Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Tracklist

1▶CD: Bach: Christmas Oratorio (Parts I-III)

2▶CD: Bach: Christmas Oratorio (Parts IV-VI)

3▶CD: Bach: St. Matthew Passion (Parts I & II beg.)

4▶CD: Bach: St. Matthew Passion (Part II cont.)

5▶CD: Bach: St. John Passion (Parts I & II beg.)

6▶CD: Bach: St. John Passion (Part II cont.)

7▶CD: Bach: Mass in B minor (Kyrie - Gloria)

8▶CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)

9▶CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51

10▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62

11▶CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133

12▶CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16

13▶CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156

14▶CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200

15▶CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66

16▶CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11

17▶CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34

18▶CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105

19▶CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113

20▶CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147

21▶CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198

22▶CD: Beethoven: Symphonies nos. 1 & 2

23▶CD: Beethoven: Symphonies nos. 3 “Eroica” & 4

24▶CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”

25▶CD: Beethoven: Symphonies nos. 7 & 8

26▶CD: Beethoven: Symphony no. 9 “Choral”

27▶CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major

28▶CD: Beethoven: Piano Concertos nos. 3 & 4

29▶CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80

30▶CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)

31▶CD: Beethoven: Violin Concerto

32▶CD: Beethoven: Missa solemnis

33▶CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major

34▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)

35▶CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)

36▶CD: Interviews with John Eliot Gardiner

37▶CD: Britten: War Requiem

38▶CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs

39▶CD: Bruckner: Mass no. 1 / 5 Motets

40▶CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri

41▶CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise

42▶CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances

43▶CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations

44▶CD: Handel: Acis and Galatea (Act I)

45▶CD: Handel: Acis and Galatea (Act II)

46▶CD: Handel: Hercules (Acts I & II beg.)

47▶CD: Handel: Hercules (Acts II cont. & III)

48▶CD: Haydn: The Creation (Parts I & II beg.)

49▶CD: Haydn: The Creation (Parts II cont. & III)

50▶CD: Haydn: The Seasons (Spring - Summer)

51▶CD: Haydn: The Seasons (Autumn - Winter)

52▶CD: Grainger: The Warriors / Holst: The Planets

53▶CD: Lehár: Die lustige Witwe

54▶CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder

55▶CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”

56▶CD: Monteverdi: Vespro della Beata Vergine nos. 1-10

57▶CD: Monteverdi: Vespro della Beata Vergine nos. 11-13

58▶CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)

59▶CD: Monteverdi: L'Orfeo (Acts III-V)

60▶CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)

