Cantatas

~ Release by Johann Sebastian Bach; Karl Richter, Münchener Bach‐Orchester (see all versions of this release, 1 available)

Tracklist

1CD: Advent un Weihnachten
2CD: Advent un Weihnachten
3CD: Advent un Weihnachten
4CD: Advent un Weihnachten
5CD: Ostern
6CD: Ostern
7CD: Ostern
8CD: Ostern
9CD: Ostern
10CD: Himmelfahrt - Pfingsten - Trinitatis
11CD: Himmelfahrt - Pfingsten - Trinitatis
12CD: Himmelfahrt - Pfingsten - Trinitatis
13CD: Himmelfahrt - Pfingsten - Trinitatis
14CD: Himmelfahrt - Pfingsten - Trinitatis
15CD: Himmelfahrt - Pfingsten - Trinitatis
16CD: Sonntage nach Trinitatis I
17CD: Sonntage nach Trinitatis I
18CD: Sonntage nach Trinitatis I
19CD: Sonntage nach Trinitatis I
20CD: Sonntage nach Trinitatis I
21CD: Sonntage nach Trinitatis I
#TitleArtistLength
1Kantate, BWV 8 "Liebster Gott, wann werd' ich sterben?": I. (Chor:) "Liebster Gott, wann werd' ich sterben"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach8:27
2Kantate, BWV 8 "Liebster Gott, wann werd' ich sterben?": II. Arie (Tenor): "Was willst du dich, mein Geist, entsetzen"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach4:22
3Kantate, BWV 8 "Liebster Gott, wann werd' ich sterben?": III. Rezitativ (Alt): "Zwar fühlt mein schwaches Herz"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:29
4Kantate, BWV 8 "Liebster Gott, wann werd' ich sterben?": IV. Arie (Baß): "Doch weichet, ihr tollen, vergeblichen Sorgen!"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
bass vocals:
Kieth Engen (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:56
5Kantate, BWV 8 "Liebster Gott, wann werd' ich sterben?": V. Rezitativ (Sopran): "Behalte nur, o Welt das Meine!"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
soprano vocals:
Ursula Buckel (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:39
6Kantate, BWV 8 "Liebster Gott, wann werd' ich sterben?": VI. Choral: "Herrscher über Tot und Leben"
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider
flute:
Aurèle Nicolet (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore I]:
Horst Schneider (from 1959-07 until 1959-08)
oboe d'amore [oboe d'amore II]:
Edgar Shann (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (from 1959-07 until 1959-08)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern, Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (from 1959-07 until 1959-08)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:52
7Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Chor: "Bringet dem Herrn Ehre seines Namens"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe I]:
Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe II]:
Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
trumpet:
Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
violin:
Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
choir vocals:
Münchener Bach‐Chor (in 1977-02, in 1977-06, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
conductor:
Karl Richter (in 1977-02, in 1977-06, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": I. Coro "Bringet dem Herrn Ehre seines Namens" (in 1977-06)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach3:55
8Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Arie (Tenor): "Ich eile, die Lehren des Lebens zu hören"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe I]:
Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe II]:
Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
trumpet:
Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
violin:
Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
tenor vocals:
Peter Schreier (in 1977-02, in 1977-06, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
conductor:
Karl Richter (in 1977-02, in 1977-06, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": II. Aria (Tenor) "Ich eile, die Lehren des Lebens zu hören" (in 1977-06)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach5:02
9Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Rezitativ (Alt): "So wie der Hirsch nach frischem Wasser schreit"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe I]:
Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe II]:
Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
trumpet:
Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
violin:
Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
alto vocals:
Julia Hamari (in 1977-02, in 1977-06, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
conductor:
Karl Richter (in 1977-02, in 1977-06, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": III. Recitativo (Alt) "So, wie der Hirsch nach frischem Wasser schreit" (in 1977-06)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach2:09
10Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Arie (Alt): "Mund und Herze steht dir offen"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe I]:
Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe II]:
Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
trumpet:
Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
violin:
Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
alto vocals:
Julia Hamari (in 1977-02, in 1977-06, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
conductor:
Karl Richter (in 1977-02, in 1977-06, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": IV. Aria (Alt) "Mund und Herze steht dir offen" (in 1977-06)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach6:01
11Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Rezitativ (Tenor): "Bleib auch, mein Gott, in mir"
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe I]:
Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe II]:
Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
trumpet:
Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
violin:
Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
tenor vocals:
Peter Schreier (in 1977-02, in 1977-06, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
conductor:
Karl Richter (in 1977-02, in 1977-06, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": V. Recitativo (Tenor) "Bleib auch, mein Gott, in mir" (in 1977-06)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach1:12
12Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral: "Führ auch mein Herz und Sinn
recording engineer:
Hans‐Peter Schweigmann
co-executive producer:
Helen Kuzaj
producer:
Dr. Gerd Ploebsch
cor anglais:
Edgar Shann (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe I]:
Manfred Clement (in 1977-02, in 1977-06, in 1978-02)
oboe [oboe II]:
Robert Eliscú (in 1977-02, in 1977-06, in 1978-02)
trumpet:
Chandler Goetting (in 1977-02, in 1977-06, in 1978-02)
violin:
Kurt Guntner (in 1977-02, in 1977-06, in 1978-02)
choir vocals:
Münchener Bach‐Chor (in 1977-02, in 1977-06, in 1978-02)
orchestra:
Münchener Bach‐Orchester (in 1977-02, in 1977-06, in 1978-02)
conductor:
Karl Richter (in 1977-02, in 1977-06, in 1978-02)
phonographic copyright (℗) by:
Polydor International GmbH (in 1978)
recorded at:
Herkulessaal in München, Bayern, Germany (in 1977-02, in 1977-06, in 1978-02)
recording of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens": VI. Choral "Amen zu aller Stund" (in 1977-06)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 29)
part of:
Kantate, BWV 148 "Bringet dem Herrn Ehre seines Namens"
Johann Sebastian Bach1:05
22CD: Sonntage nach Trinitatis II
23CD: Sonntage nach Trinitatis II
24CD: Sonntage nach Trinitatis II
25CD: Sonntage nach Trinitatis II
26CD: Sonntage nach Trinitatis II