel Lepage phonographic copyright (℗) by: Warner Music France (in 1989) recorded at: Auditorium Maurice‐Ravel in Lyon, Rhône, Auvergne-Rhône-Alpes, France (from 1989-01-29 until 1989-02-02) recording of: Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1989-01-29 until 1989-02-02) composer: Christoph Willibald Gluck additional librettist: Pierre-Louis Moline translator: Pierre-Louis Moline translated version of: Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) part of: Orphée et Eurydice, Wq. 41 : Acte III	Christoph Willibald Gluck	3:34
7	L'Africaine: Ô Paradis tenor vocals: Plácido Domingo orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: John Barker recording of: L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis" composer: Giacomo Meyerbeer librettist: Eugène Scribe part of: L’Africaine : Acte IV	Giacomo Meyerbeer	3:09
8	Die Walküre: Valkyrieritten producer: John Willan orchestra: Berliner Philharmoniker (from 1980-10-06 until 1980-10-09) conductor: Klaus Tennstedt (from 1980-10-06 until 1980-10-09) balance engineer: Neville Boyling and Michael Sheady phonographic copyright (℗) by: EMI Records Ltd. (in 1981) recorded at: Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-10-06 until 1980-10-09) recording of: Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (from 1980-10-06 until 1980-10-09) composer: Richard Wagner (from 1854 until 1856) publisher: Schott Music International part of: Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"	Richard Wagner	5:14
9	Tannhäuser: Dich, teure Halle, grüß ich wieder soprano vocals [Elisabeth]: Kiri Te Kanawa (from 1990-05 until 1990-06) orchestra: The Philharmonia Orchestra (from 1990-05 until 1990-06) conductor: Marek Janowski (from 1990-05 until 1990-06) phonographic copyright (℗) by: TELDEC Classics International GmbH (in 1991) recorded at: St. Augustine’s Church in London, England, United Kingdom (from 1990-05 until 1990-06) recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Einleitung und Szene I. "Dich, teure Halle, grüss ich wieder" (Elisabeth) (from 1990-05 until 1990-06) composer: Richard Wagner (from 1843 until 1845-04-13) librettist: Richard Wagner (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II	Richard Wagner	4:54
10	Cavalleria Rusticana: Intermezzo orchestra: National Philharmonic Orchestra (in 1978) conductor: James Levine (in 1978) performer: National Philharmonic Orchestra phonographic copyright (℗) by: BMG Entertainment (in 1979) recorded at: Walthamstow Assembly Hall in London, England, United Kingdom (in 1978) recording of: Cavalleria rusticana: Intermezzo (in 1978) composer: Pietro Mascagni (in 1888) publisher: Ascherberg Hopwood & Crew part of: Cavalleria rusticana part of: Cavalleria rusticana (German lyrics)	Pietro Mascagni	4:11
11	Tosca: Recondita armonia tenor vocals [Cavaradossi]: Luciano Pavarotti orchestra: Orchestra del Teatro dell’Opera di Roma conductor: Daniel Oren recording of: Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) composer: Giacomo Puccini (from 1896 until 1899) librettist: Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899) part of: Tosca: Atto I (Tosca: Act 1)	Giacomo Puccini	2:39
12	Rigoletto: Gualtier Maldé...caro nome sound engineer: Jacques Doll (in 1994-06) engineer: Jaques Doll (in 1994-06) producer and editor: Tim Oldham (in 1994-06) soprano vocals [Gilda]: Sumi Jo (in 1994-06) orchestra: Orchestre Philharmonique de Monte‐Carlo (in 1994-06) conductor: Paolo Olmi (in 1994-06) phonographic copyright (℗) by: Erato Disques S.A. (in 1994) recorded at: Auditorium de l'Orchestre Philharmonique de Monte-Carlo in Monte-Carlo, Monaco (in 1994-06) and Auditorium Rainier III in Monte-Carlo, Monaco (in 1994-06) recording of: Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo) (in 1994-06) lyricist and librettist: Francesco Maria Piave composer: Giuseppe Verdi part of: Rigoletto: Atto I	Giuseppe Verdi	5:37
13	Ljubov K Trem Apelsinam: Marsch orchestra: Philharmonia Orchestra conductor: Nicolai Malko partial recording of: L'Amour des trois oranges, op. 33 (Love for Three Oranges) composer and librettist: Сергей Сергеевич Прокофьев part of: Works of Sergei Prokofiev by opus number (number: op. 33) recording of: Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra) composer: Сергей Сергеевич Прокофьев (in 1919) part of: Suite from "Love for Three Oranges", op. 33A	Sergej Prokofiev	1:37
14	Tannhäuser: Freudig begrüßen wir die edle Halle choir vocals: Ambrosian Singers orchestra: Philharmonia Orchestra conductor: Marek Janowski partial recording of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. "Freudig begrüssen wir die edle Halle" (Einzug der Gäste) composer: Richard Wagner (from 1843 until 1845-04-13) librettist: Richard Wagner (from 1842-06 until 1843-04) part of: Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II	Richard Wagner	6:05
15	Aida: Celeste Aida tenor vocals [Radamès]: Jussi Björling orchestra: Rome Opera Orchestra conductor: Jonel Perlea (in 1955) recorded at: Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1955-07-02 until 1957-07-18) recording of: Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) composer: Giuseppe Verdi (in 1871) librettist: Antonio Ghislanzoni (in 1870) part of: Aida: Atto I	Giuseppe Verdi	5:00
16	Andrea Chénier: La mamma morta producer: Walter Legge soprano vocals: Maria Callas (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) orchestra: Philharmonia Orchestra (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) conductor: Tullio Serafin (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) balance engineer: Robert Beckett phonographic copyright (℗) by: EMI Records Ltd. (in 1955) recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21) recording of: Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18) composer: Umberto Giordano librettist: Luigi Illica publisher: Edoardo Sonzogno Ltd. and MCPS part of: Andrea Chénier: Atto III recording of: Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21) composer: Umberto Giordano librettist: Luigi Illica publisher: Edoardo Sonzogno Ltd. and MCPS part of: Andrea Chénier: Atto III	Umberto Giordano	4:54
17	La Bohème: O soave fanciulla baritone vocals [Marcello]: Sherrill Milnes (in 1973) soprano vocals and soprano vocals [Mimì]: Montserrat Caballé (in 1973) tenor vocals [Rodolfo]: Plácido Domingo (in 1973) orchestra: London Philharmonic Orchestra (in 1973) conductor: Georg Solti (in 1973) phonographic copyright (℗) by: BMG Music (in 1974) recording of: La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1973) composer: Giacomo Puccini (in 1896) librettist: Luigi Illica and Giuseppe Giacosa (in 1896) part of: La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)	Giacomo Puccini	3:58

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Discogs:	https://www.discogs.com/release/8904169 [info]

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