The Complete Recordings on Deutsche Grammophon & Decca

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Annotation

The complete set of recordings made by Claudio Abbado for Deutsche Grammophon and Decca. The set includes 258 CDs, 8 DVDs, a 112-page hardcover book with essays and photographs, and two booklets with tracklistings and credits. All CDs have original jacket artwork. The set is limited to 2,650 copies.

The set was originally released without the recording of Mozart's Piano Concerto no. 16 by Rudolf Serkin and Claudio Abbado. This missing disc was available on request from Deutsche Grammophon.

Tracklist

1CD: Bach: Brandenburg Concertos nos. 1, 3 & 5
2CD: Bach: Brandenburg Concertos nos. 6, 4 & 2
3CD: Bartók: The Miraculous Mandarin / Two Portraits (One Ideal - One Grotesque)
4CD: Bartók: Piano Concertos nos. 1 & 2
5CD: Beethoven: Symphonies nos. 1 & 3 “Eroica” (Berliner Philharmoniker)
6CD: Beethoven: Symphonies nos. 2 & 4 (Berliner Philharmoniker)
7CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral” (Berliner Philharmoniker)
8CD: Beethoven: Symphonies nos. 7 & 8 (Berliner Philharmoniker)
9CD: Beethoven: Symphony no. 9 “Choral” (Berliner Philharmoniker)
10CD: Beethoven: Symphonies nos. 1 & 2 (Wiener Philharmoniker)
11CD: Beethoven: Symphony no. 3 “Eroica” (Wiener Philharmoniker)
12CD: Beethoven: Symphonies nos. 4 & 5 (Wiener Philharmoniker)
13CD: Beethoven: Meeresstille und glückliche Fahrt / Symphony no. 6 “Pastoral” / Choral Fantasy (Wiener Philharmoniker)
14CD: Beethoven: Symphonies nos. 7 & 8 (Wiener Philharmoniker)
15CD: Symphony no. 9 “Choral” (Wiener Philharmoniker)
16CD: Beethoven: Overtures
17CD: Beethoven: Overtures: Fidelio / Leonore I-III
18CD: Beethoven: Symphonies nos. 7 & 8 / Overture “Die Geschöpfe des Prometheus”
19CD: Beethoven: Piano Concertos nos. 1 & 2
20CD: Beethoven: Piano Concertos nos. 3 & 4
21CD: Beethoven: Piano Concerto no. 5 “Emperor” / Triple Concerto
22CD: Beethoven: Piano Concertos nos. 3 & 2
23CD: Beethoven: Musik zu Goethes Trauerspiel “Egmont” / “Ah! perfido” / Overture “Leonore III” / Choral Fantasy
24CD: Beethoven: Musik zu Die Weihe des Hauses / Leonore Prohaska / Egmont (Excerpts)
25CD: Beethoven: Fidelio (Act I)
26CD: Beethoven: Fidelio (Act II)
27CD: Berg: Lulu Suite / 3 Pieces for Orchestra / Altenberg Lieder
28CD: Berg: Altenberg Lieder / 3 Pieces from the Lyric Suite / Lulu Suite
29CD: Berg: 7 Early Songs / Der Wein / 3 Pieces for Orchestra
30CD: Berg: Wozzeck (Act I)
31CD: Berg: Wozzeck (Acts II & III)
32CD: Berlioz: Symphonie fantastique
33CD: Berlioz: Te Deum
34CD: Bizet: L'Arlésienne Suites nos. 1 & 2 / Carmen Suite
35CD: Bizet: Carmen (Acts I & II beg.)
