Super Hits Heavy Metal

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistLength
1Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan, Ben Fowler, Lolly Grodner, Robert Hart, John Herman, Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero and Steve Thompson
additional keyboard:
Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
lead vocals:
Alice Cooper (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc., EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc., Sony Music Publishing, Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal, Universal Music Publishing, Universal Music Publishing Group, Universal Music Publishing Ltd., Universal PolyGram International Publishing, Inc., Universal/MCA Music Ltd., Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB, Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント, ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4:31
2Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd., Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
Toto3:59
3The Final CountdownEurope5:12
4More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (in 1976), CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston
part of:
VH1: 100 Greatest Hard Rock Songs (number: 39), Billboard: The 500 Best Pop Songs (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd., Warner Chappell Music, Warner Chappell Music Ltd., WB Music Corp. and Pure Songs (in 1976)
Boston4:46
5Any Way You Want ItJourney3:24
6Kiss Me DeadlyLita Ford3:58
7I Want You to Want Me
recording engineer:
鈴木智雄 (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky
producer:
Cheap Trick and Jack Douglas
mixer:
Cheap Trick, Gary Ladinsky and Jay Messina (in 1978)
phonographic copyright (℗) by:
Sony Music Entertainment (in 1977), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), EPC (in 1978), Epic/Sony Inc. (in 1978, in 1979), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda, Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
I Want You to Want Me (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control, EMI Music Publishing, Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (in 1977)
part of:
10 Things I Hate About You
Cheap Trick3:43
8Bat Out of HellMeat Loaf9:53
9Surfing With the AlienJoe Satriani4:26
10The Audience Is ListeningSteve Vai5:31
11Cat Scratch FeverTed Nugent3:41
12In for the Count
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (in 1982)
recording of:
In for the Count
writer:
Peppy Castro, Doug Katsaros, Bob Kulick and Jonathan Stuart
publisher:
Daksel Music Corp. and Seldak Music
Balance4:50
13High SchoolHanoi Rocks3:54

Credits

Release

ASIN:FR: B000MTFG2G [info]