Matthäuspassion, BWV 244

~ Release by Johann Sebastian Bach; Ernst Haefliger, Kieth Engen, Irmgard Seefried, Antonia Fahberg, Hertha Töpper, Dietrich Fischer‐Dieskau, Max Proebstl, Karl Richter (see all versions of this release, 4 available)

Tracklist

1▶CD
2▼CD
#TitleArtistLength
1Matthäus-Passion, BWV 244: Rezitativ: Und er kam zu seinen Jüngern
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:43
2Matthäus-Passion, BWV 244: Choral: Was mein Gott will, das g'scheh' allzeit
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
3Matthäus-Passion, BWV 244: Rezitativ: Und er kam und fand sie aber schlafend
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:07
4Matthäus-Passion, BWV 244: Duett, Chor: So ist mein Jesus nun gefangen
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:01
5Matthäus-Passion, BWV 244: Rezitativ: Und siehe, einer von denen, die mit Jesu waren
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:20
6Matthäus-Passion, BWV 244: Choral: O Mensch, bewein' dein' Sünde groß
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals [Soprano in ripieno]:
Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:50
7Matthäus-Passion, BWV 244: Arie: Ach! Nun ist mein Jesus hin!
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals and contralto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:00
8Matthäus-Passion, BWV 244: Rezitativ: Die aber Jesum gegriffen hatten
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:05
9Matthäus-Passion, BWV 244: Choral: Mir hat die Welt trüglich gericht'
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08) and Münchener Chorknaben (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (from 1958-06 until 1958-08)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:51
10Matthäus-Passion, BWV 244: Rezitativ: Und wiewohl viel falsche Zeugen herzutraten
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals and bass vocals [High Priest]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals and tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:28
11Matthäus-Passion, BWV 244: Acc. Rezitativ: Mein Jesus schweigt zu falschen Lügen stille
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
12Matthäus-Passion, BWV 244: Arie: Geduld, wenn mich falsche Zungen stechen!
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
tenor vocals:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:45
13Matthäus-Passion, BWV 244: Rezitativ: Und der Hohepriester antwortete
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [High Priest]:
Max Proebstl (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:48
14Matthäus-Passion, BWV 244: Rezitativ: Da speieten sie aus
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:42
15Matthäus-Passion, BWV 244: Choral: Wer hat dich so geschlagen
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:00
16Matthäus-Passion, BWV 244: Rezitativ: Petrus aber saß draußen im Palast
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (from 1958-06 until 1958-08)
soprano vocals [1st Maid]:
Antonia Fahberg (from 1958-06 until 1958-08)
soprano vocals [2nd Maid]:
Hertha Töpper (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:58
17Matthäus-Passion, BWV 244: Chor: Wahrlich, du bist auch einer von denen. Rezitativ: Da hub er an, sich zu verfluchen
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Peter]:
Max Proebstl (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:40
18Matthäus-Passion, BWV 244: Arie: Erbarme dich, mein Gott
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
alto vocals:
Hertha Töpper (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1958-06 until 1958-08)
orchestrator:
Ton Koopman
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:46
19Matthäus-Passion, BWV 244: Choral: Bin ich gleich von dir gewichen
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (from 1958-06 until 1958-08)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:10
20Matthäus-Passion, BWV 244: Rezitativ: Des Morgens aber hielten alle Hohenpriester
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Judas]:
Max Proebstl (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach1:12
21Matthäus-Passion, BWV 244: Rezitativ: Und er warf die Silberlinge in den Tempel
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [High Priest]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:49
22Matthäus-Passion, BWV 244: Arie: Gebt mir meinen Jesum wieder
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals:
Dietrich Fischer‐Dieskau (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:11
23Matthäus-Passion, BWV 244: Rezitativ: Sie hielten aber einen Rat
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Jesus]:
Kieth Engen (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:49
24Matthäus-Passion, BWV 244: Choral: Befiehl du deine Wege
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1958-06 until 1958-08)
lyricist:
Paul Gerhardt
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:29
25Matthäus-Passion, BWV 244: Rezitativ: Auf das Fest aber hatte der Landpfleger Gewohnheit
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
soprano vocals [Pilate's Wife]:
Antonia Fahberg (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:44
26Matthäus-Passion, BWV 244: Choral: Wie wunderbarlich ist doch diese Strafe
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
choir vocals:
Münchener Bach‐Chor (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
chorus master:
Fritz Rothschuh (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (from 1958-06 until 1958-08)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:14
27Matthäus-Passion, BWV 244: Rezitativ: Der Landpfleger sagte
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
bass vocals [Pilate]:
Max Proebstl (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:
Ernst Haefliger (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:16
28Matthäus-Passion, BWV 244: Acc. Rezitativ: Er hat uns allen wohlgetan
recording engineer:
Werner Wolf
executive producer:
Dr. Hans Hickmann
producer:
Otto Gerdes and Karl-Heinz Schneider
bassoon:
Karl Kolbinger (from 1958-06 until 1958-08)
cello and viola da gamba:
Oswald Uhl (from 1958-06 until 1958-08)
double bass:
Franz Ortner (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:
Edgar Shann (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:
Kurt Hausmann (from 1958-06 until 1958-08)
organ:
Hedwig Bilgram (from 1958-06 until 1958-08) and Ekkehard Tietze (from 1958-06 until 1958-08)
transverse flute:
Wolfgang Haag (from 1958-06 until 1958-08) and Walther Theurer (from 1958-06 until 1958-08)
violin:
Otto Büchner (from 1958-06 until 1958-08)
soprano vocals:
Irmgard Seefried (from 1958-06 until 1958-08)
orchestra:
Münchener Bach‐Orchester (from 1958-06 until 1958-08)
conductor:
Karl Richter (from 1958-06 until 1958-08)
recorded at:
Herkulessaal in München, Bayern, Germany (from 1958-06 until 1958-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1958-06 until 1958-08)
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:22