| produced |
|---|
| 'Tamino mein, o welch ein Glück' | | Francisco Araiza, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 3:48 |
| Concerto for 7 wind instruments, timpani, percussion & string orchestra: I. Allegro | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 6:18 |
| Concerto for 7 wind instruments, timpani, percussion & string orchestra: II. Adagietto | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 6:02 |
| Concerto for 7 wind instruments, timpani, percussion & string orchestra: III. Allegro vivace | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 6:39 |
| Dialog: 'Bin ich nicht ein Narr' | | Olaf Bär, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 1:20 |
| Dialog: 'Schöner Jüngling' | | Francisco Araiza, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | 0:46 |
| Die Weihe des Hauses, op. 124: Overture | | Wiener Philharmoniker, Hans Schmidt‐Isserstedt | 11:22 |
| Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino) | | Francisco Araiza, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | 6:02 |
| Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) | | Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | 2:48 |
| Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno) | | Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | 2:33 |
| Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | 4:29 |
| Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht) | | Cheryl Studer, Academy of St Martin in the Fields, Sir Neville Marriner | 5:04 |
| Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino) | | Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | 6:27 |
| Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino) | | Aldo Baldin, Olaf Bär, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 1:52 |
| Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) | | John McCarthy, Ambrosian Opera Choir, Francisco Araiza, Olaf Bär, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 3:25 |
| Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino) | | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | 3:10 |
| Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) | | Francisco Araiza, Markus Baur, Christian Fliegner, Christian Günther, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | 1:49 |
| Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino) | | John McCarthy, Ambrosian Opera Chorus, Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | 2:00 |
| Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno) | | John McCarthy, Aldo Baldin, Ambrosian Opera Chorus, Olaf Bär, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 3:16 |
| Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno) | | John McCarthy, Ambrosian Opera Chorus, Olaf Bär, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 1:37 |
| Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester | | Academy of St Martin in the Fields, Sir Neville Marriner | 2:56 |
| Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro) | | John McCarthy, Ambrosian Opera Chorus, Samuel Ramey, Academy of St Martin in the Fields, Sir Neville Marriner | 3:02 |
| Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno) | | Francisco Araiza, Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | 1:52 |
| Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino) | | Edmund Barham, Harry Peeters, Academy of St Martin in the Fields, Sir Neville Marriner | 1:01 |
| Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro) | | Samuel Ramey, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 0:22 |
| Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) | | John McCarthy, Ambrosian Opera Chorus, Francisco Araiza, Olaf Bär, Anne Collins, Yvonne Kenny, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | 3:01 |
| Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Jüngling! Dein standhaft männliches Betragen" (Papageno, Tamino) | | Francisco Araiza, Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | 0:39 |
| Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos) | | Aldo Baldin, Academy of St Martin in the Fields, Sir Neville Marriner | 1:18 |
| Die Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht) | | Aldo Baldin, Cheryl Studer, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 0:21 |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | | Cheryl Studer, Academy of St Martin in the Fields, Sir Neville Marriner | 3:05 |
| Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) | | Samuel Ramey, Academy of St Martin in the Fields, Sir Neville Marriner | 4:08 |
| Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino) | | Francisco Araiza, Olaf Bär, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | 1:40 |
| Die Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papagena) | | Francisco Araiza, Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | 1:17 |
| Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) | | Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 4:45 |
| Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben) | | Markus Baur, Christian Fliegner, Christian Günther, Academy of St Martin in the Fields, Sir Neville Marriner | 1:35 |
| Die Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina) | | Francisco Araiza, Olaf Bär, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 0:47 |
| Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) | | John McCarthy, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 2:42 |
| Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) | | Francisco Araiza, Samuel Ramey, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 0:19 |
| Die Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno) | | Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | 1:07 |
| Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino) | | Francisco Araiza, Samuel Ramey, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 2:58 |
| Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) | | Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | 4:03 |
| Die Zauberflöte, K. 620: Act II, Scene XXIV. Dialogue "Da bin ich schon, mein Engel!" (Papageno) | | Olaf Bär, Academy of St Martin in the Fields, Sir Neville Marriner | 0:53 |
| Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno) | | Markus Baur, Olaf Bär, Christian Fliegner, Christian Günther, Eva Lind, Academy of St Martin in the Fields, Sir Neville Marriner | 5:23 |
| Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno) | | Markus Baur, Olaf Bär, Christian Fliegner, Christian Günther, Eva Lind, Academy of St Martin in the Fields, Sir Neville Marriner | 2:28 |
| Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) | | Markus Baur, Christian Fliegner, Christian Günther, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 5:47 |
| Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina) | | Francisco Araiza, Edmund Barham, Harry Peeters, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 4:45 |
| Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino) | | John McCarthy, Ambrosian Opera Chorus, Francisco Araiza, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 3:13 |
| Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen) | | John McCarthy, Aldo Baldin, Ambrosian Opera Chorus, Anne Collins, Yvonne Kenny, Cheryl Studer, Iris Vermillion, Academy of St Martin in the Fields, Sir Neville Marriner | 4:59 |