61▼CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
#	Title	Artist	Length
1	L'incoronazione di Poppea: Atto Primo. Ritornello - “Ad altri tocca in sorte” (Ottone, Poppea) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing countertenor vocals [Ottone, cavalliero principalissimo]: Michael Chance (in 1993-12) soprano vocals [Poppea, dama nobilissima favorita di Nerone, che da lui viene assunta all'imperio]: Sylvia McNair (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L’ Incoronazione di Poppea: Act 1 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	6:17
2	L'incoronazione di Poppea: Atto Primo. “Infelice garzone!” (Arnalta) - “Otton, torna in te stesso” (Ottone) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing countertenor vocals [Ottone, cavalliero principalissimo]: Michael Chance (in 1993-12) mezzo-soprano vocals [Arnalta, vecchia nutrice, e consigliera di Poppea]: Bernarda Fink (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L’ Incoronazione di Poppea: Act 1 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	3:13
3	L'incoronazione di Poppea: Atto Primo. “Pur sempre di Poppea” (Drusilla, Ottone) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing countertenor vocals [Ottone, cavalliero principalissimo]: Michael Chance (in 1993-12) soprano vocals [Drusilla, dama di corte innamorata D'Ottone]: Catherine Bott (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L’ Incoronazione di Poppea: Act 1 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	5:17
4	L'incoronazione di Poppea: Atto Secondo. “Solitudine amata” (Seneca, Mercurio) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing baritone vocals [Mercurio]: Julian Clarkson (in 1993-12) bass vocals [Seneca, filosofo, maestro di Nerone]: Francesco Ellero d’Artegna (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	5:04
5	L'incoronazione di Poppea: Atto Secondo. “Il comando tiranno” (Liberto, Seneca) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing bass vocals [Seneca, filosofo, maestro di Nerone]: Francesco Ellero d’Artegna (in 1993-12) tenor vocals [Liberto, capitano della guardia de' Pretoriani]: Nigel Robson (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	4:11
6	L'incoronazione di Poppea: Atto Secondo. “Amici, è giunta l'ora” (Seneca) / “Non morir, Seneca, no!” (famigliari) / “Supprimete i singulti” (Seneca) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing baritone vocals [Coro de' famigliari di Seneca]: Julian Clarkson (in 1993-12) bass vocals [Seneca, filosofo, maestro di Nerone]: Francesco Ellero d’Artegna (in 1993-12) countertenor vocals [Coro de' famigliari di Seneca]: Roberto Balconi (in 1993-12) tenor vocals [Coro de' famigliari di Seneca]: Mark Tucker (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	5:28
7	L'incoronazione di Poppea: Atto Secondo. Ritornello - “Sento un certo non so che” (Valletto, Damigella) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing soprano vocals [Damigella dell'imperatrice]: Marinella Pennicchi (in 1993-12) soprano vocals [Valleto, paggio dell'imperatrice]: Constanze Backes (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	2:08
8	L'incoronazione di Poppea: Atto Secondo. “Dunque amor così comincia?” (Valletto, Damigella) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing soprano vocals [Damigella dell'imperatrice]: Marinella Pennicchi (in 1993-12) soprano vocals [Valleto, paggio dell'imperatrice]: Constanze Backes (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	3:49
9	L'incoronazione di Poppea: Atto Secondo. “Or che Seneca è morto” (Nerone, Lucano) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing soprano vocals [Nerone, imperator romano]: Dana Hanchard (in 1993-12) tenor vocals [Lucano, poeta familiar di Nerone [nipote di Seneca]]: Mark Tucker (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	5:41
10	L'incoronazione di Poppea: Atto Secondo. Ritornello - “Son rubini amorosi” (Nerone, Lucano) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing soprano vocals [Nerone, imperator romano]: Dana Hanchard (in 1993-12) tenor vocals [Lucano, poeta familiar di Nerone [nipote di Seneca]]: Mark Tucker (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	3:58
11	L'incoronazione di Poppea: Atto Secondo. “Tu che dagli avi miei” (Ottavia, Ottone) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing countertenor vocals [Ottone, cavalliero principalissimo]: Michael Chance (in 1993-12) mezzo-soprano vocals [Ottavia, imperatrice regnante, che viene repudiata da Nerone]: Anne Sofie von Otter (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	6:01
12	L'incoronazione di Poppea: Atto Secondo. “Felice cor mio” (Drusilla) / “Nutrice, quanto pagheresti” (Valletto, Nutrice, Drusilla) / Ritornello - “Il giorno femminil” (Nutrice, Valletto) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing countertenor vocals [Nutrice di Ottavia imperatrice]: Roberto Balconi (in 1993-12) soprano vocals [Drusilla, dama di corte innamorata D'Ottone]: Catherine Bott (in 1993-12) soprano vocals [Valleto, paggio dell'imperatrice]: Constanze Backes (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	4:34
13	L'incoronazione di Poppea: Atto Secondo. “Io son so dov'io vada” (Ottone, Drusilla) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing countertenor vocals [Ottone, cavalliero principalissimo]: Michael Chance (in 1993-12) soprano vocals [Drusilla, dama di corte innamorata D'Ottone]: Catherine Bott (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	5:33
14	L'incoronazione di Poppea: Atto Secondo. “Or che Seneca è morto” (Poppea, Arnalta) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing mezzo-soprano vocals [Arnalta, vecchia nutrice, e consigliera di Poppea]: Bernarda Fink (in 1993-12) soprano vocals [Poppea, dama nobilissima favorita di Nerone, che da lui viene assunta all'imperio]: Sylvia McNair (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	4:19
15	L'incoronazione di Poppea: Atto Secondo. “Adagiati, Poppea” - “Oblivion soave” (Arnalta) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing mezzo-soprano vocals [Arnalta, vecchia nutrice, e consigliera di Poppea]: Bernarda Fink (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	2:51
16	L'incoronazione di Poppea: Atto Secondo. “Dorme, l'incauta dorme” (Amore) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	2:34
17	L'incoronazione di Poppea: Atto Secondo. “Eccomi trasformato” (Ottone) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing countertenor vocals [Ottone, cavalliero principalissimo]: Michael Chance (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	3:16
18	L'incoronazione di Poppea: Atto Secondo. “Forsennato, scellerato” (Amore, Poppea, Arnalta) recording engineer: Reinhard Lagemann miscellaneous support: Charlotte Kriesch (task: coordination) executive producer: Dr. Peter Czornyj producer: Hans Bernhard Bätzing mezzo-soprano vocals [Arnalta, vecchia nutrice, e consigliera di Poppea]: Bernarda Fink (in 1993-12) soprano vocals [Poppea, dama nobilissima favorita di Nerone, che da lui viene assunta all'imperio]: Sylvia McNair (in 1993-12) orchestra: English Baroque Soloists (in 1993-12) conductor: Sir John Eliot Gardiner (in 1993-12) balance engineer: Rainer Maillard recorded at: Queen Elizabeth Hall in Lambeth, London, England, United Kingdom (in 1993-12) live partial recording of: L' Incoronazione di Poppea: Act 2 (in 1993-12) composer: Claudio Monteverdi part of: L’incoronazione di Poppea, SV 308	Claudio Monteverdi	1:57

