| # | Title | Artist | Length |
|---|
| 1 | 10:35 | Tiësto & Tate McRae | 2:52 |
| 2 | Levitating | Dua Lipa | 3:23 |
| 3 | Special | Lizzo | 2:54 |
| 4 | Ghost | Ava Max | 3:01 |
| 5 | I’m Good (Blue)- additional producer:
- AHH
- producer:
- David Guetta and Timofey Reznikov
- phonographic copyright (℗) by:
- What a DJ ltd (in 2022)
- part of:
- TheNeedleDrop: Top 10 Worst Songs of 2022 (number: 7), Billboard Year-End Hot 100 singles of 2023 (number: 10), Grammy Award: Best Dance/Electronic Recording nominees (number: 2023) and BILLIONS CLUB
- recording of:
- I’m Good (Blue)
- writer:
- Massimo Gabutti, David Guetta, KAMILLE, Maurizio Lobina, Phil Plested, Gianfranco Randone and Bebe Rexha
- publisher:
- BMG Platinum Songs US (from 2022 to present), BMG Rights Management (UK) Ltd. (from 2022 to present), GZ2538 srl (from 2022 to present), Hotel Cabana Limited (from 2022 to present), JackBack Publishing Ltd (from 2022 to present), Kiss Me If You Can Music (from 2022 to present), Reservoir Music (from 2022 to present) and Sony Music Publishing (US) LLC (from 2022 to present)
- is based on:
- Blue (Da Ba Dee)
| David Guetta & Bebe Rexha | 2:55 |
| 6 | Keeping Your Head Up | Birdy | 3:28 |
| 7 | 2002 | Anne‐Marie | 3:06 |
| 8 | Habits | Genevieve Stokes | 2:16 |
| 9 | Songbird (2004 remaster) | Fleetwood Mac | 3:20 |
| 10 | I Hope | Gabby Barrett | 3:29 |
| 11 | Worst of You | Maisie Peters | 3:17 |
| 12 | You’re So Vain- recording engineer:
- Robin Geoffrey Cable (from 1972-09 until 1972-10)
- engineer:
- Robin Geoffrey Cable
- producer:
- Richard Perry
- bass:
- Klaus Voorman (from 1972-09 until 1972-10)
- drums (drum set):
- Jim Gordon (from 1972-09 until 1972-10)
- guitar:
- Jimmy Ryan (from 1972-09 until 1972-10)
- percussion:
- Richard Perry (from 1972-09 until 1972-10)
- piano and lead vocals:
- Carly Simon (from 1972-09 until 1972-10)
- additional background vocals:
- Carly Simon (from 1972-09 until 1972-10) and Doris Troy (from 1972-09 until 1972-10)
- background vocals:
- Mick Jagger (from 1972-09 until 1972-10)
- strings arranger:
- Carly Simon
- orchestrator:
- Paul Buckmaster
- phonographic copyright (℗) by:
- Elektra Records (in 1972), Elektra/Asylum Records (in 1972), Elektra Entertainment (in 1978), WEA International Inc. (in 1984) and Rhino Entertainment Company (in 2015)
- recorded at:
- Trident Studios in Soho, Westminster, London, England, United Kingdom (from 1972-09 until 1972-10)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 100), Billboard: The 500 Best Pop Songs (number: 140) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 495)
- recording of:
- You’re So Vain (from 1972-09 until 1972-10)
- lyricist and composer:
- Carly Simon
- publisher:
- C’est Music, Quackenbush Music, Ltd., Universal Music Corporation and Universal Music Publishing Group
| Carly Simon | 4:18 |
| 13 | Closer | Tegan and Sara | 3:29 |
| 14 | This Is Why- assistant recording engineer:
- Harriet Tam
- recording engineer:
- Carlos de la Garza and Paramore
- miscellaneous support:
- Anne Declemente (task: A&R administration)
- programming:
- Phil Danyew, Zac Farro and Taylor York
- artist & repertoire support:
- Anne Declemente and Steve Robertson
- assistant engineer:
- Patrick Kehrier, Kyle McAulay and Scott Moore
- engineer:
- Harriet Tam
- producer:
- Carlos de la Garza
- assistant mixer:
- Zach Pereyra, Trey Station and Anthony Vilchis
- mixer:
- Manny Marroquin
- bass clarinet and flute:
- Henry Solomon
- bass guitar:
- Brian Robert Jones
- drums (drum set) [drums]:
