| # | Title | Artist | Length |
|---|
| 1 | (Just Like) Starting Over- engineer:
- Lee DeCarlo
- producer:
- Jack Douglas, John Lennon and Yoko Ono
- bass guitar:
- Tony Levin
- drums (drum set):
- Andy Newmark
- electric guitar:
- John Lennon, Hugh McCracken and Earl Slick
- keyboard:
- George Small
- percussion:
- Arthur Jenkins
- background vocals:
- Cheryl Mason Jacks, Michelle Simpson, Eric Troyer and Cassandra Wooten
- lead vocals:
- John Lennon
- phonographic copyright (℗) by:
- The David Geffen Company (in 1980) and Calderstone Productions Limited (in 2016)
- recorded at:
- The Hit Factory in Manhattan, New York, New York, United States (on 1980-08-09)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1980-09-25 until 1980-09-26)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 76)
- recording of:
- (Just Like) Starting Over
- lyricist and composer:
- John Lennon
- publisher:
- Lenono Music and Universal Music Publishing Pty Ltd.
| John Lennon | 3:56 |
| 2 | Don’t Stop Believin’- assistant engineer:
- Wally Buck
- engineer:
- Kevin Elson
- producer:
- Kevin Elson and Mike Stone
- bass guitar:
- Ross Valory (from 1981-04 until 1981-06)
- drums (drum set) and percussion:
- Steve Smith (from 1981-04 until 1981-06)
- guitar:
- Neal Schon (from 1981-04 until 1981-06)
- keyboard and piano:
- Jonathan Cain (from 1981-04 until 1981-06)
- background vocals:
- Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
- lead vocals:
- Steve Perry (from 1981-04 until 1981-06)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1981), Columbia Records (in 1981), Sony Music Entertainment (in 1981) and Sony Music Entertainment Inc. (in 1981)
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1981-04 until 1981-06)
- mixed at:
- Fantasy Studios in Berkeley, California, United States
- part of:
- SWR1 Hitparade 2022 (number: 10), VH1: 100 Greatest Songs of the 80’s (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
- recording of:
- Don’t Stop Believin’ (from 1981-04 until 1981-06)
- writer:
- Jonathan Cain, Steve Perry and Neal Schon
- publisher:
- BMG Rights Management (UK) Ltd., Lacey Boulevard Music, Sharandall Music, Sony Music, Universal/MCA Music Ltd. and Weedhigh‐Nightmare Music
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス, 日音 Synch事業部, フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Journey | 4:10 |
| 3 | Sweet Talkin’ Woman- engineer:
- Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1977)
- drums (drum set) and percussion:
- Bev Bevan (in 1977)
- guitar, synthesizer and lead vocals:
- Jeff Lynne (in 1977)
- keyboard:
- Richard Tandy (in 1977)
- violin:
- Mik Kaminski (in 1977)
- conductor:
- Louis Clark (in 1977)
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Jet Records (in 1977), Sony Music Entertainment (in 1977, in 2005) and Sony Music Entertainment Inc. (in 1977)
- recorded at:
- Musicland Studios in München, Bayern, Germany (in 1977)
- mixed at:
- Musicland Studios in München, Bayern, Germany
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 86)
- recording of:
- Sweet Talkin’ Woman (in 1977)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), Jet Music Inc. (in 1977) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 3:45 |
| 4 | Uptown Girl | Billy Joel | 3:16 |
| 5 | Oh Pretty Woman | Roy Orbison | 2:58 |
| 6 | Mrs. Robinson (from “The Graduate” soundtrack) | Simon & Garfunkel | 4:02 |
| 7 | Wouldn’t It Be Nice (remastered 2012)- engineer:
- Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
- producer:
- Mark Linett and Brian Wilson
- mixer:
- Mark Linett (in 1996)
- accordion:
- Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
- baritone saxophone:
- Jay Migliori (on 1966-01-22)
- bell, percussion and timpani:
- Frank Capp (on 1966-01-22)
- double bass:
- Lyle Ritz (on 1966-01-22)
- drums (drum set):
- Hal Blaine (on 1966-01-22)
- electric bass guitar:
- Carol Kaye (on 1966-01-22)
- electric bass guitar [Dano Bass]:
- Ray Pohlman (on 1966-01-22)
- guitar:
- Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
- piano:
- Al De Lory (on 1966-01-22)
- tack piano:
- Larry Knechtel (on 1966-01-22)
- tenor saxophone:
- Steve Douglas (on 1966-01-22) and Plas Johnson (on 1966-01-22)
- trumpet:
- Roy Caton (on 1966-01-22)
- lead vocals:
- Brian Wilson (from 1966-03 until 1966-04)
- arranger:
- Brian Wilson
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
- mixed at:
- Your Place or Mine Recording in Glendale, California, United States (in 1996)
- remix of:
- Wouldn’t It Be Nice by The Beach Boys
- recording of:
- Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
- lyricist:
- Tony Asher, Mike Love and Brian Wilson
- composer:
- Brian Wilson
- publisher:
- Almo Music Corp., Irving Music, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Beach Boys | 2:33 |
| 8 | (I’ve Had) The Time of My Life (from “Dirty Dancing” soundtrack)- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner, Michael Lloyd, Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records, BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- ヤマハミュージックEH(CM) (ended), Calspen Music, Copyright Control, EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc., Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部, フジパシフィックミュージック, Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | 4:50 |
| 9 | The Look of Love, Pt.1- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Mark Lickley
- keyboard:
- Mark White
- lead vocals:
- Martin Fry
- strings arranger:
- Anne Dudley
- phonographic copyright (℗) by:
- Mercury Records Ltd. (in 1982), Mercury Records Ltd. (London) (in 1982), Phonogram Ltd. (in 1982) and Phonogram Ltd. (London) (in 1982)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London, England, United Kingdom (in 1982)
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 4), VH1: 100 Greatest Songs of the 80’s (number: 43) and The Downloader’s Music Source Book (number: 73)
- partial recording of:
- The Look of Love
- writer:
- Martin Fry, David Palmer, Stephen Singleton and Mark White
- publisher:
- 10 Music Ltd., Copyright Control, Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc.
