Archiv Produktion 1947-2013

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

55 CD set chronicling the history of Archiv Produktion.

Tracklist

1▶CD: Bach: Organ Works
2▼CD: Bach: Kantaten: BWV 56 / BWV 82 / BWV 4
#TitleArtistLength
1Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 1. Aria: Ich will den Kreuzstab gerne tragen
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1951-06)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:38
2Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 2. Recitative: Mein Wandel auf der Welt
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1951-06)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:12
3Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 3. Aria: Endlich, endlich wird mein Joch
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1951-06)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:42
4Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 4. Recitative and Arioso: Ich stehe fertig und bereit
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1951)
composer:
Johann Sebastian Bach (in 1726)
librettist:
[anonymous]
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:56
5Cantata for the 19th Sunday after Trinity, BWV 56 "Ich will den Kreuzstab gerne tragen": 5. Chorale: Komm, o Tod, du Schlafes Bruder
producer:
Fred Hamel
oboe:
Hermann Töttcher (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau
choir vocals:
Berlin Motet Choir (in 1951-06)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1951)
composer:
Johann Sebastian Bach (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:49
6Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 1. Aria: Ich habe genug
producer:
Fred Hamel
oboe:
Hermann Töttcher (from 1951-06-20 until 1951-06-22)
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22) and RIAS Kammerorchester (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (from 1951-06-20 until 1951-06-22)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1951-06-20 until 1951-06-22)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:27
7Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 2. Recitative: Ich habe genug. Mein Trost ist nur allein
producer:
Fred Hamel
oboe:
Hermann Töttcher
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1951)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:27
8Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 3. Aria: Schlummert ein, ihr matten Augen
producer:
Fred Hamel
oboe:
Hermann Töttcher
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1951)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:19
9Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 4. Recitative: Mein Gott, wann kommt das schöne: Nun!
producer:
Fred Hamel
oboe:
Hermann Töttcher
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1951)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Cantata for the Feast of the Purification of Mary, BWV 82 "Ich habe genug": 5. Aria: Ich freue mich auf meinen Tod
producer:
Fred Hamel
oboe:
Hermann Töttcher
baritone vocals:
Dietrich Fischer‐Dieskau (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1951)
composer:
Johann Sebastian Bach (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:57
11Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Sinfonia
organ:
Maria Jung
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:17
12Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 1 (Chorus): Christ iag in Todesbanden
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach5:49
13Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 2 (Chorus: Soprano/Contralto): Den Tod niemand zwingen kunnt
organ:
Maria Jung
alto vocals and soprano vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:31
14Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 3 (Chorus: Tenor): Jesus Christus, Gottes Sohn
organ:
Maria Jung
tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (for piano, Rummel) (in 1950-08)
composer:
Johann Sebastian Bach
arranger:
Walter Rummel
arrangement of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
Johann Sebastian Bach2:21
15Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 4 (Chorus): Es war ein wunderlicher Krieg
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:05
16Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 5 (Bass): Hier ist das rechte Osterlamm
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (in 1950-08)
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany (in 1950-08)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:21
17Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 6 (Chorus: Soprano/Tenor): So feiern wir das hohe Fest
organ:
Maria Jung
soprano vocals and tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:34
18Cantata for the first day of Easter, BWV 4 "Christ lag in Todesbanden": Versus 7 (Chorale): Wir essen und wir leben wohl
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann
recorded at:
Johanniskirche in Göttingen, Niedersachsen, Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (in 1950-08)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:25
3▶CD: Bach: Kantaten: BWV 21 / BWV 19/ BWV 79
4▶CD: Gregorian Chant
5▶CD: De La Halle: Dances; Le Jeu De Robin Et De Marion
6▶CD: Bach: Brandenburg Concertos
7▶CD: Bach: Brandenburg Concertos
8▶CD: Gibbons/Morley: Anthems; Madrigals; Fantasies
9▶CD: Bach: Passio Secundum Matthaeum
10▶CD: Bach: Passio Secundum Matthaeum
11▶CD: Bach: Passio Secundum Matthaeum
12▶CD: Bach: Cantatas
13▶CD: Praetorius / Widmann / Schein: Dances
14▶CD: Mouret / Delalande: Symphonies; Fanfares
15▶CD: Höfische Konzertmusik des österreichischen Barock
16▶CD: Musique de table
17▶CD: Vier Orchester-Sinfonien, wq 183
18▶CD: Israel in Egypt
19▶CD: Israel in Egypt
20▶CD: Sonaten für Cembalo
21▶CD: Canti amorosi
22▶CD: Ockeghem: Missa Pro Defunctis / Desprez: Déploration Sur La Mort De Ockeghem
23▶CD: Violinsonaten, op. 5 nos. 1, 7, 2, 8, 3, 9
24▶CD: Music of the Gothic Era
25▶CD: Pièces de Clavecin
26▶CD: Die Orchesterwerke
27▶CD: Goldberg-Variationen
28▶CD: Le quattro stagioni
29▶CD: Wassermusik / 3 Konzerte
30▶CD: Mass in B minor
31▶CD: Mass in B minor
32▶CD: Palestrina: Missa Papae Marcelli / Allegri: Misere
33▶CD: Piano Concertos nos. 18 & 19
34▶CD: Vespro Della Beata Vergine
35▶CD: Vespro Della Beata Vergine
36▶CD: The "Sturm & Drang" Symphonies - Volume 3 "Maria Theresia"
37▶CD: Symphonies nos. 5 & 6 "Pastoral"
38▶CD: Rebel: Les Élémens / Gluck: Alessandro
39▶CD: La Resurrezione
40▶CD: La Resurrezione
41▶CD: Music for San Rocco
42▶CD: Messiah
43▶CD: Messiah
44▶CD: Lamenti
45▶CD: A Flemish Feast / Flemish Renaissance Wind Music
46▶CD: Motets
47▶CD: Italian Cantatas
48▶CD: une symphonie imaginaire
49▶CD: il divino boemo
50▶CD: Concertos for Two Violins
51▶CD: Alcina
52▶CD: Alcina
53▶CD: Alcina
54▶CD: Motetes e himnos para el año litúrgico
55▶CD: 2013