The Golden Voice

~ Release by Gundula Janowitz (see all versions of this release, 2 available)

Annotation

Copyright: This Compilation ℗ 2005 Deutsche Grammophon GmbH, Berlin

Tracklist

1▶Digital Media
2▶Digital Media
3▶Digital Media
4▶Digital Media
5▼Digital Media
#TitleArtistLength
1Capriccio, op. 85, TrV 279: Letzte Szene: Mondschein-Musik
recording engineer:
Günter Hermanns
executive producer:
Dr. Ellen Hickmann and Dr. Hans Hirsch
producer:
Wolfgang Lohse
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1971-04)
conductor:
Karl Böhm (in 1971-04)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1971-04)
recording of:
Capriccio, op. 85: Letzte Szene. Mondscheinmusik (Orchester‐Zwischenspiel) (in 1971-04)
composer:
Richard Strauss
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss3:07
2Capriccio, op. 85, TrV 279: Letzte Szene: "Wo ist mein Bruder?"
recording engineer:
Günter Hermanns
executive producer:
Dr. Ellen Hickmann and Dr. Hans Hirsch
producer:
Wolfgang Lohse
solo cello:
Walter Nothas (in 1971-04)
solo harpsichord:
Hedwig Bilgram (in 1971-04)
solo violin:
Rudolf Koeckert (in 1971-04)
bass vocals [Haushofmeister]:
Karl Christian Kohn (in 1971-04)
soprano vocals [Die Gräfin]:
Gundula Janowitz (in 1971-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1971-04)
conductor:
Karl Böhm (in 1971-04)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1971-04)
recording of:
Capriccio, op. 85: Letzte Szene. „Wo ist mein Bruder?“ (Gräfin, Haushofmeister) (in 1971-04)
composer:
Richard Strauss
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss3:07
3Capriccio, op. 85, TrV 279: Letzte Szene: "Kein andres, das mir so im Herzen loht"
recording engineer:
Günter Hermanns
executive producer:
Dr. Ellen Hickmann and Dr. Hans Hirsch
producer:
Wolfgang Lohse
solo harp:
Wladimir Haag
soprano vocals [Die Gräfin]:
Gundula Janowitz (in 1971-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1971-04)
conductor:
Karl Böhm (in 1971-04)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1971-04)
recording of:
Capriccio, op. 85: Letzte Szene. „Morgen mittag um elf! … Kein andres, das mir so im Herzen loht“ (Gräfin) (in 1971-04)
composer:
Richard Strauss
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
recording of:
Capriccio, op. 85 - 4. Szene: Kein andres, das mir so im Herzen loht
composer:
Richard Strauss
part of:
Capriccio, op. 85: 4. Szene
Richard Strauss4:29
4Capriccio, op. 85, TrV 279: Letzte Szene: "Ihre Liebe schlägt mir entgegen"
recording engineer:
Günter Hermanns
executive producer:
Dr. Ellen Hickmann and Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [Die Gräfin]:
Gundula Janowitz (in 1971-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1971-04)
conductor:
Karl Böhm (in 1971-04)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1971-04)
recording of:
Capriccio, op. 85: Letzte Szene. „Ihre Liebe schlägt mir entgegen“ (Gräfin) (in 1971-04)
composer:
Richard Strauss
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss4:01
5Capriccio, op. 85, TrV 279: Letzte Szene: "Du Spiegelbild der verliebten Madeleine"
recording engineer:
Günter Hermanns
executive producer:
Dr. Ellen Hickmann and Dr. Hans Hirsch
producer:
Wolfgang Lohse
solo cello:
Walter Nothas (in 1971-04)
solo harpsichord:
Hedwig Bilgram (in 1971-04)
solo violin:
Rudolf Koeckert (in 1971-04)
bass vocals [Haushofmeister]:
Karl Christian Kohn (in 1971-04)
soprano vocals [Die Gräfin]:
Gundula Janowitz (in 1971-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (in 1971-04)
conductor:
Karl Böhm (in 1971-04)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1971-04)
recording of:
Capriccio, op. 85: Letzte Szene. „Du Spiegelbild der verliebten Madeleine“ (Gräfin, Haushofmeister) (in 1971-04)
composer:
Richard Strauss
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss5:57
6Vier letzte Lieder, TrV 296: 1. Frühling (live)
soprano vocals:
Gundula Janowitz
orchestra:
Royal Concertgebouw Orchestra Amsterdamx
conductor:
Bernard Haitink
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”)
lyricist:
Hermann Hesse
composer:
Richard Strauss (on 1948-07-20)
publisher:
Boosey & Hawkes
premiered at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:39
7Vier letzte Lieder, TrV 296: 2. September (live)
soprano vocals:
Gundula Janowitz
orchestra:
Royal Concertgebouw Orchestra Amsterdamx
conductor:
Bernard Haitink
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”)
lyricist:
Hermann Hesse
composer:
Richard Strauss (on 1948-09-20)
publisher:
Boosey & Hawkes
premiered at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:08
8Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen (live)
soprano vocals:
Gundula Janowitz
orchestra:
Royal Concertgebouw Orchestra Amsterdamx
conductor:
Bernard Haitink
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”)
lyricist:
Hermann Hesse
composer:
Richard Strauss (on 1948-08-04)
publisher:
Boosey & Hawkes
premiered at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:25
9Vier letzte Lieder, TrV 296: 4. Im Abendrot (live)
soprano vocals:
Gundula Janowitz
orchestra:
Royal Concertgebouw Orchestra Amsterdamx
conductor:
Bernard Haitink
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (on 1948-05-06)
publisher:
Boosey & Hawkes
premiered at:
Royal Albert Hall in Kensington and Chelsea, London, England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss5:29
10Carmina Burana: III. Cour d'amours: "Stetit puella"
producer:
Hans Hirsch
soprano vocals:
Gundula Janowitz (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (in 1967-10)
balance engineer:
Klaus Scheibe
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1967-10)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:51
11Carmina Burana: III. Cour d'amours: "In trutina"
producer:
Hans Hirsch
soprano vocals:
Gundula Janowitz (in 1967-10)
orchestra:
Orchester der Deutschen Oper Berlin (in 1967-10)
conductor:
Eugen Jochum (in 1967-10)
balance engineer:
Klaus Scheibe
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1967-10)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1967-10)
composer:
Carl Orff (in 1936)
publisher:
B. Schott’s Söhne
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:54
12Le nozze di Figaro, K. 492: Act 1: "Porgi amor"
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns (in 1968-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:15
13Le nozze di Figaro, K. 492: Act 3: "E Susanna non vien!"
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:44
14Le nozze di Figaro, K. 492: Act 3: "Dove sono i bei momenti"
executive producer:
Dr. Hans Hirsch
producer:
Wolfgang Lohse
soprano vocals and soprano vocals [La Contessa di Almaviva]:
Gundula Janowitz (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (in 1968-03)
conductor:
Karl Böhm (in 1968-03)
balance engineer:
Günter Hermanns
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1968)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1968-03)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:59