| # | Title | Artist | Length |
|---|
| 1 | Our Darkness | Anne Clark | 5:19 |
| 2 | Love Will Tear Us Apart | Joy Division | 3:11 |
| 3 | The Reflex | Duran Duran | 4:23 |
| 4 | Karma Chameleon- engineer:
- Simon Frith, Simon Humphrey, Gordon Milne and Mike Ross‐Trevor
- producer:
- Steve Levine
- mixer:
- Steve Levine and Jon Moss
- bass guitar:
- Mikey Craig (in 1983)
- drums (drum set) and percussion:
- Jon Moss (in 1983)
- electric sitar, guitar, keyboard, piano and sitar:
- Roy Hay (in 1983)
- guest harmonica:
- Judd Lander (in 1983)
- guest keyboard:
- Phil Pickett (in 1983)
- background vocals:
- Helen Terry (in 1983)
- lead vocals:
- Boy George (in 1983)
- phonographic copyright (℗) by:
- Virgin Records Ltd. (in 1983, in 2002, in 2003)
- recorded at:
- CBS Studios in London, England, United Kingdom (in 1983) and Red Bus Studios in London, England, United Kingdom (in 1983)
- music videos:
- Karma Chameleon by Culture Club
- recording of:
- Karma Chameleon (in 1983)
- writer:
- Mikey Craig, George O’Dowd, Roy Hay, Jon Moss and Phil Pickett
- publisher:
- BMG Music Publishing Ltd., Copyright Control, EMI Virgin Music Ltd., EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd., Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. and BMG VM Music Ltd. (from 2013-05 to present)
| Culture Club | 4:11 |
| 5 | Lovely Day- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977)
- recording of:
- Lovely Day
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp., フジパシフィックミュージック, ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 3:48 |
| 6 | Amoureux solitaires | Lio | 3:34 |
| 7 | The look | Roxette | 3:58 |
| 8 | You’re My Heart, You’re My Soul | Modern Talking | 3:18 |
| 9 | Rock Me Amadeus | Falco | 3:21 |
| 10 | Superfreak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks, Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards, Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 3:18 |
| 11 | How Bizarre | OMC | 3:45 |
| 12 | Tell It to My Heart | Taylor Dayne | 3:38 |
| 13 | Such a Shame | Talk Talk | 3:58 |
| 14 | True Colors | Cyndi Lauper | 3:47 |
| 15 | Gold | Spandau Ballet | 4:46 |
| 16 | Stars | Simply Red | 4:07 |
| 17 | Lieve kleine Piranha | Gorki | 3:10 |
| 18 | Making Plans for Nigel | XTC | 4:07 |
| 19 | Let’s Hear It for the Boy | Deniece Williams | 4:20 |
| 20 | I’m Every Woman | Whitney Houston | 4:45 |