| Die Zauberflöte, K. 620: Ouvertüre | | Academy of St Martin in the Fields, Sir Neville Marriner | 6:56 |
| Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | | Wiener Philharmoniker, Hans Schmidt‐Isserstedt | 9:27 |
| Études: I. Pour l'enchaînement des traits | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 2:27 |
| Études: II. Pour le pizzicato | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 3:01 |
| Études: III. Pour l'expression et le sostenuto | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 3:28 |
| Études: IV. Pour le style fugué | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 6:00 |
| Études: Ouverture | | L’Orchestre de la Suisse Romande, Ernest Ansermet | 4:03 |
| No. 8 Finale I: 'Herr, ich bin zwar Verbrecherin' | | John McCarthy, Aldo Baldin, Ambrosian Opera Chorus, Francisco Araiza, Samuel Ramey, Kiri Te Kanawa, Academy of St Martin in the Fields, Sir Neville Marriner | 5:32 |
| No. 8 Finale I: 'Wenn Tugend und Gerechtigkeit' | | John McCarthy, Ambrosian Opera Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | 1:08 |
| No. 8 Finale I: 'Wo willst du, kühner Fremdling, hin?' | | John McCarthy, Ambrosian Opera Chorus, Francisco Araiza, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | 6:43 |
| No. 9a - Dialog: 'Ihr, Diener der grossen Götter' | | Samuel Ramey, Academy of St Martin in the Fields, Sir Neville Marriner | 1:02 |
| Tosca: Atto I. “Ah, quegli occhi.... Quale occhio al mondo può di paro” | | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:48 |
| Tosca: Atto I. “Ah! Finalmente” (Angelotti) | | Samuel Ramey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:08 |
| Tosca: Atto I. “Dammi i colori!” (Cavaradossi) | | José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 0:40 |
| Tosca: Atto I. “È buona la mia Tosca … Siam soli?” | | José Carreras, Samuel Ramey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:29 |
| Tosca: Atto I. “E sempre lava! – Angelus Domini nuntiavit Mariae che fai?” | | José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:22 |
| Tosca: Atto I. “Ed io venivo a lui tutta dogliosa” | | Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:18 |
| Tosca: Atto I. “Gente là dentro!” (Cavaradossi, Angelotti, Tosca) | | Montserrat Caballé, José Carreras, Samuel Ramey, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:11 |
| Tosca: Atto I. “Mario! Mario! Mario! – son qui! Non la sospiri la nostra casetta” | | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 8:10 |
| Tosca: Atto I. “Mia gelosa!” (Cavaradossi, Tosca) | | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:02 |
| Tosca: Atto I. “Or tutto è chiaro.... Mario?! Mario?!” | | Montserrat Caballé, Domenico Trimarchi, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:16 |
| Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) | | José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:37 |
| Tosca: Atto I. “Sommo giubilo, eccellenza!” | | Chorus of the Royal Opera House, Covent Garden, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:36 |
| Tosca: Atto I. “Tre sbirri… Una carrozza” (Scarpia, Spoletta, Coro) | | Richard Amner, Chorus of the Royal Opera House, Covent Garden, Piero de Palma, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:40 |
| Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) | | Piero de Palma, Domenico Trimarchi, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:54 |
| Tosca: Atto II. "Vissi d'arte" (Tosca) | | Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:37 |
| Tosca: Atto II. “E qual via scegliete?” (Scarpia, Tosca) | | Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:34 |
| Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) | | Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:17 |
| Tosca: Atto II. “Floria… Amore…” (Cavaradossi, Tosca) | | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:09 |
| Tosca: Atto II. “Ha più forte sapore spoletta è giunto” | | William Elvin, Piero de Palma, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:24 |
| Tosca: Atto II. “Meno male! – egli è là” | | José Carreras, Piero de Palma, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:35 |
| Tosca: Atto II. “Nel pozzo del giardino. Va, spoletta! Eccelenza, quali nuove! – Vittoria!” | | Montserrat Caballé, José Carreras, William Elvin, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:11 |
| Tosca: Atto II. “Orsù, Tosca, parlate. Mario, consenti ch’io parli?” | | Montserrat Caballé, José Carreras, William Elvin, Piero de Palma, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:07 |
| Tosca: Atto II. “Ov’è Angelotti? Mario, tu qui?!” | | Montserrat Caballé, José Carreras, Piero de Palma, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:52 |
| Tosca: Atto II. “Sciarrone: che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) | | Montserrat Caballé, José Carreras, William Elvin, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:50 |
| Tosca: Atto II. “Se la giurata fede” (Scarpia, Tosca) | | Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:55 |
| Tosca: Atto II. “Tosca è un buon falco!” (Scarpia, Sciarrone) | | William Elvin, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:24 |
| Tosca: Atto II. “Tosca, finalmente mia!” (Scarpia, Tosca) | | Montserrat Caballé, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 4:46 |
| Tosca: Atto II. “Vedi, le man giunte” (Tosca, Scarpia, Spoletta) | | Montserrat Caballé, Piero de Palma, Ingvar Wixell, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:44 |
| Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca) | | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:39 |
| Tosca: Atto III. “Come è lunga l’attesa!” (Tosca) | | Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:34 |
| Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) | | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:17 |
| Tosca: Atto III. “E non giungono – trionfal di nova speme” | | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:39 |
| Tosca: Atto III. “Franchigia a Floria Tosca…” (Cavaradossi, Tosca) | | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:43 |
| Tosca: Atto III. “Io de’ sospiri” (Un pastore) | | Ann Murray, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 7:11 |
| Tosca: Atto III. “L’ora! – son pronto” | | Montserrat Caballé, José Carreras, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 0:37 |
| Tosca: Atto III. “Mario Cavaradossi?” (Carceriere, Cavaradossi) | | Orchestra of the Royal Opera House, Covent Garden, Chorus of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:46 |
| Tosca: Atto III. “O dolce mani” (Cavaradossi) | | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:48 |
| Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Sciarrone, Spoletta) | | Montserrat Caballé, William Elvin, Piero de Palma, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 1:29 |
| Tosca: Atto III. “Senti… l’ora è vicina” (Tosca, Cavaradossi) | | Montserrat Caballé, José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 2:03 |
| Tosca: Atto III. Introduzione a “E lucevan le stelle” | | José Carreras, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 0:58 |
| Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato | | Jascha Heifetz, New Symphony Orchestra of London, Sir Malcolm Sargent | 7:44 |
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