Dies Irae: The Essential Choral Collection

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Length
1	Carmina Burana: O Fortuna producer: Hans Hirsch choir vocals: Chor der Deutschen Oper Berlin (in 1967-10) orchestra: Orchester der Deutschen Oper Berlin (in 1967-10) conductor: Eugen Jochum (in 1967-10) chorus master: Walter Hagen-Groll (in 1967-10) balance engineer: Klaus Scheibe phonographic copyright (℗) by: Polydor International GmbH (in 1968) recorded at: UFA-Tonstudio in Berlin, Germany (in 1967-10) recording of: Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10) composer: Carl Orff (in 1936) publisher: B. Schott’s Söhne version of: O Fortuna (Poem, CB 17) part of: Carmina Burana: Fortuna Imperatrix Mundi	Carl Orff	2:41
2	Aida: Triumphal March choir vocals: Chor der Deutschen Oper Berlin orchestra: Orchester der Deutschen Oper Berlin conductor: Giuseppe Sinopoli recording of: Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) composer: Giuseppe Verdi librettist: Antonio Ghislanzoni part of: Aida: Atto II recording of: Aida: Grand March (catch-all for arrangements) composer: Giuseppe Verdi arrangement of: Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)	Giuseppe Verdi	5:10
3	Vespers: 'Deus in Adiutorium / Domine AD Adiuvandum' executive producer: Dr. Andreas Holschneider and Charlotte Kriesch producer: Karl-August Naegler choir vocals: Monteverdi Choir (in 1989-05) tenor vocals: Nigel Robson (in 1989-05) orchestra: English Baroque Soloists (in 1989-05) and His Majestys Sagbutts and Cornetts (in 1989-05) conductor: Sir John Eliot Gardiner (in 1989-05) balance engineer: Ulrich Vette recorded at: Basilica di San Marco in Venezia, Venezia, Veneto, Italy (in 1989-05) live recording of: Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (in 1989-05) composer: Claudio Monteverdi part of: Vespro della Beata Vergine, SV 206 (for chorus & instruments) recording of: Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (catch all for arrangements) (in 1989-05) composer: Claudio Monteverdi arrangement of: Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum"	Claudio Monteverdi	2:11
4	Judas Maccabaeus: See the Conquering Hero Comes choir vocals: Wandsworth School Boys’ Choir orchestra: English Chamber Orchestra conductor: Charles Mackerras chorus master: Russell Burgess recording of: Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins) composer: George Frideric Handel (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act III	Georg Friedrich Händel	2:52
5	Peer Gynt: In the Hall of the Mountain King choir vocals: Gösta Ohlin's Vocal Ensemble (in 1987-06) and Pro Musica Chamber Choir (in 1987-06) spoken vocals: Tor Stokke (in 1987-06) vocals: Tor Stokke orchestra: Gothenburg Symphony Orchestra (in 1987-06) conductor: Neeme Järvi (in 1987-06) chorus master: Gösta Ohlin (in 1987-06) recording of: Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1987-06) composer: Edvard Grieg (in 1875) revised by: Edvard Grieg (in 1888) version of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall part of: Peer Gynt Suite no. 1, op. 46 recording of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall composer: Edvard Grieg (in 1875) librettist: Henrik Ibsen (in 1867) part of: Peer Gynt, op. 23	Edvard Grieg	2:52
6	Magnificat: Magnificat Anima Mea executive producer: Prof. Dr. Hans Hickmann producer: Karl-Heinz Schneider choir vocals: Münchener Bach‐Chor (in 1961-02, in 1961-04) orchestra: Münchener Bach‐Orchester (in 1961-02, in 1961-04) conductor: Karl Richter (in 1961-02, in 1961-04) balance engineer: Walter Alfred Wettler recorded at: Hochschule für Musik und Theater München in München, Bayern, Germany (in 1961-02, in 1961-04) recording of: Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04) premiered in: Leipzig, Sachsen, Germany (on 1733-07-02) composed in: Leipzig, Sachsen, Germany (from 1728 until 1731) composer: Johann Sebastian Bach part of: Magnificat D-Dur, BWV 243	Johann Sebastian Bach	3:04
7	Requiem: Agnus Dei recording engineer: Hans Weber executive producer: Günther Breest organ: Timothy Farrell (in 1986-03) baritone vocals: Andreas Schmidt choir vocals: Philharmonia Chorus (in 1986-03) soprano vocals: Kathleen Battle orchestra: Philharmonia Orchestra (in 1986-03) conductor: Carlo Maria Giulini (in 1986-03) chorus master: Horst Neumann balance engineer: Klaus Scheibe recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1986-03) recording of: Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1986-03) composer: Gabriel Fauré (from 1886 until 1900) part of: Requiem, op. 48 (1890, second version)	Gabriel Fauré	7:07
8	Madama Butterfly: Humming chorus producer: Wolfgang Stengel choir vocals: Ambrosian Opera Chorus (in 1987-04) orchestra: Philharmonia Orchestra (in 1987-04) conductor: Giuseppe Sinopoli (in 1987-04) chorus master: John McCarthy balance engineer: Klaus Hiemann recorded at: Watford Town Hall in Watford, Hertfordshire, England, United Kingdom (in 1987-04) recording of: Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1987-04) composer: Giacomo Puccini librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini	3:07
