Bach 333: Instrumental & supplement (second half)

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
2▶CD: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
3▶CD: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
4▶CD: Cello Suites 1-3 (Fournier)
5▶CD: Cello Suites 4-6 (Fournier)
6▶CD: Solo & Chamber Works (Alternative Instrumentations)
7▶CD: Clavier-Büchlein W. F. Bach (1)
8▶CD: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
9▶CD: Notenbüchlein A. M. Bach (1725) (1)
10▶CD: Notenbüchlein A. M. Bach (1725) (2)
11▶CD: Schemelli Gesangbuch BWV 439-474
12▶CD: Schemelli Gesangbuch BWV 475-507
13▶CD: Bach: Early Influences
14▶CD: Concertos at Weimar (Telemann / Prince Johann Ernst)
15▶CD: Concertos at Weimar (Vivaldi)
16▶CD: Concertos at Weimar (Vivaldi / A. & B. Marcello)
17▶CD: The Bach Family
18▼CD: Bach & Other Composers (c. 1715-1730)
#TitleArtistLength
1Mass in A minor, BWV App. D (ex Anh. 24) from Missa Sancti Lamberti (after Johann Christoph Pez (1664–1716)): 1. Kyrie
producer:
Stephan Schmidt
choir vocals:
Alsfelder Vokalensemble (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
recording of:
Mass in A minor, BWV Anh. 24: 1. Kyrie (from 2009-03 until 2009-05)
composer:
Johann Sebastian Bach
part of:
Mass in A minor, BWV Anh. 24 (from Missa Sancti Lamberti, after Johann Christoph Pez (1664–1716))
Johann Sebastian Bach0:46
2Mass in A minor, BWV App. D (ex Anh. 24) from Missa Sancti Lamberti (after Johann Christoph Pez (1664–1716)): 2. Gloria
recording engineer:
Olaf Mielke (from 2009-03 until 2009-05)
producer:
Stephan Schmidt
choir vocals:
Alsfelder Vokalensemble (from 2009-03 until 2009-05)
orchestra:
Hannoversche Hofkapelle (from 2009-03 until 2009-05)
conductor:
Wolfgang Helbich (from 2009-03 until 2009-05)
balance engineer:
Olaf Mielke
phonographic copyright (℗) by:
Deutschlandradio (in 2012)
recorded at:
Festhalle der Johannischen Kirche in Blankensee, Mecklenburg-Vorpommern, Germany (from 2009-03 until 2009-05)
recording of:
Mass in A minor, BWV Anh. 24: 2. Gloria (from 2009-03 until 2009-05)
composer:
Johann Sebastian Bach
part of:
Mass in A minor, BWV Anh. 24 (from Missa Sancti Lamberti, after Johann Christoph Pez (1664–1716))
Johann Sebastian Bach3:39
3Mass in A minor: 1. Kyrie
producer:
Thore Brinkmann
choir vocals:
Bach Collegium Japan (in 2015-02)
orchestra:
Bach Collegium Japan (in 2015-02)
conductor:
Masaaki Suzuki (in 2015-02)
balance engineer:
Hans Kipfer
recorded at:
Kobe Shoin Women’s University Chapel in Kobe, Hyogo, Japan (in 2015-02)
recording of:
Missa in A minor: Kyrie (in 2015-02)
composer:
Marco Giuseppe Peranda
part of:
Missa in A minor
Marco Giuseppe Peranda5:39
4Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 1. Recitative: Languet, languet anima mea
recording engineer:
Jürgen Bulgrin
executive producer:
Marita Prohmann
producer:
Christopher Alder
mezzo-soprano vocals:
Magdalena Kožená (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: I. Recitativo: Languet anima mea amore tuo (in 2003-02)
composer:
Francesco Bartolomeo Conti
part of:
Languet anima mea
Johann Sebastian Bach0:52
5Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 2. Aria: O vulnera, vita coelestis
recording engineer:
Jürgen Bulgrin
executive producer:
Marita Prohmann
producer:
Christopher Alder
mezzo-soprano vocals:
Magdalena Kožená (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: II. Aria: O vulnera, vita coelestis (in 2003-02)
composer:
Francesco Bartolomeo Conti
part of:
Languet anima mea
Johann Sebastian Bach3:20
6Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 3. Recitative: Amoris tui jaculo
recording engineer:
Jürgen Bulgrin
executive producer:
Marita Prohmann
producer:
Christopher Alder
mezzo-soprano vocals:
Magdalena Kožená (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: III. Recitativo: Amoris tui jaculo (in 2003-02)
composer:
Francesco Bartolomeo Conti
