Sublime Pavarotti

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

35 chefs-d'oeuvre essentiels

Tracklist

1▶CD: Mélodies populaires et religieuses
2▼CD: Airs d'opéra
#TitleArtistLength
1Turandot: Nessun dorma
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1973)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:03
2Rigoletto: La donna e mobile
sound engineer:
Stanley Goodall and Kenneth Wilkinson
producer:
David Harvey and Michael Woolcock
tenor vocals [Duca]:
Luciano Pavarotti (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (on 1971-06-28)
recorded at:
Kingsway Hall in London, England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:29
3Aïda: Se quel guerrier... Celeste Aïda
tenor vocals [Radamès]:
Luciano Pavarotti
orchestra:
Vienna Volksoper Orchestra
conductor:
Leone Magiera
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1974)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:36
4La Bohème: Che gelida manina
engineer:
James Lock, Colin Moorfoot and Gordon Parry
producer:
James Mallinson and Ray Minshull
tenor vocals [Rodolfo]:
Luciano Pavarotti (in 1972-10)
orchestra:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (in 1973)
recorded at:
Jesus‐Christus‐Kirche in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:44
5L'élixir d'amour: Una furtiva lagrima
recording engineer and engineer:
James Lock and Kenneth Wilkinson
producer:
Christopher Raeburn
tenor vocals:
Luciano Pavarotti (from 1971-06-28 until 1971-07-16)
orchestra:
English Chamber Orchestra (from 1971-06-28 until 1971-07-16)
conductor:
Richard Bonynge (from 1971-06-28 until 1971-07-16)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1970-01 until 1970-06, from 1971-06-28 until 1971-07-16)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1971-06-28 until 1971-07-16)
composer:
Gaetano Donizetti (in 1832)
librettist:
Felice Romani
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:52
6Paillasse: Vesti la giubba
recording engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
tenor vocals [Canio (Pagliaccio)]:
Luciano Pavarotti (from 1977-03 until 1977-04)
orchestra:
National Philharmonic Orchestra (from 1977-03 until 1977-04)
conductor:
Giuseppe Patanè (from 1977-03 until 1977-04)
recorded at:
Kingsway Hall in London, England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (from 1977-03 until 1977-04)
composer and librettist:
Ruggero Leoncavallo (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo4:12
7Werther: Pourquoi me réveiller
recording engineer:
James Lock
producer:
Ray Minshull
tenor vocals [Werther]:
Luciano Pavarotti (in 1979-06)
orchestra:
National Philharmonic Orchestra (in 1979-06)
conductor:
Oliviero de Fabritiis (in 1979-06)
recorded at:
Walthamstow Town Hall in London, England, United Kingdom (in 1979-06)
recording of:
Werther : Acte III. « Toute mon âme est là ! » – « Pourquoi me réveiller ? » (Werther) (in 1979-06)
composer:
Jules Massenet
librettist:
Édouard Blau, Georges Hartmann and Paul Milliet
part of:
Werther : Acte III (Charlotte et Werther)
Jules Massenet3:12
8Faust: Quel trouble... Salut, demeure...
tenor vocals:
Luciano Pavarotti (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (in 1973-12)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (in 1973-12)
composer:
Charles Gounod (in 1859)
librettist:
Jules Barbier and Michel Carré
part of:
Faust : Acte III
partial recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust)
composer:
Charles Gounod (in 1859)
librettist:
Jules Barbier and Michel Carré
part of:
Faust : Acte III
Charles‐François Gounod5:34
9Carmen: La fleur que tu m'avais jetée
tenor vocals:
Luciano Pavarotti (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (in 1973-12)
recorded at:
Wiener Staatsoper in Innere Stadt, Wien, Austria (in 1973-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1973-12)
composer:
Georges Bizet (in 1875)
librettist:
Ludovic Halévy (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:35
10Le Trouvère: Di quella pira
recording engineer:
James Lock and Kenneth Wilkinson
producer:
Richard Beswick and Ray Minshull
choir vocals:
London Opera Chorus
soprano vocals [Leonora]:
Joan Sutherland (from 1976-09-08 until 1977-03-26)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark
vocals:
Graham Clark, Joan Sutherland and Luciano Pavarotti
orchestra:
National Philharmonic Orchestra (in 1976-09)
conductor:
Richard Bonynge (in 1976-09)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1976-09)
composer:
Giuseppe Verdi (in 1853)
librettist:
Salvadore Cammarano (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:25
11La traviata: Brindisi
assistant producer:
Andrew Cornall (in 1979-11)
producer:
Christopher Raeburn (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (in 1979-11)
orchestra:
National Philharmonic Orchestra (in 1979-11)
conductor:
Richard Bonynge (in 1979-11)
balance engineer:
James Lock (in 1979-11) and Kenneth Wilkinson (in 1979-11)
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:57
12Tosca: Atto I. “Recondita armonia”
bass vocals [Sacristan]:
Italo Tajo (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:06
13Tosca: “E lucevan le stelle”
engineer:
Colin Moorfoot and Kenneth Wilkinson
assistant producer:
Richard Beswick
producer:
James Mallinson
choir vocals:
Chor der Wiener Staatsoper
tenor vocals [Cavaradossi]:
Luciano Pavarotti (from 1978-05-31 until 1978-08-01)
orchestra:
Orchester der Wiener Staatsoper and National Philharmonic Orchestra (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (from 1978-05-31 until 1978-08-01)
recorded at:
Henry Wood Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01) and Kingsway Hall in London, England, United Kingdom (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:10
14La Gioconda: “Cielo e mar”
tenor vocals:
Luciano Pavarotti (in 1969)
orchestra:
New Philharmonia Orchestra (in 1969)
conductor:
Leone Magiera (in 1969)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo) (in 1969)
composer:
Amilcare Ponchielli
librettist:
Arrigo Boito
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli5:14
15La Favorite: “Spirto gentil”
recording engineer:
James Brown and James Lock
producer:
Christopher Raeburn
tenor vocals [Fernando]:
Luciano Pavarotti (in 1968-06)
orchestra:
Wiener Opernorchester (in 1968-06)
conductor:
Sir Edward Downes (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien, Austria (in 1968-06)
recording of:
La favorita: Atto IV, Scena 3. “Favorita del re!” (Baldassarre, Fernando) (in 1968-06)
composer:
Gaetano Donizetti
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando) (in 1968-06)
composer:
Gaetano Donizetti
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
Gaetano Donizetti5:38
16Andrea Chenier: Come un bel dì di maggio
tenor vocals:
Luciano Pavarotti
orchestra:
National Philharmonic Orchestra
conductor:
Riccardo Chailly
recording of:
Andrea Chénier: Atto IV. “Come un bel dì di maggio” (Chénier)
composer:
Umberto Giordano (in 1896)
librettist:
Luigi Illica (in 1896)
part of:
Andrea Chénier: Atto IV
Umberto Giordano3:00
17La Fille du régiment : « Ah, mes amis … »
recording engineer:
James Lock and Gordon Parry
producer:
Christopher Raeburn
baritone vocals:
Eric Garrett
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals [Tonio]:
Luciano Pavarotti
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge
chorus master:
Douglas Robinson
recorded at:
Kingsway Hall in London, England, United Kingdom (in 1967-07)
recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio)
composer:
Gaetano Donizetti
part of:
La Fille du régiment : Acte I
Gaetano Donizetti6:55

Credits

Release

ASIN:FR: B00004UGSA [info]