Redemption

~ Release by Bach; Anna Prohaska, Lautten Compagney, Wolfgang Katschner (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistLength
1Bete aber auch dabei, BWV 115/IV
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
flute:
Matthias Kiesling (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Wolfgang Katschner (in 2020-06), Andreas Nachtsheim (in 2020-06) and Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei" (in 2020-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach5:55
2Chorus: Es ist nichts Gesundes an meinem Leibe, BWV 25/I
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
cornett:
Friederike Otto (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
flute:
Ulrike Ködding (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06) and Martin Jelev (in 2020-06)
recorder:
Inga Maria Klaucke (in 2020-06) and Martin Ripper (in 2020-06)
trombone:
Carl-Philipp Kaptain (in 2020-06), Till Krause (in 2020-06) and David Yacus (in 2020-06)
viola:
Caroline Kersten (in 2020-06) and Ulrike Paetz (in 2020-06)
violin:
Daniela Gubatz (in 2020-06), Anne von Hoff (in 2020-06), Andreas Pfaff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
alto vocals:
Susanne Langner (in 2020-06)
bass vocals:
Karsten Müller (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
tenor vocals:
Christian Pohlers (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Hans Werner Apel (in 2020-06), Andreas Nachtsheim (in 2020-06) and Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe": I. Coro "Es ist nichts Gesundes an meinem Leibe" (in 2020-06)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 25 "Es ist nichts Gesundes an meinem Leibe"
Johann Sebastian Bach5:00
3Chorale: Ehr sei ins Himmels Throne, BWV 135/VI (instrumental)
recording engineer:
Benjamin Dreßler
cornett:
Friederike Otto (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
trombone:
Carl-Philipp Kaptain (in 2020-06), Till Krause (in 2020-06) and David Yacus (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
instrumental recording of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder": VI. Choral "Ehr sei ins Himmels Throne" (in 2020-06)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Cyriacus Schneegaß (in 1597)
part of:
Breitkopf 389 Choralgesänge (number: 156)
part of:
Kantate, BWV 135 "Ach Herr, mich armen Sünder"
Johann Sebastian Bach1:12
4Ich ende behende mein irdisches Leben, BWV 57/VII
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
violin:
Birgit Schnurpfeil (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Hans Werner Apel (in 2020-06), Andreas Nachtsheim (in 2020-06) and Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben" (in 2020-06)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach3:27
5Schafe können sicher weiden, BWV 208/IX (instrumental)
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
flute:
Matthias Kiesling (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
recorder:
Martin Ripper (in 2020-06)
violin:
Birgit Schnurpfeil (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Hans Werner Apel (in 2020-06), Wolfgang Katschner (in 2020-06) and Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
instrumental recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 2020-06)
composer:
Johann Sebastian Bach
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach3:45
6Es ist und bleibt der Christen Trost, BWV 44/VI
recording engineer:
Benjamin Dreßler
bassoon:
Inga Maria Klaucke (in 2020-06)
cello:
Lea Rahel Bader (in 2020-06)
double bass:
Mirjam Wittulski (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06) and Martin Jelev (in 2020-06)
viola:
Ulrike Paetz (in 2020-06)
violin:
Anne von Hoff (in 2020-06) and Andreas Pfaff (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Gerd Amelung (in 2020-06), Hans Werner Apel (in 2020-06), Wolfgang Katschner (in 2020-06) and Andreas Nachtsheim (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": VI. Aria (Soprano) "Es ist und bleibt der Christen Trost" (in 2020-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
Johann Sebastian Bach5:10
7Wie zittern und wanken, BWV 105/IIIJohann Sebastian Bach5:22
8Sinfonia, BWV 150/I
recording engineer:
Benjamin Dreßler
bassoon:
Inga Maria Klaucke (in 2020-06)
cello:
Ulrike Becker (in 2020-06)
double bass:
Mirjam Wittulski (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
violin:
Anne von Hoff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Gerd Amelung (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": I. Sinfonia (in 2020-06)
composer:
Johann Sebastian Bach (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:12
9Chorus: Nach dir, Herr, verlanget mich, BWV 150/II
recording engineer:
Benjamin Dreßler
bassoon:
Inga Maria Klaucke (in 2020-06)
cello:
Ulrike Becker (in 2020-06)
double bass:
Mirjam Wittulski (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06) and Martin Jelev (in 2020-06)
viola:
Caroline Kersten (in 2020-06) and Ulrike Paetz (in 2020-06)
violin:
Anne von Hoff (in 2020-06), Andreas Pfaff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
alto vocals:
Susanne Langner (in 2020-06)
bass vocals:
Karsten Müller (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
tenor vocals:
Christian Pohlers (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Gerd Amelung (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": II. Coro "Nach dir, Herr, verlanget mich" (in 2020-06)
composer:
Johann Sebastian Bach (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:04
10Chorale: Wenn mein Stündlein vorhanden ist, BWV 430/I (instrumental)
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
viola:
Ulrike Paetz (in 2020-06)
violin:
Anne von Hoff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
instrumental recording of:
Choralsatz, BWV 430 "Wenn mein Stündlein vorhanden ist" (music same as BWV 247: XIII."Betrübtes Herz, sei wohlgemut") (in 2020-06)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 430) and Breitkopf 389 Choralgesänge (number: 355)
Johann Sebastian Bach0:51
11Letzte Stunde, brich herein, BWV 31/VIII
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06)
viola:
Ulrike Paetz (in 2020-06)
violin:
Andreas Pfaff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Gerd Amelung (in 2020-06), Wolfgang Katschner (in 2020-06) and Andreas Nachtsheim (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein" (in 2020-06)
composer:
Johann Sebastian Bach (in 1715)
part of:
Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"
Johann Sebastian Bach3:43
12Chorale: Wenn mein Stündlein vorhanden ist, BWV 430/II (instrumental)
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
viola:
Ulrike Paetz (in 2020-06)
violin:
Anne von Hoff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Choralsatz, BWV 430 "Wenn mein Stündlein vorhanden ist" (music same as BWV 247: XIII."Betrübtes Herz, sei wohlgemut") (in 2020-06)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 430) and Breitkopf 389 Choralgesänge (number: 355)
Johann Sebastian Bach0:47
13Liebster Gott, erbarme dich, BWV 179/V
recording engineer:
Benjamin Dreßler
bassoon:
Inga Maria Klaucke (in 2020-06)
cello:
Lea Rahel Bader (in 2020-06)
double bass:
Mirjam Wittulski (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Martin Jelev (in 2020-06) and Markus Müller (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Aria (Sopran) "Liebster Gott, erbarme dich" (in 2020-06)
premiered in:
Leipzig, Sachsen, Germany (on 1723-08-08)
composer:
Johann Sebastian Bach (in 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"
Johann Sebastian Bach5:13
14Chorus: Leite mich in deiner Wahrheit, BWV 150/IV
recording engineer:
Benjamin Dreßler
bassoon:
Inga Maria Klaucke (in 2020-06)
cello:
Ulrike Becker (in 2020-06)
double bass:
Mirjam Wittulski (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06) and Martin Jelev (in 2020-06)
viola:
Caroline Kersten (in 2020-06) and Ulrike Paetz (in 2020-06)
violin:
Anne von Hoff (in 2020-06), Andreas Pfaff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
alto vocals:
Susanne Langner (in 2020-06)
bass vocals:
Karsten Müller (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
tenor vocals:
Christian Pohlers (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Gerd Amelung (in 2020-06) and Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": IV. Coro "Leite mich in deiner Wahrheit" (in 2020-06)
composer:
Johann Sebastian Bach (from 1704 until 1707)
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach1:47
15Ich habe genug, BWV 82a/I
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
flute:
Matthias Kiesling (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
viola:
Ulrike Paetz (in 2020-06)
violin:
Daniela Gubatz (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 82a "Ich habe genug": I. Aria (Soprano) "Ich habe genug" (in 2020-06)
composer:
Johann Sebastian Bach