36CD: Bizet: Carmen (Acts II cont. & III)
37CD: Brahms: Symphony no. 1 / Gesang der Parzen
38CD: Brahms: Alto Rhapsody, op. 53 / Symphony no. 2
39CD: Brahms: Tragische Ouvertüre / Schicksalslied / Symphony no. 3
40CD: Brahms: Haydn Variations / Nänie / Symphony no. 4
41CD: Brahms: Symphony no. 1
42CD: Brahms: Symphony no. 2 / Akademische Festouvertüre
43CD: Brahms: Symphony no. 3 / Haydn Variations
44CD: Brahms: Symphony no. 4 / Tragische Ouvertüre
45CD: Brahms: Serenades nos. 1 & 2
46CD: Brahms: Hungarian Dances
47CD: Brahms: Piano Concerto no. 2 (Pollini)
48CD: Brahms: Piano Concerto no. 1 (Brendel)
49CD: Brahms: Piano Concerto no. 2 (Brendel)
50CD: Brahms: Piano Concerto no. 1 (Pollini)
51CD: Brahms: Piano Concerto no. 2 (Pollini)
52CD: Brahms: Violin Concerto / Akademische Festouvertüre
53CD: Brahms: Violin Concerto
54CD: Brahms: Violin Concerto / Double Concerto
55CD: Brahms: Ein Deutsches Requiem
56CD: Brahms: Rinaldo / Schicksalslied
57CD: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1996)
58CD: Bruckner: Symphony no. 4 “Romantic”
59CD: Bruckner: Symphony no. 5
60CD: Bruckner: Symphony no. 7
61CD: Bruckner: Symphony no. 9 (Wiener Philharmoniker, 1996)
62CD: Bruckner: Symphony no. 1 (Lucerne Festival Orchestra, 2012)
63CD: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1969)
64CD: Bruckner: Symphony no. 9 (Lucerne Festival Orchestra, 2013)
65CD: Chopin & Liszt: Piano Concertos nos. 1
66CD: Chopin: Piano Concerto no. 2 / Polonaise, op. 44
67CD: Debussy: Prélude à l'après-midi d'un faune / Nocturnes / Pelléas et Mélisande - Concert Suite
68CD: Debussy: Nocturnes / La Mer / Ravel: Daphnis et Chloé (Fragments symphoniques II) / Pavane pour une infante défunte
69CD: Debussy: La Damoiselle élue / Prélude à l'après-midi d'un faune / Images Nᵒ 2 « Ibéria »
70CD: Debussy: Pelléas et Melisande (Acts I-III beg.)
71CD: Debussy: Pelléas et Melisande (Acts III cont. - V)
72CD: Dvořák: Symphony no. 9
73CD: Haydn: Symphony, Hob. I:93 / Symphony “The Clock”, Hob. I:101
74CD: Haydn: Symphony “The Miracle”, Hob. I:96 / Sinfonia concertante, Hob. I:105
75CD: Haydn: Overture to “Il mondo della luna” / Symphony, Hob I:98 / “Military” Symphony, Hob. I:100
76CD: Haydn: Symphony, Hob. I:102 / “Drum Roll” Symphony, Hob. I:103
77CD: Hindemith: Symphonie »Mathis der Maler« / Nobilissima visione / Symphonische Metamorphosen
78CD: Hindemith: Symphonische Metamorphosen / Janáček: Sinfonietta / Prokofiev: Romeo and Juliet (Excerpts)
79CD: Janáček: The Diary of One Who Disappeared / Sinfonietta
80CD: Kurtág: Grabstein fär Stephan / Stele / Stockhausen: Gruppen
81CD: Mahler: Symphony no. 1 “Titan” (Berliner Philharmoniker)
82CD: Mahler: Symphony no. 2 “Resurrection” (Lucerne Festival Orchestra)
83CD: Mahler: Symphony no. 3 (Part I) (Berliner Philharmoniker)
84CD: Mahler: Symphony no. 3 (Part II) (Berliner Philharmoniker)
85CD: Mahler: Symphony no. 4 / Berg: 7 Early Songs (Berliner Philharmoniker)
86CD: Mahler: Symphony no. 5 (Berliner Philharmoniker)
87CD: Mahler: Symphony no. 6 (Berliner Philharmoniker)
88CD: Mahler: Symphony no. 7 (Berliner Philharmoniker)
89CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I) (Berliner Philharmoniker)
90CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II) (Berliner Philharmoniker)
91CD: Mahler: Symphony no. 9 (Berliner Philharmoniker)
