Jah Won’t Pay the Bills (black vinyl)

~ Release by Sublime (see all versions of this release, 6 available)

Annotation

25th anniversary “Record Store Day first” release reissue; on vinyl for the first time. Limited to 8000 copies.
On this release the version of “Let’s Go Get Stoned” is edited to remove a sample of the song with the same name by Ray Charles, samples that form an intro for Had a DAT have been removed and an outro to Live at E’s has been added.

Tracklist

1▼12" Vinyl
#TitleLength
Side Juan 1D.J.’s
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
D.J.s
lyricist and composer:
Bradley Nowell
is based on:
A Message to You, Rudy
is based on:
Corner Stone
is based on:
Na Touch Da Just
is based on:
Ride Natty Ride
3:24
Side Juan 2Badfish
recording engineer, engineer, producer and mixer:
Elephant Levitation (in 1991)
acoustic guitar and electric guitar:
Brad Nowell (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass] and organ:
Eric Wilson (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
Badfish
lyricist and composer:
Bradley Nowell
is based on:
All the Fun That We Missed
is based on:
Nite Klub
3:07
Side Juan 3Lets Go Get Stoned
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
edit of:
Lets Go Get Stoned by Sublime
recording of:
Let’s Go Get Stoned
lyricist and composer:
Bradley Nowell
is based on:
#1 Hit Song
3:33
Side Juan 4Newsong
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
New Song (Sublime)
composer:
Sublime
is based on:
Can't Do Nuttin' for Ya Man
is based on:
The Nigga Ya Love to Hate
3:19
Side Juan 5Had a DAT
engineer and mixer:
Michael "Miguel" Happoldt (in 1989)
producer:
Michael "Miguel" Happoldt
edit of:
Had a DAT by Sublime
recording of:
Had a DAT
writer:
Sublime
3:28
Back Side 1Don’t Push
recording engineer:
Gary Greeth (in 1988)
engineer and mixer:
Steve McNeil (in 1988)
producer:
Bradley Nowell (in 1988)
drums (drum set) [drums]:
Floyd I (in 1988)
electric bass guitar [bass]:
Eric Wilson (in 1988)
electric guitar:
Brad Nowell (in 1988)
vocals:
Brad Nowell (in 1988)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1988)
recording of:
Don’t Push (in 1988)
composer:
Sublime
is based on:
Buffalo Soldier
is based on:
Comfortably Numb
is based on:
Could You Be Loved
is based on:
Lick a Shot
is based on:
She’s Crafty
is based on:
Up All Night (Boomtown Rats)
is based on:
Wake the Town (Tenor Saw)
is based on:
We Rule the Dancehall
3:53
Back Side 2Ball and Chain
recording engineer:
Gary Greeth (in 1989)
mixer:
Steve McNeil (in 1989)
drums (drum set):
Bud Gaugh (in 1989)
electric bass guitar:
Eric Wilson (in 1989)
electric guitar and lead vocals:
Bradley Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Ball and Chain (Sublime) (in 1989)
lyricist and composer:
Bradley Nowell
3:42
Back Side 3Slowride
recording engineer:
Gary Greeth (in 1989)
engineer and mixer:
Steve McNeil (in 1989)
producer:
Sublime
drums (drum set) [drums]:
Floyd I (in 1989)
electric bass guitar [bass]:
Eric Wilson (in 1989)
electric guitar:
Brad Nowell (in 1989)
vocals:
Brad Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Slow Ride (in 1989)
writer:
Sublime
4:23
Back Side 4Date Rape
recording engineer:
Gary Greeth (in 1989)
mixer:
Steve McNeil (in 1989)
drums (drum set):
Bud Gaugh (in 1989)
electric bass guitar:
Eric Wilson (in 1989)
electric guitar and lead vocals:
Bradley Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Date Rape (in 1989)
lyricist and composer:
Bradley Nowell
is based on:
Mandingo
4:08
Back Side 5Live at E’s
compilation of:
Live at E’s by Sublime and Outro by Sublime
recording of:
Live at E’s
3:35