Mod: The Collection

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1Digital Media
#TitleArtistLength
1Green OnionsBooker T. & the MG’s2:55
2Here I Go Again
recorded in:
Philadelphia, Pennsylvania, United States (on 1969-05-16)
bass [electric bass]:
Ronnie Baker (on 1969-05-16)
drums (drum set):
Earl Young (on 1969-05-16)
guitar:
Roland Chambers (on 1969-05-16) and Norman Harris (on 1969-05-16)
horn:
Sam Reed and His Horn Section (on 1969-05-16)
organ:
Thom Bell (on 1969-05-16)
piano:
Leon Huff (on 1969-05-16)
strings:
Don Renaldo and His String Section (on 1969-05-16)
vibraphone:
Bobby Martin (on 1969-05-16)
vocals:
Archie Bell (on 1969-05-16)
arranger:
Thom Bell and Leon Huff
Archie Bell & the Drells2:06
3Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (in 1967) and Atlantic Recording Corporation (in 1968)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music, Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. and Warner-Tamerlane Publishing Co.
Aretha Franklin2:43
4Something Good (Is Going to Happen to You)Carla Thomas2:38
5Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (in 1961-09)
drums (drum set):
Terry Johnson (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys2:37
6Looking for a Fox
recording engineer and producer:
Rick Hall
bass:
David Hood (on 1967-11-10)
drums (drum set):
Roger Hawkins (on 1967-11-10)
guitar:
Clarence Carter (on 1967-11-10)
organ:
Barry Beckett (on 1967-11-10)
tenor saxophone:
Charles Chalmers (on 1967-11-10), Andrew Love (on 1967-11-10) and Aaron Varnell (on 1967-11-10)
trumpet:
Gene Miller (on 1967-11-10) and Wayne Jackson (on 1967-11-10)
vocals:
Clarence Carter (on 1967-11-10)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1967-11-10)
recording of:
Looking for a Fox
writer:
Clarence Carter, Marcus Daniel, Rick Hall and Wilbur Terrell
Clarence Carter2:18
7Satisfied (single version)
Ben Aiken2:37
8Cool Jerk
The Capitols2:36
9Respect
recorded in:
Memphis, Tennessee, United States (on 1965-07-09)
recording engineer:
Tom Dowd
producer:
Steve Cropper and Jim Stewart
baritone saxophone:
Floyd Newman (on 1965-07-09)
bass guitar:
Donald “Duck” Dunn (on 1965-07-09)
drums (drum set):
Al Jackson, Jr. (on 1965-07-09)
guitar:
Steve Cropper (on 1965-07-09)
keyboard:
Booker T. Jones (in 1965-07) and Isaac Hayes (on 1965-07-09)
tenor saxophone:
Andrew Love (on 1965-07-09)
trumpet:
Gene “Bowlegs” Miller (in 1965-07) and Wayne Jackson (on 1965-07-09)
background vocals:
Earl Sims (on 1965-07-09)
recorded at:
Stax Studios in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
recording of:
Respect (in 1965-07)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Otis Redding2:11
10You’re Ready Now
Frankie Valli2:19
11Sweet Soul Music
engineer:
Jimmy Johnson
producer:
Otis Redding
guitar:
Moses Dillard (on 1967-01-20)
vocals:
Arthur Conley (on 1967-01-20)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-01-20)
part of:
Billboard: The 500 Best Pop Songs (number: 351)
recording of:
Sweet Soul Music (on 1967-01-20)
writer:
Arthur Conley, Sam Cooke and Otis Redding
publisher:
ABKCO Music and Rondor
is based on:
Yeah Man
Arthur Conley2:21
12B‐A‐B‐YCarla Thomas2:55
13Walkin’ Up a One Way Street
Willie Tee2:41
14I Can’t Break the News to MyselfBen E. King2:32
15I’m Gonna Run Away From You
recording of:
I’m Gonna Run Away From You
lyricist and composer:
Bert Russell Berns
Tami Lynn2:51
16Beggin’Frankie Valli & The Four Seasons2:46
17Me and My BabyMary Wells2:03
18StupiditySolomon Burke1:56
19You Got to Pay Your Dues
The Drifters2:35
20Baby Help Me
recording of:
Baby Help Me
lyricist and composer:
Bobby Womack
Percy Sledge2:33
21Mr. Creator
The Apollas2:39
22Hold On, I’m ComingSam & Dave2:36
23You Forgot How to Love
Patti LaBelle & The Bluebelles2:24
24What’cha Gonna Do About It (single version)Doris Troy1:52
25Walk On ByDionne Warwick2:55
26Seven Days Too Long (mono)
Chuck Wood2:21
27Open the Door to Your Heart
Darrell Banks2:37
28Knock on WoodEddie Floyd3:04
29Somebody (Somewhere) Needs MeIke & Tina Turner2:36
30You’ve Got That Something Wonderful
Percy Sledge2:24
31In the Midnight Hour
recorded in:
Memphis, Tennessee, United States (on 1965-05-12)
producer:
Jim Stewart and Jerry Wexler
baritone saxophone:
Floyd Newman (on 1965-05-12)
drums (drum set):
Al Jackson (on 1965-05-12)
electric bass guitar [electric bass]:
Donald “Duck” Dunn (on 1965-05-12)
guitar:
Steve Cropper (on 1965-05-12)
piano:
Joe Hall (on 1965-05-12)
tenor saxophone:
Charles “Packy” Axton (on 1965-05-12) and Andrew Love (on 1965-05-12)
trumpet:
Wayne Jackson (on 1965-05-12)
vocals:
Wilson Pickett (on 1965-05-12)
phonographic copyright (℗) by:
WEA International Inc. (in 1965)
recorded at:
Stax Studios in Memphis, Tennessee, United States (on 1965-05-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (number: 134) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 218)
recording of:
In the Midnight Hour (on 1965-05-12)
writer:
Steve Cropper and Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc., East Publishing Inc. and Irving Music, Inc.