- Zac Farro
- glockenspiel and keyboard [keyboards]:
- Phil Danyew, Zac Farro and Taylor York
- guitar:
- Taylor York
- percussion:
- Zac Farro and Hayley Williams
- piano and lead vocals:
- Hayley Williams
- vibraphone:
- Zac Farro and Taylor York
- background vocals:
- Carlos de la Garza, Zac Farro, Hayley Williams and Taylor York
- performer:
- Paramore
- drums (drum set) [drum] technician:
- Joey Mullen
- guitar technician:
- Joanne Almeida and Erik Bailey
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2023)
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California, United States
- music videos:
- This Is Why by Paramore
- part of:
- Grammy Award: Best Alternative Music Performance nominees (number: 2024 winner) and TheNeedleDrop: Top 50 Songs of 2022 (number: 42)
- recording of:
- This Is Why
- writer:
- Zac Farro, Hayley Williams and Taylor York
- publisher:
- But Father, I Just Want to Sing Music, Hunterboro Music, WC Music Corp. and Zac the Wolf Music
| Paramore | 3:27 |
| 15 | Princesses Don’t Cry | Carys | 3:32 |
| 16 | Inside Out | Crash Vegas | 3:54 |
| 17 | Your Song | Rita Ora | 3:00 |
| 18 | Rather Be Rather Be (Jack Patterson & Wez Clarke remix) | Clean Bandit & Jess Glynne | 3:47 |
| 19 | World Love | Lisa Lougheed | 4:38 |
| 20 | RIP, Love | Faouzia | 2:53 |
| 21 | Work It | Missy Elliott | 4:23 |
| 22 | abcdefu | GAYLE | 2:48 |
| 23 | Bite Me- additional engineer:
- Kevin Thrash
- engineer:
- Michael Bono, Hero DeLano, Dylan McLean, Cameron Mizell, Scot Stewart and Josh Thornberry
- additional producer:
- Michael Bono, Hero DeLano, Dylan McLean, Cameron Mizell, Scot Stewart and Josh Thornberry
- producer:
- Travis Barker, John Feldmann and MOD SUN
- mixer:
- Adam Hawkins
- additional bass and additional guitar:
- Michael Bono, Dylan McLean and Scot Stewart
- bass and guitar:
- John Feldmann
- drums (drum set) [drums]:
- Travis Barker
- vocals:
- Avril Lavigne
- phonographic copyright (℗) by:
- Avril Lavigne Music & Entertainment 2013 Inc. (in 2021, in 2022) and Arista Records, LLC (in 2022)
- recording of:
- Bite Me
- writer:
- Derek “MOD SUN” Smith, Omer Fedi, John Feldmann, Avril Lavigne and Marshmello
- publisher:
- Almo Music Corp., Avril Lavigne Publishing LLC, BMG Gold Songs, Kobalt Songs Music Publishing, Marshmello Music, New Hippys, Noise Nest Publishing, Omer Fedi Music, Songs of Kobalt Music Publishing and Songs of Universal
| Avril Lavigne | 2:39 |
| 24 | Edge of Seventeen (2016 remaster) | Stevie Nicks | 5:29 |
| 25 | Ironic | Alanis Morissette | 3:45 |
| 26 | F‐150 | Robyn Ottolini | 2:48 |
| 27 | The Bad Guy | Meghan Patrick | 3:45 |
| 28 | Feel Like This | Ingrid Andress | 3:16 |
| 29 | You and Me on the Rock | Brandi Carlile & Lucius | 3:50 |
| 30 | Play Date | Melanie Martinez | 2:59 |
| 31 | Sweet Ones | Sarah Slean | 3:13 |
| 32 | MEAN! | Madeline the Person | 2:23 |
| 33 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 2:27 |
| 34 | Dance Monkey | Tones and I | 3:29 |
| 35 | Sweat You Out My System | MAY-A | 3:09 |
| 36 | 2 Be Loved (Am I Ready)- programming and producer:
- ILYA and Max Martin
- engineer:
- Sam Holland
- assistant mixer:
- Bryce Bordone
- mixer:
- Serban Ghenea
- bass guitar:
- Rickard Göransson, ILYA and Max Martin
- drums (drum set) [drums] and percussion:
- ILYA, Peter Karlsson and Max Martin
- guitar:
- Rickard Göransson, ILYA, Peter Karlsson and Max Martin
- organ and piano:
- Johan Carlsson
- background vocals:
- ILYA and Max Martin
- vocals:
- Lizzo
- arranger:
- ILYA and Max Martin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 2022) and Nice Life Recording Company (in 2022)
- recorded at:
- MXM Studios in Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- 2 Be Loved (Am I Ready)
- writer:
- Ilya Salmanzadeh, Savan Kotecha, Max Martin, Melissa “Lizzo” Jefferson and Peter Svensson
- publisher:
- Lizzo Music Publishing, MXM Music AB, Universal Music Corp., Warner Geo‐Met‐Ric Music, Warner–Tamerlane Publishing Corp., Warner/Chappell Music Scandinavia AB and Wolf Cousins
| Lizzo | 3:07 |
| 37 | Sunglasses | Divine Brown | 3:55 |
| 38 | Black Velvet | Alannah Myles | 4:47 |
| 39 | FRIENDS- programming and producer:
- Marshmello
- engineer:
- Cameron Gower Poole
- assistant mixer:
- Michael Freeman
- mixer:
- Mark “Spike” Stent
- vocals:
- Anne‐Marie
- phonographic copyright (℗) by:
- Joytime Collective (in 2018)
- recorded at:
- Sarm Music Village in Ladbroke Grove, Kensington and Chelsea, London, England, United Kingdom
- mixed at:
- Mixsuite LA in Los Angeles, California, United States and Mixsuite UK in London, England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 2018 (number: 26) and BILLIONS CLUB
- recording of:
- Friends
- writer:
- Anne-Marie Nicholson, Marshmello and Natalie Dunn
- publisher:
- EMI Music Publishing Ltd., Mushroom Music and Young & Vicious
| Anne‐Marie & Marshmello | 3:22 |
| 40 | A Love That Will Last | Renee Olstead | 3:32 |
| 41 | Midnight at the Oasis | Maria Muldaur | 3:49 |
| 42 | Angel From Montgomery | Bonnie Raitt | 3:59 |
| 43 | The Rose | Bette Midler | 3:41 |
| 44 | Bonfire at Tina’s- additional recording engineer:
- John Osborne
- assistant recording engineer:
- Zack Zinck
- recording engineer and mixer:
- Gena Johnson
- producer and editor:
- John Osborne
- acoustic guitar:
- Todd Lombardo and John Osborne
- bass:
- Eli Beaird
- cello and viola:
- Matt Combs
- drums (drum set) and tambourine:
- Fred Eltringham
- electric guitar:
- Kris Donegan and John Osborne
- Hammond organ [Hammond B3] and piano:
- Dave Cohen
- background vocals:
- Brandy Clark, Caylee Hammack and Pillbox Patti
- lead vocals:
- Brandy Clark, Caylee Hammack, Ashley McBryde and Pillbox Patti
- other vocals [gang vocals]:
- Caylee Hammack, Connie Harrington, Gena Johnson, Ashley McBryde, John Osborne and Pillbox Patti
- phonographic copyright (℗) by:
- Warner Music Nashville LLC (in 2022)
- recorded at:
- The Smoakstack in Nashville, Tennessee, United States
- mixed at:
- Studio G in Nashville, Tennessee, United States
- recording of:
- Bonfire at Tina’s
- writer:
- Benjy Davis, Brandy Clark, Connie Harrington, Nicolette Hayford, Ashley McBryde and Aaron Raitiere
- publisher:
- Big Music Machine, Canned Biscuit Songs, I Love RHA, One Tooth Productions, Smackworks Music, Songs of Harpeth Valley, Sony Tree Publishing, Super Big Music, Super LCS Publishing, Triple Rae Creative In, Warner–Tamerlane Publishing Corp., Well That Was Awkward Music and WoodyMax Music
| Ashley McBryde, Brandy Clark, Caylee Hammack & Pillbox Patti | 3:40 |
| 45 | Breathe | Faith Hill | 4:10 |
| 46 | Favourite Ex | Maisie Peters | 3:21 |
| 47 | What’s Love Got to Do With It- engineer and mixer:
- John Hudson
- producer:
- Terry Britten
- drums (drum set):
- Graham Jarvis
- guitar:
- Terry Britten
- keyboard:
- Nick Glennie‐Smith and Billy Livsey
- percussion:
- Simon Morton
- background vocals:
- Terry Britten and Tessa Niles
- lead vocals:
- Tina Turner
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1984), Parlophone Records Ltd. (in 1984, in 1997) and EMI Records Ltd. (in 2004)
