| # | Title | Artist | Length |
|---|
| 1 | À toutes les filles | Félix Gray & Didier Barbelivien | 4:17 |
| 2 | Comment te dire adieu | Jimmy Somerville | 3:35 |
| 3 | Laissez-nous chanter | Gold | 4:16 |
| 4 | Owner of a Lonely Heart | Yes | 4:24 |
| 5 | Fuis Lawrence d’Arabie | Annabelle | 3:45 |
| 6 | Les divas du dancing | Philippe Cataldo | 5:00 |
| 7 | Rocking With My Radio | Lesley Jayne | 3:42 |
| 8 | Gym Tonic - Toutoutouyoutou | Moving On 80’s | 4:54 |
| 9 | Dream | P. Lion | 4:03 |
| 10 | Premiers frissons d’amour | Christine Roque | 3:59 |
| 11 | Toi, femme publique | Noé Willer | 3:14 |
| 12 | Ride Like the Wind | Christopher Cross | 3:48 |
| 13 | High Energy | Evelyn Thomas | 3:40 |
| 14 | So Many Men, So Little Time | Miquel Brown | 3:05 |
| 15 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- music videos:
- Love Shack by The B‐52’s
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider, Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 5:21 |
| 16 | Johnny Come Home | Fine Young Cannibals | 3:30 |
| 17 | Dolce Vita | Ryan Paris | 3:54 |
| 18 | Din Daa Daa | George Kranz | 3:34 |
| 19 | Est-ce que tu viens pour les vacances ? | David et Jonathan | 4:27 |
| 20 | La Boîte de jazz | Michel Jonasz | 2:59 |