part of:
Languet anima mea
Johann Sebastian Bach0:39
7Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 4. Aria: Tu lumen mentis es
recording engineer:
Jürgen Bulgrin
executive producer:
Marita Prohmann
producer:
Christopher Alder
mezzo-soprano vocals:
Magdalena Kožená (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: IV. Aria: Tu lumen mentis es (in 2003-02)
composer:
Francesco Bartolomeo Conti
part of:
Languet anima mea
Johann Sebastian Bach7:03
8Languet anima mea, BWV App. C (after Francesco Bartolomeo Conti (1681–1732)): 5. Alleluja
recording engineer:
Jürgen Bulgrin
executive producer:
Marita Prohmann
producer:
Christopher Alder
mezzo-soprano vocals:
Magdalena Kožená (in 2003-02)
orchestra:
Musica Antiqua Köln (in 2003-02)
conductor:
Reinhard Goebel (in 2003-02)
balance engineer:
Hans‐Ulrich Bastin
recorded at:
Melanchthonkirche in Köln, Nordrhein-Westfalen, Germany (in 2003-02)
recording of:
Languet anima mea: V. Alleluja (in 2003-02)
composer:
Francesco Bartolomeo Conti
part of:
Languet anima mea
Johann Sebastian Bach1:33
9Jauchzet dem Herrn, alle Welt, BWV App. A 4 (ex Anh. 160): 1. Jauchzet dem Herrn, alle Welt, TWV 8:10
producer:
Matthias Stiehler
choir vocals:
Capella Thomana (in 1997-02) and Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (in 1997-02)
balance engineer:
Matthias Stiehler (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1997-02)
partial recording of:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
composer:
Georg Philipp Telemann
previously attributed to:
Johann Sebastian Bach
part of:
Telemann-Werke-Verzeichnis (number: TWV 8:10)
Johann Sebastian Bach with Georg Philipp Telemann4:30
10Jauchzet dem Herrn, alle Welt, BWV App. A 4 (ex Anh. 160): 2. Sei Lob und Preis mit Ehren, BWV 28/2a
producer:
Matthias Stiehler
choir vocals:
Capella Thomana (in 1997-02) and Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (in 1997-02)
balance engineer:
Matthias Stiehler (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1997-02)
partial recording of:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
composer:
Georg Philipp Telemann
previously attributed to:
Johann Sebastian Bach
part of:
Telemann-Werke-Verzeichnis (number: TWV 8:10)
Johann Sebastian Bach with Georg Philipp Telemann4:35
11Jauchzet dem Herrn, alle Welt, BWV App. A 4 (ex Anh. 160): 3. Amen, Lob und Ehre und Weisheit und Dank, TWV 1:1066
producer:
Matthias Stiehler
choir vocals:
Capella Thomana (in 1997-02) and Thomanerchor Leipzig (in 1997-02)
orchestra:
Baroque Brass of London (in 1997-02) and Capella Thomana (in 1997-02)
conductor:
Georg Christoph Biller (in 1997-02)
balance engineer:
Matthias Stiehler (in 1997-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen, Germany (in 1997-02)
partial recording of:
Motet, "Jauchzet, dem Herrn, alle Welt", TWV 8:10 (BWV Anh. 160) (in 1997-02)
composer:
Georg Philipp Telemann
previously attributed to:
Johann Sebastian Bach
part of:
Telemann-Werke-Verzeichnis (number: TWV 8:10)
Johann Sebastian Bach with Georg Philipp Telemann3:16
12St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 53. Chorus: Geh, Jesu, geh zu deiner Pein! (BWV 198/1)
producer:
Michael Ponder
alto vocals:
William Towers (in 1998-06)
choir vocals:
Choir of Gonville & Caius College, Cambridge (in 1998-06, from 1998-06-23 until 1998-06-26)
soprano vocals:
Ruth Gomme (in 1998-06)
tenor vocals:
Jeremy Ovenden (in 1998-06)
orchestra:
The Cambridge Baroque Camerata (in 1998-06, from 1998-06-23 until 1998-06-26)
conductor:
Geoffrey Webber (in 1998-06, from 1998-06-23 until 1998-06-26)
balance engineer:
Andrew Lang
recorded at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1998-06)
engineered at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1998-06-23 until 1998-06-26)
recording of:
Chorus: Geh, Jesu, geh zu deiner Pein (from 1998-06-23 until 1998-06-26)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
