Tracklist

1CD: Bartók: The Miraculous Mandarin, 2 Portraits
2CD: Berg: Lulu-Suite / Altenberg-Lieder / 3 Orchesterstücke
3CD: Bizet: L'Arlésienne Suites Nos. 1 & 2; Carmen Suite
4CD: Bizet: Carmen [disc 1]
#TitleArtistLength
1Carmen: Prélude
producer:
Rainer Brock
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09, in 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09, in 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Prélude (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
recording of:
Carmen : Prélude (in 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:31
2Carmen: Acte I. no. 1 Introduction “Sur la place chacun passe” (les Soldats, Moralès)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Moralès, un brigadier]:
Stuart Harling (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:10
3Carmen: Acte I. “Regardez donc cette petite” (Moralès, les Soldats, Micaëla)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Moralès, un brigadier]:
Stuart Harling (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Dialogue « Regardez donc cette petite » (Moralès, les Soldats, Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:09
4Carmen: Acte I. no. 2 Marche et Chœur des gamins “Avec la garde montante” (les gamins)
producer:
Rainer Brock
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:34
5Carmen: Acte I. “Repos!” (Zuniga, Moralès, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
spoken vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
spoken vocals [Moralès, un brigadier]:
Stuart Harling (from 1977-08 until 1977-09)
spoken vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet0:45
6Carmen: Acte I. “Allons! allons!” (Zuniga, les gamins)
producer:
Rainer Brock
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet1:38
7Carmen: Acte I. “Dites‐moi, brigadier?” (Zuniga, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Dialogue « Dites-moi, brigadier ? » (Zuniga, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte I
Georges Bizet1:07
8Carmen: Acte I. no. 3 Chœur et Scène “La cloche a sonné” (les Jeunes Gens, les Soldats, les Cigarières)
producer:
Rainer Brock
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet5:12
9Carmen: Acte I. “Mais nous ne voyons pas la Carmencita” (les Soldats, les Jeunes Gens)
producer:
Rainer Brock
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 4 Chœur et scène « Mais nous ne voyons pas la Carmencita ! » (Les Soldats, les Jeunes Gens) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte I
Georges Bizet0:45
10Carmen: Acte I. “Quand je vous aimerai?” (Carmen) – no. 4 Havanaise “L’amour est un oiseau rebelle” (Carmen, chœur)
producer:
Rainer Brock
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:50
11Carmen: Acte I. no. 5 Scène “Carmen, sur tes pas nous nous pressons tous” (les Jeunes Gens, le Cigarières, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:24
12Carmen: Acte I. “Monsieur le brigadier?” (Micaëla, Don José) – no. 6 Duo “Parle‐moi de ma mère” (Don José, Micaëla)
producer:
Rainer Brock
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:42
13Carmen: Acte I. “Votre mère avec moi sortait de la chapelle” (Micaëla, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:19
14Carmen: Acte I. “Ma mère, je la vois…” (Don José, Micaëla)
producer:
Rainer Brock
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:25
15Carmen: Acte I. “Que son fils l’aime et la vénère” (Don José, Micaëla) – “Eh bien, eh bien!” (Zuniga)
producer:
Rainer Brock
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet4:04
16Carmen: Acte I. no. 7 Chœur “Au secours!” (les Cigarières, Zuniga, les Soldats)
producer:
Rainer Brock
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:19
17Carmen: Acte I. “Voyons, brigadier…” (Zuniga, Don José) – no. 8 Chanson et Mélodrame “Tra la la la…” (Carmen, Zuniga, les Cigarières, un Soldat, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Un soldat]:
Richard Amner (from 1977-08 until 1977-09)
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 8 Chœur « Voyons brigadier » (Zuniga, les Cigarières, un Soldat, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 9 Chanson et mélodrame « Tralalalala, coupe-moi, brûle-moi » … « Fais-nous grâce de tes chansons » (Carmen, Don José, Zuniga, chœur de femmes) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:14
18Carmen: Acte I. no. 9 Chanson (Séguedille) et Duo “Près des remparts de Séville” (Carmen, Don José)
producer:
Rainer Brock
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:30
19Carmen: Acte I. no. 10 Finale “Le lieutenant!... Prenez garde!” (Don José, Zuniga, Carmen)
producer:
Rainer Brock
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:17
20Carmen: Entr’acte
producer:
Rainer Brock
