Il barbiere di Siviglia (24bit/96kHz, remastered)

~ Release by Gioachino Rossini; Maria Callas, Luigi Alva, Tito Gobbi, Philharmonia Orchestra & Chorus, Alceo Galliera (see all versions of this release, 7 available)

Tracklist

1▼Digital Media
#TitleArtistLength
1Il barbiere di Siviglia: Overture
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Sinfonia (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Der Barbier von Sevilla (german lyrics)
part of:
Il barbiere di Siviglia
part of:
Le Barbier de Séville (french lyrics)
part of:
The Barber of Seville (english lyrics)
Gioachino Rossini6:42
2Il barbiere di Siviglia: Act I, Scene I. “Piano, pianissimo, senza parlar” (Fiorello, Chorus, Count Almaviva)
producer:
Walter Legge
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
tenor vocals [Fiorella]:
Mario Carlin (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1a. Introduzione “Piano, pianissimo” (Fiorello, Coro, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:55
3Il barbiere di Siviglia: Act I, Scene I. “Ecco ridente in cielo” (Count Almaviva)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1b. Cavatina “Ecco ridente in cielo” (Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:10
4Il barbiere di Siviglia: Act I, Scene I. “Ehi, Fiorelli?…Mio signore” (Count Almaviva, Fiorello, Chorus)
producer:
Walter Legge
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
tenor vocals [Fiorella]:
Mario Carlin (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1c. Recitativo “Ehi, Fiorello” (Coro, Fiorello, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:06
5Il barbiere di Siviglia: Act I, Scene I. “Mille grazie, mio signore” (Count Almaviva, Fiorello, Chorus)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
tenor vocals [Fiorella] and tenor vocals [Fiorello]:
Mario Carlin (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1d. “Mille grazie, mio signore” (Coro, Conte, Fiorello) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:57
6Il barbiere di Siviglia: Act I, Scene I. “Gente indiscreta!” (Count Almaviva, Fiorello, Figaro)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
tenor vocals [Fiorella]:
Mario Carlin (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°1e. “Gente indiscreta!” (Conte, Fiorello, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:34
7Il barbiere di Siviglia: Act I, Scene I. “La ran la le ra…Largo al factotum” (Figaro)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
baritone vocals [Figaro] and bass vocals:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
orchestra:
London Philharmonic Orchestra (from 1957-02-07 until 1957-02-14) and Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:41
8Il barbiere di Siviglia: Act I, Scene I. “Ah, che bella vita!” (Figaro, Count Almaviva)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°2b. “Ah che bella vita!” (Figaro, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:44
9Il barbiere di Siviglia: Act I, Scene I. “Se il mio nome saper voi bramate” (Count Almaviva, Rosina, Figaro)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°3a. Canzone “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:55
10Il barbiere di Siviglia: Act I, Scene I. “Oh cielo!…Nella stanza convien” (Count Almaviva, Figaro)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°3b. “Oh cielo!” (Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:00
11Il barbiere di Siviglia: Act I, Scene I. “All’idea di quel metallo” (Figaro, Count Almaviva)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°4. Duetto “All’idea di quel metallo” (Figaro, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:08
12Il barbiere di Siviglia: Act I, Scene II. “Una voce poco fa” (Rosina)
producer:
Walter Legge
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch (from 1957-02-07 until 1957-02-14) and Douglas Larter (from 1957-02-07 until 1957-02-14)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” … “Io sono docile” (Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini6:20
13Il barbiere di Siviglia: Act I, Scene II. “Sì, sì, la vincerò” (Rosina, Figaro)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5b. “Sì, sì, la vincerò” (Rosina, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:19
14Il barbiere di Siviglia: Act I, Scene II. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5c. “Ah, disgraziato Figaro!” (Bartolo, Rosina, Berta, Ambrogio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:54
15Il barbiere di Siviglia: Act I, Scene II. “Ah! Barbiere d’inferno” (Bartolo, Basilio)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°5d. “Ah! Barbiere d’inferno” (Bartolo, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:52
16Il barbiere di Siviglia: Act I, Scene II. “La calunnia è un venticello” (Basilio)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°6a. “La calunnia è un venticello” (Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:38
17Il barbiere di Siviglia: Act I, Scene II. “Ah! Che ne dite?” (Basilio, Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°6b. “Ah che ne dite?” (Basilio, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:33
18Il barbiere di Siviglia: Act I, Scene II. “Ma bravi! Ma benone!” (Figaro, Rosina)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°6c. “Ma bravi! Ma benone!” (Figaro, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini2:19
19Il barbiere di Siviglia: Act I, Scene II. “Dunque io son” (Figaro, Rosina)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:07
20Il barbiere di Siviglia: Act I, Scene II. “Ora mi sento meglio” (Rosina, Bartolo)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°7b. “Ora mi sento meglio” (Rosina, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini1:23
21Il barbiere di Siviglia: Act I, Scene II. “A un dottor della mia sorte” (Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°8a. Aria “A un dottor della mia sorte” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:58
22Il barbiere di Siviglia: Act I, Scene II. “Finora in questa camera” (Berta, Count Almaviva)
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°8b. “Finora in questa camera” (Berta, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini0:30
23Il barbiere di Siviglia: Act I, Scene II. “Ehi, di casa, buona gente” (Count Almaviva, Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9a. Finale I “Ehi di casa… buona gente” (Conte, Bartolo, Rosina, Berta, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini8:30