- recorded at:
- Mayfair Studios in London, England, United Kingdom
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 134), Billboard: The 500 Best Pop Songs (number: 160) and Rolling Stone: 500 Greatest Songs of All Time (number: 309)
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd., Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd., Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | 3:50 |
| 48 | Walk On By | Dionne Warwick | 2:58 |
| 49 | Honey | Amaal | 3:21 |
| 50 | Lobby | Anitta & Missy Elliott | 2:37 |
| 51 | Victoria’s Secret | Jax | 2:56 |
| 52 | Beg for You- recording engineer:
- Antonio Tucci Jr. (lead vocals [Charli's vocals])
- programming:
- Digital Farm Animals
- engineer:
- Jonathan Gilmore (lead vocals [Rina's vocal]) and Ben Hogarth (lead vocals [vocal])
- producer:
- Digital Farm Animals, Jonathan Gilmore (lead vocals [Rina's vocal]) and Alexander Soifer (task: vocal)
- mixer:
- Kevin Grainger
- keyboard, percussion and synthesizer:
- Digital Farm Animals
- additional background vocals:
- SORANA
- vocals:
- Charli xcx and Rina Sawayama
- phonographic copyright (℗) by:
- Warner Records UK Limited (in 2022)
- recorded at:
- Atlantic Studios in Hollywood, Los Angeles, California, United States (lead vocals [Charli's vocals]) and Sea Level in Nova Scotia, Canada (lead vocals [Rina's vocals])
- mixed at:
- Wired Masters in Balham, Wandsworth, London, England, United Kingdom
- recording of:
- Beg for You
- writer:
- Anoo Bhagavan, Charlotte Aitchison, Nicholas Gale, Niklas von der Burg, Rollo, Rina Sawayama, Alexander Soifer, SORANA and Jonas von der Burg
- quotes music from:
- Cry for You
- quotes music from:
- Don't Cry
| Charli xcx & Rina Sawayama | 2:48 |
| 53 | Let You Love Me | Rita Ora | 3:11 |
| 54 | All I Ever Asked | Rachel Chinouriri | 3:35 |
| 55 | Believe | Cher | 3:58 |
| 56 | The Motto | Tiësto & Ava Max | 2:44 |
| 57 | Solo- additional drum machine programming:
- Luke Patterson
- drums (drum set) [drum] programming:
- FRED
- programming:
- Jack Patterson
- sound engineer:
- Mitch Allan and Mike Horner
- audio engineer:
- Tom AD Fuller
- producer:
- Grace Chatto, FRED, Jack Patterson and Mark Ralph
- mixer:
- Grace Chatto, Jack Patterson and Mark Ralph
- bass synthesizer [synth bass], guitar and guitar synthesizer:
- Jack Patterson
- cello:
- Grace Chatto
- keyboard:
- FRED
- percussion:
- Luke Patterson
- synthesizer:
- Grace Chatto, FRED and Jack Patterson
- viola:
- James Boyd
- violin:
- Stephanie Benedetti and Beatrice Philips
- background vocals:
- KAMILLE
- vocals:
- Demi Lovato
- performer:
- Clean Bandit
- phonographic copyright (℗) by:
- Atlantic Records UK (in 2018)
- recorded at:
- Club Ralph in London, England, United Kingdom, Downtown Music Studios in SoHo, New York, New York, United States, Muscle Shoals Sound Studio in Sheffield, Alabama, United States, RAK Studios, London in London, England, United Kingdom and Tileyard Studios in London, England, United Kingdom
- mixed at:
- Club Ralph in London, England, United Kingdom
- part of:
- BILLIONS CLUB
- recording of:
- Solo
- writer:
- Camille Purcell, Grace Chatto, Fred Gibson, Demi Lovato and Jack Patterson
- publisher:
- BMG Rights Management (UK) Ltd., DDLovato Music, EMI Music Publishing Ltd., Promised Land Music Ltd., Sony/ATV and Universal Music Corp.
| Clean Bandit & Demi Lovato | 3:42 |
| 58 | A Thousand Years | Christina Perri | 4:45 |
| 59 | I’m Every Woman (Lew Hahn remix) | Chaka Khan | 4:07 |
