| # | Title | Length |
|---|
| 1 | Isfahan | 5:04 |
| 2 | Caravan- drum machine [drum & percussion] programming:
- J J
- assistant engineer:
- Akihiro Nishimura
- engineer and mixer:
- Elliot Scheiner
- producer:
- Joe Jackson
- bass guitar:
- Christian McBride
- bongos and congas:
- Sue Hadjopoulos
- cello:
- Dorothy Lawson
- drums (drum set):
- Ahmir ‘?uestlove’ Thompson
- Dubreq Stylophone [Stylophone], keyboard and percussion:
- J J
- guitar:
- Vinnie Zummo
- viola:
- Ralph Farris
- violin:
- Cornelius Dufallo and Mary Rowell
- vocals:
- Sussan Deyhim
- arranger:
- Joe Jackson
- phonographic copyright (℗) by:
- Sharp Practice, LLC (in 2012)
- recorded at and mixed at:
- Avatar in Hell's Kitchen, New York, New York, United States
- cover recording of:
- Caravan
- lyricist:
- Irving Mills (in 1937)
- composer:
- Duke Ellington (in 1936) and Juan Tizol (in 1936)
- publisher:
- American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc., Famous Music Corporation, Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
| 6:02 |
| 3 | I’m Beginning to See the Light / Take the ‘A’ Train / Cotton Tail | 3:35 |
| 4 | Mood Indigo- programming:
- J J
- assistant engineer:
- Akihiro Nishimura
- engineer and mixer:
- Elliot Scheiner
- producer:
- Joe Jackson
- accordion, bass synthesizer [synth bass] and guitar synthesizer [synth guitar]:
- J J
- drums (drum set):
- Ahmir ‘?uestlove’ Thompson
- guitar and harmonica:
- Vinnie Zummo
- violin:
- Regina Carter
- vocals:
- J J
- arranger:
- Joe Jackson
- phonographic copyright (℗) by:
- Sharp Practice, LLC (in 2012)
- recorded at and mixed at:
- Avatar in Hell's Kitchen, New York, New York, United States
- cover recording of:
- Mood Indigo
- lyricist:
- Irving Mills (in 1930)
- composer:
- Barney Bigard (in 1930) and Duke Ellington (in 1930)
- publisher:
- Duke Ellington Music, Famous Music Corporation, Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (in 1930), EMI Music Publishing Ltd. (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
- sub-publisher:
- ソニー・ミュージックパブリッシング CMP外国事業部 and ヤマハミュージックエンタテインメントホールディングス
- part of:
- The Real Book
| 4:04 |
| 5 | Rockin’ in Rhythm | 3:28 |
| 6 | I Ain’t Got Nothin’ but the Blues / Do Nothin’ Til You Hear From Me | 5:14 |
| 7 | I Got It Bad (and That Ain’t Good) | 4:48 |
| 8 | Perdido / Satin Doll- programming:
- J J
- additional engineer:
- Stefan Kruger and Stefan Schmid
- assistant engineer:
- Akihiro Nishimura
- engineer and mixer:
- Elliot Scheiner
- producer:
- Joe Jackson
- bass synthesizer [synth bass] and keyboard:
- J J
- drums (drum set) and percussion:
- Stefan Kruger
- guitar:
- Vinnie Zummo
- vocals:
- Lilian Vieira
- arranger:
- Joe Jackson
- phonographic copyright (℗) by:
- Sharp Practice, LLC (in 2012)
- additionally recorded at:
- Westlab in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands
- recorded at and mixed at:
- Avatar in Hell's Kitchen, New York, New York, United States
- medley including a recording of:
- Perdido
- composer:
- Juan Tizol
- medley including a recording of:
- Satin Doll
- lyricist:
- Johnny Mercer (in 1953)
- additional composer:
- Duke Ellington (in 1953)
- composer:
- Billy Strayhorn (in 1953)
- publisher:
- Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. and WB Music Corp.
| 4:50 |
| 9 | The Mooche / Black and Tan Fantasy | 5:27 |
| 10 | It Don’t Mean a Thing (If It Ain’t Got That Swing) | 5:11 |