- part of:
- Mantrap
| ABC | 3:29 |
| 10 | My Girl | Madness | 2:46 |
| 11 | Downtown | Petula Clark | 3:05 |
| 12 | I Just Don’t Know What to Do With Myself | Dusty Springfield | 3:02 |
| 13 | Until You Come Back to Me (That’s What I’m Gonna Do)- engineer:
- Lew Hahn
- producer:
- Aretha Franklin, Arif Mardin and Jerry Wexler
- mixer:
- Arif Mardin
- bass:
- Chuck Rainey (on 1973-09-07)
- drums (drum set):
- Bernard “Pretty” Purdie (on 1973-09-07)
- electric piano:
- Donny Hathaway (on 1973-09-07)
- guitar:
- Hugh McCracken (on 1973-09-07)
- organ:
- Richard Tee (on 1973-09-07)
- piano and lead vocals:
- Aretha Franklin (on 1973-09-07)
- solo flute:
- Joe Farrell (on 1973-09-07)
- synthesizer:
- Ken Bichel (on 1973-09-07)
- background vocals:
- Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (on 1973-09-07)
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- WEA International Inc. (in 1973) and Atlantic Recording Corporation (in 1974)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
- recording of:
- Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
- writer:
- Morris Broadnax, Clarence Paul and Stevie Wonder
- publisher:
- Blackbull Music, Jobete Music, Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau and Stone Agate Music
| Aretha Franklin | 3:26 |
| 14 | Love Is a Losing Game- assistant recording engineer:
- Jesse Gladstone and Mike Makowski
- recording engineer:
- Vaughan Merrick and Mark Ronson
- miscellaneous support:
- Isobel Griffiths (task: contractor / orchestra)
- engineer:
- Dom Morley
- producer:
- Mark Ronson
- assistant mixer:
- Matt Paul
- mixer:
- Tom Elmhirst
- alto saxophone:
- Chris Davies and Andy Mackintosh
- baritone saxophone:
- Dave Bishop
- bass guitar:
- Nick Movshon
- cello:
- John Heley, Joely Koos and Anthony Pleeth
- drums (drum set):
- Homer Steinweiss
- guitar:
- Thomas Brenneck and Binky Griptite
- harp:
- Helen Tunstall
- percussion:
- Frank Ricotti
- piano:
- Victor Axelrod
- tenor saxophone:
- Mike Smith and Jamie Talbot
- trombone:
- Richard Edwards
- trumpet:
- Steve Sidwell
- viola:
- Rachel Bolt, Jonathan Thorne, Bruce White and Katie Wilkinson
- violin:
- Mark Berrow, Elizabeth Edwards, Peter Hanson, Boguslaw Kostecki, Perry Montague‐Mason, Everton Nelson, Tom Pigott‐Smith, Jonathan Rees, Chris Tombling and Warren Zielinski
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- wind instruments arranger:
- Gabriel Roth and Mark Ronson
- arranger:
- Gabriel Roth
- recorded at:
- Chung King Studios in New York, New York, United States, Daptone’s House of Soul in Bushwick, New York, New York, United States and Metropolis in London, England, United Kingdom
- music videos:
- Love Is a Losing Game by Amy Winehouse
- recording of:
- Love Is a Losing Game
- lyricist and composer:
- Amy Winehouse
- publisher:
- EMI Music Publishing and EMI Music Publishing Ltd.
| Amy Winehouse | 2:35 |
| 15 | Bleeding Love (radio edit) | Leona Lewis | 4:00 |
| 16 | Stars | Simply Red | 4:09 |
| 17 | Whistle Down the Wind | Nick Heyward | 3:41 |
| 18 | Up Where We Belong (from “An Officer and a Gentleman” soundtrack) | Joe Cocker & Jennifer Warnes | 3:52 |
| 19 | If You Don’t Know Me by Now | Harold Melvin & The Blue Notes feat. Teddy Pendergrass | 3:27 |
| 20 | After the Love Has Gone- producer:
- Maurice White
- phonographic copyright (℗) by:
- CBS, Inc. (in 1979)
- samples from:
- I Am by Earth, Wind & Fire (in 1979)
- recording of:
- After the Love Has Gone
- writer:
- Bill Champlin, David Foster and Jay Graydon
- publisher:
- Copyright Control, EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music, Irving Music, Inc., Music Sales Corporation, Ninth Music and Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
| Earth, Wind & Fire | 4:25 |
| 21 | Three Times a Lady (single version)- producer:
- James Anthony Carmichael and Commodores
- lead vocals:
- Lionel Richie
- arranger:
- James Anthony Carmichael and Commodores
- phonographic copyright (℗) by:
- Motown Record Company, L.P. (in 1978), Motown Record Corporation (in 1978) and UMG Recordings, Inc. (in 1978)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 10)
- recording of:
- Three Times a Lady
- lyricist and composer:
- Lionel Richie
- publisher:
- Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd., Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
| Commodores | 3:37 |
| 22 | I’ll Be There | The Jacksons | 3:52 |
