Sacred Cantatas, BWV 1 - 9

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt, Gustav Leonhardt (see all versions of this release, 1 available)

Annotation

Copyright: A Warner Classics/Teldec release, © 2024 Warner Music UK Limited
A Warner Classics/Teldec release, ℗ 2024 Warner Music UK Limited

Tracklist

1▼Digital Media
#TitleArtistLength
1Wie schön leuchtet der Morgenstern, BWV 1: No. 1, Choral. "Wie schön leuchtet der Morgenstern"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": I. Coro "Wie schön leuchtet der Morgenstern" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach9:36
2Wie schön leuchtet der Morgenstern, BWV 1: No. 2, Rezitativ. "Du wahrer Gottes und Marien Sohn"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": II. Recitativo (Tenore) "Du wahrer Gottes und Marien Sohn" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach0:55
3Wie schön leuchtet der Morgenstern, BWV 1: No. 3, Aria. "Erfüllet, ihr himmlischen göttlichen Flammen"
choir vocals:
Soloists of the Wiener Sängerknaben
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": III. Aria (Soprano) "Erfüllet, ihr himmlischen göttlichen Flammen" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach5:09
4Wie schön leuchtet der Morgenstern, BWV 1: No. 4, Rezitativ. "Ein ird'scher Glanz, ein leiblich Licht"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": IV. Recitativo (Basso) "Ein irdscher Glanz, ein leiblich Licht" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach0:58
5Wie schön leuchtet der Morgenstern, BWV 1: No. 5, Aria. "Unser Mund und Ton der Saiten"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": V. Aria (Tenore) "Unser Mund und Ton der Saiten" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach7:21
6Wie schön leuchtet der Morgenstern, BWV 1: No. 6, Choral. "Wie bin ich doch so herzlich froh"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern": VI. Choral "Wie bin ich doch so herzlich froh" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 "Wie schön leuchtet der Morgenstern"
Johann Sebastian Bach1:33
7Ach Gott, vom Himmel sieh darein, BWV 2: No. 1, Chor. "Ach Gott, von Himmel sieh darein"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach4:00
8Ach Gott, vom Himmel sieh darein, BWV 2: No. 2, Rezitativ. "Sie lehren eitel falsche List"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:02
9Ach Gott, vom Himmel sieh darein, BWV 2: No. 3, Aria. "Tilg, o Gott, die Lehren"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach4:01
10Ach Gott, vom Himmel sieh darein, BWV 2: No. 4, Rezitativ. "Die Armen sind verstört"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:41
11Ach Gott, vom Himmel sieh darein, BWV 2: No. 5, Aria. "Durchs Feuer wird das Silber rein"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach7:13
12Ach Gott, vom Himmel sieh darein, BWV 2: No. 6, Choral. "Das wollst du, Gott, bewahren rein"
choir vocals:
Chorus Viennensis (on 1970-12-01, from 1970-12 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (on 1970-12-01, from 1970-12 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1970-12-01, from 1970-12 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (on 1970-12-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:06
13Ach Gott, wie manches Herzeleid, BWV 3: No. 1, Chor. "Ach Gott, wie manches Herzeleid"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": I. Coro "Ach Gott, wie manches Herzeleid" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Moller (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach5:02
14Ach Gott, wie manches Herzeleid, BWV 3: No. 2, Rezitativ. "Wie schwerlich läßt sich Fleisch und Blut"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": II. Recitativo e choral (Tenore, Alto, Soprano, Basso) "Wie schwerlich lässt sich Fleisch und Blut" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Moller (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach2:28
15Ach Gott, wie manches Herzeleid, BWV 3: No. 3, Aria. "Empfind ich Höllenangst und Pein"
bass vocals:
Max van Egmond (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": III. Aria (Basso) "Empfind ich Höllenangst und Pein" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach5:50
16Ach Gott, wie manches Herzeleid, BWV 3: No. 4, Rezitativ. "Es mag mir Leib und Geist verschmachten"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Tenore) "Es mag mir Leib und Geist verschmachten" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach1:14
17Ach Gott, wie manches Herzeleid, BWV 3: No. 5, Duett. "Wenn Sorgen auf mich dringen"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": V. Aria (Duetto: Soprano, Alto) "Wenn Sorgen auf mich dringen" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous] (ended)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach8:34
18Ach Gott, wie manches Herzeleid, BWV 3: No. 6, Choral. "Erhalt mein Herz im Glauben rein"
recording engineer:
Teije van Geest
producer:
Richard Hauck (task: recording supervisor)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": VI. Choral "Erhalt mein Herz im Glauben" (from 1970-12-01 until 1971-04)
lyricist:
Martin Moller (in 1587)
composer:
Johann Sebastian Bach (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 8)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach0:43
19Christ lag in Todes Banden, BWV 4: No. 1, Sinfonia
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (on 1970-12-01, from 1970-12 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1970-12-01, from 1970-12 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia (on 1970-12-01)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden"
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:06
20Christ lag in Todes Banden, BWV 4: No. 2, Chor. "Christ lag in Todes Banden"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach4:18
21Christ lag in Todes Banden, BWV 4: No. 3, Duett. "Den Tod niemand zwingen kunnt"
alto vocals:
Paul Esswood (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:41
22Christ lag in Todes Banden, BWV 4: No. 4, Aria. "Jesus Christus, Gottes Sohn"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:18
23Christ lag in Todes Banden, BWV 4: No. 5, Chor. "Es war ein wunderlicher Krieg"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
24Christ lag in Todes Banden, BWV 4: No. 6, Aria. "Hier ist das rechte Osterlamm"
bass vocals:
Max van Egmond (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" (from 1970-12-01 until 1971-04-01)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach3:00
25Christ lag in Todes Banden, BWV 4: No. 7, Duett. "So feiern wir das hohe Fest"
tenor vocals:
Kurt Equiluz (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach2:08
26Christ lag in Todes Banden, BWV 4: No. 8, Chorale. "Wir essen und leben wohl"
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
Johann Sebastian Bach1:10
27Wo soll ich fliehen hin, BWV 5: No. 1, Chor. "Wo soll ich fliehen hin"
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach4:03
28Wo soll ich fliehen hin, BWV 5: No. 2, Rezitativ. "Der Sünden Wust hat mich nicht nur befleckt"
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo (Basso) "Der Sünden Wust hat mich nicht nur befleckt" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:03
29Wo soll ich fliehen hin, BWV 5: No. 3, Aria. "Ergieße dich reichlich"
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach6:37
30Wo soll ich fliehen hin, BWV 5: No. 4, Rezitativ. "Mein treuer Heiland tröstet mich"
alto vocals:
Paul Esswood (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:47
31Wo soll ich fliehen hin, BWV 5: No. 5, Aria. "Verstumme, Höllenheer"
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach7:49
32Wo soll ich fliehen hin, BWV 5: No. 6, Rezitativ. "Ich bin ja nur das kleinste Teil der Welt"
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo (Soprano) "Ich bin ja nur das kleinste Teil der Welt" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:48
33Wo soll ich fliehen hin, BWV 5: No. 7, Choral. "Führ auch mein Herz und Sinn"
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 28)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:49
34Bleib bei uns, denn es will Abend werden, BWV 6: No. 1, Chor. "Bleib bei uns, denn es will Abend werden"
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach5:42
35Bleib bei uns, denn es will Abend werden, BWV 6: No. 2, Aria. "Hochgelobter Gottessohn"
alto vocals:
Paul Esswood (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:45
36Bleib bei uns, denn es will Abend werden, BWV 6: No. 3, Choral. "Ach bleib bei uns, Herr Jesu Christ"
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:04
37Bleib bei uns, denn es will Abend werden, BWV 6: No. 4, Rezitativ. "Es hat die Dunkelheit an vielen Orten"
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:40
38Bleib bei uns, denn es will Abend werden, BWV 6: No. 5, Aria. "Jesu, laß uns auf dich sehen"
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
[anonymous]
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:07
39Bleib bei uns, denn es will Abend werden, BWV 6: No. 6, Choral. "Beweis dein Macht, Herr Jesu Christ"
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen, Germany (in 1725)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Martin Luther (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:43
40Christ unser Herr zum Jordan kam, BWV 7: No. 1, Chor. "Christ unser Herr zum Jardan kam"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
chorus master:
David Willcocks (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": I. Coro "Christ unser Herr zum Jordan kam" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1541)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach7:50
41Christ unser Herr zum Jordan kam, BWV 7: No. 2, Aria. "Merkt und hört, ihr Menschenkinder"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": II. Aria (Basso) "Merkt und hört, ihr Menschenkinder" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach5:40
42Christ unser Herr zum Jordan kam, BWV 7: No. 3, Rezitativ. "Dies hat Gott klar mit Worten"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": III. Recitativo (Tenore) "Dies hat Gott klar mit Worten und mit Bildern dargetan" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:16