librettist:
[anonymous]
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach6:20
16Ich freue mich auf meinen Tod, BWV 82a/V
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
flute:
Ulrike Ködding (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
viola:
Ulrike Paetz (in 2020-06)
violin:
Anne von Hoff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Wolfgang Katschner (in 2020-06), Andreas Nachtsheim (in 2020-06) and Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 82a "Ich habe genug": V. Aria (Soprano) "Ich freue mich auf meinen Tod" (in 2020-06)
composer:
Johann Sebastian Bach
librettist:
[anonymous]
part of:
Kantate, BWV 82a “Ich habe genug” (for soprano)
Johann Sebastian Bach3:08
17Chorale: Jesu, der du meine Seele, BWV 105/VI (instrumental)
recording engineer:
Benjamin Dreßler
bassoon:
Inga Maria Klaucke (in 2020-06)
cello:
Ulrike Becker (in 2020-06)
cornett:
Friederike Otto (in 2020-06)
double bass:
Mirjam Wittulski (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06) and Martin Jelev (in 2020-06)
trombone:
Carl-Philipp Kaptain (in 2020-06), Till Krause (in 2020-06) and David Yacus (in 2020-06)
viola:
Caroline Kersten (in 2020-06) and Ulrike Paetz (in 2020-06)
violin:
Anne von Hoff (in 2020-06), Andreas Pfaff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
instrumental recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (in 2020-06)
composer:
Johann Sebastian Bach (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:56
18Die Seele ruht in Jesu Händen, BWV 127/III
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06)
recorder:
Inga Maria Klaucke (in 2020-06) and Martin Ripper (in 2020-06)
viola:
Ulrike Paetz (in 2020-06)
violin:
Andreas Pfaff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Gerd Amelung (in 2020-06), Wolfgang Katschner (in 2020-06) and Andreas Nachtsheim (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 127 "Herr Jesu Christ, wahr' Mensch und Gott": III. Aria (Sopran) "Die Seelen ruht in Jesu Händen" (in 2020-06)
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 127 "Herr Jesu Christ, wahr’ Mensch und Gott"
Johann Sebastian Bach7:04
19Weichet nur, betrübte Schatten, BWV 202/I
recording engineer:
Benjamin Dreßler
cello:
Ulrike Becker (in 2020-06)
double bass:
Annette Rheinfurth (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06)
viola:
Caroline Kersten (in 2020-06) and Ulrike Paetz (in 2020-06)
violin:
Daniela Gubatz (in 2020-06), Anne von Hoff (in 2020-06), Andreas Pfaff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Wolfgang Katschner (in 2020-06), Andreas Nachtsheim (in 2020-06) and Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 2020-06)
composer:
Johann Sebastian Bach (from 1718 until 1723)
librettist:
[anonymous]
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach5:22
20Chorus: Meine Tage in dem Leide, BWV 150/VII
recording engineer:
Benjamin Dreßler
bassoon:
Inga Maria Klaucke (in 2020-06)
cello:
Ulrike Becker (in 2020-06)
double bass:
Mirjam Wittulski (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
oboe:
Elisabeth Grümmer (in 2020-06) and Martin Jelev (in 2020-06)
viola:
Caroline Kersten (in 2020-06) and Ulrike Paetz (in 2020-06)
violin:
Anne von Hoff (in 2020-06), Andreas Pfaff (in 2020-06) and Birgit Schnurpfeil (in 2020-06)
alto vocals:
Susanne Langner (in 2020-06)
bass vocals:
Karsten Müller (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
tenor vocals:
Christian Pohlers (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
performer:
Gerd Amelung (in 2020-06), Hans Werner Apel (in 2020-06), Andreas Nachtsheim (in 2020-06) and Daniel Trumbull (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich": VII. Coro "Meine Tage in dem Leide" (in 2020-06)
composer:
Johann Sebastian Bach (from 1704 until 1707)
librettist:
[anonymous]
part of:
Kantate, BWV 150 "Nach dir, Herr, verlanget mich"
Johann Sebastian Bach3:20
21Bete aber auch dabei, BWV 115/IV (lounge version)
recording engineer:
Benjamin Dreßler
cello:
Bo Wiget (in 2020-06)
instruments:
Lautten Compagney (in 2020-06)
percussion:
Peter A. Bauer (in 2020-06)
saxophone:
Karola Elßner (in 2020-06)
violin:
Daniela Gubatz (in 2020-06)
soprano vocals:
Anna Prohaska (in 2020-06)
conductor:
Wolfgang Katschner (in 2020-06)
recorded at:
Christuskirche in Berlin, Germany (in 2020-06)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei" (in 2020-06)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach5:01