92CD: Mahler: Symphony no. 10 (unfinished) / Symphony no. 2 “Resurrection” (beg.) (Wiener Philharmoniker)
93CD: Mahler: Symphony no. 2 “Resurrection” (cont.) (Wiener Philharmoniker)
94CD: Mahler: Symphony no. 3 (Parts I & II beg.) (Wiener Philharmoniker)
95CD: Mahler: Symphony no. 3 (Part II cont.) (Wiener Philharmoniker)
96CD: Mahler: Symphony no. 4 (Wiener Philharmoniker)
97CD: Mahler: Symphony no. 9 (Wiener Philharmoniker)
98CD: Mahler: Symphony no. 1 “Titan” (Chicago Symphony Orchestra)
99CD: Mahler: Symphony no. 2 “Resurrection” (Chicago Symphony Orchestra)
100CD: Mahler: Symphony no. 5 (Chicago Symphony Orchestra)
101CD: Mahler: Symphony no. 6 (beg.) (Chicago Symphony Orchestra)
102CD: Mahler: Symphony no. 6 (cont.) / Rückert Lieder (Chicago Symphony Orchestra)
103CD: Mahler: Symphony no. 7 (Chicago Symphony Orchestra)
104CD: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn
105CD: Mendelssohn: Symphony no. 1 / Scherzo from Octet, op. 20 / Overtures: Ein Sommernachtstraum / Die Hebriden / Meeresstille und glückliche Fahrt
106CD: Mendelssohn: Symphony no. 2 “Hymn of Praise”
107CD: Mendelssohn: Symphony no. 3 “Scottish” / Overtures: Die schöne Melusine / Trompeten-Ouvertüre / Ruy Blas
108CD: Mendelssohn: Symphonies nos. 1 “Italian” & 5 “Reformation” / Overture for Wind Instruments
109CD: Mendelssohn: Symphonies nos. 3 “Scottish” & 4 “Italian”
110CD: Mendelssohn: Violin Concerto / Bruch: Violin Concerto no. 1
111CD: Mozart: Symphonies nos. 35 “Haffner”, 29 & 33
112CD: Mozart: Symphonies nos. 38 “Prague” & 41 “Jupiter”
113CD: Mozart: Symphonies nos. 39 & 40
114CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
115CD: Mozart: Piano Concertos nos. 8 “Lützow” & 12 (Serkin)
116CD: Mozart: Piano Concertos nos. 9 “Jeunehomme” & 17 (Serkin)
117CD: Mozart: Piano Concertos nos. 15 & 22 (Serkin)
118CD: Mozart: Piano Concertos nos. 18 & 24 (Serkin)
119CD: Mozart: Piano Concertos nos. 25 & 19 “Second Coronation Concerto” (Serkin)
120CD: Mozart: Piano Concertos nos. 20 & 27 (Serkin)
121CD: Mozart: Piano Concertos nos. 21 & 23 (Serkin)
122CD: Mozart: Piano Concertos nos. 14 & 26 “Coronation” (Pires)
123CD: Mozart: Piano Concertos nos. 17 & 21 (Pires)
124CD: Mozart: Piano Concertos nos. 27 & 20 (Pires)
125CD: Mozart: Piano Concertos nos. 25 & 20 (Argerich)
126CD: Mozart: Piano Concertos nos. 20 & 21 (Gulda)
127CD: Mozart: Piano Concertos nos. 25 & 27 (Gulda)
128CD: Mozart: Violin Concertos nos. 1-3
129CD: Mozart: Violin Concertos nos. 4 & 5 / Sinfonia concertante, K. 364 (320d)
130CD: Mozart: Violin Concertos nos. (7) & 4 / Violin Sonata, K. 454
131CD: Mozart: Sinfonia concertante, K. 297b / Concerto for Flute, Harp and Orchestra
132CD: Mozart: Horn Concertos nos. 1-4
133CD: Mozart: Clarinet Concerto / Flute Concerto no. 2 / Bassoon Concerto
134CD: Mozart: Horn Concerto no. 3 / Bassoon Concerto / Oboe Concerto / Allegro for Oboe and Orchestra / Haydn: Trumpet Concerto, Hob. VIIe:1
135CD: Auf Mozarts Spuren
136CD: Mozart: Missa solemnis “Waisenhaus”
137CD: Mozart: Requiem / Laudate Dominum / Aria »Betracht dies Herz und frage mich«
138CD: Mozart: Arias / R. Strauss: Orchestral Songs
139CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
140CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
141CD: Mozart: Le nozze di Figaro (Act IV)
142CD: Mozart: Don Giovanni (Act I beg.)
143CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
144CD: Mozart: Don Giovanni (Act II cont.) / Bonus - Arias
145CD: Mozart: Die Zauberflöte (Acts I & II beg.)
146CD: Mozart: Die Zauberflöte (Act II cont.)
147CD: Mussorgsky: Night on Bald Mountain / Choral Works / Pictures at an Exhibition (Berliner Philharmoniker)
148CD: Mussorgsky: Pictures at an Exhibition (London Symphony Orchestra)
149CD: Mussorgsky: Khovanshchina (Act I)
150CD: Mussorgsky: Khovanshchina (Acts II & III)
151CD: Mussorgsky: Khovanshchina (Acts IV & V)
152CD: Nono: Como una ola de fuerza y luz / ..... sofferte onde serene ... / Contrappunto dialettico alla mente
153CD: Pergolesi: Stabat Mater / Violin Concerto / Salve Regina
154CD: Pergolesi: Missa S. Emidio / Salve Regina / Manca la guida al piè / Laudate pueri Dominum
155CD: Pergolesi: Confitebor tibi, Domine / Chi non ode e chi non vede / Salve Regina / Dixit Dominus
156CD: Pergolesi: Stabat Mater
157CD: Prokofiev: Symphonies nos. 1 “Classical” & 3 / Ballet Suite “Chout” (Excerpts)
158CD: Prokofiev: March, op. 99 / Peter and the Wolf / Overture on Hebrew Themes / Symphony no. 1 “Classical”
159CD: Prokofiev: Scythian Suite / Lieutenant Kijé
160CD: Prokofiev: Romeo and Juliet (Excerpts)
161CD: Prokofiev: Piano Concertos nos. 1 & 3
162CD: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major
163CD: Prokofiev: Alexander Nevsky
164CD: Prokofiev: Violin Concertos nos. 1 & 2
165CD: Rachmaninoff: Piano Concertos nos. 2 & 3
166CD: Rachmaninoff: Rhapsody on a Theme of Paganini / Piano Concerto no. 2
167CD: Ravel: Boléro / Rapsodie espagnole / Ma mère l'Oye / Pavane pour une infante défunte
168CD: Ravel: Daphnis et Chloé / Valses nobles et sentimentales
169CD: Ravel: Le Tombeau de Couperin / Alborada del gracioso / Shéhérazade, M. 17 / Menuet antique / La Valse
170CD: Ravel: Piano Concerto in G major / Piano Concerto for the Left Hand / Tzigane / Shéhérazade, M.41
171CD: Rossini: Overtures (London Symphony Orchestra)
172CD: Rossini: Overtures (Chamber Orchestra of Europe)
173CD: Rossini: L'italiana in Algeri (Act I)
174CD: Rossini: L'italiana in Algeri (Act II)
175CD: Rossini: Il barbiere di Siviglia (Act I beg.) (Chamber Orchestra of Europe)
176CD: Rossi: Il barbiere di Siviglia (Acts I cont. & II) (Chamber Orchestra of Europe)
177CD: Rossini: Il barbiere di Siviglia (Act I beg.) (London Symphony Orchestra)
178CD: Rossini: Il barbiere di Siviglia (Act I cont. & II) (London Symphony Orchestra)
179CD: Rossini: La Cenerentola (Act I beg.)