Wilson Pickett2:37
32Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (on 1967-02-14)
piano:
Dewey "Spooner" Oldham (on 1967-02-14)
tenor saxophone:
Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
trumpet:
Melvin Lastie (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
phonographic copyright (℗) by:
Atlantic Recording Corporation (in 1967)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc., East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin2:27
33I’ll Be Loving You
Soul Brothers Six2:19
34Ooh Baby
Deon Jackson2:37
35Just One LookDoris Troy2:29
36Crazy Baby (single version)
The Coasters2:01
37Slip Away
recording engineer and producer:
Rick Hall
bass:
David Hood (on 1968-04-08)
drums (drum set):
Roger Hawkins (on 1968-04-08)
guitar:
Clarence Carter (on 1968-04-08)
organ:
Barry Beckett (on 1968-04-08)
tenor saxophone:
Charles Chalmers (on 1968-04-08), Andrew Love (on 1968-04-08) and Aaron Varnell (on 1968-04-08)
trumpet:
Gene Miller (on 1968-04-08) and Wayne Jackson (on 1968-04-08)
vocals:
Clarence Carter (on 1968-04-08)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (on 1968-04-08)
recording of:
Slip Away (on 1968-04-08)
writer:
William Armstrong, Marcus Daniel and Wilbur Terrell
publisher:
Screen Gems–EMI Music, Inc.
Clarence Carter2:28
38Things Get BetterEddie Floyd2:23
39Kiss My Love Goodbye (single version)
recording of:
Kiss My Love Goodbye
writer:
Tony Bell and Phil Hurtt
Bettye Swann3:22
40You Hit Me (Right Where It Hurt Me)
Alice Clark2:53
41Just Say Goodbye
cover recording of:
Just Say Goodbye (on 1965-12-22)
composer:
Ruth Grant and Rogers Grant
Esther Phillips2:15
42Philly Dog
recorded in:
New York, New York, United States (on 1966-05-26)
producer:
Nesuhi Ertegun
flute:
Herbie Mann (on 1966-05-26)
conductor:
Jimmy Wisner (on 1966-05-26)
arranger:
Jimmy Wisner
instrumental recording of:
Philly Dog (on 1966-05-26)
writer:
Rufus Thomas
Herbie Mann2:27
43The Return of the Prodigal Son
producer:
Arif Mardin
alto saxophone and flute:
James Spaulding (on 1966-10-19)
bass:
Bob Cunningham (on 1966-10-19)
drums (drum set):
Otis Ray Appleton (on 1966-10-19)
flugelhorn and trumpet:
Freddie Hubbard (on 1966-10-19)
percussion:
Ray Barretto (on 1966-10-19)
piano:
Albert Dailey (on 1966-10-19)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1966-10-19)
recording of:
Return of the Prodigal Son (on 1966-10-19)
composer:
Harold Ousley
Freddie Hubbard5:42
44Dance Dance Dance (mono)
recording of:
Dance, Dance, Dance (Casualeers song)
writer:
John Giametta and Rod McBrien
The Casualeers2:42
45Memphis Soul Stew
recorded in:
Memphis, Tennessee, United States (on 1967-07-05)
producer:
King Curtis
baritone saxophone:
Floyd Newman (on 1967-07-05)
bass guitar [bass]:
Tommy Cogbill (on 1967-07-05)
drums (drum set) [drums]:
Gene Chrisman (on 1967-07-05)
guitar:
R.F. Taylor (on 1967-07-05) and Reggie Young (on 1967-07-05)
organ:
Bobby Emmons (on 1967-07-05)
piano:
Bobby Wood (on 1967-07-05)
tenor saxophone:
Charles Chalmers (on 1967-07-05), King Curtis (on 1967-07-05) and Jimmy Mitchell (on 1967-07-05)
