| # | Title | Artist | Length |
|---|
| 1 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher, Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas, Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla, Bill Gibson, Chris Hayes, Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla, Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control, Huey Lewis Music, Hulex Music, Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2)
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 3:43 |
| 2 | Ride Like the Wind | Christopher Cross | 3:55 |
| 3 | Higher Love | Steve Winwood | 4:03 |
| 4 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony, Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989) and The David Geffen Company (in 1989)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3:57 |
| 5 | First Time | Robin Beck | 3:16 |
| 6 | Rosanna | Toto | 4:01 |
| 7 | Take It on the Run | REO Speedwagon | 4:00 |
| 8 | Go Your Own Way | Fleetwood Mac | 3:38 |
| 9 | The Way It Is | Bruce Hornsby | 4:56 |
| 10 | Walking in Memphis | Marc Cohn | 4:14 |
| 11 | Missing You- assistant engineer:
- Ken Stiger
- engineer:
- Gary Hellman
- producer:
- Gary Gersh, David Thoener and John Waite
- mixer and editor:
- John Luongo
- phonographic copyright (℗) by:
- Capitol Records (in 1984), Capitol Records, LLC (in 1984), EMI America Records (in 1984) and EMI–Manhattan Records (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control, Everpop Songs, Markmeem Music, Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing, Warner Chappell Music Ltd., WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 4:00 |
| 12 | No Myth | Michael Penn | 4:08 |
| 13 | Hazard | Richard Marx | 4:46 |
| 14 | Jessie | Joshua Kadison | 4:21 |
| 15 | Out of Touch | Hall & Oates | 4:07 |
| 16 | Waiting for a Star to Fall- drum machine programming:
- George Merrill
- producer:
- Arif Mardin
- assistant mixer:
- Jim Dineen
- mixer:
- David Leonard
- alto saxophone:
- Andy Snitzer
- bass guitar, piano and synthesizer:
- George Merrill
- drums (drum set):
- Denny Fongheiser and Michael Jochum
- guitar:
- John Goux
- synthesizer [Crowning touch]:
- Joe Mardin
- additional vocals:
- Susan Boyd
- vocals:
- George Merrill and Shannon Rubicam
- phonographic copyright (℗) by:
- BMG Music (in 1988) and Sony Music Entertainment (in 1988)
- mixed at:
- The Grey Room in Hollywood, Los Angeles, California, United States
- recording of:
- Waiting for a Star to Fall
- writer:
- George Merrill and Shannon Rubicam
- publisher:
- Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd., ヤマハミュージックEH(CM), ユニバーサル・ミュージック・パブリッシング Synch事業部, Boy Meets Girl Music (from 1987 to present) and Irving Music (from 1987 to present)
| Boy Meets Girl | 4:26 |
| 17 | Love Changes | Climie Fisher | 4:26 |
| 18 | I Can Dream About You | Dan Hartman | 4:08 |
| 19 | Nothing's Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control, EMI Music Publishing Ltd., Empire Music Ltd., Realsongs, Warner Bros. Music Ltd., WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2)
| Starship | 4:28 |
