Soli Deo Gloria - Meisterwerke in bedeutenden Aufnahmen

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

Apparently comes in 10 sets à 2 CDs.

Individual barcodes:

CDs 1&2:
CDs 3&4:
CDs 5&6:
CDs 7&8: 4011222045843
CDs 9&10: 4011222045850
CDs 11&12:
CDs 13&14:
CDs 15&16:
CDs 17&18:
CDs 19&20:

Tracklist

1▶CD: Das wohltemperierte Klavier, Teil 1: Edwin Fischer (rec 1933-1936)
2▶CD: Das wohltemperierte Klavier, Teil 1+2: Edwin Fischer (rec 1933-1936)
3▶CD: Das wohltemperierte Klavier, Teil 2: Edwin Fischer (rec 1933-1936)
4▶CD: Klavierwerke
5▶CD: Kunst der Fuge, BWV 1080 (Orchester de Radio Beromünster feat. conductor: Hermann Scherchen (rec 1949))
6▶CD: Kunst der Fuge, BWV 1080 (Orchester de Radio Beromünster feat. conductor: Hermann Scherchen (rec 1949))
7▶CD: Orgelwerke: Albert Schweitzer (rec 1935, 1937)
8▶CD: Orgelwerke: Albert Schweitzer (rec 1935, 1937)
9▶CD: Goldberg Variations; Clavier Works
10▶CD: Werke für Cembalo und Violine (cembalo: Wanda Landowska, violin: Yehudi Menuhin)
11▶CD: Magnificat BWV 243 / Kantaten BWV 147 / BWV 82
12▼CD: Vokalwerke: Lieder und Arien
#TitleLength
1BWV 493, Oh Jesulein süß Oh Jesulein mild : Karl Erb (rec 1934)
tenor vocals:
Karl Erb
recording of:
Geistliches Lied, BWV 493 "O Jesulein süß"
composer:
Johann Sebastian Bach
librettist:
Valentin Thilo der Jüngere
part of:
Musicalisches Gesang-Buch (number: 203), Bach-Werke-Verzeichnis (number: BWV 493), Bach-Werke-Verzeichnis (number: BWV 493) and Bach Compendium (number: BC F 234)
2:33
2BWV 509, Gedenke doch mein Geist : Gérard Souzay (rec 1950)
baritone vocals:
Gérard Souzay
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VI , Gedenke doch mein Geist, BWV 509 (attribution doubtful)
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 41) and Bach-Werke-Verzeichnis (number: BWV 509)
1:46
3BWV 515, So oft ich meine Tabakpfeife : Gérard Souzay (rec 1950)
baritone vocals:
Gérard Souzay
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: VII, Erbauliche Gedanken eines Tabakrauchers, BWV 515
composer:
Johann Sebastian Bach
part of:
Notebook for Anna Magdalena Bach (number: 20)
2:11
4BWV 517, Wie wohl ist mir : Gérard Souzay (rec 1950)
baritone vocals:
Gérard Souzay
recording of:
Die Lieder aus dem Notenbuch der Anna Magdalena Bach: “Wie wohl ist mir, o Freund der Seelen”, BWV 517
composer:
Johann Sebastian Bach
librettist:
Wolfgang Christoph Dessler (in 1692)
part of:
Notebook for Anna Magdalena Bach (number: 40) and Bach-Werke-Verzeichnis (number: BWV 517)
2:51
5BWV 518, Willlst Du mir Dein Herz schenken : Gérard Souzay (rec 1950)
baritone vocals:
Gérard Souzay
recording of:
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken (attribution doubtful)
composer:
Johann Sebastian Bach
part of:
Bachs Notenbibliothek (number: BNB I/An/13), Notebook for Anna Magdalena Bach (number: 37), Bach-Werke-Verzeichnis (number: BWV 518), Bach-Werke-Verzeichnis (number: BWV 518) and Bach-Werke-Verzeichnis (number: BWV 518)
1:46
6BWV 4, Jesus Christus Gottes Sohn : John McCormack (rec 1941)
tenor vocals:
John McCormack
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn"
composed in:
Mühlhausen, Thüringen, Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen, Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (in 1707)
librettist:
Martin Luther (in 1524)
part of:
Kantate, BWV 4 "Christ lag in Todesbanden" (Leipzig version, commonly recorded)
2:49
7BWV 12, Kreuz und Krone : Marian Anderson (rec 1946)
contralto vocals:
Marian Anderson (in 1946)
orchestra:
RCA Victor Symphony Orchestra (in 1946)
conductor:
Robert Shaw (in 1946)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 1946)
composer:
Johann Sebastian Bach (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
5:15
8BWV 68, Mein gläubiges Herz : Germaine Lubin (rec 1930)
soprano vocals:
Germaine Lubin (in 1930)
recording of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt": II. Aria (Sopran) + Ritornello "Mein gläubiges Herze" (in 1930)
composer:
Johann Sebastian Bach (in 1725)
librettist:
Christiana Mariana von Ziegler (in 1728)
part of:
Kantate, BWV 68 "Also hat Gott die Welt geliebt"
3:38
9BWV 81, Jesus schläft was soll ich hoffen : Marian Anderson (rec 1946)
contralto vocals:
Marian Anderson (in 1946)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (in 1946)
composer:
Johann Sebastian Bach (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
5:15
10BWV 112, Zum reinen Wasser : Marian Anderson (rec 1946)
contralto vocals:
Marian Anderson (in 1946)
recording of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt": II. Aria (Alt) "Zum reinen Wasser er mich weist" (in 1946)
composer:
Johann Sebastian Bach (in 1731)
part of:
Kantate, BWV 112 "Der Herr ist mein getreuer Hirt"
4:02
11BWV 245, Es ist vollbracht : (rec 1941)
alto vocals:
Marian Anderson (on 1941-09-15)
orchestra:
RCA Victor Symphony Orchestra (on 1941-09-15)
conductor:
Charles O’Connell (on 1941-09-15)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (on 1941-09-15)
composer:
Johann Sebastian Bach
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
6:55
12BWV 244, Erbarme dich oh mein Gott : (rec 1946)
contralto vocals:
Marian Anderson (in 1946)
orchestra:
RCA Victor Symphony Orchestra (in 1946)
conductor:
Robert Shaw (in 1946)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1946)
orchestrator:
Ton Koopman
composer:
Johann Sebastian Bach
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:53
13BWV 248, Bereite dich Zion : Marian Anderson (rec 1946)
contralto vocals:
Marian Anderson (in 1946)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1946)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
5:13
14BWV 232, Et in spiritum sanctum Dominum : Friedrich Schorr (rec 1929)
bass-baritone vocals:
Friedrich Schorr (in 1929)
orchestra:
London Symphony Orchestra (in 1929)
conductor:
Albert Coates (in 1929)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1929)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1929)
composed in:
Leipzig, Sachsen, Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
6:15
13▶CD: Matthäuspassion, BWV 244, Teil 1 (Gewandhausorchester feat. conductor: Günther Ramin)
14▶CD: Matthäuspassion, BWV 244, Teil 2 (Gewandhausorchestra feat. conductor: Günther Ramin)
15▶CD: Brandenburgische Konzerte (Ensemble de Solistes feat. conductor: Fritz Reiner)
16▶CD: Brandenburgische Konzerte (Ensemble de Solistes feat. conductor: Fritz Reiner)
17▶CD: Orchesterwerke und Konzerte
18▶CD: Orchesterwerke und Konzerte
19▶CD: Kammermusik: Suiten für Violincello (Pablo Casals)
20▶CD: Kammermusik: Bearbeitungen für Gitarre (Andrés Segovia)