180CD: Rossini: La Cenerentola (Act I cont. & II)
#TitleArtistLength
1La Cenerentola: Atto Primo. Finale I Duetto: “Zitto, zitto: piano piano” … “Principino, dove siete?” … “Venga, inoltri” (Ramiro, Dandini, Tisbe, Clorinda, coro, Alidoro)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Ugo Trama (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
chorus master:
Arthur Oldham (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto I, scena 3. Chorus “Venga, inoltri” … “Ah! Se velata ancor” … “Parlar – pensar – vorrei” (Coro, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Cenerentola) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
partial recording of:
La Cenerentola: Atto I, scena 3. Duetto e finale “Zitto, zitto, piano, piano” (Ramiro, Dandini, Clorinda, Tisbe) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini8:06
2La Cenerentola: Atto Primo. Finale I “Ah! Se velata ancor” … “Sprezzo quei don” (coro, Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Ugo Trama (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
chorus master:
Arthur Oldham (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto I, scena 3. Chorus “Venga, inoltri” … “Ah! Se velata ancor” … “Parlar – pensar – vorrei” (Coro, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Cenerentola) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini6:59
3La Cenerentola: Atto Primo. Finale I “Signor, Altezza, è in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto I, scena 3. “Mi par d’essere sognando” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini, Alidoro, Coro) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
recording of:
La Cenerentola: Atto I, scena 3. Recitativo “Signor, Altezza, in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini, Alidoro) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto I
Gioachino Rossini5:08
4La Cenerentola: Atto Secondo. Recitativo: “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini0:42
5La Cenerentola: Atto Secondo. Aria: “Sia qualunque delle figlie” (Magnifico)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto II, scena 1. Aria “Sia qualunque delle figlie” (Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini5:05
6La Cenerentola: Atto Secondo. Recitativo: “Ah! questa bella incognita” (Ramiro, Dandini, Cenerentola, Alidoro)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Ugo Trama (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “Ah! questa bella incognita” (Tisbe, Clorinda, Ramiro, Dandini, Cenerentola, Alidoro) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini2:14
7La Cenerentola: Atto Secondo. Recitativo: “E allor … se non ti spiaccio” (Ramiro, Alidoro)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Ugo Trama (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto II, scena 1. Recitativo “E allor... se non ti spaccio” ... Aria “Si, ritrovarla io giuro” (Ramiro, Coro) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:01
8La Cenerentola: Atto Secondo. Aria: “Sì, ritrovarla io giuro” (Ramiro, coro)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
chorus master:
Arthur Oldham (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 1. Recitativo “E allor... se non ti spaccio” ... Aria “Si, ritrovarla io giuro” (Ramiro, Coro) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:35
9La Cenerentola: Atto Secondo. Recitativo: “Ma dunque io son un ex?” (Dandini, Magnifico)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 1. Recitativo e duetto “Ma dunque io sono un ex” … “Un segreto d’importanza” (Dandini, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:29
10La Cenerentola: Atto Secondo. Duetto: “Un segreto d'importanza” (Dandini, Magnifico)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 1. Recitativo e duetto “Ma dunque io sono un ex” … “Un segreto d’importanza” (Dandini, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:56
