| # | Title | Artist | Length |
|---|
| 1 | Symphony no. 5 in C minor, op. 67: 1. Allegro con brio- recording engineer:
- Mark Bücker, Stephan Flock and Hans‐Rudolf Müller
- executive producer:
- Dr. Peter Czornyj
- producer:
- Arend Prohmann
- editor:
- Stephan Flock and Rainer Hebborn
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- contrabassoon:
- David Chatterton
- double bass:
- Elizabeth Bradley, Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman
- flute:
- Rachel Beckett and Janet See
- horn:
- Raúl Díaz, Gavin Edwards and Jonathan Peskett
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trombone:
- Tom Lees, Anthony Neal and Stephen Saunders
- trumpet:
- Anthony Cross, Michael Harrison and Robert Vanryne
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Abigail Brown, Alison Bury, Adrian Butterfield, Elizabeth Edwards, Catherine Ford, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard, Stephen Jones, Peter Lissauer, Susie Mészáros, Roy Mowatt, Pamela Munks, Pauline Nobes, Stephen Rouse, Lucy Russell, Anne Schumann, Susan Kinnersley and Hildburg Williams
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1994-03)
- conductor:
- Sir John Eliot Gardiner (in 1994-03)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
- live recording of:
- Symphony no. 5 in C minor, op. 67: I. Allegro con brio (in 1994-03)
- composer:
- Ludwig van Beethoven (from 1804 until 1808)
- part of:
- Symphony no. 5 in C minor, op. 67
| Ludwig van Beethoven | 6:30 |
| 2 | Symphony no. 5 in C minor, op. 67: 2. Andante con moto- recording engineer:
- Mark Bücker, Stephan Flock and Hans‐Rudolf Müller
- executive producer:
- Dr. Peter Czornyj
- producer:
- Arend Prohmann
- editor:
- Stephan Flock and Rainer Hebborn
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- contrabassoon:
- David Chatterton
- double bass:
- Elizabeth Bradley, Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman
- flute:
- Rachel Beckett and Janet See
- horn:
- Raúl Díaz, Gavin Edwards and Jonathan Peskett
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trombone:
- Tom Lees, Anthony Neal and Stephen Saunders
- trumpet:
- Anthony Cross, Michael Harrison and Robert Vanryne
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Abigail Brown, Alison Bury, Adrian Butterfield, Elizabeth Edwards, Catherine Ford, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard, Stephen Jones, Peter Lissauer, Susie Mészáros, Roy Mowatt, Pamela Munks, Pauline Nobes, Stephen Rouse, Lucy Russell, Anne Schumann, Susan Kinnersley and Hildburg Williams
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1994-03)
- conductor:
- Sir John Eliot Gardiner (in 1994-03)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
- live recording of:
- Symphony no. 5 in C minor, op. 67: II. Andante con moto (in 1994-03)
- composer:
- Ludwig van Beethoven (from 1804 until 1808)
- part of:
- Symphony no. 5 in C minor, op. 67
| Ludwig van Beethoven | 8:15 |
| 3 | Symphony no. 5 in C minor, op. 67: 3. Allegro - attacca- recording engineer:
- Mark Bücker, Stephan Flock and Hans‐Rudolf Müller
- executive producer:
- Dr. Peter Czornyj
- producer:
- Arend Prohmann
- editor:
- Stephan Flock and Rainer Hebborn
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- contrabassoon:
- David Chatterton
- double bass:
- Elizabeth Bradley, Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman
- flute:
- Rachel Beckett and Janet See
- horn:
- Raúl Díaz, Gavin Edwards and Jonathan Peskett
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trombone:
- Tom Lees, Anthony Neal and Stephen Saunders
- trumpet:
- Anthony Cross, Michael Harrison and Robert Vanryne
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Abigail Brown, Alison Bury, Adrian Butterfield, Elizabeth Edwards, Catherine Ford, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard, Stephen Jones, Peter Lissauer, Susie Mészáros, Roy Mowatt, Pamela Munks, Pauline Nobes, Stephen Rouse, Lucy Russell, Anne Schumann, Susan Kinnersley and Hildburg Williams
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1994-03)
- conductor:
- Sir John Eliot Gardiner (in 1994-03)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
- live recording of:
- Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (in 1994-03)
- composer:
- Ludwig van Beethoven (from 1804 until 1808)
- part of:
- Symphony no. 5 in C minor, op. 67
| Ludwig van Beethoven | 7:12 |
| 4 | Symphony no. 5 in C minor, op. 67: 4. Allegro- recording engineer:
- Mark Bücker, Stephan Flock and Hans‐Rudolf Müller
- executive producer:
- Dr. Peter Czornyj
- producer:
- Arend Prohmann
- editor:
- Stephan Flock and Rainer Hebborn
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Manson, Timothy Merton, Christopher Poffley and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- contrabassoon:
- David Chatterton
- double bass:
- Elizabeth Bradley, Andrew Durban, Mark Horn, Chi-Chi Nwanoku and Paul Sherman
- flute:
- Rachel Beckett and Janet See
- horn:
- Raúl Díaz, Gavin Edwards and Jonathan Peskett
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trombone:
- Tom Lees, Anthony Neal and Stephen Saunders
- trumpet:
- Anthony Cross, Michael Harrison and Robert Vanryne
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Abigail Brown, Alison Bury, Adrian Butterfield, Elizabeth Edwards, Catherine Ford, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Desmond Heath, Lucy Howard, Stephen Jones, Peter Lissauer, Susie Mészáros, Roy Mowatt, Pamela Munks, Pauline Nobes, Stephen Rouse, Lucy Russell, Anne Schumann, Susan Kinnersley and Hildburg Williams