trumpet:
Bowlegs Miller (on 1967-07-05)
vocals:
King Curtis (on 1967-07-05)
recording of:
Memphis Soul Stew (on 1967-07-05)
writer:
Curtis Ousley
publisher:
Kilynn Music Publishing, Inc. and Pronto Music
King Curtis2:57
46Knucklehead
recorded in:
Memphis, Tennessee, United States (in 1967)
bass [electric bass]:
James Alexander (in 1967)
drums (drum set):
Carl Cunningham (in 1967)
guitar:
Jimmy King (in 1967)
harmonica:
Booker T. Jones (in 1967)
organ:
Ronnie Caldwell (in 1967)
tenor saxophone:
Phalon Jones (in 1967)
trumpet:
Ben Cauley (in 1967)
The Bar‐Kays2:23
47Mama Soul
recording of:
Mama Soul
writer:
Charlie Ingui and Richie Ingui
The Soul Survivors2:38
48Seventh Son
Mose Allison2:37
49I’m the One Who Loves YouThe Paramounts2:09
50What’d I Say, Pt. 1
producer:
Ahmet Ertegun and Jerry Wexler
alto saxophone and tenor saxophone:
David “Fathead” Newman (on 1959-02-18)
baritone saxophone:
Hank Crawford (on 1959-02-18)
bass:
Edgar Willis (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (on 1959-02-18)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1959-02-18)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 1)
partial recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music, Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp.
Ray Charles3:11
51Tainted Love
engineer:
Mike Stavrou and Gary Ulmer
producer:
Marc Bolan and Gloria Jones
recording of:
Tainted Love (in 1976)
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス
Gloria Jones2:43
52Somebody (Somewhere Needs You)
Darrell Banks2:33
53Soul FingerThe Bar‐Kays2:23
54Comin’ Home Baby
Mel Tormé2:39
55Land of 1000 Dances
producer:
Jerry Wexler
baritone saxophone:
Floyd Newman (from 1966-05-08 until 1966-05-11)
bass guitar [bass]:
Tommy Cogbill (from 1966-05-08 until 1966-05-11)
drums (drum set):
Roger Hawkins (from 1966-05-08 until 1966-05-11)
guitar:
Jimmy Johnson (from 1966-05-08 until 1966-05-11) and Chips Moman (from 1966-05-08 until 1966-05-11)
piano:
Spooner Oldham (from 1966-05-08 until 1966-05-11)
tenor saxophone:
Charles Chalmers (from 1966-05-08 until 1966-05-11) and Andrew Love (from 1966-05-08 until 1966-05-11)
trumpet:
Wayne Jackson (from 1966-05-08 until 1966-05-11)
vocals:
Wilson Pickett (from 1966-05-08 until 1966-05-11)
phonographic copyright (℗) by:
WEA International Inc.
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-05-08 until 1966-05-11)
cover recording of:
Land of 1000 Dances (from 1966-05-08 until 1966-05-11)
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
recording of:
Land of 1000 Dances
lyricist and composer:
Chris Kenner
additional writer:
Antoine Domino
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. and Tune-Kel
Wilson Pickett2:27
56Angel Baby (Don’t You Ever Leave Me)
Darrell Banks2:56
57Philly Dog
recording of:
Philly Dog
writer:
Rufus Thomas
The Mar‐Keys2:18
58Hold On (I’m Coming) (mono)Cliff Bennett & the Rebel Rousers2:21
59Keep On TalkingArthur Conley2:28
60Mr. Pitiful
recording of:
Mr. Pitiful
lyricist and composer:
Steve Cropper and Otis Redding
publisher:
Irving Music, Inc.
