Golden Opera

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistLength
1Lakmé : « Viens, Mallika » … « Dôme épais le jasmin »
engineer:
Michael Mailes (on 1967-10-12) and Kenneth Wilkinson (on 1967-10-12)
producer:
John Mordler
mezzo-soprano vocals [Mallika]:
Jane Berbié (on 1967-10-12)
soprano vocals [Lakmé]:
Joan Sutherland (on 1967-10-12)
orchestra:
Orchestre National de lʼOpéra de Monte‐Carlo (on 1967-10-12)
conductor:
Richard Bonynge (on 1967-10-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo, Monaco (on 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (on 1967-10-12)
composer:
Léo Delibes
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes6:06
2Carmen : Habanera « L'amour est un oiseau rebelle »
choir vocals:
Wiener Opernchor (on 1967-10-13)
mezzo-soprano vocals [Carmen]:
Marilyn Horne (on 1967-10-13)
orchestra:
Wiener Opernorchester (on 1967-10-13)
conductor:
Henry Lewis (on 1967-10-13)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1967-10-13)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (on 1967-10-13)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:15
3Barber of Seville: “Largo al factotum”
baritone vocals [Figaro]:
Sherrill Milnes (on 1972-02-03)
orchestra:
London Philharmonic Orchestra (on 1972-02-03)
conductor:
Silvio Varviso (on 1972-02-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1973)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1972-02-03)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (on 1972-02-03)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:57
4Così fan tutte: “Soave sia il vento”
recording engineer:
Gordon Parry (in 1971-10)
producer:
Christopher Raeburn
bass vocals [Don Alfonso]:
Tom Krause (in 1971-10)
soprano vocals [Dorabella]:
Brigitte Fassbaender (in 1971-10)
soprano vocals [Fiordiligi]:
Lucia Popp (in 1971-10)
orchestra:
Vienna Haydn Orchestra (in 1971-10)
conductor:
István Kertész (in 1971-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1972)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1971-10)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) (in 1971-10)
composer:
Wolfgang Amadeus Mozart
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
Wolfgang Amadeus Mozart2:42
5La Wally: “Ebben? Ne andrò lontana“
soprano vocals [Wally]:
Renata Tebaldi (on 1968-06-26)
orchestra:
Orchestre national de l’Opéra de Monte‐Carlo (on 1968-06-26)
conductor:
Fausto Cleva (on 1968-06-26)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1968)
recorded at:
Salle Alcazar in Monte-Carlo, Monaco (on 1968-06-26)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (on 1968-06-26)
composer:
Alfredo Catalani
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani4:53
6Nabucco: “Va pensiero” (Chorus of the Hebrew Slaves)
producer:
Erik Smith (in 1965-09)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (in 1965-10)
orchestra:
Wiener Opernorchester (in 1965-10)
conductor:
Lamberto Gardelli (in 1965-10)
chorus master:
Roberto Benaglio
phonographic copyright (℗) by:
Decca Music Group Limited (in 1965) and The Decca Record Company Limited (in 1965)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1965-10)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1965-10)
composer:
Giuseppe Verdi (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:51
7La Traviata: Brindisi “Libiamo ne' lieti calici”
choir vocals:
Coro del Maggio Musicale Fiorentino (on 1962-11-16)
soprano vocals [Violetta]:
Joan Sutherland (on 1962-11-16)
tenor vocals [Alfredo]:
Carlo Bergonzi (on 1962-11-16)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1962-11-16)
conductor:
Sir John Pritchard (on 1962-11-16)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (on 1962-11-16)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (on 1962-11-16)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:02
8Aida: “Se quel guerrier io fossi!” … “Celeste Aida”
tenor vocals [Radamès]:
Luciano Pavarotti
orchestra:
Vienna Volksoper Orchestra
conductor:
Leone Magiera
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1974)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:33
9Rigoletto: “La donna e mobile”
baritone vocals [Rigoletto]:
Sherrill Milnes
bass vocals [Sparafucile]:
Martti Talvela
tenor vocals [Duca]:
Luciano Pavarotti
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge
recording of:
Rigoletto: Atto III. “È là il vostr’uomo” (Sparafucile, Rigoletto)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:00
10Rigoletto: “Bella figlia dell'amore”
baritone vocals [Rigoletto]:
Sherrill Milnes
mezzo-soprano vocals [Maddalena]:
Huguette Tourangeau
soprano vocals [Gilda]:
Joan Sutherland
tenor vocals [Duca]:
Luciano Pavarotti
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi5:51
11Madame Butterfly: “Un bel dì”
soprano vocals and soprano vocals [Butterfly]:
Régine Crespin
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Edward Downes
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
composer:
Giacomo Puccini
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:25
12Tosca: “Recondita armonia”
baritone vocals:
Alfredo Mariotti (in 1966)
tenor vocals:
Franco Corelli (in 1966)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia
conductor:
Lorin Maazel
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1966)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:50
13Gianni Schicchi : “O mio babbino caro”
soprano vocals [Lauretta]:
Renata Tebaldi (in 1962-07)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1962-07)
conductor:
Lamberto Gardelli (in 1962-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1962)
recorded at:
Teatro Della Pergola in Firenze, Firenze, Toscana, Italy (in 1962-07)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1962-07)
composer:
Giacomo Puccini
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini2:12
14Les Contes d'Hoffman : Barcarolle « Belle nuit, o nuit d'amour »
producer:
John Mordler and Michael Woolcock
choir vocals:
Chœur de la Radio Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) and Chorale du Brassus (in 1972-06)
mezzo-soprano vocals:
Huguette Tourangeau (in 1972-06)
soprano vocals:
Joan Sutherland (in 1972-06)
orchestra:
Orchestre de la Suisse Romande (in 1972-06)
conductor:
Richard Bonynge (in 1972-06)
balance engineer:
James Lock
recorded at:
Victoria Hall in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:11
15Samson & Delilah : « Mon cœur s'ouvre à ta voix »
mezzo-soprano vocals [Dalila]:
Marilyn Horne (on 1967-10-13)
orchestra:
Orchester der Wiener Volksoper (in 1967-10), Wiener Opernorchester (on 1967-10-13) and Wiener Opernorchester (on 1967-10-13)
conductor:
Henry Lewis (on 1967-10-13)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (on 1967-10-13)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s’ouvre à ta voix » (Dalila) (on 1967-10-13)
composer:
Camille Saint‐Saëns
part of:
Samson et Dalila : Acte II
Camille Saint‐Saëns6:29
16Faust : « Alerte! alerte! »
bass vocals [Méphisophélès] and bass vocals [Mephistophélès]:
Nicolaï Ghiaurov
choir vocals:
Ambrosian Singers
soprano vocals [Marguerite]:
Joan Sutherland
tenor vocals [Faust]:
Franco Corelli
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1969)
recording of:
Faust : Acte V. No. 31 « Alerte, alerte » … « Anges purs » (Méphistophélès, Marguerite, Faust, Chœur)
composer:
Charles Gounod
librettist:
Jules Barbier and Michel Carré
part of:
Faust : Acte V
Charles‐François Gounod5:28

Credits

Release

ASIN:UK: B000025WCA [info]