The New Anthology of Music

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Includes Edexcel logo on front cover and spine

ISBN: 1-901507-04-1

Tracklist

1▼CD
#	Title	Artist	Length
1	Brandenburg Concerto no. 4 in G: movement I recording of: Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro composer: Johann Sebastian Bach part of: Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)	J.S. Bach	7:14
2	Symphony no. 26 in D minor, “Lamentatione”: movement I engineer: Simon Eadon producer: Peter Wadland orchestra: Academy of Ancient Music conductor: Christopher Hogwood recorded at: Walthamstow Assembly Hall in London, England, United Kingdom (in 1989-06) recording of: Symphony no. 26 in D minor, Hob. I:26 “Lamentatione”: I. Allegro assai con spirito composer: Joseph Haydn (in 1768) part of: Symphony no. 26 in D minor, Hob. I:26 “Lamentatione”	Haydn	3:56
3	Harold in Italy: movement III viola: Nobuko Imai (in 1975-05) orchestra: London Symphony Orchestra (in 1975-05) conductor: Sir Colin Davis (in 1975-05) recorded at: Brent Town Hall in Brent, London, England, United Kingdom (in 1975-05) recording of: Harold en Italie, op. 16: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto (in 1975-05) composer: Hector Berlioz (in 1834) part of: Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)	Berlioz	6:37
4	Prelude to Tristan und Isolde orchestra: Wiener Philharmoniker conductor: Sir Georg Solti recording of: Tristan und Isolde, WWV 90: Akt I, Vorspiel composer: Richard Wagner (from 1857-10 until 1859-08) part of: Tristan und Isolde, WWV 90: Akt I	Wagner	10:34
5	Prélude à l’après-midi d’un faune producer: Volker Straus orchestra: Concertgebouw Orchestra, Amsterdam (in 1976-12) conductor: Bernard Haitink (in 1976-12) phonographic copyright (℗) by: Philips Classics Productions (in 1977) recorded at: Concertgebouw in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands and Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland, Netherlands, Kingdom of the Netherlands (in 1976-12) recording of: Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (in 1976-12) composer: Claude Debussy (from 1891 until 1894-09) dedicated to: Raymond Bonheur premiered at: [concert] publisher: Eugène Fromont (in 1895-10) part of: Classic 100: Music of France (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (number: CD 87)	Debussy	11:11
6	Concerto for Double String Orchestra: movement I producer: Michael Bremner orchestra: Academy of St Martin in the Fields (from 1970-10-26 until 1970-10-28) conductor: Sir Neville Marriner (from 1970-10-26 until 1970-10-28) balance engineer: Stanley Goodall and Danny Gosling recorded at: St John’s, Smith Square in London, England, United Kingdom (from 1970-10-26 until 1970-10-28) recording of: Concerto for Double String Orchestra: I. Allegro con brio (from 1970-10-26 until 1970-10-28) composer: Sir Michael Tippett (from 1938 until 1939) part of: Concerto for Double String Orchestra	Tippett	6:23
7	Pulcinella: Sinfonia producer: Michael Bremner orchestra: Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17) conductor: Sir Neville Marriner (from 1967-11-13 until 1967-11-17) balance engineer: Kenneth Wilkinson (in 1967-11) phonographic copyright (℗) by: Boosey & Hawkes recorded at: St John’s, Smith Square in London, England, United Kingdom and Kingsway Hall in London, England, United Kingdom (from 1967-11-13 until 1967-11-17) recording of: Pulcinella (Suite): I. Sinfonia (Ouverture) (from 1967-11-13 until 1967-11-17) composer: Игорь Фёдорович Стравинский part of: Pulcinella Suite	Stravinsky	2:03
8	Pulcinella: Gavotta producer: Michael Bremner orchestra: Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17) conductor: Sir Neville Marriner (from 1967-11-13 until 1967-11-17) balance engineer: Kenneth Wilkinson (in 1967-11) phonographic copyright (℗) by: Boosey & Hawkes recorded at: St John’s, Smith Square in London, England, United Kingdom and Kingsway Hall in London, England, United Kingdom (from 1967-11-13 until 1967-11-17) recording of: Pulcinella (Suite): VI. Gavotta con due variazioni (from 1967-11-13 until 1967-11-17) composer: Игорь Фёдорович Стравинский part of: Pulcinella Suite	Stravinsky	4:00
9	Pulcinella: Vivo producer: Michael Bremner orchestra: Academy of St Martin in the Fields (from 1967-11-13 until 1967-11-17) conductor: Sir Neville Marriner (from 1967-11-13 until 1967-11-17) balance engineer: Kenneth Wilkinson (in 1967-11) phonographic copyright (℗) by: Boosey & Hawkes recorded at: St John’s, Smith Square in London, England, United Kingdom and Kingsway Hall in London, England, United Kingdom (from 1967-11-13 until 1967-11-17) recording of: Pulcinella (Suite): VII. Vivo (Duetto) (from 1967-11-13 until 1967-11-17) composer: Игорь Фёдорович Стравинский part of: Pulcinella Suite	Stravinsky	1:34
10	Quartet, op. 22: movement I recording of: Quartet for violin, clarinet, tenor saxophone and piano, op. 22: I. Sehr mäßig composer: Anton Webern (from 1928 until 1930) part of: Quartet for violin, clarinet, tenor saxophone and piano, op. 22	Webern	3:11
11	String Quartet no. 8, op. 110: movement I recording of: String Quartet no. 8 in C minor, op. 110: I. Largo composer: Дмитрий Дмитриевич Шостакович (from 1960-07-12 until 1960-07-14) part of: String Quartet no. 8 in C minor, op. 110	Shostakovich	5:03
12	Sonatas and Interludes for Prepared Piano: Sonata I recording of: Sonatas and Interludes for Prepared Piano: Sonata no. 1 composer: John Cage (from 1946 until 1948) part of: Sonatas and Interludes for Prepared Piano	Cage	2:17
13	Sonatas and Interludes for Prepared Piano: Sonata II recording of: Sonatas and Interludes for Prepared Piano: Sonata no. 2 composer: John Cage (from 1946 until 1948) part of: Sonatas and Interludes for Prepared Piano	Cage	2:05
14	Sonatas and Interludes for Prepared Piano: Sonata III recording of: Sonatas and Interludes for Prepared Piano: Sonata no. 3 composer: John Cage (from 1946 until 1948) part of: Sonatas and Interludes for Prepared Piano	Cage	2:17
15	Sequenza III for female voice recorded in: London, England, United Kingdom (in 1969-04) vocals: Cathy Berberian (in 1969-04) recording of: Sequenza III for Woman's Voice (in 1969-04) lyricist: Markus Kutter composer: Luciano Berio (in 1965) part of: Sequenze (number: III)	Berio	6:57
16	New York Counterpoint: movement II clarinet: Roger Heaton recording of: New York Counterpoint: II. Slow composer: Steve Reich (in 1985) part of: New York Counterpoint	Reich	2:47

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Credits

Release

miscellaneous support:	Julia Winterson (task: edited by)
mastering:	Alan Ferne
design:	Adam Hay

ASIN:	UK: 1901507041 [info]

UK: 1901507041