| # | Title | Artist | Length |
|---|
| 1 | The Miraculous Mandarin, op. 19: Allegro (Introduction): a bustling city street | Béla Bartók | 1:34 |
| 2 | The Miraculous Mandarin, op. 19: The curtain rises on a shabby room in the slums, where three penniless tramps force a girl to lure in perspective victims from the street | Béla Bartók | 1:51 |
| 3 | The Miraculous Mandarin, op. 19: First decoy game | Béla Bartók | 1:11 |
| 4 | The Miraculous Mandarin, op. 19: The shabby old rake enters and makes comic gestures of love to the girl until the tramps throw him out | Béla Bartók | 2:03 |
| 5 | The Miraculous Mandarin, op. 19: Second decoy game | Béla Bartók | 1:13 |
| 6 | The Miraculous Mandarin, op. 19: The shy young man appears in the door, and the girl dances - at first hestitantly, then faster and makes comic gestures of love to the girl until the tramps throw him out | Béla Bartók | 1:32 |
| 7 | The Miraculous Mandarin, op. 19: Third decoy game | Béla Bartók | 1:02 |
| 8 | The Miraculous Mandarin, op. 19: Horrified, they see a weird figure in the street, and the tramps hide as they hear him coming up the stairs | Béla Bartók | 0:29 |
| 9 | The Miraculous Mandarin, op. 19: The Mandarin enters and stands immobile in the doorway; the girl, terrified, flees to the other end of the room | Béla Bartók | 0:42 |
| 10 | The Miraculous Mandarin, op. 19: General consternation. The girl overcomes her repugnance and entices slowly the Mandarin to come closer and finally to sit in the chair | Béla Bartók | 1:33 |
| 11 | The Miraculous Mandarin, op. 19: At last she overcomes her reluctance and begins a hesitant dance, which gradually enlivens to a pitch of erotic frenzy, as the Mandarin stares at her impassively | Béla Bartók | 3:42 |
| 12 | The Miraculous Mandarin, op. 19: The girl sinks down to embrace him; he begins to tremble in feverish excitement | Béla Bartók | 0:26 |
| 13 | The Miraculous Mandarin, op. 19: She flees from him, and he chases her more and more wildly | Béla Bartók | 1:41 |
| 14 | The Miraculous Mandarin, op. 19: The Mandarin catches the girl, and they fight | Béla Bartók | 0:14 |
| 15 | The Miraculous Mandarin, op. 19: The tramps leap out, tear the Mandarin away from the girl, and seize his jewellery and money | Béla Bartók | 0:15 |
| 16 | The Miraculous Mandarin, op. 19: "We must kill him, stifle him under the pillows on the bed," the tramps decide | Béla Bartók | 1:27 |
| 17 | The Miraculous Mandarin, op. 19: They think he is dead, but suddenly the Mandarin's head appears between the pillows and he looks longingly at the girl; the four shudder and stand aghast | Béla Bartók | 1:03 |
| 18 | The Miraculous Mandarin, op. 19: At last the three tramps master their horror. They drag the Mandarin out and grip him firmly while one stabs him three times with a rusty sword | Béla Bartók | 1:19 |
| 19 | The Miraculous Mandarin, op. 19: Suddenly he draws himself up and leaps at the girl. The tramps stop him and hold him fast again. While they hold him, the Mandarin looks longingly at the girl | Béla Bartók | 0:43 |
| 20 | The Miraculous Mandarin, op. 19: They drag the resisting Mandarin to the centre of the room and hang him on the lamp hook | Béla Bartók | 1:03 |
| 21 | The Miraculous Mandarin, op. 19: The body of the Mandarin begins to glow with a greenish blue light. His eyes remain fixed on the girl | Béla Bartók | 1:44 |
| 22 | The Miraculous Mandarin, op. 19: At her insistence, the tramps take him down. The Mandarin falls on the floor and at once leaps at the girl. She resists no longer, and they embrace | Béla Bartók | 1:05 |
| 23 | The Miraculous Mandarin, op. 19: The Mandarin's longing is now stilled, his wounds begin to bleed, and he dies after a short struggle | Béla Bartók | 0:59 |
| 24 | Divertimento: I. Allegro non troppo | Béla Bartók | 8:51 |
| 25 | Divertimento: II. Molto adagio | Béla Bartók | 8:26 |
| 26 | Divertimento: III. Allegro assai | Béla Bartók | 7:19 |
| 27 | Sonata for Two Pianos and Two Percussion: I. Assai lento | Béla Bartók | 12:17 |
| 28 | Sonata for Two Pianos and Two Percussion: II. Lento, ma non troppo | Béla Bartók | 5:30 |
| 29 | Sonata for Two Pianos and Two Percussion: III. Allegro non troppo | Béla Bartók | 6:26 |