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:48
21Carmen: Acte II. no. 11 Chanson “Les tringles des sistres tintaient” (Carmen, Mercédès, Frasquita)
producer:
Rainer Brock
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:06
22Carmen: Acte II. “Vous avez quelque chose à nous dire” (Zuniga, Pastia, Frasquita, Mercédès, Andrès, Carmen)
producer:
Rainer Brock
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
spoken vocals [Lillas Pastia, tenancier de taverne]:
George Main (from 1977-08 until 1977-09)
tenor vocals [Andrès, un lieutenant]:
Jean Lainé (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. Dialogue « Vous avez quelque chose à nous dire, maître Lillas Pastia ? » (Zuniga, Pastia, Andrès, Frasquita, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet
part of:
Carmen : Acte II
Georges Bizet1:16
23Carmen: Acte II. “Tout est bien alors” (Carmen, Zuniga) – no. 12 Chœur et Ensemble “Vivat! vivat le toréro!” (chœur, Zuniga, Mercédes, Andrès, Frasquita, Pastia)
producer:
Rainer Brock
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
spoken vocals [Lillas Pastia, tenancier de taverne]:
George Main (from 1977-08 until 1977-09)
tenor vocals [Andrès, un lieutenant]:
Jean Lainé (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:31
24Carmen: Acte II. no. 13 Couplet (Air du Toréador) “Votre toast… je peux vous le rendre” (Escamillo, chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) – no. 13 bis Chœur “Toréador, en garde” (chœur, Frasquita, Pastia, Dancaïre, Remendado)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (from 1977-08 until 1977-09)
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
spoken vocals [Lillas Pastia, tenancier de taverne]:
George Main (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (from 1977-08 until 1977-09) and John McCarthy (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet8:01
25Carmen: Acte II. no. 14 Quintette “Nous avons en tête une affaire” (Dancaïre, Frasquita, Mercédès, Remendado, Carmen)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:49
26Carmen: Acte II. “Amoureuse… ce n’est pas une raison, cela” (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) – no. 15 Chanson “Halte‐là! Qui va là?” (Don José, Mercédès, Frasquita, Dancaïre, Carmen)
producer:
Rainer Brock
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (in 1978) and Polydor International GmbH (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London, England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado) (from 1977-08 until 1977-09)
composer:
Georges Bizet
librettist:
Ludovic Halévy and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet2:33
5CD: Bizet: Carmen [disc 2]
6CD: Brahms: Symphony No. 4
7CD: Chopin & Liszt: First Piano Concertos
8CD: Debussy: La Damoiselle élue, Ibéria, Prélude à l'après-midi d'un faune
9CD: Hindemith: Symphonische Metamorphosen; Janáček: Sinfonietta; Prokofiev: Romeo & Juliet
10CD: Mendelssohn: Symphonies Nos. 3 "Scottish" & 4 "Italian" [1968]
11CD: Mendelssohn: Symphony No. 1 & Overtures
12CD: Mendelssohn: Symphony No. 2 "Lobegesang"
13CD: Mendelssohn: Symphony No. 3 "Scottish"
14CD: Mendelssohn: Symphonies Nos. 4 "Italian" & 5 "Refornation"
15CD: Mozart: Symphonies Nos. 40 & 41 "Jupiter"
16CD: Mozart: Piano Concertos Nos. 8 & 12 [Serkin]
17CD: Mozart: Piano Concertos Nos. 9 & 17 [Serkin]
18CD: Mozart: Piano Concertos Nos. 15 & 22 [Serkin]
19CD: Mozart: Piano Concertos Nos. 18 & 24 [Serkin]
20CD: Mozart: Piano Concertos Nos. 19 & 25 [Serkin]
21CD: Mozart: Piano Concertos Nos. 20 & 27 [Serkin]
22CD: Mozart: Piano Concertos Nos. 21 & 23 [Serkin]
23CD: Mussorgsky: Pictures at an Exhibition
24CD: Pergolesi: Stabat Mater
25CD: Prokofiev: Symphonies Nos. 1 & 3
26CD: Prokofiev: Alexander Nevsky
27CD: Ravel: Boléro, Rapsodie espagnole, Ma mère l’oye, Pavane
28CD: Ravel: Daphnis et Chloé & Valses nobles et sentimentales
29CD: Ravel: Shéhérazade, Alborada del gracioso, Une barque sur l'océan, La Valse
30CD: Ravel: Piano Concertos [Argerich & Béroff]
31CD: Rossini: Overtures
32CD: Rossini: Il barbiere di Siviglia [disc 1]
33CD: Rossini: Il barbiere di Siviglia [disc 2]
34CD: Rossini: La Cenerentola [disc 1]
35CD: Rossini: La Cenerentola [disc 2]
36CD: Schumann: Piano Concertos & Weber: Klavierstücke [Brendel]
37CD: Richard Strauss: Don Juan; Till Eulenspiegel; Tod und Verklarung
38CD: Stravinsky: Le Sacre du printemps; L'Oiseau de feu; Jeu de cartes
39CD: Pétrouchka & Pulcinella Suite
40CD: Tchaikovsky: Symphony No. 5
41CD: Tchaikovsky: Piano Concerto No. 1 [Pogorelich]
42CD: Nicolai Ghiuarov: Great Scenes from Verdi Operas
43CD: Vivaldi: Le Quattro Stagioni [Kremer]
44CD: Berlioz: Te Deum
45CD: Brahms: Rinaldo
46CD: Tchaikovsky: Symphony No. 2 "Ukranian"