62▶CD: Monteverdi: L'incoronazione di Poppea (Act III)

63▶CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382

64▶CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10

65▶CD: Mozart: Piano Concertos nos. 11, 12 & 13

66▶CD: Mozart: Piano Concertos nos. 14, 15 & 18

67▶CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21

68▶CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386

69▶CD: Mozart: Piano Concertos nos. 22 & 23

70▶CD: Mozart: Piano Concertos nos. 24 & 25

71▶CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27

72▶CD: Mozart: Idomeneo (Acts I & II beg.)

73▶CD: Mozart: Idomeneo (Acts II cont. & III beg.)

74▶CD: Mozart: Idomeneo (Act III cont.)

75▶CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)

76▶CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)

77▶CD: Mozart: Le nozze di Figaro (Acts I & II beg.)

78▶CD: Mozart: Le nozze di Figaro (Acts II cont. & III)

79▶CD: Mozart: Le nozze di Figaro (Act IV)

80▶CD: Mozart: Don Giovanni (Act I beg.)

81▶CD: Mozart: Don Giovanni (Acts I cont. & II beg.)

82▶CD: Mozart: Don Giovanni (Act II cont.)

83▶CD: Mozart: Così fan tutte (Act I beg.)

84▶CD: Mozart: Così fan tutte (Acts I cont. & II beg.)

85▶CD: Mozart: Così fan tutte (Act II cont.)

86▶CD: Mozart: La clemenza di Tito (Act I)

87▶CD: Mozart: La clemenza di Tito (Act II)

88▶CD: Mozart: Die Zauberflöte (Acts I & II beg.)

89▶CD: Mozart: Die Zauberflöte (Act II cont.)

90▶CD: Purcell: The Fairy Queen (Acts I-III)

91▶CD: Purcell: The Fairy Queen (Acts IV & V)

92▶CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba

93▶CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”

94▶CD: Schütz: 4 Motets and Songs / Musikalische Exequien

95▶CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52

96▶CD: Schumann: Symphonies nos. 4 (original version) & 2

97▶CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)

98▶CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)

99▶CD: Schumann: Das Paradies und die Peri (Parts II & III)

100▶CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms

101▶CD: Stravinsky: The Rake's Progress (Acts I & II beg.)

102▶CD: Stravinsky: The Rake's Progress (Acts II cont. & III)

103▶CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano

104▶CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger

105▶CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:	Clive Barda Sheila Rock
miscellaneous support:	Andreas Fischer (task: product manager) Lars Hoffman (task: creative production manager) Alan Newcombe (task: compilation)
design:	Mareike Walter
booklet editor:	Annette Nubbemeyer

Discogs:	https://www.discogs.com/release/23477642 [info]
discography entry:	https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]

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