9	St. Matthew Passion: Ich Will Hier Bei Dir Stechen recording engineer: Hans‐Peter Schweigmann executive producer: Dr. Gerd Ploebsch producer: Dr. Gerd Ploebsch bassoon: Karl Kolbinger (from 1979-06 until 1979-08) cello: Fritz Kiskalt (from 1979-06 until 1979-08) double bass: Herbert Duft (from 1979-06 until 1979-08) harpsichord: Karl Richter (from 1979-06 until 1979-08) oboe [oboe I] and oboe d'amore [oboe d'amore I]: Manfred Clement (from 1979-06 until 1979-08) oboe [oboe II] and oboe d'amore [oboe d'amore II]: Robert Eliscú (from 1979-06 until 1979-08) oboe da caccia [oboe da caccia I]: Edgar Shann (from 1979-06 until 1979-08) oboe da caccia [oboe da caccia II]: Andreas Schwinn (from 1979-06 until 1979-08) organ: Friedemann Winkelhofer (from 1979-06 until 1979-08) and Elmar Schloter (from 1979-06 until 1979-08) transverse flute [transverse flute I]: Aurèle Nicolet (from 1979-06 until 1979-08) transverse flute [transverse flute II]: Wolfgang Haag (from 1979-06 until 1979-08) viola da gamba: Johannes Fink (from 1979-06 until 1979-08) violin: Gerhart Hetzel (from 1979-06 until 1979-08) choir vocals: Münchener Bach‐Chor (from 1979-06 until 1979-08) and Regensburger Domspatzen (from 1979-06 until 1979-08) orchestra: Münchener Bach‐Orchester (from 1979-06 until 1979-08) conductor: Karl Richter (from 1979-06 until 1979-08) chorus master: Georg Ratzinger (from 1979-06 until 1979-08) phonographic copyright (℗) by: Polydor International GmbH (in 1980) recorded at: Herkulessaal in München, Bayern, Germany (from 1979-06 until 1979-08) recording of: Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (from 1979-06 until 1979-08) composer: Johann Sebastian Bach librettist: Picander part of: Matthäus-Passion, BWV 244: Teil I	Johann Sebastian Bach	1:11
10	Tannhäuser: Entry of the Guests choir vocals: Chor der Deutschen Oper Berlin orchestra: Orchester der Deutschen Oper Berlin conductor: Giuseppe Sinopoli chorus master: Walter Hagen-Groll	Richard Wagner	7:07
11	Don Carlo: Auto da Fe choir vocals: Coro del Teatro alla Scala di Milano orchestra: Orchestra del Teatro alla Scala di Milano conductor: Gabriele Santini partial recording of: Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) composer: Giuseppe Verdi (in 1867) librettist: Camille du Locle and Joseph Méry part of: Don Carlo: Atto II (III)	Giuseppe Verdi	3:36
12	Prince Igor: Polovetsian Dances bass vocals: Torgny Sporsén choir vocals: Göteborgs Symfoniska Kör orchestra: Göteborgs Symfoniker conductor: Neeme Järvi chorus master: Ove Gotting recording of: Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890) composer: Александр Порфирьевич Бородин arranger: Александр Константинович Глазунов and Николай Андреевич Римский‐Корсаков	Александр Порфирьевич Бородин	8:35
13	Il Trovatore: Anvil Chorus choir vocals: Chor der Deutschen Oper Berlin orchestra: Orchester der Deutschen Oper Berlin conductor: Giuseppe Sinopoli chorus master: Walter Hagen-Groll recording of: Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) composer: Giuseppe Verdi librettist: Salvadore Cammarano part of: Il trovatore: Atto II. La gitana	Giuseppe Verdi	2:46
14	Pomp & Circumstance: Land of Hope and Glory recording engineer: Jean‐Marie Geijsen (in 1996-01) and Cees Heijkoop (in 1996-01) producer: Anna Barry (in 1996-01) choir vocals: Royal Choral Society (in 1996-01) orchestra: BBC Concert Orchestra (in 1996-01) conductor: Barry Wordsworth (in 1996-01) chorus master: Richard Cooke (in 1996-01) balance engineer: Erdo Groot phonographic copyright (℗) by: Philips Classics Productions (in 1996) recorded at: All Saints Church in London, England, United Kingdom (in 1996-01) recording of: Land of Hope and Glory (in 1996-01) anthem of: England, United Kingdom (ended) lyricist: Arthur Christopher Benson composer: Edward Elgar (in 1902) is based on: Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)	Sir Edward Elgar	5:54
15	Messiah: Hallelujah Chorus producer: Dr. Gerd Ploebsch harpsichord: Hedwig Bilgram (in 1972-11) organ: Edgar Krapp (in 1972-11) solo trumpet: Gordon Webb (in 1972-11) choir vocals: John Alldis Choir (in 1972-11) vocals: The John Alldis Choir orchestra: London Philharmonia Orchestra and London Philharmonic Orchestra (in 1972-11) conductor: Karl Richter (in 1972-11) chorus master: John Alldis (in 1972-11) balance engineer: Hans‐Peter Schweigmann phonographic copyright (℗) by: Polydor International GmbH (in 1973) recorded at: Brent Town Hall in Brent, London, England, United Kingdom (in 1972-11) recording of: Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1972-11) composer: George Frideric Handel (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel	4:02

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ASIN:	DE: B000027DCY [info]
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DE: B000027DCY