43Christ unser Herr zum Jordan kam, BWV 7: No. 4, Aria. "Des Vaters Stimme ließ sich hören"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": IV. Aria (Tenore) "Des Vaters Stimme ließ sich hören" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach4:58
44Christ unser Herr zum Jordan kam, BWV 7: No. 5, Rezitative. "Als Jesus dort nach seinen Leiden"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": V. Recitativo (Basso) "Als Jesus dort nach seinen Leiden" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:01
45Christ unser Herr zum Jordan kam, BWV 7: No. 6, Chorale. "Menschen, glaubt doch dieser Gnade"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
alto vocals:
Paul Esswood (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VI. Aria (Alto) "Menschen, glaubt doch dieser Gnade" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach4:00
46Christ unser Herr zum Jordan kam, BWV 7: No. 7, Chorale. "Das Aug allein das Wasser sieht"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
chorus master:
David Willcocks (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VII. Choral "Das Aug allein das Wasser sieht" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Martin Luther (in 1541)
part of:
Breitkopf 389 Choralgesänge (number: 44)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:13
47Liebster Gott, wann werd ich sterben, BWV 8: No. 1, Chor. "Liebster Gott, wenn werd ich sterben?"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
chorus master:
David Willcocks (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:58
48Liebster Gott, wann werd ich sterben, BWV 8: No. 2, Aria. "Was willst du dich, mein Geist, entsetzen"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach4:10
49Liebster Gott, wann werd ich sterben, BWV 8: No. 3, Rezitativ. "Zwar fühlt mein schwaches Herz"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
alto vocals:
Paul Esswood (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:11
50Liebster Gott, wann werd ich sterben, BWV 8: No. 4, Aria. "Doch weichet, ihr tollen, vergeblichen Sorgen!"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:17
51Liebster Gott, wann werd ich sterben, BWV 8: No. 5, Rezitativ. "Behalte nur, o Welt, das Meine!"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
[anonymous]
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:13
52Liebster Gott, wann werd ich sterben, BWV 8: No. 6, Choral. "Herrscher über Tod und Leben"
recorded in:
Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (in 1971-01)
conductor:
Gustav Leonhardt (in 1971-01)
chorus master:
David Willcocks (in 1971-01, on 1971-12-08)
recorded at:
Amsterdam in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (in 1971-01)
premiered in:
Leipzig, Sachsen, Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen, Germany (in 1724)
composer:
Johann Sebastian Bach (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:23
53Es ist das Heil uns kommen her, BWV 9: No. 1, Chor. "Es ist das Heil uns kommen her"
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": I. Coro "Es ist das Heil uns kommen her" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach5:06
54Es ist das Heil uns kommen her, BWV 9: No. 2, Rezitativ. "Gott gab uns ein Gesetz"
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": II. Recitativo (Basso) "Gott gab uns ein Gesetz, doch waren wir zu schwach" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:15
55Es ist das Heil uns kommen her, BWV 9: No. 3, Aria. "Wir waren schon zu tief gesunken"
tenor vocals:
Kurt Equiluz (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": III. Aria (Tenore) "Wir waren schon zu tief gesunken" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach7:22
56Es ist das Heil uns kommen her, BWV 9: No. 4, Rezitativ. "Doch mußte das Gesetz erfüllet werden"
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": IV. Recitativo (Basso) "Doch musste das Gesetz erfüllet werden" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:17
57Es ist das Heil uns kommen her, BWV 9: No. 5, Duett. "Herr, du siehst statt guter Werke"
alto vocals:
Paul Esswood (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": V. Aria (Duetto: Soprano, Alto) "Herr, du siehst statt guter Werke" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach7:25
58Es ist das Heil uns kommen her, BWV 9: No. 6, Rezitativ. "Wenn wir die Sünd aus dem Gesetz erkennen"
bass vocals:
Max van Egmond (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VI. Recitativo (Basso) "Wenn wir die Sünd aus dem Gesetz erkennen" (on 1971-12-08)
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:24
59Es ist das Heil uns kommen her, BWV 9: No. 7, Choral. "Ob sichs anließ, als wollt er nicht"
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (on 1971-12-08)
conductor:
Gustav Leonhardt (on 1971-12-08)
chorus master:
David Willcocks (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien, Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VII. Choral "Ob sichs anließ, als wollt er nicht" (on 1971-12-08)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (from 1732 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 87)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:05