Otis Redding2:32
61The SidewinderHerbie Mann & Tamiko Jones3:03
62Both Ends Against the Middle
Jackie Moore2:30
63The Watusi: Killer Joe
Killer Joe Piro2:11
64Go for Yourself (single version)
Larry Laster2:35
65Something New to Do
Bobby Sheen2:34
66I Can’t Stop Lovin’ My Baby
Linda Jones2:05
67Big Bird
producer:
Booker T. Jones
recording of:
Big Bird
lyricist and composer:
Eddie Floyd and Booker T. Jones
Eddie Floyd3:00
68I’m Getting Weaker
The Soul Shakers2:32
69Got to Find a Way
Cajun Hart3:08
70Just Can’t Get Enough of YouThe Apollas2:25
71Mean It Baby
Carl Hall2:36
72If You Don’t Come Back (single version)
recorded in:
New York, New York, United States (on 1963-04-12)
guitar:
Billy Davis (on 1963-04-12)
baritone vocals:
Eugene Pearson (on 1963-04-12)
bass vocals:
Johnny Terry (on 1963-04-12)
tenor vocals:
Rudy Lewis (on 1963-04-12), Johnny Moore (on 1963-04-12) and Charlie Thomas (on 1963-04-12)
The Drifters2:37
73A Good Thing (Is Hard to Come By)
recorded in:
New York, New York, United States (on 1966-11-23)
recording engineer:
Tom Dowd
producer:
Ahmet Ertegun
bass:
Victor Gaskin (on 1966-11-23)
bass guitar:
Everett Barksdale (on 1966-11-23)
drums (drum set):
Roy McCurdy (on 1966-11-23)
flute:
Herbie Mann (on 1966-11-23)
percussion:
Carlos “Patato” Valdés (on 1966-11-23)
piano:
Joe Zawinul (on 1966-11-23)
vibraphone:
Roy Ayers (on 1966-11-23)
vocals:
Tamiko Jones (on 1966-11-23)
conductor:
Herbie Mann (on 1966-11-23)
arranger:
Joe Zawinul
Herbie Mann2:14
74Blues in the Night
Johnnie Taylor3:21
75My Girl Sloopy (live at the Uptown Philadelphia 1964)
The Vibrations3:14
76Some Kind of Wonderful
Soul Brothers Six2:38
77Walking the Dog
producer:
Jim Stewart
vocals:
Rufus Thomas
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 24)
recording of:
Walking the Dog (in 1963)
lyricist and composer:
Rufus Thomas
publisher:
Almo Music Corp. and East/Memphis Music
Rufus Thomas2:30
78Don’t You Even Care
Leslie Uggams2:04
79Tighten Up
Archie Bell3:13
80Number One in Your HeartHerbie Goins & The Nightimers2:45
81La La La La La
The Blendells2:57
82You Said You Loved Me
Deon Jackson2:33
83Man With the Golden Touch
Charles Thomas2:35
84Bring Your Love Back to Me
Linda Lyndell2:06
85I Got My Baby Back
Lorraine Ellison2:19
86You’re Absolutely Right
The Apollas2:20
87Can’t You See (You’re Losing Me)Mary Wells2:46
88In the Twilight Zone
The Astors2:45
89Frantic Escape
The Innocent Bystanders2:18
90Keep On Striving
Moses Smith2:44
91The Reason Why
The Dolls2:25
92Making Love After Hours
recording engineer:
Phil Iehle and Robert Wright
bass:
Major Holley (on 1965-03-14)
drums (drum set):
Charles Crosby (on 1965-03-14)
piano:
Lonnie Smith (on 1965-03-14)
wind instruments [tenor sax, manzello, stritch, clarinet, flute]:
Roland Kirk (on 1965-03-14)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1965-03-14)
Rahsaan Roland Kirk4:34
93Sho’ Nuff
J.J. Jackson3:04
94Come On, Let Me Love You
Moses Smith3:10
95Everybody Needs Somebody to LoveSolomon Burke2:45
96Where Did I Go Wrong?
The Embers2:20
97Skiing in the Snow
cover recording of:
Skiing in the Snow
writer:
Sandy Linzer and Denny Randell
The Invitations2:40
98Sock It to ’Em J.B.
Rex Garvin & The Mighty Cravers2:40
99Backlash
producer:
Arif Mardin
alto saxophone and flute:
James Spaulding (on 1966-10-19)
bass:
Bob Cunningham (on 1966-10-19, from 1966-10-19 until 1966-10-24)
brass:
Freddie Hubbard (from 1966-10-19 until 1966-10-24)
drums (drum set):
Otis Ray Appleton (on 1966-10-19) and Ray Appleton (from 1966-10-19 until 1966-10-24)
flugelhorn and trumpet:
Freddie Hubbard (on 1966-10-19)
flute:
James Spaulding (from 1966-10-19 until 1966-10-24)
percussion:
Ray Barretto (on 1966-10-19, from 1966-10-19 until 1966-10-24)
piano:
Albert Dailey (on 1966-10-19, from 1966-10-19 until 1966-10-24)
recorded at:
Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1966-10-19, from 1966-10-19 until 1966-10-24)
recording of:
Backlash (on 1966-10-19)
composer:
Donald Pickett
Freddie Hubbard4:15
100Able Mable
producer:
Al Jackson Jr. and Steve Cropper
recording of:
Able Mable
writer:
Lillie John and Mable John
Mable John2:39