partial recording of:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
composer:
Johann Sebastian Bach
premiered at:
[premiere of Markus-Passion, BWV 247.1]
part of:
Bach-Werke-Verzeichnis (number: BWV 247.1), Bach-Werke-Verzeichnis (number: BWV 247) and Bach Compendium (number: BC D 4)
Johann Sebastian Bach5:25
13St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 54. Chorale: Keinen hat Gott verlassen (BWV 369)
producer:
Michael Ponder
alto vocals:
William Towers (in 1998-06)
choir vocals:
Choir of Gonville & Caius College, Cambridge (in 1998-06, from 1998-06-23 until 1998-06-26)
soprano vocals:
Ruth Gomme (in 1998-06)
tenor vocals:
Jeremy Ovenden (in 1998-06)
orchestra:
The Cambridge Baroque Camerata (in 1998-06, from 1998-06-23 until 1998-06-26)
conductor:
Geoffrey Webber (in 1998-06, from 1998-06-23 until 1998-06-26)
balance engineer:
Andrew Lang
recorded at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1998-06)
engineered at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1998-06-23 until 1998-06-26)
recording of:
Chorale: Keinen hat Gott verlassen (from 1998-06-23 until 1998-06-26)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
partial recording of:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
composer:
Johann Sebastian Bach
premiered at:
[premiere of Markus-Passion, BWV 247.1]
part of:
Bach-Werke-Verzeichnis (number: BWV 247.1), Bach-Werke-Verzeichnis (number: BWV 247) and Bach Compendium (number: BC D 4)
Johann Sebastian Bach1:08
14St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 55. Recitative: Und etliche, die dabeistunden
producer:
Michael Ponder
alto vocals:
William Towers (in 1998-06)
choir vocals:
Choir of Gonville & Caius College, Cambridge (in 1998-06)
soprano vocals:
Ruth Gomme (in 1998-06)
tenor vocals:
Jeremy Ovenden (in 1998-06)
tenor vocals [Evangelist]:
Jeremy Ovenden (from 1998-06-23 until 1998-06-26)
orchestra:
The Cambridge Baroque Camerata (in 1998-06, from 1998-06-23 until 1998-06-26)
conductor:
Geoffrey Webber (in 1998-06, from 1998-06-23 until 1998-06-26)
balance engineer:
Andrew Lang
recorded at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1998-06)
engineered at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1998-06-23 until 1998-06-26)
recording of:
Recitative (Evangelist): Und etliche, die dabei stunden (from 1998-06-23 until 1998-06-26)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
partial recording of:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
composer:
Johann Sebastian Bach
premiered at:
[premiere of Markus-Passion, BWV 247.1]
part of:
Bach-Werke-Verzeichnis (number: BWV 247.1), Bach-Werke-Verzeichnis (number: BWV 247) and Bach Compendium (number: BC D 4)
Johann Sebastian Bach0:11
15St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 56. Chorus: Siehe, er rufet den Elias!
producer:
Michael Ponder
alto vocals:
William Towers (in 1998-06)
choir vocals:
Choir of Gonville & Caius College, Cambridge (in 1998-06, from 1998-06-23 until 1998-06-26)
soprano vocals:
Ruth Gomme (in 1998-06)
tenor vocals:
Jeremy Ovenden (in 1998-06)
orchestra:
The Cambridge Baroque Camerata (in 1998-06, from 1998-06-23 until 1998-06-26)
conductor:
Geoffrey Webber (in 1998-06, from 1998-06-23 until 1998-06-26)
balance engineer:
Andrew Lang
recorded at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1998-06)
engineered at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1998-06-23 until 1998-06-26)
recording of:
Chorus: Siehe, er rufet dem Elias (from 1998-06-23 until 1998-06-26)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
partial recording of:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
composer:
Johann Sebastian Bach
premiered at:
[premiere of Markus-Passion, BWV 247.1]
part of:
Bach-Werke-Verzeichnis (number: BWV 247.1), Bach-Werke-Verzeichnis (number: BWV 247) and Bach Compendium (number: BC D 4)