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1994-03)
- conductor:
- Sir John Eliot Gardiner (in 1994-03)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- Palau de la Música Catalana in Barcelona, Barcelona, Catalunya, Spain (in 1994-03)
- live recording of:
- Symphony no. 5 in C minor, op. 67: IV. Allegro (in 1994-03)
- composer:
- Ludwig van Beethoven (from 1804 until 1808)
- part of:
- Symphony no. 5 in C minor, op. 67
| Ludwig van Beethoven | 9:58 |
| 5 | Symphony no. 6 in F major “Pastoral”, op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley, Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent, Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield, Ruth Crouch, Catherine Ford, Roger Foxwell, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Lucy Howard, Stephen Jones, Peter Lissauer, Anna McDonald, Stephen Rouse, Stephen Rowlinson, Lucy Russell, Gregory Squire, Maurice Whitaker, Elizabeth Wilcock, Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints Church in London, England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: I. Allegro ma non troppo “Awakening of cheerful feelings upon arrival in the country” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | 11:13 |
| 6 | Symphony no. 6 in F major “Pastoral”, op. 68: 2. Szene am Bach. Andante molto moto- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley, Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent, Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield, Ruth Crouch, Catherine Ford, Roger Foxwell, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Lucy Howard, Stephen Jones, Peter Lissauer, Anna McDonald, Stephen Rouse, Stephen Rowlinson, Lucy Russell, Gregory Squire, Maurice Whitaker, Elizabeth Wilcock, Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints Church in London, England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | 12:00 |
| 7 | Symphony no. 6 in F major “Pastoral”, op. 68: 3. Lustiges Zusammensein der Landleute. Allegro - attacca- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley, Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent, Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield, Ruth Crouch, Catherine Ford, Roger Foxwell, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Lucy Howard, Stephen Jones, Peter Lissauer, Anna McDonald, Stephen Rouse, Stephen Rowlinson, Lucy Russell, Gregory Squire, Maurice Whitaker, Elizabeth Wilcock, Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints Church in London, England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: III. Allegro “Happy gathering of country folk” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | 4:49 |
| 8 | Symphony no. 6 in F major “Pastoral”, op. 68: 4. Gewitter, Sturm. Allegro - attacca- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley, Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent, Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield, Ruth Crouch, Catherine Ford, Roger Foxwell, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Lucy Howard, Stephen Jones, Peter Lissauer, Anna McDonald, Stephen Rouse, Stephen Rowlinson, Lucy Russell, Gregory Squire, Maurice Whitaker, Elizabeth Wilcock, Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints Church in London, England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | 3:39 |
| 9 | Symphony no. 6 in F major “Pastoral”, op. 68: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto- recording engineer:
- Reinhard Lagemann
- executive producer:
- Dr. Andreas Holschneider and Charlotte Kriesch
- producer:
- Arend Prohmann
- editor:
- Mark Bücker and Ingmar Haas
- bassoon:
- Alastair Mitchell and Philip Turbett
- cello:
- Ruth Alford, Lynden Cranham, Timothy Merton, Christopher Poffley, Helen Verney and David Watkin
- clarinet:
- Timothy Lines and Lesley Schatzberger
- double bass:
- Elizabeth Bradley, Cecelia Bruggenmeyer, Andrew Durban and Chi-Chi Nwanoku
- flute:
- Rachel Beckett and Janet See
- horn:
- Susan Dent, Gavin Edwards and Roger Montgomery
- instruments:
- Rainer Hebborn
- oboe:
- Richard Earle and Anthony Robson
- piccolo:
- Utako Ikeda
- timpani:
- John Chimes
- trumpet:
- Phillip Bainbridge and David Blackadder
- viola:
- Lisa Cochrane, Peter Collyer, Alan George, Kate Heller, Annette Isserlis, Colin Kitching, Kenneth Mitchell and Rosemary Nalden
- violin:
- Sarah Bealby-Wright, Brian Brooks, Adrian Butterfield, Ruth Crouch, Catherine Ford, Roger Foxwell, Miranda Fulleylove, Jane Gillie, Jennifer Godson, Lucy Howard, Stephen Jones, Peter Lissauer, Anna McDonald, Stephen Rouse, Stephen Rowlinson, Lucy Russell, Gregory Squire, Maurice Whitaker, Elizabeth Wilcock, Hildburg Williams and Katharina Wolff
- orchestra:
- Orchestre Révolutionnaire et Romantique (in 1992-10)
- conductor:
- Sir John Eliot Gardiner (in 1992-10)
- balance engineer:
- Ulrich Vette
- phonographic copyright (℗) by:
- Deutsche Grammophon (in 1994)
- recorded at:
- All Saints Church in London, England, United Kingdom (in 1992-10)
- recording of:
- Symphony no. 6 in F major, op. 68 “Pastorale”: V. Allegretto “Shepherds’ song: Cheerful and thankful feelings after the storm” (in 1992-10)
- composer:
- Ludwig van Beethoven (in 1808)
- part of:
- Symphony no. 6 in F major, op. 68 “Pastorale”
| Ludwig van Beethoven | 9:16 |