11La Cenerentola: Atto Secondo. Canzone: “Una volta c'era un re” (Cenerentola)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto II, scena 2. Canzone “Una volta c’era un re” (Cenerentola) / Recitativo “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini and Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:34
12La Cenerentola: Atto Secondo. Recitativo: “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 2. Canzone “Una volta c’era un re” (Cenerentola) / Recitativo “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini and Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:44
13La Cenerentola: Atto Secondo. Temporale
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto II, scena 2. Temporale (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
part of:
La Cenerentola: Atto II
Gioachino Rossini2:21
14La Cenerentola: Atto Secondo. Recitativo: “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
recording of:
La Cenerentola: Atto II, scena 2. Recitativo “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola) (from 1971-08-24 until 1971-09-05)
composer:
Luca Agolini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:18
15La Cenerentola: Atto Secondo. Sestetto: “Siete voi?” … “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini4:35
16La Cenerentola: Atto Secondo. Sestetto: “Donna sciocca, alma di fango” (Clorinda, Magnifico, Ramiro, Dandini, Tisbe, Cenerentola)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini8:27
17La Cenerentola: Atto Secondo. Recitativo: “Giusto ciel, ti ringrazio!” (Alidoro)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
bass vocals [Alidoro, filosofo, maestro di Don Ramiro]:
Ugo Trama (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 2. Sestetto “Siete voi?” - “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini0:20
18La Cenerentola: Atto Secondo. Finale II Coro: “Della fortuna instabile”
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
choir vocals:
Scottish Opera Chorus (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
chorus master:
Arthur Oldham (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:43
19La Cenerentola: Atto Secondo. Finale II Scena: “Sposa” … “Signor, perdona” (Ramiro, Cenerentola, Magnifico)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08 until 1971-09)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
tenor vocals [Don Ramiro, principe di Salerno]:
Luigi Alva (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini1:37
20La Cenerentola: Atto Secondo. Finale II Rondò: “Nacqui all'affanno” (Cenerentola, tutti)
miscellaneous support:
Theodor Guschlbauer (task: musical assistant)
executive producer:
Karl Faust
producer:
Rainer Brock
harpsichord:
Theodor Guschlbauer (from 1971-08-24 until 1971-09-05)
baritone vocals [Dandini, suo cameriere]:
Renato Capecchi (from 1971-08-24 until 1971-09-05)
bass vocals [Don Magnifico, barone di Montefiascone]:
Paolo Montarsolo (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Angelina, sotto il nome di Cenerentola, figliastra di Don Magnifico]:
Teresa Berganza (from 1971-08-24 until 1971-09-05)
mezzo-soprano vocals [Tisbe]:
Laura Zannini (from 1971-08-24 until 1971-09-05)
soprano vocals [Clorinda]:
Margherita Guglielmi (from 1971-08-24 until 1971-09-05)
orchestra:
London Symphony Orchestra (from 1971-08-24 until 1971-09-05)
conductor:
Claudio Abbado (from 1971-08-24 until 1971-09-05)
balance engineer:
Hans‐Peter Schweigmann (from 1971-08-24 until 1971-09-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (from 1971-08-24 until 1971-09-05)
partial recording of:
La Cenerentola: Atto II, scena 3. Finale II, coro e scena “Della Fortuna instabile” … “Nacqui all’affanno” … “Non più mesta” (Coro, Cenerentola, Ramiro, Dandini, Alidoro, Clorinda, Tisbe, Magnifico) (from 1971-08-24 until 1971-09-05)
composer:
Gioachino Rossini
librettist:
Jacopo Ferretti
part of:
La Cenerentola: Atto II
Gioachino Rossini7:05
181CD: Rossini: Il viaggio a Reims (beg.)