Johann Sebastian Bach0:24
16St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 57. Recitative: Da lief einer und füllet einen Schwamm
producer:
Michael Ponder
alto vocals:
William Towers (in 1998-06)
choir vocals:
Choir of Gonville & Caius College, Cambridge (in 1998-06)
soprano vocals:
Ruth Gomme (in 1998-06)
tenor vocals:
Jeremy Ovenden (in 1998-06)
tenor vocals [Evangelist]:
Jeremy Ovenden (from 1998-06-23 until 1998-06-26)
orchestra:
The Cambridge Baroque Camerata (in 1998-06, from 1998-06-23 until 1998-06-26)
conductor:
Geoffrey Webber (in 1998-06, from 1998-06-23 until 1998-06-26)
balance engineer:
Andrew Lang
recorded at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1998-06)
engineered at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1998-06-23 until 1998-06-26)
recording of:
Recitative (Evangelist & Soldier): Da lief einer (from 1998-06-23 until 1998-06-26)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
partial recording of:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
composer:
Johann Sebastian Bach
premiered at:
[premiere of Markus-Passion, BWV 247.1]
part of:
Bach-Werke-Verzeichnis (number: BWV 247.1), Bach-Werke-Verzeichnis (number: BWV 247) and Bach Compendium (number: BC D 4)
Johann Sebastian Bach0:48
17St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 58. Aria: Welt und Himmel, nehmt zu Ohren (BWV 7/2)
producer:
Michael Ponder
alto vocals:
William Towers (in 1998-06)
choir vocals:
Choir of Gonville & Caius College, Cambridge (in 1998-06)
soprano vocals:
Ruth Gomme (in 1998-06, from 1998-06-23 until 1998-06-26)
tenor vocals:
Jeremy Ovenden (in 1998-06)
orchestra:
The Cambridge Baroque Camerata (in 1998-06, from 1998-06-23 until 1998-06-26)
conductor:
Geoffrey Webber (in 1998-06, from 1998-06-23 until 1998-06-26)
balance engineer:
Andrew Lang
recorded at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1998-06)
engineered at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1998-06-23 until 1998-06-26)
recording of:
Aria (soprano): Welt und Himmel (from 1998-06-23 until 1998-06-26)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
partial recording of:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
composer:
Johann Sebastian Bach
premiered at:
[premiere of Markus-Passion, BWV 247.1]
part of:
Bach-Werke-Verzeichnis (number: BWV 247.1), Bach-Werke-Verzeichnis (number: BWV 247) and Bach Compendium (number: BC D 4)
Johann Sebastian Bach4:36
18St Mark Passion, BWV 247 (Excerpts from Andor Gomme’s reconstruction, using music by J. S. Bach and ? Gottfried Keiser (c.1650 – before 1732)): 59. Recitative: Und der Vorhang im Tempel zerriss
producer:
Michael Ponder
alto vocals:
William Towers (in 1998-06)
choir vocals:
Choir of Gonville & Caius College, Cambridge (in 1998-06)
soprano vocals:
Ruth Gomme (in 1998-06)
tenor vocals:
Jeremy Ovenden (in 1998-06)
tenor vocals [Evangelist]:
Jeremy Ovenden (from 1998-06-23 until 1998-06-26)
orchestra:
The Cambridge Baroque Camerata (in 1998-06, from 1998-06-23 until 1998-06-26)
conductor:
Geoffrey Webber (in 1998-06, from 1998-06-23 until 1998-06-26)
balance engineer:
Andrew Lang
recorded at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1998-06)
engineered at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1998-06-23 until 1998-06-26)
recording of:
Recitative (Evangelist & Centurion): Und der Vorhang im Tempel (from 1998-06-23 until 1998-06-26)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
partial recording of:
Markus-Passion, BWV 247.1 (1731 version, lost work) (in 1998-06)
composer:
Johann Sebastian Bach
premiered at:
[premiere of Markus-Passion, BWV 247.1]
part of:
Bach-Werke-Verzeichnis (number: BWV 247.1), Bach-Werke-Verzeichnis (number: BWV 247) and Bach Compendium (number: BC D 4)
Johann Sebastian Bach2:49
19J. S. Bach’s additions to ? G. Keiser’s St Mark Passion, BWV 1165: Chorale: O Traurigkeit, o Herzeleid!
