| # | Title | Artist | Length |
|---|
| 1 | Hohe Messe in h-Moll, BWV 232: Ia. Coro "Kyrie eleison" | Johann Sebastian Bach | 10:45 |
| 2 | Hohe Messe in h-Moll, BWV 232: Ib. Duetto (Soprano I, Soprano II) "Christe eleison" | Johann Sebastian Bach | 5:25 |
| 3 | Hohe Messe in h-Moll, BWV 232: Ic. Coro "Kyrie eleison" | Johann Sebastian Bach | 4:05 |
| 4 | Hohe Messe in h-Moll, BWV 232: IIa. Coro "Gloria in excelsis Deo" | Johann Sebastian Bach | 2:03 |
| 5 | Hohe Messe in h-Moll, BWV 232: IIb. Coro "Et in terra pax" | Johann Sebastian Bach | 5:01 |
| 6 | Hohe Messe in h-Moll, BWV 232: IIc. Aria (Soprano II) "Laudamus te" | Johann Sebastian Bach | 4:28 |
| 7 | Hohe Messe in h-Moll, BWV 232: IId. Coro "Gratias agimus"- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | 3:31 |
| 8 | Hohe Messe in h-Moll, BWV 232: IIe. Duetto (Soprano I, Tenore) "Domine Deus" | Johann Sebastian Bach | 6:37 |
| 9 | Hohe Messe in h-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi"- bassoon:
- Peter Dienstbier (in 1969-05) and Richard Popp (in 1969-05)
- cello:
- Fritz Kiskalt (in 1969-05)
- double bass:
- Herbert Duft (in 1969-05)
- flute:
- Paul Meisen (in 1969-05) and Herbert Segl (in 1969-05)
- horn [corno da caccia]:
- Hermann Baumann (in 1969-05)
- oboe:
- Manfred Clement (in 1969-05), Kurt Hausmann (in 1969-05) and Edgar Shann (in 1969-05)
- oboe d'amore:
- Manfred Clement (in 1969-05) and Kurt Hausmann (in 1969-05)
- organ:
- Hedwig Bilgram (in 1969-05)
- timpani:
- Mathias Holm (in 1969-05)
- trumpet:
- Jacques Mas (in 1969-05), Pierre Thibaud (in 1969-05) and Josef Wiendl (in 1969-05)
- violin:
- Kurt Guntner (in 1969-05)
- choir vocals:
- Münchener Bach‐Chor (in 1969-05)
- orchestra:
- Münchener Bach‐Orchester (in 1969-05)
- conductor:
- Karl Richter (in 1969-05)
- recorded at:
- Main Auditorium of the Bunka-Kaikan in Uenokōen, Taitō, Tokyo, Japan (in 1969-05)
- recording of:
- h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (in 1969-05)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
- part of:
- h-Moll-Messe, BWV 232
| Johann Sebastian Bach | 3:22 |
| 10 | Hohe Messe in h-Moll, BWV 232: IIg. Aria (Alto) "Qui sedes ad dexteram Patris" | Johann Sebastian Bach | 5:32 |
| 11 | Hohe Messe in h-Moll, BWV 232: IIh. Aria (Basso) "Quoniam tu solus Sanctus" | Johann Sebastian Bach | 6:09 |
| 12 | Hohe Messe in h-Moll, BWV 232: IIi. Coro "Cum Sancto Spiritu" | Johann Sebastian Bach | 4:02 |