182CD: Rossini: Il viaggio a Reims (cont.)
183CD: Schoenberg: Gurre-Lieder (Part I)
184CD: Schoenberg: Gurre-Lieder (Parts II & III)
185CD: Schubert: Symphonies nos. 1 & 2
186CD: Schubert: Symphonies nos. 3 & 4 “Tragic”
187CD: Schubert: Symphonies nos. 5 & 6
188CD: Schubert: Symphony no. 8 “Unfinished” / Grand Duo
189CD: Schubert: Symphony no. 9 “Great” / Overture “Die Zauberharfe”
190CD: Schubert: Symphonies nos. 8 “Unfinished” & 5
191CD: Schubert: Symphony no. 9 “Great”
192CD: Schubert: Rosamunde, Prinzessin von Zypern
193CD: Schubert: Mass no. 2 / Tantum ergo / Psalm 23 / Schumann: Requiem für Mignon
194CD: Schubert: Mass no. 6
195CD: Schubert: Lieder with Orchestra
196CD: Schubert: Fierrabras (Act I)
197CD: Schubert: Fierrabras (Acts II & III)
198CD: Schumann: Symphony no. 2 / Overtures: Manfred, Genoveva
199CD: Schumann: Piano Concerto / Piano Quintet
200CD: Schumann & Schoenberg: Piano Concertos
201CD: Schumann: Piano Concerto / Weber: Konzertstück
202CD: R. Strauss: Don Juan / Till Eulenspiegels lustig
203CD: R. Strauss: Orchestral Songs
204CD: Stravinsky: Le Sacre du printemps / L'Oiseau de feu / Jeu de cartes
205CD: Stravinsky: Pétrouchka / Pulcinella
206CD: Tchaikovsky: Symphony no. 2 “Little Russian”
207CD: Tchaikovsky: Symphony no. 4
208CD: Tchaikovsky: Symphony no. 5
209CD: Tchaikovsky: Symphony no. 6 “Pathétique”
210CD: Tchaikovsky: The Tempest / Slavonic March / Romeo and Juliet / Ouverture solennelle “1812”
211CD: Tchaikovsky: Romeo and Juliet / Scriabin: Le Poème de l'extase
212CD: Tchaikovsky: Piano Concerto no. 1 (Argerich)
213CD: Tchaikovsky: Piano Concerto no. 1 (Pogorelich)
214CD: Tchaikovsky & Mendelssohn: Violin Concertos
215CD: Verdi: Overtures and Preludes
216CD: Verdi: Messa da Requiem (beg.) (Wiener Philharmoniker)
217CD: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri (Wiener Philharmoniker)
218CD: Verdi: Messa da Requiem (beg.) (Coro e Orchestra del Teatro alla Scala)
219CD: Verdi: Messa da Requiem (cont.) (Coro e Orchestra del Teatro alla Scala)
220CD: Verdi: Macbeth (Acts I & II)
221CD: Verdi: Macbeth (Acts III & IV)
222CD: Verdi: Simon Boccanegra (Prologue & Act I)
223CD: Verdi: Simon Boccanegra (Acts II & III)
224CD: Verdi: Un ballo in maschera (Act I)
225CD: Verdi: Un ballo in maschera (Acts II & III)
226CD: Verdi: Don Carlos (Acts I & II beg.)
227CD: Verdi: Don Carlos (Acts II cont. & III)
228CD: Verdi: Don Carlos (Act IV)
229CD: Verdi: Don Carlos (Act V & Appendix)
230CD: Verdi: Aida (Acts I & II)
231CD: Verdi: Aida (Acts III & IV)
232CD: Verdi: Falstaff (Acts I & II beg.)
233CD: Verdi: Falstaff (Acts II cont. & III)
234CD: Verdi: Choruses
235CD: Verdi: Arias
236CD: Verdi: Arias & Scenes
237CD: Vivaldi: Le quattro stagioni / Concerto “Per l'orchestra di Dresda”, RV 577
238CD: Vivaldi: Le quattro stagioni
239CD: Wagner: Orchestral Music
240CD: Wagner: Opera Arias
241CD: Wagner Gala 1993
242CD: Wagner: Lohengrin (Acts I & II beg.)
243CD: Wagner: Lohengrin (Act II cont.)
244CD: Wagner: Lohengrin (Act III)
245CD: Berlin Gala 1997: A Salute to Carmen
246CD: Berlin Gala 1998
247CD: Jonas Kaufmann - Sehnsucht
248CD: Schoenberg: Chamber Symphony no. 1 / Sciarrino: Autoritratto nella notte / Ligeti: Six Bagatelles / Double Concerto
249CD: Anna Netrebko - Sempre libera
250CD: New Year's Concert 1988
251CD: New Year's Concert 1991
252CD: Schoenberg: A Survivor from Warsaw / Bach/Webern: Fuga (Ricercata no. 2) / Webern: Passacaglia
253CD: Wien Modern I
254CD: Wien Modern II
255CD: Wien Modern III
256CD: Janáček: From the House of the Dead (Acts I & II)
257CD: Janáček: From the House of the Dead (Act III)
258CD: Mozart: Piano Concerto no. 16
259DVD: A Russian Night
260DVD: Claudio Abbado in Concert: Mozart & Schubert
261DVD: Claudio Abbado in Concert: Brahms & Rossini
262DVD: Neujahrskonzert 1991
263DVD: Peter and the Wolf: A Prokofiev Fantasy
264DVD: La Cenerentola
265DVD: Rossini: Il barbiere di Siviglia
266DVD: Janáček: From the House of the Dead