producer:
Michael Ponder
alto vocals:
William Towers (in 1998-06)
choir vocals:
Choir of Gonville & Caius College, Cambridge (in 1998-06, from 1998-06-23 until 1998-06-26)
soprano vocals:
Ruth Gomme (in 1998-06)
tenor vocals:
Jeremy Ovenden (in 1998-06)
orchestra:
The Cambridge Baroque Camerata (in 1998-06, from 1998-06-23 until 1998-06-26)
conductor:
Geoffrey Webber (in 1998-06, from 1998-06-23 until 1998-06-26)
balance engineer:
Andrew Lang
recorded at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1998-06)
engineered at:
Chapel of Downing College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1998-06-23 until 1998-06-26)
recording of:
Chorale: O Traurigkeit, O Herzeleid (from 1998-06-23 until 1998-06-26)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
recording of:
Chorale: O Traurigkeit, O Herzeleid (in 1998-06)
part of:
Markus-Passion, BWV 247 (Reconstructed by Andor Gomme, Recitatives by Keiser)
Johann Sebastian Bach2:11
20J. S. Bach’s additions to ? G. Keiser’s St Mark Passion, BWV 1165: Chorale: O hilf, Christe, Gottes Sohn BWV 1084 (Leipzig version)
producer:
Johannes Kammann
choir vocals:
Die Kölner Akademie (in 2018-01)
orchestra:
Die Kölner Akademie (in 2018-01)
conductor:
Michael Alexander Willens (in 2018-01)
balance engineer:
Gunther Rose
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2018-01)
recording of:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2: No. 14a. Chorale "O hilf Christe, Gottes Sohn" (former BWV 1084) (in 2018-01)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 1084) and Bach-Werke-Verzeichnis (number: BWV 1084 / 438‑>)
part of:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2 (1st Leipzig version)
Johann Sebastian Bach1:01
21J. S. Bach’s additions to ? G. Keiser’s St Mark Passion, BWV 1165: Chorale: So gehst du nun, mein Jesu, hin BWV 500a (Leipzig version)
producer:
Johannes Kammann
choir vocals:
Die Kölner Akademie (in 2018-01)
orchestra:
Die Kölner Akademie (in 2018-01)
conductor:
Michael Alexander Willens (in 2018-01)
balance engineer:
Gunther Rose
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2018-01)
recording of:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2: No. 9. Chorale "So gehst du nun, mein Jesu, hin" (former BWV 500a) (in 2018-01)
composer:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV 500a)
version of:
Geistliche Lied, BWV 500 "So gehst du nun, mein Jesu, hin"
part of:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.2 (1st Leipzig version)
Johann Sebastian Bach1:02
22J. S. Bach’s additions to ? G. Keiser’s St Mark Passion, BWV 1165: Sinfonia (Weimar version)
producer:
Johannes Kammann
orchestra:
Die Kölner Akademie (in 2018-01)
conductor:
Michael Alexander Willens (in 2018-01)
balance engineer:
Gunther Rose
recorded at:
Deutschlandfunk Kammermusiksaal in Köln, Nordrhein-Westfalen, Germany (in 2018-01)
recording of:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.1: No. 10. Sinfonia (in 2018-01)
composer:
Johann Sebastian Bach
part of:
Passion pasticcio "Jesus Christus ist um unsrer Missetat willen verwundet", BWV 1166.1 (Weimar version)
Johann Sebastian Bach0:51
23St Luke Passion, BWV 246 / Anh. II 30: 1. Chorus: Furcht und Zittern, Scham und Schmerzen
producer:
Hans Bernhard Bätzing
choir vocals:
Alsfelder Vokalensemble (from 1996-03 until 1996-04)
tenor vocals:
Harry Van Berne (from 1996-03 until 1996-04)
orchestra:
Barockorchester Antico Bremen (from 1996-03 until 1996-04)
conductor:
Wolfgang Helbich (from 1996-03 until 1996-04)
balance engineer:
Wolfgang Decker
recorded at:
Walpurgiskirche Alsfeld (from 1996-03 until 1996-04)
recording of:
Lukas Passion, BWV 246: 1. Chorus "Furcht und Zittern" (from 1996-03 until 1996-04)
composer:
Johann Melchior Molter
previously attributed to:
Johann Sebastian Bach
part of:
Lukas Passion, BWV 246
[anonymous]3:47
24St Luke Passion, BWV 246 / Anh. II 30: 39. Aria: Den Fels hat Moses’ Stab geschlagen
producer:
Hans Bernhard Bätzing
choir vocals:
Alsfelder Vokalensemble (from 1996-03 until 1996-04)
tenor vocals:
Harry Van Berne (from 1996-03 until 1996-04)
orchestra:
Barockorchester Antico Bremen (from 1996-03 until 1996-04)
conductor:
Wolfgang Helbich (from 1996-03 until 1996-04)
balance engineer:
Wolfgang Decker
recorded at:
Walpurgiskirche Alsfeld (from 1996-03 until 1996-04)
recording of:
Lukas Passion, BWV 246: 45. Aria (Tenor) "Den Fels hat Moses' Stab geschlagen" (from 1996-03 until 1996-04)
composer:
Johann Melchior Molter
previously attributed to:
Johann Sebastian Bach
part of:
Lukas Passion, BWV 246
[anonymous]5:21
25St Luke Passion, BWV 246 / Anh. II 30: 40. Chorale: Aus der Tiefe rufe ich
producer:
Hans Bernhard Bätzing
choir vocals:
Alsfelder Vokalensemble (from 1996-03 until 1996-04)
tenor vocals:
Harry Van Berne (from 1996-03 until 1996-04)
orchestra:
Barockorchester Antico Bremen (from 1996-03 until 1996-04)
conductor:
Wolfgang Helbich (from 1996-03 until 1996-04)
balance engineer:
Wolfgang Decker
recorded at:
Walpurgiskirche Alsfeld (from 1996-03 until 1996-04)
recording of:
Lukas Passion, BWV 246: 46. Chorale "Aus der Tiefe rufe ich" (Petrus) (from 1996-03 until 1996-04)
composer:
Johann Melchior Molter
previously attributed to:
Johann Sebastian Bach
part of:
Lukas Passion, BWV 246
[anonymous]1:02
26St Luke Passion, BWV 246 / Anh. II 30: 40a. Chorale: Aus der Tiefe rufe ich (J. S. Bach’s version)
producer:
Hans Bernhard Bätzing
choir vocals:
Alsfelder Vokalensemble (from 1996-03 until 1996-04)
tenor vocals:
Harry Van Berne (from 1996-03 until 1996-04)
orchestra:
Barockorchester Antico Bremen (from 1996-03 until 1996-04)
conductor:
Wolfgang Helbich (from 1996-03 until 1996-04)
balance engineer:
Wolfgang Decker
recorded at:
Walpurgiskirche Alsfeld (from 1996-03 until 1996-04)
recording of:
Lukas Passion, BWV 246: 46. Chorale "Aus der Tiefe rufe ich" (Petrus) (from 1996-03 until 1996-04)
composer:
Johann Melchior Molter
previously attributed to:
Johann Sebastian Bach
part of:
Lukas Passion, BWV 246
[anonymous]1:24
27Mass in C minor, BWV App. D (ex Anh. 26): 1. Kyrie eleison I
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan (from 2014-09 until 2015-10)
conductor:
鈴木雅明 (from 2014-09 until 2015-10)
balance engineer:
Jens Braun
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2014-09 until 2015-10)
partial recording of:
Mass in C minor, BWV Anh. 26 (from 2014-09 until 2015-10)
composer:
Francesco Durante
previously attributed to:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 26)
Francesco Durante2:44
28Mass in C minor, BWV App. D (ex Anh. 26): 2. Christe eleison, BWV 242
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan (from 2014-09 until 2015-10)
conductor:
鈴木雅明 (from 2014-09 until 2015-10)
balance engineer:
Jens Braun
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2014-09 until 2015-10)
partial recording of:
Mass in C minor, BWV Anh. 26 (from 2014-09 until 2015-10)
composer:
Francesco Durante
previously attributed to:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 26)
Johann Sebastian Bach1:10
29Mass in C minor, BWV App. D (ex Anh. 26): 3. Kyrie eleison II
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan (from 2014-09 until 2015-10)
conductor:
鈴木雅明 (from 2014-09 until 2015-10)
balance engineer:
Jens Braun
recorded at:
神戸松蔭女子学院大学チャペル in Kobe, Hyogo, Japan (from 2014-09 until 2015-10)
partial recording of:
Mass in C minor, BWV Anh. 26 (from 2014-09 until 2015-10)
composer:
Francesco Durante
previously attributed to:
Johann Sebastian Bach
part of:
Bach-Werke-Verzeichnis (number: BWV Anh. 26)
Francesco Durante1:38
19▶CD: Bach & Other Composers (c. 1730-1742)
20▶CD: Bach & Other Composers (1742-1750)
21▶CD: Bach Renewed (From Bach's Sons to Mahler)
22▶CD: Bach Reimagined (Chaconne & Passacaglia)
23▶CD: Bach Orchestrated (Reger to Stokowski)
24▶CD: Inspired by Bach (Gounod to Pärt)
25▶CD: Bach & The Virtuoso Piano (Liszt and Busoni)
26▶CD: Bach & The Virtuoso Piano (The 20th Century)
27▶CD: Bach à la Jazz
28▶CD: New Colours of Bach