24Il barbiere di Siviglia: Act I, Scene II. “Che cosa accadde” (Figaro, Bartolo, Count Almaviva, Rosina, Berta, Basilio, Chorus)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9b. Finale I “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Uffiziale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:39
25Il barbiere di Siviglia: Act I, Scene II. “Fredda ed immobile” (Rosina, Count Almaviva, Bartolo, Figaro, Basilio, Berta)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9d. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini3:02
26Il barbiere di Siviglia: Act I, Scene II. “Ma signor…ma un dottor” (Bartolo, Berta, Basilio, Rosina, Count Almaviva, Figaro, Chorus)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto I, N°9e. Finale I “Ma signor… ma un dottor” … “Mi par d'essere con la testa” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:43
27Il barbiere di Siviglia: Act II. “Ma vedi il mio destino!” (Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Ma vedi il mio destino!” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:46
28Il barbiere di Siviglia: Act II. “Pace e gioia sia con voi” (Count Almaviva, Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 10. Duetto: “Pace e gioia sia con voi” (Conte, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:27
29Il barbiere di Siviglia: Act II. “Insomma, mio signore” (Bartolo, Count Almaviva)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma, mio signore” (Bartolo, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:19
30Il barbiere di Siviglia: Act II. “Venite, signorina” (Bartolo, Rosina, Count Almaviva)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Venite, signorina” (Bartolo, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:43
31Il barbiere di Siviglia: Act II. “Contro un chor che accende amore” (Rosina, Count Almaviva)
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 11. Aria “Contro un cor” (Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:55
32Il barbiere di Siviglia: Act II. “Bella voce! Bravissima!” (Count Almaviva, Rosina, Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bella voce! Bravissima!” (Conte, Rosina, Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:35
33Il barbiere di Siviglia: Act II. “Quando mi sei vicina” (Bartolo)
producer:
Walter Legge
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 12. Arietta “Quando mi sei vicina” (Bartolo) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:57
34Il barbiere di Siviglia: Act II. “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, Count Almaviva)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Bravo signor Barbiere” (Bartolo, Figaro, Rosina, Conte) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:42
35Il barbiere di Siviglia: Act II. “Don Basilio!…Cosa veggo!” (Rosina, Count Almaviva, Figaro, Bartolo, Basilio)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
partial recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
recording of:
Il barbiere di Siviglia: Atto II, No. 13. Quintetto “Don Basilio! … Cosa veggo” (Rosina, Conte, Bartolo, Figaro, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini4:01
36Il barbiere di Siviglia: Act II. “Buona sera, mio signore” (Rosina, Count Almaviva, Figaro, Bartolo, Basilio)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:16
37Il barbiere di Siviglia: Act II. “Che vecchio sospettoso!” (Berta)
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. “Che vecchio sospettoso!” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:29
38Il barbiere di Siviglia: Act II. “Il vecchiotto cerca moglie” (Berta)
producer:
Walter Legge
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 14. Aria “Il vecchiotto cerca moglie” (Berta) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini3:20
39Il barbiere di Siviglia: Act II. Thunderstorm
recorded in:
London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
producer:
Walter Legge
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 15. Temporale (Thunderstorm) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:49
40Il barbiere di Siviglia: Act II. “Alfine eccoci qua” (Figaro, Count Almaviva, Rosina)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Alfine eccoci qua” (Figaro, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:02
41Il barbiere di Siviglia: Act II. “Ah, qual colpo inaspettato!” (Figaro, Count Almaviva, Rosina)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Terzetto “Ah, qual colpo inaspettato” (Rosina, Conte, Figaro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini5:46
42Il barbiere di Siviglia: Act II. “Ah, disgraziati noi!” (Figaro, Count Almaviva, Rosina, Basilio, Bartolo, Official)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 16. Recitativo: “Ah, disgraziati noi! come si fa?” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini1:31
43Il barbiere di Siviglia: Act II. “Insomma io ho tutti i torti” (Bartolo, Figaro, Basilio, Count Almaviva, Rosina)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II. Recitativo “Insomma io ho tutti i torti!” (Bartolo, Figaro, Basilio, Conte, Rosina) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini0:44
44Il barbiere di Siviglia: Act II. “Di sì felice innesto” (Figaro, Berta, Bartolo, Basilio, Rosina, Count Almaviva, Chorus)
producer:
Walter Legge
baritone vocals [Figaro]:
Tito Gobbi (from 1957-02-07 until 1957-02-14)
bass vocals [Bartolo]:
Fritz Ollendorff (from 1957-02-07 until 1957-02-14)
bass vocals [Basilio]:
Nicola Zaccaria (from 1957-02-07 until 1957-02-14)
choir vocals:
Philharmonia Chorus (from 1957-02-07 until 1957-02-14)
mezzo-soprano vocals [Berta]:
Gabriella Carturan (from 1957-02-07 until 1957-02-14)
soprano vocals [Rosina]:
Maria Callas (from 1957-02-07 until 1957-02-14)
tenor vocals [Il conte d'Almaviva]:
Luigi Alva (from 1957-02-07 until 1957-02-14)
orchestra:
Philharmonia Orchestra (from 1957-02-07 until 1957-02-14)
conductor:
Alceo Galliera (from 1957-02-07 until 1957-02-14)
chorus master:
Roberto Benaglio (from 1957-02-07 until 1957-02-14)
balance engineer:
Robert Gooch and Douglas Larter
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1957-02-07 until 1957-02-14)
recording of:
Il barbiere di Siviglia: Atto II, No. 19. Finaletto II “Di sì felice innesto” (Rosina, Berta, Conte, Figaro, Bartolo, Basilio, Coro) (from 1957-02-07 until 1957-02-14)
composer:
Gioachino Rossini
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto II
Gioachino Rossini2:06