| # | Title | Artist | Length |
|---|
| 1 | It's Like That | Run‐D.M.C. vs. Jason Nevins | 4:10 |
| 2 | Feel It | The Tamperer featuring Maya | 3:13 |
| 3 | Horny | Mousse T. vs. Hot ’n’ Juicy | 3:06 |
| 4 | La Primavera | Sash! | 3:35 |
| 5 | Carnaval De Paris | Dario G | 3:59 |
| 6 | Deeper Underground | Jamiroquai | 3:34 |
| 7 | Brimful of Asha (Norman Cook remix) | Cornershop | 4:01 |
| 8 | Lost in Space | Apollo 440 | 3:26 |
| 9 | If You Tolerate This Your Children Will Be Next | Manic Street Preachers | 4:50 |
| 10 | Mulder & Scully | Catatonia | 4:10 |
| 11 | Sound of Drums | Kula Shaker | 4:16 |
| 12 | The Ballad of Tom Jones | Space feat. Cerys of Catatonia | 4:10 |
| 13 | Save Tonight | Eagle‐Eye Cherry | 3:51 |
| 14 | Smoke | Natalie Imbruglia | 4:38 |
| 15 | Dreams (Tee's radio)- recording engineer:
- Oliver Leiber and Barry Rudolph
- guitar programming:
- Oliver Leiber
- programming:
- Peter Rafelson
- assistant sound engineer:
- Stuart Grusin and Matt Silva
- audio engineer:
- Phillip Begley (lead vocals, background vocals)
- additional producer:
- Todd Terry
- mixer:
- Rob Chiarelli
- drums (drum set):
- Caroline Corr
- guitar:
- Jim Corr
- tin whistle and lead vocals:
- Andrea Corr
- violin:
- Sharon Corr
- background vocals:
- Caroline Corr, Jim Corr and Sharon Corr
- remixer:
- Todd Terry
- recorded at:
- Ollywood Studios in Hollywood, Los Angeles, California, United States, Rafelson Recording in Los Angeles, California, United States and Westland Studios in Dublin, County Dublin, Leinster, Ireland
- mixed at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States
- cover recording of:
- Dreams
- lyricist and composer:
- Stevie Nicks
- publisher:
- Gentoo Music, Inc., Kobalt Music Publishing Ltd. and Welsh Witch Music (in 1977)
| The Corrs | 3:53 |
| 16 | Say You Love Me | Simply Red | 3:42 |
| 17 | All My Life | K‐Ci & JoJo | 3:42 |
| 18 | Life | Des’ree | 3:28 |
| 19 | Sex on the Beach | T‐Spoon | 3:43 |
| 20 | Three Lions 98 | Baddiel, Skinner & The Lightning Seeds | 3:56 |
