The Golden Voice

~ Release by Gundula Janowitz (see all versions of this release, 2 available)

Annotation

Copyright: This Compilation ℗ 2005 Deutsche Grammophon GmbH, Berlin

Tracklist

1Digital Media
2Digital Media
#TitleArtistLength
1Ino, TWV 20:41: 1. Recitativo: "Wohin, wo soll ich hin"Georg Philipp Telemann0:53
2Ino, TWV 20:41: 2. Aria: "Ungöttliche Saturnia"Georg Philipp Telemann6:39
3Ino, TWV 20:41: 3. Recitativo: "O all ihr Mächte des Olympus"Georg Philipp Telemann10:46
4Ino, TWV 20:41: 4. Tanz der TritonenGeorg Philipp Telemann2:24
5Ino, TWV 20:41: 5. Recitativo: "Ungewohnte Symphonien"Georg Philipp Telemann1:30
6Ino, TWV 20:41: 6. Aria: "Meint ihr mich, ihr Nereiden"Georg Philipp Telemann5:21
7Ino, TWV 20:41: 7. Recitativo: "Und nun"Georg Philipp Telemann2:08
8Ino, TWV 20:41: 8. Aria: "Tönt in seinen Lobgesang"Georg Philipp Telemann9:10
9Der Messias, HWV 56: Erster Teil: 16. Arie "Erwach, frohlocke, o Tochter.."Georg Friedrich Händel4:53
10Der Messias, HWV 56: Erster Teil: 18a. Duett "Er weidet seine Herde"
producer:
Karl Faust
organ:
Elmar Schloter (in 1964-06)
alto vocals:
Marga Höffgen (in 1964-06)
contralto vocals:
Marga Höffgen
soprano vocals:
Gundula Janowitz (in 1964-06)
orchestra:
Münchener Bach‐Orchester (in 1964-06)
conductor:
Karl Richter (in 1964-06)
balance engineer:
Harald Baudis
recorded at:
Herkulessaal in München, Bayern, Germany (in 1964-06)
recording of:
Der Messias, K. 572: Teil I, Nr. 14. Aria: “Er weidet seine Herde” (soprano I)
orchestrator:
Wolfgang Amadeus Mozart
composer:
George Frideric Handel
arranger:
Wolfgang Amadeus Mozart (in 1789)
version of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
part of:
Der Messias, K. 572: Teil I (arr. W.A. Mozart)
Georg Friedrich Händel5:31
11Der Messias, HWV 56: Zweiter Teil: 36. Arie "Wie lieblich ist der Boten Schritt"Georg Friedrich Händel3:21
12Der Messias, HWV 56: Dritter Teil: 43. Arie "Ich weiß, daß mein Erlöser lebet"Georg Friedrich Händel6:30
13Christmas Oratorio, BWV 248: Pt. Four - For New Year's Day: No. 39 Aria: "Flösst, mein Heiland, flösst dein Namen"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:42
14Christmas Oratorio, BWV 248: Pt. Six - For The Feast Of Epiphany: No. 57 Aria: "Nur ein Wink von seinen Händen"
recording engineer:
Hans‐Peter Schweigmann
executive producer:
Gerd Ploebsch and Prof. Dr. Hans Hickmann
producer:
Hans Weber
bassoon:
Karl Kolbinger (from 1965-02 until 1965-06) and Detlev Kühl (from 1965-02 until 1965-06)
cello:
Kurt Engert (from 1965-02 until 1965-06) and Oswald Uhl (from 1965-02 until 1965-06)
double bass:
Herbert Duft (from 1965-02 until 1965-06) and Ludwig Kiblböck (from 1965-02 until 1965-06)
horn [corno da caccia I]:
Kurt Richter (from 1965-02 until 1965-06)
horn [corno da caccia II]:
Willy Beck (from 1965-02 until 1965-06)
oboe [oboe I], oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (from 1965-02 until 1965-06)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Kurt Hausmann (from 1965-02 until 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (from 1965-02 until 1965-06)
organ:
Hedwig Bilgram (from 1965-02 until 1965-06)
transverse flute:
Paul Meisen (from 1965-02 until 1965-06)
trumpet [trumpet I]:
Maurice André (from 1965-02 until 1965-06)
trumpet [trumpet II]:
Bernhard Gediga (from 1965-02 until 1965-06)
trumpet [trumpet III]:
Wilhelm Oppermann (from 1965-02 until 1965-06)
violin:
Otto Büchner (from 1965-02 until 1965-06)
soprano vocals:
Gundula Janowitz (from 1965-02 until 1965-06)
orchestra:
Münchener Bach‐Orchester (from 1965-02 until 1965-06)
conductor:
Karl Richter (from 1965-02 until 1965-06)
balance engineer:
Hans‐Peter Schweigmann (from 1965-02 until 1965-06)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1965-02 until 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1965-02 until 1965-06)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:05
3Digital Media
4Digital Media
5Digital Media